The Corbin necklace
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THE CORBIN NECKLACE
The Corbin Necklace
By HENRY KITCHELL WEBSTER
AUTHOR OF
“The Innocents,” “Joseph Greer and His Daughter,”
“Mary Wollaston,” “The Thoroughbred,” etc.
A. L. BURT COMPANY
Publishers New York
Published by arrangement with The Bobbs-Merrill Company
Printed in U. S. A.
COPYRIGHT, 1926
BY THE BOBBS-MERRILL COMPANY
_Printed in the United States of America_
COPYRIGHT, 1926
BY LIBERTY WEEKLY, INCORPORATED
CONTENTS
CHAPTER PAGE
I PUNCH--AND JUDY 1
II SHOAL WATER 20
III FRUSTRATION OF PUNCH 35
IV SOMETHING BEHIND 51
V THE LEGS OF A SUIT OF PAJAMAS 77
VI REWARD OF MERIT 91
VII IN THE SUMMER-HOUSE 102
VIII EXPERT CONSIDERATION 115
IX MYSTIFICATION OF EAGLE-EYE 139
X TRANSFORMATION SCENE 155
XI WHEN I CAME IN 168
XII AN EXCURSION INTO ARCADY 180
XIII STUNG! 196
XIV A POINT OF HONOR 212
XV BLACK LOOKS 220
XVI THE GENTLE ART 234
XVII SOME MUST WATCH 253
XVIII PEACOCK FEATHERS 268
XIX THE AUTOCRAT 288
THE CORBIN NECKLACE
THE CORBIN NECKLACE
CHAPTER I
PUNCH--AND JUDY
“How much do you suppose it’s really worth?” Punch wanted to know.
“Your grandmother’s necklace?” I inquired. It had been ten minutes or
so since we’d mentioned it. Evidently, though, it was still on his
mind. “Oh, something fabulous,” I told him.
But I saw at once that the reply hadn’t passed muster. It had
struck him, apparently, as a typically adult remark, frivolous, or
ignorant--or both. I don’t like being a typical adult to Punch so I
tried to do better.
“I don’t know much about pearls,” I said. “They’re a special subject.
And I haven’t even seen the necklace since your mother wore it at some
ball or other--oh, pre-war. Perhaps a dozen years ago. But you can put
it at this, safely enough. If it were sold and the money it brought
invested, even conservatively, it would produce an income one could
live on.”
“If you had to sell it to a fence, though,” Punch observed, “you
wouldn’t get near so much for it. And a regular jeweler would know
where it came from, if you’d stolen it, and call up the police. I
suppose the way to do would be to break the string and sell the pearls
one or two at a time. Even that would be pretty hard to do.”
“You aren’t planning to steal the necklace yourself, are you?” I
inquired.
He smiled politely, by way of acknowledging the joke, but without
losing his thoughtful air.
“It was horribly silly putting it in the paper, anyhow.”
“Putting what in the paper?”
“About how Gran was going to give it to Judy for a wedding present.
I’ve got it here. I tore it out of Tuesday’s paper. I thought perhaps
it was just as well not to have it lying around the house.”
He removed it in a wad from a pocket in his knickerbockers and brought
it around for me to see.
There were columns about Judith Corbin’s approaching wedding in
all the papers, these days. Justifiably, too, perhaps. If news is
whatever people are curious about, the Corbins have been news for
three generations. But the particular article which Punch had put into
my hand was written in the vein I most detest, knowing, insinuating,
pandering to the most abject form of snobbery.
“Confound American newspapers!” I said.
Punch caught me up sharply. “It isn’t their fault,” he declared.
“They’re better than the newspapers in any other country.”
His Americanism, I may remark, is almost rabid. As a result of his
having been dragged all over Europe for most of his boyhood, the
temperature of his patriotism is far above normal; say about one
hundred and four. It goes rather oddly with the rest of him for in the
other respects he’s an incorruptible realist.
“My remark about American newspapers is stricken out,” I said hastily.
“I didn’t mean to insult our country. But I agree with you that the
reference to the necklace is unfortunate. Of course your mother....”
I was going to say, “knows best,” or something like that, just to avoid
any implied criticism of Victoria. But Punch broke in.
“I don’t think it was mother who told them. She’s been kind of funny
about that necklace.”
Well, there were old reasons why the necklace should be a sore
point with Victoria. I didn’t feel like going into them with her
thirteen-year-old son.
“Where is it?” I asked. “In the bank, I suppose?”
“No, it isn’t. It’s down here. Grandmother’s got it in that silly old
safe of hers. Isn’t that the worst possible place to keep anything that
people might want to steal? It isn’t supposed to be hard at all to open
an ordinary safe. If Gran would just give it to me and let me hide it
for her, somewhere, it would be a whole lot safer.”
“I know,” I agreed, “that in every detective story and in most plays
there’s a character who can sandpaper the tips of his fingers and open
a safe quicker than I can break into a can of sardines. Whether experts
of that sort are really so numerous, or safes so little entitled to
their name, I don’t know.”
He didn’t a bit mind my laughing at him. “Well,” he said, “there’s
going to be big trouble, I bet, before this business is over.”
Certainly there’s no denying that in this instance Punch was a good
prophet.
It is probably unnecessary to remark that he derives his nickname from
the fact that his sister had been named Judith. He was christened John
Benedict Corbin, as were his father and grandfather, both now long
dead, before him. And perhaps, since I have been in a way commissioned
to set down an account of the business of the next few days and the
trouble it involved, I may as well begin being a little more explicit.
The consensus seems to be that I know as much about it as anybody,
though--or perhaps because--I have really been very little involved.
I might have been involved a good deal deeper, since I’m the Corbins’
only near neighbor. The original plan had been that on the occasion
of Judith’s wedding--an old-style country wedding it was to be--I
should keep bachelor’s hall for the groom, his best man and some of
the ushers. Also, as a traditional friend of the family, I’d have
been over at The Oaks most of the time from the beginning of the
festivities to the end. But my house, a few days earlier, had been
pretty well wrecked and gutted by a bad fire, and in the course of my
efforts to get things out of the burning building, I’d had the serious
misfortune--that, anyhow, was the way I felt about it at the time--to
break my leg.
In the light of ensuing events, I’m not altogether sorry that I had
to spend those wretched days in my gardener’s cottage with my leg
in a cast. It had, at least, its compensations. Nobody, as far as I
know, from first to last suspected me of complicity in, or even guilty
knowledge of, any crime. A pair of crutches, which I was frightfully
clumsy with, a twenty-pound cast on my leg and an iron-clad alibi
served to protect me. And with Punch for a daily visitor, I don’t think
I missed much of the excitement.
It is possible that since he takes his obligations seriously, he felt
he owed me something in return for the thrill he’d been afforded by my
fire and my broken leg. He’d helped the surgeon put on the cast--this
was before my nurse arrived--and he took a professional, almost a
proprietary, interest in the damaged limb from that point on. But I’m
proud to believe that Punch likes me. I’m not often, he’s good enough
to imply, betrayed into that levity in dealing with serious matters, to
which most of my generation are incorrigibly addicted. I’m coeval more
or less with his mother.
I’ve always known Victoria and got on with her well enough, though
I never was one of her numerous adorers. Perhaps it was their
numerousness that put me off. I haven’t, either, in the years since
her husband’s death, always applauded her judgment, especially in the
matter of bringing up her children. But I’d be the first to admit that
she’s had difficulties.
Oh well, perhaps, since I’ve already kept Punch waiting so long, I may
as well go ahead and tell my history right end to.
The first John Corbin’s father, Peter, I think his name was, came out
to these parts somewhere about the time of the Black Hawk War. His
ancestors had been seafaring folk--Newburyport, I think they came
from--and had prospered at it. Peter had money behind him, anyhow,
and he got possession of some thousands of acres of the best land in
Illinois--chased the Indians off it, I suppose--and built his first
house out of bricks that he made on the place.
His son, Punch’s grandfather, inherited the whole thing. He may have
been able enough, though I suspect the line was thinning out. Anyhow,
the most important thing about him is the woman he married.
I haven’t an idea who, in the social sense, she was. But certainly
for the past fifty years or so she has been a tremendous person. She
had two sons--she’d probably have had a dozen but for her husband’s
untimely death. She completely dominated the elder, Punch’s father, and
quarreled violently with the younger one, Alexander--she quarreled with
everybody she couldn’t dominate--so that he ran away, fought in the
Spanish War, went out to the Philippines and stayed there.
John married Victoria Ashcroft; he died two or three months before
Punch was born. Judy remembers him, of course, and adores his memory.
It’s one of the reasons, perhaps, why she doesn’t get on better with
her mother.
The proceeding years never softened up the old lady a bit. Her
husband’s will left the whole fortune in her hands, and she has used
it remorselessly as a club to enforce submission to her ideas. In the
main I think her ideas have been pretty sound--certainly her business
judgment has always been above reproach--but they aren’t Victoria’s
ideas in the least. It’s hard to imagine a more difficult position than
that of being old Mrs. Corbin’s daughter-in-law.
The famous necklace affords an illustration. As an adornment it has
long been useless to the old lady. She’s been crippled with arthritis
for years, living, from somewhere about dawn till nine o’clock at
night, in a wheel chair. Victoria used to wear the necklace frequently.
Pearls, I believe, and especially old pearls, need wear. And the thing
was popularly supposed to be hers.
But between the old lady and Victoria there was never any ambiguity
about it. The mother-in-law kept tabs on it most jealously; decreed
when it should be worn and when it should not, and kept it most of the
time in her possession. She has never liked Victoria, has often openly
mistrusted her, and it was easy to believe that her decision to give
the necklace to Judy was inspired by a wish to do Victoria out of it
finally.
With the children Victoria more nearly had her own way. She had some
money of her own, though nowhere near enough to carry out her program
for them, and as long as she could keep them away from The Oaks, far
enough away to sift out details, their grandmother’s edicts were of
little effect.
But too far Victoria dared not go. There could be no shadow of doubt
that the old lady was in her right mind and able to make a will, and
upon this will the disposal of the whole Corbin fortune depended. She
could found a theological seminary with it if she liked.
To make it harder for Victoria--as if it weren’t hard enough