The Empty House and Other Ghost Stories

THE EMPTY HOUSE AND OTHER GHOST STORIES BY ALGERNON BLACKWOOD AUTHOR OF "JOHN SILENCE" "THE LOST VALLEY" ETC. LONDON EVELEIGH NASH COMPANY LIMITED 1916 First Printed 1906 Uniform Edition 1915 Reprinted 1916 CONTENTS THE EMPTY HOUSE A HAUNTED ISLAND A CASE OF EAVESDROPPING KEEPING HIS PROMISE WITH INTENT TO STEAL THE WOOD OF THE DEAD SMITH: AN EPISODE IN A LODGING-HOUSE A SUSPICIOUS GIFT THE STRANGE ADVENTURES OF A PRIVATE SECRETARY IN NEW YORK SKELETON LAKE: AN EPISODE IN CAMP THE EMPTY HOUSE Certain houses, like certain persons, manage somehow to proclaim at once their character for evil. In the case of the latter, no particular feature need betray them; they may boast an open countenance and an ingenuous smile; and yet a little of their company leaves the unalterable conviction that there is something radically amiss with their being: that they are evil. Willy nilly, they seem to communicate an atmosphere of secret and wicked thoughts which makes those in their immediate neighbourhood shrink from them as from a thing diseased. And, perhaps, with houses the same principle is operative, and it is the aroma of evil deeds committed under a particular roof, long after the actual doers have passed away, that makes the gooseflesh come and the hair rise. Something of the original passion of the evil-doer, and of the horror felt by his victim, enters the heart of the innocent watcher, and he becomes suddenly conscious of tingling nerves, creeping skin, and a chilling of the blood. He is terror-stricken without apparent cause. There was manifestly nothing in the external appearance of this particular house to bear out the tales of the horror that was said to reign within. It was neither lonely nor unkempt. It stood, crowded into a corner of the square, and looked exactly like the houses on either side of it. It had the same number of windows as its neighbours; the same balcony overlooking the gardens; the same white steps leading up to the heavy black front door; and, in the rear, there was the same narrow strip of green, with neat box borders, running up to the wall that divided it from the backs of the adjoining houses. Apparently, too, the number of chimney pots on the roof was the same; the breadth and angle of the eaves; and even the height of the dirty area railings. And yet this house in the square, that seemed precisely similar to its fifty ugly neighbours, was as a matter of fact entirely different--horribly different. Wherein lay this marked, invisible difference is impossible to say. It cannot be ascribed wholly to the imagination, because persons who had spent some time in the house, knowing nothing of the facts, had declared positively that certain rooms were so disagreeable they would rather die than enter them again, and that the atmosphere of the whole house produced in them symptoms of a genuine terror; while the series of innocent tenants who had tried to live in it and been forced to decamp at the shortest possible notice, was indeed little less than a scandal in the town. When Shorthouse arrived to pay a "week-end" visit to his Aunt Julia in her little house on the sea-front at the other end of the town, he found her charged to the brim with mystery and excitement. He had only received her telegram that morning, and he had come anticipating boredom; but the moment he touched her hand and kissed her apple-skin wrinkled cheek, he caught the first wave of her electrical condition. The impression deepened when he learned that there were to be no other visitors, and that he had been telegraphed for with a very special object. Something was in the wind, and the "something" would doubtless bear fruit; for this elderly spinster aunt, with a mania for psychical research, had brains as well as will power, and by hook or by crook she usually managed to accomplish her ends. The revelation was made soon after tea, when she sidled close up to him as they paced slowly along the sea-front in the dusk. "I've got the keys," she announced in a delighted, yet half awesome voice. "Got them till Monday!" "The keys of the bathing-machine, or--?" he asked innocently, looking from the sea to the town. Nothing brought her so quickly to the point as feigning stupidity. "Neither," she whispered. "I've got the keys of the haunted house in the square--and I'm going there to-night." Shorthouse was conscious of the slightest possible tremor down his back. He dropped his teasing tone. Something in her voice and manner thrilled him. She was in earnest. "But you can't go alone--" he began. "That's why I wired for you," she said with decision. He turned to look at her. The ugly, lined, enigmatical face was alive with excitement. There was the glow of genuine enthusiasm round it like a halo. The eyes shone. He caught another wave of her excitement, and a second tremor, more marked than the first, accompanied it. "Thanks, Aunt Julia," he said politely; "thanks awfully." "I should not dare to go quite alone," she went on, raising her voice; "but with you I should enjoy it immensely. You're afraid of nothing, I know." "Thanks _so_ much," he said again. "Er--is anything likely to happen?" "A great deal _has_ happened," she whispered, "though it's been most cleverly hushed up. Three tenants have come and gone in the last few months, and the house is said to be empty for good now." In spite of himself Shorthouse became interested. His aunt was so very much in earnest. "The house is very old indeed," she went on, "and the story--an unpleasant one--dates a long way back. It has to do with a murder committed by a jealous stableman who had some affair with a servant in the house. One night he managed to secrete himself in the cellar, and when everyone was asleep, he crept upstairs to the servants' quarters, chased the girl down to the next landing, and before anyone could come to the rescue threw her bodily over the banisters into the hall below." "And the stableman--?" "Was caught, I believe, and hanged for murder; but it all happened a century ago, and I've not been able to get more details of the story." Shorthouse now felt his interest thoroughly aroused; but, though he was not particularly nervous for himself, he hesitated a little on his aunt's account. "On one condition," he said at length. "Nothing will prevent my going," she said firmly; "but I may as well hear your condition." "That you guarantee your power of self-control if anything really horrible happens. I mean--that you are sure you won't get too frightened." "Jim," she said scornfully, "I'm not young, I know, nor are my nerves; but _with you_ I should be afraid of nothing in the world!" This, of course, settled it, for Shorthouse had no pretensions to being other than a very ordinary young man, and an appeal to his vanity was irresistible. He agreed to go. Instinctively, by a sort of sub-conscious preparation, he kept himself and his forces well in hand the whole evening, compelling an accumulative reserve of control by that nameless inward process of gradually putting all the emotions away and turning the key upon them--a process difficult to describe, but wonderfully effective, as all men who have lived through severe trials of the inner man well understand. Later, it stood him in good stead. But it was not until half-past ten, when they stood in the hall, well in the glare of friendly lamps and still surrounded by comforting human influences, that he had to make the first call upon this store of collected strength. For, once the door was closed, and he saw the deserted silent street stretching away white in the moonlight before them, it came to him clearly that the real test that night would be in dealing with _two fears_ instead of one. He would have to carry his aunt's fear as well as his own. And, as he glanced down at her sphinx-like countenance and realised that it might assume no pleasant aspect in a rush of real terror, he felt satisfied with only one thing in the whole adventure--that he had confidence in his own will and power to stand against any shock that might come. Slowly they walked along the empty streets of the town; a bright autumn moon silvered the roofs, casting deep shadows; there was no breath of wind; and the trees in the formal gardens by the sea-front watched them silently as they passed along. To his aunt's occasional remarks Shorthouse made no reply, realising that she was simply surrounding herself with mental buffers--saying ordinary things to prevent herself thinking of extra-ordinary things. Few windows showed lights, and from scarcely a single chimney came smoke or sparks. Shorthouse had already begun to notice everything, even the smallest details. Presently they stopped at the street corner and looked up at the name on the side of the house full in the moonlight, and with one accord, but without remark, turned into the square and crossed over to the side of it that lay in shadow. "The number of the house is thirteen," whispered a voice at his side; and neither of them made the obvious reference, but passed across the broad sheet of moonlight and began to march up the pavement in silence. It was about half-way up the square that Shorthouse felt an arm slipped quietly but significantly into his own, and knew then that their adventure had begun in earnest, and that his companion was already yielding imperceptibly to the influences against them. She needed support. A few minutes later they stopped before a tall, narrow house that rose before them into the night, ugly in shape and painted a dingy white. Shutterless windows, without blinds, stared down upon them, shining here and there in the moonlight. There were weather streaks in the wall and cracks in the paint, and the balcony bulged out from the first floor a little unnaturally. But, beyond this generally forlorn appearance of an unoccupied house, there was nothing at first sight to single out this particular mansion for the evil character it had most certainly acquired. Taking a look over their shoulders to make sure they had not been followed, they went boldly up the steps and stood against the huge black door that fronted them forbiddingly. But the first wave of nervousness was now upon them, and Shorthouse fumbled a long time with the key before he could fit it into the lock at all. For a moment, if truth were told, they both hoped it would not open, for they were a prey to various unpleasant emotions as they stood there on the threshold of their ghostly adventure. Shorthouse, shuffling with the key and hampered by the steady weight on his arm, certainly felt the solemnity of the moment. It was as if the whole world--for all experience seemed at that instant concentrated in his own consciousness--were listening to the grating noise of that key. A stray puff of wind wandering down the empty street woke a momentary rustling in the trees behind them, but otherwise this rattling of the key was the only sound audible; and at last it turned in the lock and the heavy door swung open and revealed a yawning gulf of darkness beyond. With a last glance at the moonlit square, they passed quickly in, and the door slammed behind them with a roar that echoed prodigiously through empty halls and passages. But, instantly, with the echoes, another sound made itself heard, and Aunt Julia leaned suddenly so heavily upon him that he had to take a step backwards to save himself from falling. A man had coughed close beside them--so close that it seemed they must have been actually by his side in the darkness. With the possibility of practical jokes in his mind, Shorthouse at once