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The Egyptian Book of the dead

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and Pehsukher, _Miss. Arch. Française_, V, pp. 229 and 289). And ⁂⁂ _string_, _rope_ is connected with the notion of ‘throwing’ like our own _warp_ with _werfen_ (Goth. _vairp-an_) and ῥίπ-τω. ----- Footnote 108: The ⁂⁂⁂⁂, _Rechit_, mankind actually, living, as distinguished from the dead or yet unborn. Chapter CXX is a repetition of Chapter XII. Chapter CXXI is a repetition of Chapter XIII. Chapter CXXII is a repetition of Chapter LVIII. ------------------------------------ CHAPTER CXXIII. _Chapter_(1.) _whereby one entereth into the Great House._ Hail to thee, O Tmu, I am Thoth. I have equally balanced the Divine Pair, I have put a stop to their strife, I have ended their complaints. I have rescued the Âtu from his backward course. I have done what thou hast prescribed for him. And I rest since then within my own Eye. I am free from obstruction; and I come that thou mayest see me in the house where I repeat the ancient ordinances and words, as a guidance wherewith thou shalt guide posterity.(2.) NOTES. 1. This chapter (which is repeated in Chapter 139) is like the repetition of an important passage in Chapter 110. But the differences are very considerable, and it is for criticism to decide the question of priority between the two recensions. Whichever be the earlier recension, the present one is of very great interest and importance. It is found on two of the most carefully written papyri of the eighteenth dynasty. But the most interesting feature is the mythological allusion at this date (_at latest_) to an astronomical phenomenon, with reference to which later researches may furnish fresh evidence. The speaker in this chapter is said (not merely implied, as in Chapter 110, _see_ note 5) to be Thoth, who is the measurer of all things in heaven and earth, and the author and regulator of all science. He is here said to have established the _equilibrium_ ⁂⁂⁂ between the Divine Pair, Horus and Sutu; that is Day and Night. Such an equilibrium, strictly speaking, never exists except at the _Equinoxes_. But the most important passage is, “I have rescued the _Âtu_ from his backward course.” The ⁂⁂⁂ _Âtu_ is a mythological _fish_, who is represented as following the course of the Bark of Rā. The meaning of the name is, _the Cleaver_, _Divider_, _Cutter in two_ ⁂⁂. It is one of the appellatives of the Sun-god, with reference to his path through the sky. But what is that solar phenomenon specially deserving to be characterised by its _motion backwards_ ⁂⁂⁂? I do not think any astronomer would hesitate to answer, that _Precession_ is meant. The cause of Precession could only be known to really scientific philosophers (which is out of question in this case), but the _phenomena_ would necessarily be noted by those who had important interests in keeping their calendar correct.[109] Even the Chinese, by dint of records and without any mathematics, came to infer the precession of the equinoxes; so did the Egyptians apparently at a very much earlier period; and Hipparchus, who has the credit of the discovery, may have learnt it from them. Although ⁂⁂ is commonly represented as a _fish_, the same name is given to a _Crustacean_ ⁂, ⁂ whose organs of locomotion are specially adapted for backward motion. “_Rescuing_ the Âtu from its backward course” can mean nothing less than being able to _correct_ or (in technical language) to _equate_ the phenomena. It might perhaps be suggested that the backward course here spoken of has reference to the year of 360 days, corrected at an early period by the addition of the five supplementary days. This would certainly have been a very probable explanation of the clause, but for the direct connection which this has with what precedes, concerning the equilibrium between Day and Night; that is, the Equinox. 2. _Posterity_, ⁂⁂⁂⁂⁂⁂ literally, _minores_. The word in the present context seems to have a different meaning from what it has in Chapter 110, where it is put in contrast with ⁂⁂⁂⁂⁂ violent ones, against whom Thoth interposes his protection. ------------------------------------------------------------------------ PLATE XXXII. BOOK OF THE DEAD.
Illustration note[Illustration: CHAPTER CXXV. =Papyrus, Musée du Louvre, III, 36.= ]
[Illustration: CHAPTER CXXV. =Papyrus, Musée?] du Louvre, III, 89.= ]
Illustration note[Illustration: CHAPTER CXXV. =Papyrus, Musée du Louvre, III, 93.= ]
Illustration note[Illustration: CHAPTER CXXV. =Papyrus du Louvre, III, 9.= ]
Illustration note[Illustration: CHAPTER CXXV. =Papyrus, Ani.= ]
Illustration note[Illustration: CHAPTER CXXV. =Papyrus du Louvre, III, 9.= ]
Illustration note[Illustration: CHAPTER CXXIV. =Papyrus, Musée du Louvre, Cab. des Médaille= ]
Illustration note[Illustration: CHAPTER CXXV. =Papyrus, Paris, Sketch by Mr. Renouf= ]
------------------------------------------------------------------------ PLATE XXXIII. BOOK OF THE DEAD
Illustration note[Illustration: CHAPTER CXXV. =Papyrus Brit. Mus., No. 9,901, and Papyrus Leyden, No. 11.=]
------------------------------------------------------------------------ CHAPTER CXXIV. _Chapter whereby one cometh to the Divine Circle of Osiris._ My soul buildeth for me a Hall(1.) in Tattu and I flourish in Pu. My fields are ploughed by those who belong to me: therefore is my palm tree like Amsu. Abominations, abominations, I eat them not. I abominate filth, I eat it not. [Peace offerings are my food, by which I am not upset.] I approach it not with my hands; I tread not upon it with my sandals; for my bread is of the white corn and my beer of the red corn of the Nile. It is the Sektit boat, or it is the Atit boat, which bringeth them to me, and I feed upon them under the foliage of the Tamarisk.(2.) I know how beautiful are the arms which announce Glory for me(3.) and the white crown which is lifted up by the divine Uræi. O thou Gate-keeper of him who pacifieth the world, let that be brought to me of which oblations are made, and grant that the floors may be a support for me, and that the glorious god may open to me his arms, and that the company of gods be silent whilst the Hammemit(4.) converse with me. O thou who guidest the hearts of the gods, protect me and let me have power in heaven among the starry ones. And every divinity who presenteth himself to me, be he reckoned to the forerunners of Rā: be he reckoned to the forerunners of Light and to the Bright ones who deck the sky amid the Mighty ones. Let me have my will there of the Bread and Beer with the gods; that I enter through the Sun-disk and come forth through the Divine Pair, that the gods who follow may speak to me, and that Darkness and Night may be terrified before me in Mehit-urit, by the side of him “Who is in his Sanctuary.” And lo I am here with Osiris. My measure is his measure(5.) among the mighty ones. I speak to him the words of men and I repeat to him the words of gods. There cometh a glorified one, equipped, who bringeth Maāt to those who love her. I am the Glorified one and the Equipped. And better equipped am I than any of the Glorified. NOTES. 1. _Hall_ ⁂,⁂[,⁂⁂⁂, or ⁂⁂ _ḫent_, the πρόναος, πρόδομος, ‘Vorsaal,’ first room of a temple or palace. The sense of _harîm_ which has been ascribed to it in certain texts is entirely erroneous. The temple inscriptions (see Brugsch, _Zeitschr._, 1875, p. 118, and fol., and Mariette, _Denderah_, I, 6) leave no doubt on the subject. If there were “ladies of the royal antechamber,” it by no means follows that they were wives or concubines of the king, and hall or antechamber convey a very different idea from that of the most reserved portion of the house.[110] Pictures and inscriptions on mummy cases identify the term mythologically with that portion of the sky whence the first rays of the rising sun are visible. The mention of the word in the Pyramid Texts (_Pepi_, I, 672) is in connection with the notion of food, ⁂⁂. 2. We have here a repetition of passages to the same effect as in Chapters 53 (A and B) and others. The Pyramid Texts (_Teta_, 344) have a section nearly identical. 3. _The arms which announce Glory for me._ The clue to the meaning of this passage is to be found in ⁂, which is a _relative_ form implying an antecedent, which can only be “the arms.” The _arms which announce Glory for me_ are to be explained by the usages of the ancient ritual, which prescribed certain postures or attitudes in the ceremony of ⁂⁂⁂⁂⁂, as in other forms wherein the arms played a great part. These religious ceremonies it must always be remembered, were considered as dramatic representations of what was done in the invisible world. 4. _The Hammemit_, ⁂⁂⁂⁂⁂⁂, or ⁂⁂⁂⁂⁂⁂⁂, ⁂⁂⁂⁂⁂⁂⁂⁂, the generations of human beings yet unborn. 5. _My measure is his measure_. The meaning of ⁂⁂⁂⁂ or ⁂⁂⁂⁂⁂ can only be inferred from the form ⁂⁂⁂⁂ which occurs repeatedly in the great Harris Papyrus and some other documents. The scribe of the Turin _Todtenbuch_ carelessly omitted the second part of the phrase, and therefore altered the grammatical construction. This is how M. Pierret came to conjecture the sense ‘proclaim,’ which is not suggested by any of the ancient authorities, or even by the later ones. The reading of the Leyden Papyrus T, 16 is identical with that of the oldest papyrus. ----- Footnote 109: “The amount of this motion by which the equinox travels backward, or retrogrades (as it is called), is _per annum_ an extremely minute quantity, but which, by its continual accumulation from year to year, at last makes itself very palpable, and that in a way highly inconvenient to practical astronomers, by destroying, in the lapse of a moderate number of years, the arrangement of their catalogues of stars, and making it necessary to reconstruct them.” Herschel, _Astronomy_, chapter 4. Footnote 110: The ⁂⁂⁂⁂ mentioned in the tablet of Pa-shere-en-Ptah are not concubines, as Brugsch and others have thought, but female children, as Birch rightly asserted. Cf. my _Hibbert Lectures_, p. 79, note. It is the feminine form of ⁂⁂⁂⁂. There is also another word, ⁂⁂, applied on the walls of tombs to persons (_male_ as well as female) executing certain gymnastic movements. ------------------------------------------------------------------------ PLATE XXXIV. BOOK OF THE DEAD.
Illustration note[Illustration: Fig. 11. CHAPTER CXXV. =Sarcophagus of Sebek-āa, Berlin Museum.= ]
Illustration note[Illustration: Fig. 12. CHAPTER CXXV. LEPSIUS, “Denkmäler,” Abth. III, Bl. 232. ]
Illustration note[Illustration: Fig. 13. CHAPTER CXXV. LEPSIUS, “Denkmäler,” Abth. III, Bl. 232. ]
------------------------------------------------------------------------ PLATE XXXV. BOOK OF THE DEAD.
Illustration note[Illustration: Fig. 14. CHAPTER CXXV. =Papyrus, Leyden Museum, No. 1.= ]
Illustration note[Illustration: Fig. 15. CHAPTER CXXV. LEPSIUS, “Denkmaler” Abth. III, Pl. 78. ]
Illustration note[Illustration: Fig. 16. CHAPTER CXXV. =Papyrus of Ani, British Museum.= ]
------------------------------------------------------------------------ PLATE XXXVI. BOOK OF THE DEAD. CHAPTER CXXV (Notes).
Illustration note[Illustration: Fig. 17. LEPSIUS, “Denkmäler,” Abth. III, Bl. 39. ]
Illustration note[Illustration: Fig. 19. MARIETTE, “Deir el Bahari,” Pl. VIII. ]
Illustration note[Illustration: Fig. 20. ROSELLINI, “M.C.,” Pl. LI. ]
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