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The History of Sir Richard Calmady: A Romance

Lucas Malet

when the throne it represents has fallen to ruin? And yet, being very much a woman, those words of praise came altogether sweetly to Katherine from the lips of her brother and her son. She moved away, embarrassed, not quite mistress of herself, sat down on the arm of Richard's chair, leaned across him and patted the bull-dog--who raised his heavy head with a grunt, and slapped Dickie smartly in the stomach with his tail, by way of welcome. "You dear foolish creatures," she said, "pray talk of something more profitable. I am growing old, and, in some ways, I am rather thankful for it. All the same, Dickie, darling, you positively must and shall go to bed." But Colonel Ormiston interrupted her. He spoke with a trace of hesitation, turning to the fireplace and flicking the ash off the end of his cigar. "By the bye, Katherine, how's Mary Cathcart? Have you seen her lately?" "Yes, last week." "Then she's not gone the way of all flesh and married?" "No," Lady Calmady answered. She bent a little lower, tracing out the lines on the dog's wrinkled forehead with her finger. "Several men have asked her to marry. But there is only one man in the world, I fancy, whom Mary would ever care to marry--poor Camp, did I tickle you?--and he, I believe, has not asked her yet." "Ah! there," Ormiston exclaimed quickly, "you are mistaken." "Am I?" Katherine said. "I have great faith in Mary. I suppose she was too wise to accept even him, being not wholly convinced of his love." Lady Calmady raised her eyes. Ormiston looked very keenly at her. And Richard, watching them, felt his breath come rather short with excitement, for he understood that his mother was speaking in riddles. He observed, moreover, that Colonel Ormiston's face had grown pale for all its sunburn. "And so," Katherine went on, "I think the man in question had better be quite sure of his own heart before he offers it to Mary Cathcart again." Ormiston flung his half-smoked cigar into the fire. He came and stood in front of Richard. "Look here, old chap," he said, "what do you say to our driving over to Newlands to-morrow? You can set me right if I've forgotten any of the turns in the road, you know. And you and Miss Cathcart are great chums, aren't you?" "Mother, may I go?" the boy asked. Lady Calmady kissed his forehead. "Yes, my dearest," she said. "I will trust you and Uncle Roger to take care of each other for once. You may go." The immediate consequence of all which was, that Richard went to bed that night with a brain rather dangerously active and eyes rather dangerously bright. So that when sleep at last visited him, it came burdened with dreams, in which the many impressions and emotions of the day took altogether too lively a part, causing him to turn restlessly to and fro, and throw his arms out wide over the cool linen sheets and pillow. For there was new element in Dickie's dreams to-night:--namely, a recurrent distress of helplessness and incapacity of movement, and therefore of escape, in the presence of some on-coming multitudinous terror. He was haunted, moreover, by a certain stanza of the ballad of Chevy Chase. It had given him a peculiar feeling, sickening yet fascinating, ever since he could remember first to have read it, a feeling which caused him to dread reading it beforehand, yet made him turn back to it again and again. And to-night, sometimes Richard was himself, sometimes his personality seemed merged in that of Witherington, the crippled fighting-man, of whose maiming and deadly courage that stanza tells. And the battle was long and fierce, as from out a background of steeple-shaped, honey-combed rocks and sparse trees with large golden leaves--like those on the panels of the great, lacquered cabinets in the Long Gallery--innumerable hordes of fanatic Chinamen poured down on him, a hideous bedizenment of vermilion war-devils painted on their blue tunics and banners and shields. And he, Richard,--or was it he, Witherington?--alone facing them all,--they countless in number, always changing yet always the same. From under their hard, upturned hats, a peacock feather erect in each, the cruel, oblique-eyed, impassive faces stared at him. They pressed him back and back against the base of a seven-storied pagoda, the wind bells of which jangled far above him from the angles of its tiers of fluted roofs. And the sky was black and polished. Yet it was broad, glaring daylight, every object fearfully distinct. And he was fixed there, unable to get away because--yes, of course, he was Witherington, so there was no need of further explanation of that inability of escape. And still, at the same time, he could see Chifney on the handsome gray cob, trotting soberly along the green ride, beside the long string of race-horses coming home from exercise. The young leaves were fragile and green now, not sparse and metallic, and the April rain splashed in his face. He tried to call out to Tom Chifney, but the words died in his throat. If they would only put him on one of those horses! He knew he could ride, and so be safe and free. He called again. That time his voice came. They must hear. Were they not his own servants, after all, and his own horses--or would be soon, when he was grown up? But neither the trainer, nor the boys so much as turned their heads; and the living ribbon of brown and chestnut swept on and away out of sight. No one would heed him, no one would hearken to his cry. Once his mother and some man, whom he knew yet did not know, passed by him hand in hand. She wore a white dress, and smiled with a look of ineffable content. Her companion was tall, gracious in bearing and movement, but unsubstantial, a luminous shadow merely. Richard could not see his face. Yet he knew the man was of near kin to him. And to them he tried to speak. But it was useless. For now he was not Richard any more. He was not even Witherington, the crippled fighting-man of the Chevy Chase ballad. He was--he was the winged sea-gull, with wild, pale eyes, hiding--abject yet fierce--among the vegetable beds in the Brockhurst kitchen-gardens, and picking up loathsome provender of snails and slugs. Roger Ormiston, calm, able, kindly, yet just a trifle insolent, cigar in mouth, sauntered up and looked at the bird, and it crawled away among the cabbages ignominiously, covered with the shame of its incompleteness and its fallen estate. And then from out the honey-combed rocks, under the black, polished sky, the blue tunicked Chinamen swept down on Richard again with the maddening horror of infinite number. They crushed in upon him, nearer and nearer, pressing him back against the wall of that evil pagoda. The air was hot and musky with their breath and thick with the muffled roar of their countless footsteps. And they came right in on him, trampling him down, suffocating, choking him with the heat of them and the dead weight. Shouting aloud--as it seemed to him--in angry terror, the boy woke. He sat up trembling, wet with perspiration, bewildered by the struggle and the wild phantasmagoria of his dream. He pulled open the neck of his nightshirt, leaned his head against the cool brass rail of the back of the bedstead, while he listened with growing relief to the rumble of the wind in the chimney, and the swish of the rain against the casements, and watched the narrow line of light under the door of his mother's room. Yes, he was Richard Calmady, after all, here in his own sheltered world, among those who had loved and served him all his life. Nothing hurtful could reach him here, nothing of which he need be afraid. There was no real meaning in that ugly dream. And then Dickie paused a moment, still sitting up in the warm darkness, pressing his hands down on the mattress on either side to keep himself from slipping. For involuntarily he recalled the feeling which had prompted his declaration that he was glad his father had never seen him; recalled his unwillingness to walk, lest he should meet Ormiston unexpectedly; recalled the instinct which, even during that glorious time in the Gun-Room, had impelled him to keep the embroidered _couvre-pieds_ carefully over his legs and feet. And, recalling these things, poor Dickie arrived at conclusions regarding himself which he had happily avoided arriving at before. For they were harsh conclusions, causing him to cower down in the bed, and bury his face in the pillows to stifle the sound of the tearing sobs which would come. Alas! was there not only too real a meaning in that same ugly dream and that shifting of personality? He understood, while his body quivered with the anguish of it, that he had more in common with, and was nearer, far nearer, to the maimed fighting-man of the old ballad, even to the poor seagull robbed of its power of flight, than to all those dear people whose business in life it seemed to pet and amuse him, and to minister to his every want--to the handsome soldier uncle, whose home-coming had so excited him, to Julius March, his indulgent tutor, to Mademoiselle de Mirancourt, his delightful companion, to Clara, his obedient playfellow, to brown-eyed Mary Cathcart, and even to his lovely mother herself! Thus did the bitter winds of truth, which blow forever across the world, first touch Richard Calmady, cutting his poor boyish pride as with a whip. But he was very young. And the young, mercifully, know no such word as the inevitable; so that the wind of truth is ever tempered for them--the first smart of it over--by the sunshine of ignorant and unlimited hope. CHAPTER III CONCERNING THAT WHICH, THANK GOD, HAPPENS ALMOST EVERY DAY The merry spring sky was clear, save in the south where a vast perspective of dappled cloud lay against it, leaving winding rivers of blue here and there, as does ribbed sand for the incoming tide. As the white gate of the inner park--the gray unpainted palings ranging far away to right and left--swung to behind them, and Henry the groom, after a smart run, clambered up into his place again beside Camp on the back seat of the double dog-cart, Richard's spirits rose. Straight ahead stretched out the long vista of that peculiar glory of Brockhurst, its avenue of Scotch firs. The trunks of them, rough-barked and purple below, red, smooth and glistering above, shot up some thirty odd feet--straight as the pillars of an ancient temple--before the branches, sweeping outward and downward, met, making a whispering, living canopy overhead, through which the sunshine fell in tremulous shafts, upon the shining coats and gleaming harness of the horses, upon Ormiston's clear-cut, bronzed face and upright figure, and upon the even, straw-coloured gravel of the road. The said road is raised by about three feet above the level of the land on either side. On the left, the self-sown firs grow in close ranks. The ground below them is bare but for tussocks of coarse grass and ruddy beds of fallen fir needles. On the right, the fir wood is broken by coppices of silver-stemmed birches, and spaces of heather--that shows a purple-brown against the gray of the reindeer moss out of which it springs. Tits swung and frolicked among the tree-tops, and a jay flew off noisily with a flash of azure wing-coverts and volley of harsh discordant cries. The rapid movement, the moist, pungent odour of the woodland, the rhythmical trot of the horses, the rattle of the splinter-bar chains as the traces slackened going downhill, above all the presence of the man beside him, were pleasantly stimulating to Richard Calmady. The boy was still a prey to much innocent enthusiasm. It appeared to him, watching Ormiston's handling of the reins and whip, there was nothing this man could not do, and do skilfully, yet all with the same easy unconcern.