The Innocents Abroad
found time to remove from the ovens the last time he left his shop,
because circumstances compelled him to leave in such a hurry.
In one house (the only building in Pompeii which no woman is now allowed
to enter,) were the small rooms and short beds of solid masonry, just as
they were in the old times, and on the walls were pictures which looked
almost as fresh as if they were painted yesterday, but which no pen could
have the hardihood to describe; and here and there were Latin
inscriptions--obscene scintillations of wit, scratched by hands that
possibly were uplifted to Heaven for succor in the midst of a driving
storm of fire before the night was done.
In one of the principal streets was a ponderous stone tank, and a
water-spout that supplied it, and where the tired, heated toilers from the
Campagna used to rest their right hands when they bent over to put their
lips to the spout, the thick stone was worn down to a broad groove an
inch or two deep. Think of the countless thousands of hands that had
pressed that spot in the ages that are gone, to so reduce a stone that
is as hard as iron!
They had a great public bulletin board in Pompeii--a place where
announcements for gladiatorial combats, elections, and such things, were
posted--not on perishable paper, but carved in enduring stone. One lady,
who, I take it, was rich and well brought up, advertised a dwelling or so
to rent, with baths and all the modern improvements, and several hundred
shops, stipulating that the dwellings should not be put to immoral
purposes. You can find out who lived in many a house in Pompeii by the
carved stone door-plates affixed to them: and in the same way you can
tell who they were that occupy the tombs. Every where around are things
that reveal to you something of the customs and history of this forgotten
people. But what would a volcano leave of an American city, if it once
rained its cinders on it? Hardly a sign or a symbol to tell its story.
In one of these long Pompeiian halls the skeleton of a man was found,
with ten pieces of gold in one hand and a large key in the other. He had
seized his money and started toward the door, but the fiery tempest
caught him at the very threshold, and he sank down and died. One more
minute of precious time would have saved him. I saw the skeletons of a
man, a woman, and two young girls. The woman had her hands spread wide
apart, as if in mortal terror, and I imagined I could still trace upon
her shapeless face something of the expression of wild despair that
distorted it when the heavens rained fire in these streets, so many ages
ago. The girls and the man lay with their faces upon their arms, as if
they had tried to shield them from the enveloping cinders. In one
apartment eighteen skeletons were found, all in sitting postures, and
blackened places on the walls still mark their shapes and show their
attitudes, like shadows. One of them, a woman, still wore upon her
skeleton throat a necklace, with her name engraved upon it--JULIE DI
DIOMEDE.
But perhaps the most poetical thing Pompeii has yielded to modern
research, was that grand figure of a Roman soldier, clad in complete
armor; who, true to his duty, true to his proud name of a soldier of
Rome, and full of the stern courage which had given to that name its
glory, stood to his post by the city gate, erect and unflinching, till
the hell that raged around him burned out the dauntless spirit it could
not conquer.
We never read of Pompeii but we think of that soldier; we can not write
of Pompeii without the natural impulse to grant to him the mention he so
well deserves. Let us remember that he was a soldier--not a policeman
--and so, praise him. Being a soldier, he staid,--because the warrior
instinct forbade him to fly. Had he been a policeman he would have
staid, also--because he would have been asleep.
There are not half a dozen flights of stairs in Pompeii, and no other
evidences that the houses were more than one story high. The people did
not live in the clouds, as do the Venetians, the Genoese and Neapolitans
of to-day.
We came out from under the solemn mysteries of this city of the Venerable
Past--this city which perished, with all its old ways and its quaint old
fashions about it, remote centuries ago, when the Disciples were
preaching the new religion, which is as old as the hills to us now--and
went dreaming among the trees that grow over acres and acres of its still
buried streets and squares, till a shrill whistle and the cry of “All
aboard--last train for Naples!” woke me up and reminded me that I
belonged in the nineteenth century, and was not a dusty mummy, caked with
ashes and cinders, eighteen hundred years old. The transition was
startling. The idea of a railroad train actually running to old dead
Pompeii, and whistling irreverently, and calling for passengers in the
most bustling and business-like way, was as strange a thing as one could
imagine, and as unpoetical and disagreeable as it was strange.
Compare the cheerful life and the sunshine of this day with the horrors
the younger Pliny saw here, the 9th of November, A.D. 79, when he was so
bravely striving to remove his mother out of reach of harm, while she
begged him, with all a mother's unselfishness, to leave her to perish and
save himself.
'By this time the murky darkness had so increased that one might
have believed himself abroad in a black and moonless night, or in a
chamber where all the lights had been extinguished. On every hand
was heard the complaints of women, the wailing of children, and the
cries of men. One called his father, another his son, and another
his wife, and only by their voices could they know each other. Many
in their despair begged that death would come and end their
distress.
“Some implored the gods to succor them, and some believed that this
night was the last, the eternal night which should engulf the
universe!
“Even so it seemed to me--and I consoled myself for the coming death
with the reflection: BEHOLD, THE WORLD IS PASSING AWAY!”
* * * * * * * *
After browsing among the stately ruins of Rome, of Baiae, of Pompeii, and
after glancing down the long marble ranks of battered and nameless
imperial heads that stretch down the corridors of the Vatican, one thing
strikes me with a force it never had before: the unsubstantial, unlasting
character of fame. Men lived long lives, in the olden time, and
struggled feverishly through them, toiling like slaves, in oratory, in
generalship, or in literature, and then laid them down and died, happy in
the possession of an enduring history and a deathless name. Well, twenty
little centuries flutter away, and what is left of these things? A crazy
inscription on a block of stone, which snuffy antiquaries bother over and
tangle up and make nothing out of but a bare name (which they spell
wrong)--no history, no tradition, no poetry--nothing that can give it
even a passing interest. What may be left of General Grant's great name
forty centuries hence? This--in the Encyclopedia for A. D. 5868,
possibly:
“URIAH S. (or Z.) GRAUNT--popular poet of ancient times in the Aztec
provinces of the United States of British America. Some authors say
flourished about A. D. 742; but the learned Ah-ah Foo-foo states
that he was a cotemporary of Scharkspyre, the English poet, and
flourished about A. D. 1328, some three centuries after the Trojan
war instead of before it. He wrote 'Rock me to Sleep, Mother.'”
These thoughts sadden me. I will to bed.
CHAPTER XXXII.
Home, again! For the first time, in many weeks, the ship's entire family
met and shook hands on the quarter-deck. They had gathered from many
points of the compass and from many lands, but not one was missing; there
was no tale of sickness or death among the flock to dampen the pleasure
of the reunion. Once more there was a full audience on deck to listen to
the sailors' chorus as they got the anchor up, and to wave an adieu to
the land as we sped away from Naples. The seats were full at dinner
again, the domino parties were complete, and the life and bustle on the
upper deck in the fine moonlight at night was like old times--old times
that had been gone weeks only, but yet they were weeks so crowded with
incident, adventure and excitement, that they seemed almost like years.
There was no lack of cheerfulness on board the __Quaker City__. For once,
her title was a misnomer.
At seven in the evening, with the western horizon all golden from the
sunken sun, and specked with distant ships, the full moon sailing high
over head, the dark blue of the sea under foot, and a strange sort of
twilight affected by all these different lights and colors around us and
about us, we sighted superb Stromboli. With what majesty the monarch
held his lonely state above the level sea! Distance clothed him in a
purple gloom, and added a veil of shimmering mist that so softened his
rugged features that we seemed to see him through a web of silver gauze.
His torch was out; his fires were smoldering; a tall column of smoke that
rose up and lost itself in the growing moonlight was all the sign he gave
that he was a living Autocrat of the Sea and not the spectre of a dead
one.
At two in the morning we swept through the Straits of Messina, and so
bright was the moonlight that Italy on the one hand and Sicily on the
other seemed almost as distinctly visible as though we looked at them
from the middle of a street we were traversing. The city of Messina,
milk-white, and starred and spangled all over with gaslights, was a fairy
spectacle. A great party of us were on deck smoking and making a noise,
and waiting to see famous Scylla and Charybdis. And presently the Oracle
stepped out with his eternal spy-glass and squared himself on the deck
like another Colossus of Rhodes. It was a surprise to see him abroad at
such an hour. Nobody supposed he cared anything about an old fable like
that of Scylla and Charybdis. One of the boys said:
“Hello, doctor, what are you doing up here at this time of night?--What
do you want to see this place for?”
“What do I want to see this place for? Young man, little do you know me,
or you wouldn't ask such a question. I wish to see all the places that's
mentioned in the Bible.”
“Stuff--this place isn't mentioned in the Bible.”
“It ain't mentioned in the Bible!--this place ain't--well now, what place
is this, since you know so much about it?”
“Why it's Scylla and Charybdis.”
“Scylla and Cha--confound it, I thought it was Sodom and Gomorrah!”
And he closed up his glass and went below. The above is the ship story.
Its plausibility is marred a little by the fact that the Oracle was not a
biblical student, and did not spend much of his time instructing himself
about Scriptural localities.--They say the Oracle complains, in this hot
weather, lately, that the only beverage in the ship that is passable, is
the butter. He did not mean butter, of course, but inasmuch as that
article remains in a melted state now since we are out of ice, it is fair
to give him the credit of getting one long word in the right place,
anyhow, for once in his life. He said, in Rome, that the Pope was a
noble-looking old man, but he never did think much of his Iliad.
We spent one pleasant day skirting along the Isles of Greece. They are
very mountainous. Their prevailing tints are gray and brown, approaching
to red. Little white villages surrounded by trees, nestle in the valleys
or roost upon the lofty perpendicular sea-walls.
We had one fine sunset--a rich carmine flush that suffused the western