The eternal moment, and other stories

spoilt the place and made the inhabitants corrupt and sordid. I know just how you think. So you will make yourself unhappy, and go about trying to put right what never was right. Funny lady!" Close below him he could now see the white fragments of his sister's letter. In the valley the campanile appeared, rising out of wisps of silvery vapour. "Dear lady!" he whispered, making towards the village a little movement with his hands. II Miss Raby's first novel, "The Eternal Moment," was written round the idea that man does not live by time alone, that an evening gone may become like a thousand ages in the courts of heaven--the idea that was afterwards expounded more philosophically by Maeterlinck. She herself now declared that it was a tiresome, affected book, and that the title suggested the dentist's chair. But she had written it when she was feeling young and happy; and that, rather than maturity, is the hour in which to formulate a creed. As years pass, the conception may become more solid, but the desire and the power to impart it to others are alike weakened. It did not altogether displease her that her earliest work had been her most ambitious. By a strange fate, the book made a great sensation, especially in unimaginative circles. Idle people interpreted it to mean that there was no harm in wasting time, vulgar people that there was no harm in being fickle, pious people interpreted it as an attack upon morality. The authoress became well known in society, where her enthusiasm for the lower classes only lent her an additional charm. That very year Lady Anstey, Mrs. Heriot, the Marquis of Bamburgh, and many others, penetrated to Vorta, where the scene of the book was laid. They returned enthusiastic. Lady Anstey exhibited her water-colour drawings; Mrs. Heriot, who photographed, wrote an article in _The Strand_; while _The Nineteenth Century_ published a long description of the place by the Marquis of Bamburgh, entitled "The Modern Peasant, and his Relations with Roman Catholicism." Thanks to these efforts, Vorta became a rising place, and people who liked being off the beaten track went there, and pointed out the way to others. Miss Raby, by a series of trivial accidents, had never returned to the village whose rise was so intimately connected with her own. She had heard from time to time of its progress. It had also been whispered that an inferior class of tourist was finding it out, and, fearing to find something spoilt, she had at last a certain diffidence in returning to scenes which once had given her so much pleasure. Colonel Leyland persuaded her; he wanted a cool healthy spot for the summer, where he could read and talk and find walks suitable for an athletic invalid. Their friends laughed; their acquaintances gossiped; their relatives were furious. But he was courageous and she was indifferent. They had accomplished the expedition under the scanty ægis of Elizabeth. Her arrival was saddening. It displeased her to see the great hotels in a great circle, standing away from the village where all life should have centred. Their illuminated titles, branded on the tranquil evening slopes, still danced in her eyes. And the monstrous _Hôtel des Alpes_ haunted her like a nightmare. In her dreams she recalled the portico, the ostentatious lounge, the polished walnut bureau, the vast rack for the bedroom keys, the panoramic bedroom crockery, the uniforms of the officials, and the smell of smart people--which is to some nostrils quite as depressing as the smell of poor ones. She was not enthusiastic over the progress of civilisation, knowing by Eastern experiences that civilisation rarely puts her best foot foremost, and is apt to make the barbarians immoral and vicious before her compensating qualities arrive. And here there was no question of progress: the world had more to learn from the village than the village from the world. At the _Biscione_, indeed, she had found little change--only the pathos of a survival. The old landlord had died, and the old landlady was ill in bed, but the antique spirit had not yet departed. On the timbered front was still painted the dragon swallowing the child--the arms of the Milanese Visconti, from whom the Cantùs might well be descended. For there was something about the little hotel which compelled a sympathetic guest to believe, for the time at all events, in aristocracy. The great manner, only to be obtained without effort, ruled throughout. In each bedroom were three or four beautiful things--a little piece of silk tapestry, a fragment of rococo carving, some blue tiles, framed and hung upon the whitewashed wall. There were pictures in the sitting-rooms and on the stairs--eighteenth-century pictures in the style of Carlo Dolce and the Caracci--a blue-robed Mater Dolorosa, a fluttering saint, a magnanimous Alexander with a receding chin. A debased style--so the superior person and the textbooks say. Yet, at times, it may have more freshness and significance than a newly-purchased Fra Angelico. Miss Raby, who had visited dukes in their residences without a perceptible tremor, felt herself blatant and modern when she entered the _Albergo Biscione_. The most trivial things--the sofa cushions, the table cloths, the cases for the pillows--though they might be made of poor materials and be æsthetically incorrect, inspired her with reverence and humility. Through this cleanly, gracious dwelling there had once moved Signor Cantù with his china-bowled pipe, Signora Cantù in her snuff-coloured shawl, and Bartolommeo Cantù, now proprietor of the _Grand Hôtel des Alpes_. She sat down to breakfast next morning in a mood which she tried to attribute to her bad night and her increasing age. Never, she thought, had she seen people more unattractive and more unworthy than her fellow-guests. A black-browed woman was holding forth on patriotism and the duty of English tourists to present an undivided front to foreign nations. Another woman kept up a feeble lament, like a dribbling tap which never gathers flow yet never quite ceases, complaining of the food, the charges, the noise, the clouds, the dust. She liked coming here herself, she said; but she hardly liked to recommend it to her friends: it was the kind of hotel one felt like that about. Males were rare, and in great demand; a young one was describing, amid fits of laughter, the steps he had taken to astonish the natives. Miss Raby was sitting opposite the famous fresco, which formed the only decoration of the room. It had been discovered during some repairs; and, though the surface had been injured in places, the colours were still bright. Signora Cantù attributed it now to Titian, now to Giotto, and declared that no one could interpret its meaning; professors and artists had puzzled themselves in vain. This she said because it pleased her to say it; the meaning was perfectly clear, and had been frequently explained to her. Those four figures were sibyls, holding prophecies of the Nativity. It was uncertain for what original reason they had been painted high up in the mountains, at the extreme boundary of Italian art. Now, at all events, they were an invaluable source of conversation; and many an acquaintance had been opened, and argument averted, by their timely presence on the wall. "Aren't those saints cunning!" said an American lady, following Miss Raby's glance. The lady's father muttered something about superstition. They were a lugubrious couple, lately returned from the Holy Land, where they had been cheated shamefully, and their attitude towards religion had suffered in consequence. Miss Raby said, rather sharply, that the saints were sibyls. "But I don't recall sibyls," said the lady, "either in the N.T. or the O." "Inventions of the priests to deceive the peasantry," said the father sadly. "Same as their churches; tinsel pretending to be gold, cotton pretending to be silk, stucco pretending to be marble; same as their processions, same as their--(he swore)--campaniles." "My father," said the lady, bending forward, "he does suffer so from insomnia. Fancy a bell every morning at six!" "Yes, ma'am; you profit. We've stopped it." "Stopped the early bell ringing?" cried Miss Raby. People looked up to see who she was. Some one whispered that she wrote. He replied that he had come up all these feet for rest, and that if he did not get it he would move on to another centre. The English and American visitors had co-operated, and forced the hotel-keepers to take action. Now the priests rang a dinner bell, which was endurable. He believed that "corperation" would do anything: it had been the same with the peasants. "How did the tourists interfere with the peasants?" asked Miss Raby, getting very hot, and trembling all over. "We said the same; we had come for rest, and we would have it. Every week they got drunk and sang till two. Is that a proper way to go on, anyhow?" "I remember," said Miss Raby, "that some of them did get drunk. But I also remember how they sang." "Quite so. Till two," he retorted. They parted in mutual irritation. She left him holding forth on the necessity of a new universal religion of the open air. Over his head stood the four sibyls, gracious for all their clumsiness and crudity, each proffering a tablet inscribed with concise promise of redemption. If the old religions had indeed become insufficient for humanity, it did not seem probable that an adequate substitute would be produced in America. It was too early to pay her promised visit to Signora Cantù. Nor was Elizabeth, who had been rude overnight and was now tiresomely penitent, a possible companion. There were a few tables outside the inn, at which some women sat, drinking beer. Pollarded chestnuts shaded them; and a low wooden balustrade fenced them off from the village street. On this balustrade Miss Raby perched, for it gave her a view of the campanile. A critical eye could discover plenty of faults in its architecture. But she looked at it all with increasing pleasure, in which was mingled a certain gratitude. The German waitress came out and suggested very civilly that she should find a more comfortable seat. This was the place where the lower classes ate; would she not go to the drawing-room? "Thank you, no; for how many years have you classified your guests according to their birth?" "For many years. It was necessary," replied the admirable woman. She returned to the house full of meat and common sense, one of the many signs that the Teuton was gaining on the Latin in this debatable valley. A grey-haired lady came out next, shading her eyes from the sun, and crackling _The Morning Post_. She glanced at Miss Raby pleasantly, blew her nose, apologized for speaking, and spoke as follows: "This evening, I wonder if you know, there is a concert in aid of the stained-glass window for the English Church. Might I persuade you to take tickets? As has been said, it is so important that English people should have a rallying point, is it not?" "Most important," said Miss Raby; "but I wish the rallying point could be in England." The grey-haired lady smiled. Then she looked puzzled. Then she realized that she had been insulted, and, crackling _The Morning Post_, departed. "I have been rude," thought Miss Raby dejectedly. "Rude to a lady as silly and as grey-haired as myself. This is not a day on which I ought to talk to people." Her life had been successful, and on the whole happy. She was unaccustomed to that mood, which is termed depressed, but which certainly gives visions of wider, if greyer, horizons. That morning her outlook altered. She walked through the village, scarcely noticing