The Lilac Sunbonnet: A Love Story
There was no other writing upon the outside.
Opening the envelope carefully, he let the light of the byre
lantern rest on the missive. It was written in a delicate but
strong handwriting--the hand of one accustomed to forming the
smaller letters of ancient tongues into a current script. "To
Mistress Winifred Charteris," it ran. "Dear Lady: That I have
offended you by the hastiness of my words and the unforgivable
wilfulness of my actions, I know, but cannot forgive myself. Yet,
knowing the kindness of your disposition, I have thought that you
might be better disposed to pardon me than I myself. For I need
not tell you, what you already know, that the sight of you is
dearer to me than the light of the morning. You are connected in
my mind and heart with all that is best and loveliest. I need not
tell now that I love you, for you know that I love the string of
your bonnet. Nor am I asking for anything in return, save only
that you may know my heart and not be angry. This I send to ease
its pain, for it has been crying out all night long, 'Tell her--
tell her!' So I have risen early to write this. Whether I shall
send it or no, I cannot tell. There is no need, Winsome, to answer
it, if you will only let it fall into your heart and make no
noise, as a drop of water falls into the sea. Whether you will be
angry or not I cannot tell, and, truth to tell you, sweetheart, I
am far past caring. I am coming, as I said, to Craig Ronald to see
your grandmother, and also, if you will, to see you. I shall not
need you to tell me whether you are angered with a man's love or
no; I shall know that before you speak to me. But keep a thought
for one that loves you beyond all the world, and as if there were
no world, and naught but God and you and him. For this time fare
you well. Ralph Peden."
Jess turned it over with a curious look on her face. "Aye, he has
the grip o't, an' she micht get him gin she war as clever as Jess
Kissock; but him that can love yin weel can lo'e anither better,
an' I can keep them sindry [asunder]. I saw him first, an' he spak
to me first. 'Ye're no to think o' him,' said my mither. Think o'
him! I hae thocht o' nocht else. Think of him! Since when is
thinkin' a crime? A lass maun juist do the best she can for
hersel', be she cotman's dochter or laird's. Love's a' yae thing--
kitchen or byre, but or ben. See a lad, lo'e a lad, get a lad,
keep a lad! Ralph Peden will kiss me afore the year's oot," she
said with determination.
So in the corner of the byre, among the fragrant hay and fresh-cut
clover, Jess Kissock the cottar's lass prophesied out of her
wayward soul, baring her intentions to herself as perhaps her
sister in boudoir hushed and perfumed might not have done. There
are Ishmaels also among women, whose hand is against every woman,
and who stand for their own rights to the man on whom they have
set their love; and the strange thing is, that such are by no
means the worst of women either.
Stranger still, so strong and dividing to soul and marrow is a
clearly defined purpose and determinately selfish, that such women
do not often fail. And indeed Jess Kissock, sitting in the hay-
neuk, with her candle in the lantern throwing patterns on the
cobwebby walls from the tiny perforations all round, made a
perfectly correct prophecy. Ralph Peden did indeed kiss her, and
that of his own free will as his love of loves within a much
shorter space of time than a year.
Strangely also, Jess the gipsy, the dark-browed Pictess, was
neither angry nor jealous when she read Ralph's letter to Winsome.
According to all rules she ought to have been. She even tried to
persuade herself that she was. But the sight of Ralph writing to
Winsome gave no pang to her heart. Nor did this argue that she did
not love really and passionately. She did; but Jess had in her the
Napoleon instinct. She loved obstacles. So thus it was what she
communed with herself, sitting with her hand on her brow, and her
swarthy tangle of hair falling all about her face. All women have
a pose in which they look best. Jess looked best leaning forward
with her elbows on her knees. Had there been a fender at her
father's fireside Jess would have often sat on it, for there is a
dangerous species of girl that, like a cat, looks best sitting on
a fender. And such a girl is always aware of the circumstance.
"He has written to Winsome," Jess communed with herself. "Well, he
shall write to me. He loves her, he thinks; then in time he shall
love me, and be sure perfectly o't. Let me see. Gin she had gotten
this letter, she wadna hae answered it. So he'll come the morn,
an' he'll no say a word to her aboot the letter. Na, he'll juist
look if she's pleased like, and gin that gomeral Saunders gied him
the rose, he'll no be ill to please eyther! But afore he gangs
hame he shall see Jess Kissock, an' hear frae her aboot the young
man frae the Castle!" Jess took another look at the letter." It's
a bonny hand o' write," she said, "but Dominie Cairnochan learned
me to write as weel as onybody, an' some day he'll write to me.
I'se no be byre lass a' my life. Certes no. There's oor Meg, noo;
she'll mairry some ignorant landward man, an' leeve a' her life in
a cot hoose, wi' a dizzen weans tum'lin' aboot her! What yin canna
learn, anither can," continued Jess. "I hae listened to graun'
fowk speakin', an' I can speak as weel as onybody. I'll disgrace
nane. Gin I canna mak' mysel' fit for kirk or manse, my name's no
Jess Kissock. I'm nae country lump, to be left where I'm set doon,
like a milkin' creepie [stool], an' kickit ower when they are dune
wi' me."
It is of such women, born to the full power and passion of sex,
and with all the delicate keenness of the feminine brain, utterly
without principle or scruple, that the Cleopatras are made. For
black-browed Egypt, the serpent of old Nile, can sit in a country
byre, and read a letter to another woman. For Cleopatra is not
history; she is type.
CHAPTER XXI.
THE RETURN OF EBIE FARRISH.
Now Ebie Farrish had been over at the Nether Crae seeing the
lassies there in a friendly way after the scene in the byre, for
Galloway ploughmen were the most general of lovers. Ebie
considered it therefore no disloyalty to Jess that he would
display his watch-guard and other accomplishments to the young
maids at the Crae. Nor indeed would Jess herself have so
considered it. It was only Meg who was so particular that she did
not allow such little practice excursions of this kind on the part
of her young men.
When Ebie started to go home, it was just midnight. As he came
over the Grannoch bridge he saw the stars reflected in the water,
and the long stretches of the loch glimmering pearl grey in the
faint starlight and the late twilight. He thought they looked as
if they were running down hill. His thoughts and doings that day
and night had been earthly enough. He had no regrets and few
aspirations. But the coolness of the twilight gave him the sense
of being a better man than he knew himself to be. Ebie went to sit
under the ministrations of the Reverend Erasmus Teends at twelve
by the clock on Sunday. He was a regular attendant. He always was
spruce in his Sunday blacks. He placed himself in the hard pews so
that he could have a view of his flame for the time being. As he
listened to the minister he thought sometimes of her and of his
work, and of the turnip-hoeing on the morrow, but oftenest of
Jess, who went to the Marrow kirk over the hills. He thought of
the rise of ten shillings that he would ask at the next half-
year's term, all as a matter of course--just as Robert Jamieson
the large farmer, thought of the rent day and the market ordinary,
and bringing home the "muckle greybeard "full of excellent
Glenlivat from the Cross Keys on Wednesday. Above them both the
Reverend Erasmus Teends droned and drowsed, as Jess Kissock said
with her faculty for expression, "bummelin' awa like a bubbly-Jock
or a bum-bee in a bottle."
But coming home in the coolness of this night, the ploughman was,
for the time being, purged of the grosser humours which come
naturally to strong, coarse natures, with physical frames ramping
with youth and good feeding. He stood long looking into the lane
water, which glided beneath the bridge and away down to the Dee
without a sound.
He saw where, on the broad bosom of the loch, the stillness lay
grey and smooth like glimmering steel, with little puffs of night
wind purling across it, and disappearing like breath from a new
knife-blade. He saw where the smooth satin plane rippled to the
first water-break, as the stream collected itself, deep and black,
with the force of the water behind it, to flow beneath the bridge.
When Ebie Farrish came to the bridge he was a material Galloway
ploughman, satisfied with his night's conquests and chewing the
cud of their memory.
He looked over. He saw the stars, which were perfectly reflected a
hundred yards away on the smooth expanse, first waver, then
tremble, and lastly break into a myriad delicate shafts of light,
as the water quickened and gathered. He spat in the water, and
thought of trout for breakfast. But the long roar of the rapids of
the Dee came over the hill, and a feeling of stillness with it,
weird and remote. Uncertain lights shot hither and thither under
the bridge, in strange gleams of reflection. The ploughman was
awed. He continued to gaze. The stillness closed in upon him. The
aromatic breath of the pines seemed to cool him and remove him
from himself. He had a sense that it was Sabbath morning, and that
he had just washed his face to go to church. It was the nearest
thing to worship he had ever known. Such moments come to the most
material, and are their theology. Far off a solitary bird whooped
and whinnied. It sounded mysterious and unknown, the cry of a lost
soul. Ebie Farrish wondered where he would go to when he died. He
thought this over for a little, and then he concluded that it were
better not to dwell on this subject. But the crying on the lonely
hills awed him. It was only a Jack snipe from whose belated nest
an owl had stolen two eggs. But it was Ebie Farrish's good angel.
He resolved that he would go seldomer to the village public o'
nights, and that he would no more find cakes and ale sweet to his
palate. It was a foregone conclusion that on Saturday night he
would be there, yet what he heard and saw on Grannoch Bridge
opened his sluggish eyes. Of a truth there was that in the world
which had not been there for him before. It is to Jess Kissock's
credit, that when Ebie was most impressed by the stillness and
most under the spell of the night, he thought of her. He was only
an ignorant, godless, good-natured man, who was no more moral than
he could help; but it is both a testimonial and a compliment when
such a man thinks of a woman in his best and most solemn moments.
At that moment Jess Kissock was putting Winsome Charteris's letter
into her pocket.
There is no doubt that poor, ignorant Ebie, with his highly
developed body and the unrestrained and irregular propensities of
his rudimentary soul, was nearer the Almighty that night than his
keen-witted and scheming sweetheart.
A trout leaped in the calm water, and Ebie stopped thinking of the
eternities to remember where he had set a line. Far off a cock
crew, and the well-known sound warned Ebie that he had better be
drawing near his bed. He raised himself from the copestone of the
parapet, and solemnly tramped his steady way up to the "onstead"
of Craig Ronald, which took shape before him as he advanced like a
low, grey-bastioned castle. As he entered the low square on his
way across to the stable door he was surprised to notice a gleam
of light in the byre. Ebie thought that some tramps were