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The Egyptian Book of the dead

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III, 93 (_Pb._), and the papyrus of _Nu_, fowlers and fishermen are mixed together. The text of 153A is very corrupt, and seems to differ greatly from the original. The variants between the chief documents are considerable, and show that the understanding of it was nearly lost. It probably had two different versions, which have been cast into one, since after the first two-thirds it begins over again and nearly repeats itself. The Turin text contains only 153A, and that even much shorter, but it is followed by a rubric, which is absent from the Theban version. The translation is made from the three above-named documents. The vignette of 153A, in the papyrus III, 93, of the Louvre (_Pb_), shows a clap-net drawn by four men. Behind it comes the deceased, holding in his hand two instruments mentioned in the text: the ⁂ and the ⁂, called ⁂⁂⁂⁂ or ⁂⁂⁂ each of them consists of different parts having a distinct name. In the papyrus of _Nu_ the deceased is seen drawing the rope of the net. In the vignette of London, 9900 (_Aa_), he is supposed to do the same. 1. Among the dangers to which the deceased is exposed is that of being caught in a net by hidden genii, who will treat him as is done to water-fowl or fishes. But he escapes from this peril, because he knows the names of the fowlers and fishermen who intend to attack him, and also of the net itself, and of the various parts of which it consists. All these names are mystical; they are connected with some divinity, and this gives them a magical power, owing to which the deceased can make his escape. 2. I suppose this means fishermen, sons of fishermen. 3. Litt. the hands: the bars, the sides of the frame of the net. 4. The fingers are often mentioned when we should say the hand. The act or the wound is attributed to the fingers. “Whose fingers are hidden,” means he who hides the hand with which he will strike. 5. ⁂. The instrument in the hand of the deceased. Though the determinative is ⁂, it does not necessarily mean that it is made of wood; it may be the determinative of weapons in general. It has prongs, which are compared to nails or claws, so that it probably is a weapon like the bident for spearing fishes, the tines of which are held together by a string (Wilkinson, _Manners and Customs_, 2nd edition, Vol. II, p. 107). Otherwise it is not unlike a netting needle (Wilkinson, _loc. cit._, p. 175). If it is a weapon, one does not very well understand why it is said to belong to the net. 6. The ⁂⁂⁂⁂ is evidently the stake or peg to which the end of the clap-net is fastened. But it must be noticed that in the vignette of London, 9900, this peg is a dagger. Therefore one may speak of its pointed head ⁂ (Brugsch, _Dict. Suppl._, p. 85), and of its ⁂⁂⁂, blade. 7. Nemu is perhaps a local name of Horus (Brugsch, _Dict. geog._, p. 71). 8. ⁂⁂⁂. “The god in Lion form” (Renouf) is the name of the Sphinx (_Sphinx_, Vol. V, p. 193). 9. See Chapter 149, note 5. 10. We know from an inscription at Dendereh that the ⁂⁂⁂⁂⁂⁂, the drinkers, feast on blood, ⁂⁂⁂⁂⁂ (Brugsch, _Dict. Suppl._, p. 18). 11. The late recension of Chapter 153 ends here, and does not contain 153B. It is followed by this rubric: _Said on a figure of the deceased which is placed in a boat. Thou shalt put the Sektit boat on his right, and the Âtit boat on his left. Offerings will be made to him of cakes, beer, and all good things, on the day of the birth of Osiris. He to whom these things have been done will be a living soul for ever, and will not die a second time._ 12. ⁂⁂⁂⁂⁂. I consider this word as derived from ⁂⁂⁂, ⁂⁂⁂, which means to mark an object with a cut or with fire, for a religious purpose, or simply as an indication of property. A little further it is spoken of fishes ⁂⁂⁂⁂⁂⁂⁂ “marked on the tail.” 13. We have here the opposition between ⁂⁂ “those who are,” and ⁂⁂ “those who are not,” that is, those who are not yet, the future ones. The negative, which often expresses the idea of anteriority, is one of the usual ways of rendering the future; that which has not yet taken place, which is to come. An official of the XIIth dynasty says: “the king ⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂⁂ made me his commissioner of works, having charge of present and future work” (_Zeitschr._, 1882, p. 8, note). It is said of Isis that “she issues her directions for what is and what will be” ⁂⁂⁂⁂⁂⁂ (Stèle Metternich, Brugsch, _Dict. Suppl._, p. 355). 14. See Chapter 1, note 8. 15. ⁂⁂⁂⁂⁂⁂⁂. As they are sometimes mentioned before the gods, I believe the word might be translated, the first beings, the first creatures: “die Urwesen.” 16. Here begins the second version of the chapter which has been added to the other one. 17. ⁂⁂⁂⁂. This lake is often mentioned in the texts of the pyramids. It is one of the celestial lakes not very distant from the Elysian fields. ------------------------------------------------------------------------ PLATE LVI. BOOK OF THE DEAD.
Illustration note[Illustration: CHAPTER 153B. =Louvre, III, 93.=]
Illustration note[Illustration: CHAPTER 154. LEPSIUS, “Todt.”]
[Illustration: CHAPTERS 151, 155, 156. =Louvre, III, 89.=]] ------------------------------------------------------------------------ CHAPTER CLIIIB. _The Chapter of escaping from the catchers of fish._ O ye snarers (?), O ye fowlers, O ye fishers, sons of their fathers, know ye(1.) what I do know, the name of this very great net: the embracer is its name. Know ye what I do know, the name of its cordage: the bonds of Isis. Know ye what I do know, the name of its stake: the thigh of Tmu. Know ye what I do know, the name of the fork: the finger of Nemu. Know ye what I do know, the name of its point: the nail of Ptah. Know ye what I do know, the name of its blade: the knife of Isis. Know ye what I do know, the name of its weight: the iron which is in the sky. Know ye what I do know, the name of its flowers(2.): the feathers of the hawk. Know ye what I do know, the name of the fisherman: the cynocephalus. Know ye what I do know, the name of the ground(3.), where are its limits: the house of the moon. Know ye what I do know, the name of him who fishes there: the great prince who sits on the east of the sky...(4.). I am Rā,(5.) who proceedeth from Nu, and my soul is divine. I am he who produceth food, but I execrate what is wrong. I am Osiris, the possessor of Maāt, and I subsist by means of it every day. I am the eternal one, like the bull.(6.) I am feared by the cycle of the gods in my name of the eternal one. I am self-originating, together with Nu, in my name of Chepera, from whom I am born daily. I am the lord of Daylight, and I shine like Rā; he gives me life in these his risings in the East. I come to heaven, I take hold of my place in the East. The children of the great god nourish him to whom they have given birth, with sacred offerings. I eat like Shu. I ease myself like Shu. The king of Egypt (Osiris) is present. Khonsu and Thoth(7.) their laws are within me. They impart warmth(8.) to the heavenly host. NOTES. This Chapter is found only in two papyri: Paris, III, 93, and the Papyrus of _Nu._ Both of them are, in some parts, very incorrect. The Paris document here and there omits a line; I had to use them both for the translation. The first part of the Chapter is only a nomenclature of the various parts of the net, very similar to 153A. The vignette represents a drag-net drawn by three dog-headed apes. 1. ⁂⁂⁂⁂⁂⁂. I believe there is a slight difference of meaning between this old participial form, and the usual ⁂⁂⁂⁂. I consider that the first form means: do you know well? are you certain to know? or do you pretend to know? 2. ⁂⁂⁂⁂⁂ I suppose this word means the papyrus flowers which are sometimes tied to the net. (Bergmann, _H.I._, p. 53.) 3. ⁂⁂ where we had in 153A. ⁂⁂⁂⁂⁂. 4. Here the discrepancies between the two texts are so great, that I do not venture to give a translation. 5. The following lines are an abridged recension of Chapter 85, where I repeat Renouf’s translation. 6. The bull of Amenta, Osiris, as he is called in the first Chapter (see note 5, Chapter 1). 7. ⁂⁂⁂⁂ Thoth, the god of ⁂⁂⁂ ϣⲙⲟⲩⲛ Hermopolis. (Brugsch, _Dict. Suppl._, p. 927, _Dict. Geog._, p. 749.) 8. ⁂⁂, litt. warmth, means probably a moral quality. In the Canopus inscription ⁂⁂⁂ corresponds to the Greek κηδεμονικῶς. ------------------------------------ ------------------------------------------------------------------------ PLATE LVII. BOOK OF THE DEAD.
Illustration note[Illustration: CHAP. 155. CHAP. 156. =B. M., 9900.= ]
Illustration note[Illustration: CHAP. 158. CHAP. 157. LEPSIUS, “Todt.” ]
Illustration note[Illustration: CHAPTER 159. =Leyden Papyrus.=]
Illustration note[Illustration: CHAPTER 160. =Leyden Papyrus.=]
Illustration note[Illustration: CHAPTER 159. LEPSIUS, “Todt.”]
Illustration note[Illustration: CHAPTER 160. =B.M., 9900.=]
------------------------------------------------------------------------ ------------------------------------ CHAPTER CLIV. _The Chapter of not letting the body decay(1.) in the Netherworld._ Hail to thee, my father Osiris. I have come to embalm thee. Do thou embalm this flesh of mine, for I am perfect like my father Chepera, who is my image, he who does not know corruption. Come, take hold of my breath of life, lord of the breath, lofty above his equals; vivify(2.) me, build me up, thou lord of the funeral chest. Grant me to go down into the land of eternity, as thou doest when thou art with thy father Tmu, he whose body never decays, he who does not know destruction. I have not done what thou hatest, the command (which I obey) is that which thy _ka_ loveth,(3.) I have not transgressed it. I have been delivered, being thy follower, O Tmu, from the rottenness which thou allowest to come over every god, every goddess, every animal, every creeping thing which is corruptible. After his soul has departed he dies,(4.) and when it has gone down he decays; he is all corruption; all his bones are rottenness, putrefaction(5.) seizes his limbs and makes his bones break down, his flesh becomes a fetid liquid, his breath is stink, he becomes a multitude of worms. (As for me) there are no worms(6.). He is impotent whoever has lost the eye of Shu(7.) among all gods and goddesses, all birds and fishes, all snakes and worms, all animals altogether, for I cause them to crawl before me, they recognise me and the fear of me prevails over them, and behold every being is alike dead among all animals, all birds, all fishes, all snakes, all worms, their life is like death. Let there be no food for the worms all of them. Let them not come to me when they are born, I shall not be handed over to the destroyer in his cover, who destroys the limbs, the hidden one who causes corruption, who cuts to pieces(8.) many dead bodies, who lives from destroying. He lives who performs his commands, but I have not been delivered into his fingers, he has not prevailed upon me, for I am under thy command, lord of the gods. Hail to thee, my father Osiris! thy limbs are lasting, thou dost not know corruption; there are no worms with thee, thou art not repugnant, thou dost not stink, thou dost not putrefy, thou wilt not become worms. I am Chepera, my limbs are lasting for ever. I do not know corruption. I do not rot, I do not putrefy, I do not become worms. I do not lose the eye of Shu. I am, I am, I live, I live, I grow, I grow, and when I shall awake in peace, I shall not be in corruption, I shall not be destroyed in my bandages. I shall be free of pestilence, my eye will not be corrupted,