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The golden journey of Mr. Paradyne

William John Locke

And, as he played, his heart was uplifted in a strange exultation, such as--he now remembered dimly--had inspired him once before when he had put the flageolet to his lips. He caught at an elusive memory and gripped it hard, and stared wide-eyed before him with open mouth. A bit of waste land by the roadside under the starlight. It looked like a brick-field. They sat on some scattered rubbish. He could just see the young man’s clear-cut, humorous face. ‘Sir, for my music I’ll take what you like to give me. But my flageolet no money can buy. On the other hand, to him who can play my composition through without fault, I yield it gladly.’ Yes; he had played it through from beginning to end. The young man bowed: ‘It is yours,’ said he.... ‘But what will you do without it?’
Illustration note[Illustration: THE PLAIN, WHOSE HORIZON IS AS VAST AS THAT OF MID-OCEAN]
‘I have a new tune in my head more suited to the piccolo which I carry in my pocket, and which, indeed, I prefer as an instrument.’ ‘This,’ laughed Paradyne, fingering the silver keys and stops, ‘is good enough for me.’ ‘Perhaps for the present. But you will grow more fastidious. It has none of the woodland softness. The shepherds of Theocritus, if you remember, piped not into metal but into reed that sprang from organic life.’ He pulled out the homeliest little piccolo in the world. Paradyne stretched out a hand. The young man laughed. ‘Not yet,’ said he. Then suddenly: ‘Where are you going?’ ‘For a walk.’ ‘So am I. First through France. Then through Italy, then Sicily.’ ‘France, Italy, Sicily----’ the faint echo of his murmured response floated back. ‘Fortunate young man!’ ‘Why should you be less fortunate than I? The road is open. Come with me,’ said the young man, and laid a hand upon his arm. Then, as always, the rift in the curtain that veiled the past three months closed suddenly. But the vision, as far as it went, had been startlingly complete. He laughed aloud as he gazed on the shimmering pipe, and his laughter was informed with the thrill of pride. It had come to him not as a thing chaffered for and sordidly purchased; but as a minstrel’s prize, such as, in the times of which Theocritus sang, he might have been awarded by a challenging god. France. Italy. Sicily. _Theocritus_--‘O Singer of Persephone----’ How did Wilde’s Villanelle go? ‘Slim Lacon keeps a goat for thee, For thee the jocund shepherds wait; O Singer of Persephone! Dost thou remember Sicily?’ He repeated the final quatrain two or three times, enjoying its flavour. Then, suddenly, inspired with new strength and purpose, he jumped to the ground, harnessed the horse to the caravan, and started down the moonlit avenue to the town of Chartres. But he did not stay at the fair-ground. He passed through and, casting a humorous glance at the yellow-and-red-striped caravan in which the vivid girl lay presumably asleep, blew a kiss to her with his fingers, as to a symbol, and made his slow progress through the narrow streets of the sleeping city. The dawn found him, with the shining eyes of one awakened to Life’s promise, jogging southward on an irrevocable way, never, in this life, to retrace his steps.
Illustration note[Illustration]
_Illustrated Gift Books_ A CHRISTMAS MYSTERY By WILLIAM J. LOCKE. Illustrated in colour by W. W. Lendon. Second Edition. Crown 4to. 6s. net. ‘A moving little Christmas story.’--_Evening Standard._ ‘Mr. Locke has produced an exquisite little fantasy which will thrill and soften every imaginative soul. A work perfect of its kind and most understandingly illustrated.’--_Daily Mail._ THE BELOVÉD VAGABOND By WILLIAM J. LOCKE. With sixteen illustrations in colour and numerous illustrations in the text by Jean Dulac. Foolscap 4to. 12s. 6d. net. ‘M. Dulac has done his work well, with a comprehension and a humour that do him credit.’--_Daily Telegraph._ THE TEMPTATION OF ST. ANTHONY By GUSTAVE FLAUBERT. Translated by René Francis. Illustrated in colour and black and white by Jean de Bosschère. Uniform with the Illustrated edition of ‘The Golden Asse.’ Limited to 3,000 numbered copies for sale in England and America. Medium 8vo. £1 5s. net. A magnificent fine edition of Flaubert’s masterpiece, illustrated in unconventional style by Jean de Bosschère, whose drawings were the feature of The Bodley Head edition of ‘The Golden Asse’ (now out of print). AT THE SIGN of the REINE PÉDAUQUE By ANATOLE FRANCE. With 12 Illustrations in photogravure and numerous Illustrations in the text by Frank C. Papé, Illustrator of ‘Jurgen.’ Medium 8vo. 16s. net. Anatole France’s masterpiece, illustrated with characteristic spirit and daring by the artist whose work in Cabell’s ‘Jurgen’ made such a sensation. Mr. Wm. J. Locke’s introduction, and a specially revised translation, are other features of this handsome book. THE REVOLT OF THE ANGELS By ANATOLE FRANCE. Translated by Mrs. Wilfrid Jackson. Illustrated in photogravure and black and white by Frank C. Papé. Uniform with the Illustrated edition of ‘At the Sign of the Reine Pédauque.’ Medium 8vo. 16s. net. A masterpiece of modern literature illustrated by a powerful artist who has completely succeeded in conveying the outspoken satire and the fearless philosophy of the French master. THE RUBÁIYÁT OF UMAR KHAIYÁM Done into English from the French of J. B. Nicolas, together with a reprint of the French text, by Frederick Baron Corvo. Illustrated in colour by Hamzeh Carr. With an Introduction by E. Heron-Allen. Imperial 8vo. £1 1s. A new edition of a remarkable French rendering of the poet, with distinctive illustrations in the Oriental manner. THE TWILIGHT OF THE GODS By RICHARD GARNETT. With an Introduction by T. E. Lawrence, and 28 Illustrations in Photogravure and Decorations by Henry Keen. Medium 8vo. £1 1s. net. ‘The Twilight of the Gods’ has always attracted the praise and admiration of the discriminating, and its author, the well-remembered scholar and Keeper of Printed Books at the British Museum, is often referred to as ‘The English Anatole France.’ This book has indeed much of the French master’s scholarship and irony, but it has also an unmistakable flavour of its own which makes it in its own way a classic. The present edition has a striking Introduction by T. E. Lawrence, of ‘Arabia’ fame, and is illustrated by a young artist of real originality. ALADDIN Illustrated in colour and black and white by S. Hulme Beaman. Crown 4to. 6s. net. An attractively illustrated edition of an-ever-fresh story. JOHN LANE THE BODLEY HEAD LTD., VIGO ST., W.1 Transcriber’s Note: Obvious errors in accents and punctuation have been silently corrected in this version, but minor inconsistencies have been retained as printed. Some illustrations have been moved slightly to better fit the ebook format.