The Innocents Abroad
of the rare sport there was to be. They said the theatre would be
crammed, because Frezzolini was going to sing. It was said she could not
sing well, now, but then the people liked to see her, anyhow. And so we
went. And every time the woman sang they hissed and laughed--the whole
magnificent house--and as soon as she left the stage they called her on
again with applause. Once or twice she was encored five and six times in
succession, and received with hisses when she appeared, and discharged
with hisses and laughter when she had finished--then instantly encored
and insulted again! And how the high-born knaves enjoyed it!
White-kidded gentlemen and ladies laughed till the tears came, and
clapped their hands in very ecstacy when that unhappy old woman would
come meekly out for the sixth time, with uncomplaining patience, to meet
a storm of hisses! It was the cruelest exhibition--the most wanton, the
most unfeeling. The singer would have conquered an audience of American
rowdies by her brave, unflinching tranquillity (for she answered encore
after encore, and smiled and bowed pleasantly, and sang the best she
possibly could, and went bowing off, through all the jeers and hisses,
without ever losing countenance or temper:) and surely in any other land
than Italy her sex and her helplessness must have been an ample
protection to her--she could have needed no other. Think what a
multitude of small souls were crowded into that theatre last night. If
the manager could have filled his theatre with Neapolitan souls alone,
without the bodies, he could not have cleared less than ninety millions
of dollars. What traits of character must a man have to enable him to
help three thousand miscreants to hiss, and jeer, and laugh at one
friendless old woman, and shamefully humiliate her? He must have all
the vile, mean traits there are. My observation persuades me (I do not
like to venture beyond my own personal observation,) that the upper
classes of Naples possess those traits of character. Otherwise they may
be very good people; I can not say.
ASCENT OF VESUVIUS--CONTINUED.
In this city of Naples, they believe in and support one of the
wretchedest of all the religious impostures one can find in Italy--the
miraculous liquefaction of the blood of St. Januarius. Twice a year the
priests assemble all the people at the Cathedral, and get out this vial
of clotted blood and let them see it slowly dissolve and become liquid
--and every day for eight days, this dismal farce is repeated, while the
priests go among the crowd and collect money for the exhibition. The
first day, the blood liquefies in forty-seven minutes--the church is
crammed, then, and time must be allowed the collectors to get around:
after that it liquefies a little quicker and a little quicker, every day,
as the houses grow smaller, till on the eighth day, with only a few
dozens present to see the miracle, it liquefies in four minutes.
And here, also, they used to have a grand procession, of priests,
citizens, soldiers, sailors, and the high dignitaries of the City
Government, once a year, to shave the head of a made-up Madonna--a
stuffed and painted image, like a milliner's dummy--whose hair
miraculously grew and restored itself every twelve months. They still
kept up this shaving procession as late as four or five years ago. It
was a source of great profit to the church that possessed the remarkable
effigy, and the ceremony of the public barbering of her was always
carried out with the greatest possible eclat and display--the more the
better, because the more excitement there was about it the larger the
crowds it drew and the heavier the revenues it produced--but at last a
day came when the Pope and his servants were unpopular in Naples, and the
City Government stopped the Madonna's annual show.
There we have two specimens of these Neapolitans--two of the silliest
possible frauds, which half the population religiously and faithfully
believed, and the other half either believed also or else said nothing
about, and thus lent themselves to the support of the imposture. I am
very well satisfied to think the whole population believed in those poor,
cheap miracles--a people who want two cents every time they bow to you,
and who abuse a woman, are capable of it, I think.
ASCENT OF VESUVIUS--CONTINUED.
These Neapolitans always ask four times as much money as they intend to
take, but if you give them what they first demand, they feel ashamed of
themselves for aiming so low, and immediately ask more. When money is to
be paid and received, there is always some vehement jawing and
gesticulating about it. One can not buy and pay for two cents' worth of
clams without trouble and a quarrel. One “course,” in a two-horse
carriage, costs a franc--that is law--but the hackman always demands
more, on some pretence or other, and if he gets it he makes a new demand.
It is said that a stranger took a one-horse carriage for a course
--tariff, half a franc. He gave the man five francs, by way of experiment.
He demanded more, and received another franc. Again he demanded more,
and got a franc--demanded more, and it was refused. He grew vehement
--was again refused, and became noisy. The stranger said, “Well, give me
the seven francs again, and I will see what I can do”--and when he got
them, he handed the hackman half a franc, and he immediately asked for
two cents to buy a drink with. It may be thought that I am prejudiced.
Perhaps I am. I would be ashamed of myself if I were not.
ASCENT OF VESUVIUS--CONTINUED.
Well, as I was saying, we got our mules and horses, after an hour and a
half of bargaining with the population of Annunciation, and started
sleepily up the mountain, with a vagrant at each mule's tail who
pretended to be driving the brute along, but was really holding on and
getting himself dragged up instead. I made slow headway at first, but I
began to get dissatisfied at the idea of paying my minion five francs to
hold my mule back by the tail and keep him from going up the hill, and so
I discharged him. I got along faster then.
We had one magnificent picture of Naples from a high point on the
mountain side. We saw nothing but the gas lamps, of course--two-thirds
of a circle, skirting the great Bay--a necklace of diamonds glinting up
through the darkness from the remote distance--less brilliant than the
stars overhead, but more softly, richly beautiful--and over all the great
city the lights crossed and recrossed each other in many and many a
sparkling line and curve. And back of the town, far around and abroad
over the miles of level campagna, were scattered rows, and circles, and
clusters of lights, all glowing like so many gems, and marking where a
score of villages were sleeping. About this time, the fellow who was
hanging on to the tail of the horse in front of me and practicing all
sorts of unnecessary cruelty upon the animal, got kicked some fourteen
rods, and this incident, together with the fairy spectacle of the lights
far in the distance, made me serenely happy, and I was glad I started to
Vesuvius.
ASCENT OF MOUNT VESUVIUS--CONTINUED.
This subject will be excellent matter for a chapter, and tomorrow or next
day I will write it.
CHAPTER XXX.
ASCENT OF VESUVIUS--CONTINUED.
“See Naples and die.” Well, I do not know that one would necessarily die
after merely seeing it, but to attempt to live there might turn out a
little differently. To see Naples as we saw it in the early dawn from
far up on the side of Vesuvius, is to see a picture of wonderful beauty.
At that distance its dingy buildings looked white--and so, rank on rank
of balconies, windows and roofs, they piled themselves up from the blue
ocean till the colossal castle of St. Elmo topped the grand white pyramid
and gave the picture symmetry, emphasis and completeness. And when its
lilies turned to roses--when it blushed under the sun's first kiss--it
was beautiful beyond all description. One might well say, then, “See
Naples and die.” The frame of the picture was charming, itself. In
front, the smooth sea--a vast mosaic of many colors; the lofty islands
swimming in a dreamy haze in the distance; at our end of the city the
stately double peak of Vesuvius, and its strong black ribs and seams of
lava stretching down to the limitless level campagna--a green carpet that
enchants the eye and leads it on and on, past clusters of trees, and
isolated houses, and snowy villages, until it shreds out in a fringe of
mist and general vagueness far away. It is from the Hermitage, there on
the side of Vesuvius, that one should “see Naples and die.”
But do not go within the walls and look at it in detail. That takes away
some of the romance of the thing. The people are filthy in their habits,
and this makes filthy streets and breeds disagreeable sights and smells.
There never was a community so prejudiced against the cholera as these
Neapolitans are. But they have good reason to be. The cholera generally
vanquishes a Neapolitan when it seizes him, because, you understand,
before the doctor can dig through the dirt and get at the disease the man
dies. The upper classes take a sea-bath every day, and are pretty
decent.
The streets are generally about wide enough for one wagon, and how they
do swarm with people! It is Broadway repeated in every street, in every
court, in every alley! Such masses, such throngs, such multitudes of
hurrying, bustling, struggling humanity! We never saw the like of it,
hardly even in New York, I think. There are seldom any sidewalks, and
when there are, they are not often wide enough to pass a man on without
caroming on him. So everybody walks in the street--and where the street
is wide enough, carriages are forever dashing along. Why a thousand
people are not run over and crippled every day is a mystery that no man
can solve. But if there is an eighth wonder in the world, it must be the
dwelling-houses of Naples. I honestly believe a good majority of them
are a hundred feet high! And the solid brick walls are seven feet
through. You go up nine flights of stairs before you get to the “first”
floor. No, not nine, but there or thereabouts. There is a little
bird-cage of an iron railing in front of every window clear away up, up,
up, among the eternal clouds, where the roof is, and there is always
somebody looking out of every window--people of ordinary size looking
out from the first floor, people a shade smaller from the second, people
that look a little smaller yet from the third--and from thence upward
they grow smaller and smaller by a regularly graduated diminution, till
the folks in the topmost windows seem more like birds in an uncommonly
tall martin-box than any thing else. The perspective of one of these
narrow cracks of streets, with its rows of tall houses stretching away
till they come together in the distance like railway tracks; its
clothes-lines crossing over at all altitudes and waving their bannered
raggedness over the swarms of people below; and the white-dressed women
perched in balcony railings all the way from the pavement up to the
heavens--a perspective like that is really worth going into Neapolitan
details to see.
ASCENT OF VESUVIUS--CONTINUED.
Naples, with its immediate suburbs, contains six hundred and twenty-five
thousand inhabitants, but I am satisfied it covers no more ground than an
American city of one hundred and fifty thousand. It reaches up into the
air infinitely higher than three American cities, though, and there is
where the secret of it lies. I will observe here, in passing, that the