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The Angel in the House

Coventry Patmore

Abandon’d to delicious thought Beneath the softly twinkling shade. The leaves, all stirring, mimick’d well A neighbouring rush of rivers cold, And, as the sun or shadow fell, So these were green and those were gold; In dim recesses hyacinths droop’d, And breadths of primrose lit the air, Which, wandering through the woodland, stoop’d And gather’d perfumes here and there; Upon the spray the squirrel swung, And careless songsters, six or seven. Sang lofty songs the leaves among, Fit for their only listener, Heaven. I sigh’d, ‘Immeasurable bliss Gains nothing by becoming more! Millions have meaning; after this Cyphers forget the integer.’ 2 And so I mused, till musing brought A dream that shook my house of clay, And, in my humbled heart, I thought, To me there yet may come a day With this the single vestige seen Of comfort, earthly or divine, My sorrow some time must have been Her portion, had it not been mine. Then I, who knew, from watching life, That blows foreseen are slow to fall, Rehearsed the losing of a wife, And faced its terrors each and all. The self-chastising fancy show’d The coffin with its ghastly breath; The innocent sweet face that owed None of its innocence to death; The lips that used to laugh; the knell That bade the world beware of mirth; The heartless and intolerable Indignity of ‘earth to earth;’ At morn remembering by degrees That she I dream’d about was dead; Love’s still recurrent jubilees, The days that she was born, won, wed; The duties of my life the same, Their meaning for the feelings gone; Friendship impertinent, and fame Disgusting; and, more harrowing none, Small household troubles fall’n to me, As, ‘What time would I dine to-day?’ And, oh, how could I bear to see The noisy children at their play. Besides, where all things limp and halt, Could I go straight, should I alone Have kept my love without default, Pitch’d at the true and heavenly tone? The festal-day might come to mind That miss’d the gift which more endears; The hour which might have been more kind, And now less fertile in vain tears; The good of common intercourse, For daintier pleasures, then despised, Now with what passionate remorse, What poignancy of hunger prized! The little wrong, now greatly rued, Which no repentance now could right; And love, in disbelieving mood, Deserting his celestial height. Withal to know, God’s love sent grief To make me less the world’s, and more Meek-hearted: ah, the sick relief! Why bow’d I not my heart before? 3 ‘What,’ I exclaimed, with chill alarm, ‘If this fantastic horror shows The feature of an actual harm!’ And, coming straight to Sarum Close, As one who dreams his wife is dead, And cannot in his slumber weep, And moans upon his wretched bed, And wakes, and finds her there asleep, And laughs and sighs, so I, not less Relieved, beheld, with blissful start, The light and happy loveliness Which lay so heavy on my heart. CANTO VIII. The Koh-i-noor. PRELUDES. I. _In Love_. IF he’s capricious she’ll be so, But, if his duties constant are, She lets her loving favour glow As steady as a tropic star; Appears there nought for which to weep, She’ll weep for nought, for his dear sake; She clasps her sister in her sleep; Her love in dreams is most awake. Her soul, that once with pleasure shook, Did any eyes her beauty own, Now wonders how they dare to look On what belongs to him alone; The indignity of taking gifts Exhilarates her loving breast; A rapture of submission lifts Her life into celestial rest; There’s nothing left of what she was; Back to the babe the woman dies, And all the wisdom that she has Is to love him for being wise. She’s confident because she fears; And, though discreet when he’s away, If none but her dear despot hears, She prattles like a child at play. Perchance, when all her praise is said, He tells the news, a battle won, On either side ten thousand dead. ‘Alas!’ she says; but, if ’twere known, She thinks, ‘He’s looking on my face! I am his joy; whate’er I do, He sees such time-contenting grace In that, he’d have me always so!’ And, evermore, for either’s sake, To the sweet folly of the dove, She joins the cunning of the snake, To rivet and exalt his love; Her mode of candour is deceit; And what she thinks from what she’ll say (Although I’ll never call her cheat), Lies far as Scotland from Cathay. Without his knowledge he was won; Against his nature kept devout; She’ll never tell him how ’twas done, And he will never find it out. If, sudden, he suspects her wiles, And hears her forging chain and trap, And looks, she sits in simple smiles, Her two hands lying in her lap. Her secret (privilege of the Bard, Whose fancy is of either sex), Is mine; but let the darkness guard Myst’ries that light would more perplex! II. _Love Thinking_. What lifts her in my thought so far Beyond all else? Let Love not err! ’Tis that which all right women are, But which I’ll know in none but her. She is to me the only Ark Of that high mystery which locks The lips of joy, or speaks in dark Enigmas and in paradox; That potent charm, which none can fly, Nor would, which makes me bond and free, Nor can I tell if first ’twas I Chose it, or it elected me; Which, when I look intentest, lo, Cheats most mine eyes, albeit my heart, Content to feel and not to know, Perceives it all in every part; I kiss its cheek; its life divine Exhales from its resplendent shroud; Ixion’s fate reversed is mine, Authentic Juno seems a cloud; I feel a blessed warmth, I see A bright circumference of rays, But darkness, where the sun should be, Fills admiration with amaze; And when, for joy’s relief, I think To fathom with the line of thought The well from which I, blissful, drink, The spring’s so deep I come to nought. III. _The Kiss_. ‘I saw you take his kiss!’ ‘’Tis true.’ ‘O, modesty!’ ‘’Twas strictly kept: He thought me asleep; at least, I knew He thought I thought he thought I slept.’ THE KOH-I-NOOR. 1 ‘Be man’s hard virtues highly wrought, But let my gentle Mistress be, In every look, word, deed, and thought, Nothing but sweet and womanly! Her virtues please my virtuous mood, But what at all times I admire Is, not that she is wise or good, But just the thing which I desire. With versatility to sing The theme of love to any strain, If oft’nest she is anything, Be it careless, talkative, and vain. That seems in her supremest grace Which, virtue or not, apprises me That my familiar thoughts embrace Unfathomable mystery.’ 2 I answer’d thus; for she desired To know what mind I most approved; Partly to learn what she inquired, Partly to get the praise she loved. 3 I praised her, but no praise could fill The depths of her desire to please, Though dull to others as a Will To them that have no legacies. The more I praised the more she shone, Her eyes incredulously bright, And all her happy beauty blown Beneath the beams of my delight. Sweet rivalry was thus begot; By turns, my speech, in passion’s style, With flatteries the truth o’ershot, And she surpass’d them with her smile. 4 ‘You have my heart so sweetly seiz’d, And I confess, nay, ’tis my pride That I’m with you so solely pleased, That, if I’m pleased with aught beside, As music, or the month of June, My friend’s devotion, or his wit, A rose, a rainbow, or the moon, It is that you illustrate it. All these are parts, you are the whole; You fit the taste for Paradise, To which your charms draw up the soul As turning spirals draw the eyes. Nature to you was more than kind; ’Twas fond perversity to dress So much simplicity of mind In such a pomp of loveliness! But, praising you, the fancy deft Flies wide, and lets the quarry stray, And, when all’s said, there’s something left, And that’s the thing I meant to say.’ ‘Dear Felix!’ ‘Sweet, my Love!’ But there Was Aunt Maude’s noisy ring and knock! ‘Stay, Felix; you have caught my hair. Stoop! Thank you!’ ‘May I have that lock?’ ‘Not now. Good morning, Aunt!’ ‘Why, Puss, You look magnificent to-day.’ ‘Here’s Felix, Aunt.’ ‘Fox and green goose! Who handsome gets should handsome pay! Aunt, you are friends!’ ‘Ah, to be sure! Good morning! Go on flattering, sir; A woman, like the Koh-i-noor, Mounts to the price that’s put on her.’ CANTO IX. The Friends. PRELUDES. I. _The Nursling of Civility_. LO, how the woman once was woo’d; Forth leapt the savage from his lair, And fell’d her, and to nuptials rude He dragg’d her, bleeding, by the hair. From that to Chloe’s dainty wiles And Portia’s dignified consent, What distance! Bat these Pagan styles How far below Time’s fair intent! Siegfried sued Kriemhild. Sweeter life Could Love’s self covet? Yet ’tis snug In what rough sort he chid his wife For want of curb upon her tongue! Shall Love, where last I leave him, halt? Nay; none can fancy or forsee To how strange bliss may time exalt This nursling of civility. II. _The Foreign Land_. A woman is a foreign land, Of which, though there he settle young, A man will ne’er quite understand The customs, politics, and tongue. The foolish hie them post-haste through, See fashions odd, and prospects fair, Learn of the language, ‘How d’ye do,’ And go and brag they have been there. The most for leave to trade apply, For once, at Empire’s seat, her heart, Then get what knowledge ear and eye Glean chancewise in the life-long mart. And certain others, few and fit, Attach them to the Court, and see The Country’s best, its accent hit, And partly sound its polity. III. _Disappointment_. ‘The bliss which woman’s charms bespeak, I’ve sought in many, found in none!’ ‘In many ’tis in vain you seek What only can be found in one.’ THE FRIENDS. 1 Frank’s long, dull letter, lying by The gay sash from Honoria’s waist, Reproach’d me; passion spared a sigh For friendship without fault disgraced. How should I greet him? how pretend I felt the love he once inspired? Time was when either, in his friend, His own deserts with joy admired; We took one side in school-debate, Like hopes pursued with equal thirst, Were even-bracketed by Fate, Twin-Wranglers, seventh from the First; And either loved a lady’s laugh More than all music; he and I Were perfect in the pleasant half Of universal charity. 2 From pride of likeness thus I loved Him, and he me, till love begot The lowliness which now approved