The Empty House and Other Ghost Stories
swung his heavy stick in the direction of the sound; but it met nothing
more solid than air. He heard his aunt give a little gasp beside him.
"There's someone here," she whispered; "I heard him."
"Be quiet!" he said sternly. "It was nothing but the noise of the front
door."
"Oh! get a light--quick!" she added, as her nephew, fumbling with a box
of matches, opened it upside down and let them all fall with a rattle on
to the stone floor.
The sound, however, was not repeated; and there was no evidence of
retreating footsteps. In another minute they had a candle burning, using
an empty end of a cigar case as a holder; and when the first flare had
died down he held the impromptu lamp aloft and surveyed the scene. And
it was dreary enough in all conscience, for there is nothing more
desolate in all the abodes of men than an unfurnished house dimly lit,
silent, and forsaken, and yet tenanted by rumour with the memories of
evil and violent histories.
They were standing in a wide hall-way; on their left was the open door
of a spacious dining-room, and in front the hall ran, ever narrowing,
into a long, dark passage that led apparently to the top of the kitchen
stairs. The broad uncarpeted staircase rose in a sweep before them,
everywhere draped in shadows, except for a single spot about half-way up
where the moonlight came in through the window and fell on a bright
patch on the boards. This shaft of light shed a faint radiance above and
below it, lending to the objects within its reach a misty outline that
was infinitely more suggestive and ghostly than complete darkness.
Filtered moonlight always seems to paint faces on the surrounding gloom,
and as Shorthouse peered up into the well of darkness and thought of the
countless empty rooms and passages in the upper part of the old house,
he caught himself longing again for the safety of the moonlit square, or
the cosy, bright drawing-room they had left an hour before. Then
realising that these thoughts were dangerous, he thrust them away again
and summoned all his energy for concentration on the present.
"Aunt Julia," he said aloud, severely, "we must now go through the house
from top to bottom and make a thorough search."
The echoes of his voice died away slowly all over the building, and in
the intense silence that followed he turned to look at her. In the
candle-light he saw that her face was already ghastly pale; but she
dropped his arm for a moment and said in a whisper, stepping close in
front of him--
"I agree. We must be sure there's no one hiding. That's the first
thing."
She spoke with evident effort, and he looked at her with admiration.
"You feel quite sure of yourself? It's not too late--"
"I think so," she whispered, her eyes shifting nervously toward the
shadows behind. "Quite sure, only one thing--"
"What's that?"
"You must never leave me alone for an instant."
"As long as you understand that any sound or appearance must be
investigated at once, for to hesitate means to admit fear. That is
fatal."
"Agreed," she said, a little shakily, after a moment's hesitation. "I'll
try--"
Arm in arm, Shorthouse holding the dripping candle and the stick, while
his aunt carried the cloak over her shoulders, figures of utter comedy
to all but themselves, they began a systematic search.
Stealthily, walking on tip-toe and shading the candle lest it should
betray their presence through the shutterless windows, they went first
into the big dining-room. There was not a stick of furniture to be
seen. Bare walls, ugly mantel-pieces and empty grates stared at them.
Everything, they felt, resented their intrusion, watching them, as it
were, with veiled eyes; whispers followed them; shadows flitted
noiselessly to right and left; something seemed ever at their back,
watching, waiting an opportunity to do them injury. There was the
inevitable sense that operations which went on when the room was empty
had been temporarily suspended till they were well out of the way again.
The whole dark interior of the old building seemed to become a malignant
Presence that rose up, warning them to desist and mind their own
business; every moment the strain on the nerves increased.
Out of the gloomy dining-room they passed through large folding doors
into a sort of library or smoking-room, wrapt equally in silence,
darkness, and dust; and from this they regained the hall near the top of
the back stairs.
Here a pitch black tunnel opened before them into the lower regions,
and--it must be confessed--they hesitated. But only for a minute. With
the worst of the night still to come it was essential to turn from
nothing. Aunt Julia stumbled at the top step of the dark descent, ill
lit by the flickering candle, and even Shorthouse felt at least half
the decision go out of his legs.
"Come on!" he said peremptorily, and his voice ran on and lost itself in
the dark, empty spaces below.
"I'm coming," she faltered, catching his arm with unnecessary violence.
They went a little unsteadily down the stone steps, a cold, damp air
meeting them in the face, close and mal-odorous. The kitchen, into which
the stairs led along a narrow passage, was large, with a lofty ceiling.
Several doors opened out of it--some into cupboards with empty jars
still standing on the shelves, and others into horrible little ghostly
back offices, each colder and less inviting than the last. Black beetles
scurried over the floor, and once, when they knocked against a deal
table standing in a corner, something about the size of a cat jumped
down with a rush and fled, scampering across the stone floor into the
darkness. Everywhere there was a sense of recent occupation, an
impression of sadness and gloom.
Leaving the main kitchen, they next went towards the scullery. The door
was standing ajar, and as they pushed it open to its full extent Aunt
Julia uttered a piercing scream, which she instantly tried to stifle by
placing her hand over her mouth. For a second Shorthouse stood
stock-still, catching his breath. He felt as if his spine had suddenly
become hollow and someone had filled it with particles of ice.
Facing them, directly in their way between the doorposts, stood the
figure of a woman. She had dishevelled hair and wildly staring eyes, and
her face was terrified and white as death.
She stood there motionless for the space of a single second. Then the
candle flickered and she was gone--gone utterly--and the door framed
nothing but empty darkness.
"Only the beastly jumping candle-light," he said quickly, in a voice
that sounded like someone else's and was only half under control. "Come
on, aunt. There's nothing there."
He dragged her forward. With a clattering of feet and a great appearance
of boldness they went on, but over his body the skin moved as if
crawling ants covered it, and he knew by the weight on his arm that he
was supplying the force of locomotion for two. The scullery was cold,
bare, and empty; more like a large prison cell than anything else. They
went round it, tried the door into the yard, and the windows, but found
them all fastened securely. His aunt moved beside him like a person in
a dream. Her eyes were tightly shut, and she seemed merely to follow the
pressure of his arm. Her courage filled him with amazement. At the same
time he noticed that a certain odd change had come over her face, a
change which somehow evaded his power of analysis.
"There's nothing here, aunty," he repeated aloud quickly. "Let's go
upstairs and see the rest of the house. Then we'll choose a room to wait
up in."
She followed him obediently, keeping close to his side, and they locked
the kitchen door behind them. It was a relief to get up again. In the
hall there was more light than before, for the moon had travelled a
little further down the stairs. Cautiously they began to go up into the
dark vault of the upper house, the boards creaking under their weight.
On the first floor they found the large double drawing-rooms, a search
of which revealed nothing. Here also was no sign of furniture or recent
occupancy; nothing but dust and neglect and shadows. They opened the big
folding doors between front and back drawing-rooms and then came out
again to the landing and went on upstairs.
They had not gone up more than a dozen steps when they both
simultaneously stopped to listen, looking into each other's eyes with a
new apprehension across the flickering candle flame. From the room they
had left hardly ten seconds before came the sound of doors quietly
closing. It was beyond all question; they heard the booming noise that
accompanies the shutting of heavy doors, followed by the sharp catching
of the latch.
"We must go back and see," said Shorthouse briefly, in a low tone, and
turning to go downstairs again.
Somehow she managed to drag after him, her feet catching in her dress,
her face livid.
When they entered the front drawing-room it was plain that the folding
doors had been closed--half a minute before. Without hesitation
Shorthouse opened them. He almost expected to see someone facing him in
the back room; but only darkness and cold air met him. They went through
both rooms, finding nothing unusual. They tried in every way to make the
doors close of themselves, but there was not wind enough even to set the
candle flame flickering. The doors would not move without strong
pressure. All was silent as the grave. Undeniably the rooms were utterly
empty, and the house utterly still.
"It's beginning," whispered a voice at his elbow which he hardly
recognised as his aunt's.
He nodded acquiescence, taking out his watch to note the time. It was
fifteen minutes before midnight; he made the entry of exactly what had
occurred in his notebook, setting the candle in its case upon the floor
in order to do so. It took a moment or two to balance it safely against
the wall.
Aunt Julia always declared that at this moment she was not actually
watching him, but had turned her head towards the inner room, where she
fancied she heard something moving; but, at any rate, both positively
agreed that there came a sound of rushing feet, heavy and very
swift--and the next instant the candle was out!
But to Shorthouse himself had come more than this, and he has always
thanked his fortunate stars that it came to him alone and not to his
aunt too. For, as he rose from the stooping position of balancing the
candle, and before it was actually extinguished, a face thrust itself
forward so close to his own that he could almost have touched it with
his lips. It was a face working with passion; a man's face, dark, with
thick features, and angry, savage eyes. It belonged to a common man, and
it was evil in its ordinary normal expression, no doubt, but as he saw
it, alive with intense, aggressive emotion, it was a malignant and
terrible human countenance.
There was no movement of the air; nothing but the sound of rushing
feet--stockinged or muffled feet; the apparition of the face; and the
almost simultaneous extinguishing of the candle.
In spite of himself, Shorthouse uttered a little cry, nearly losing his
balance as his aunt clung to him with her whole weight in one moment of
real, uncontrollable terror. She made no sound, but simply seized him
bodily. Fortunately, however, she had seen nothing, but had only heard
the rushing feet, for her control returned almost at once, and he was
able to disentangle himself and strike a match.
The shadows ran away on all sides before the glare, and his aunt stooped
down and groped for the cigar case with the precious candle. Then they
discovered that the candle had not been _blown_ out at all; it had been
_crushed_ out. The wick was pressed down into the wax, which was
flattened as if by some smooth, heavy instrument.