The Lives of the Twelve Caesars, Complete
in the three several exercises of music, wrestling, and horse-racing, to
be performed at Rome every five years, and which he called Neronia. Upon
the dedication of his bath [572] and gymnasium, he furnished the senate
and the equestrian order with oil. He appointed as judges of the trial
men of consular rank, chosen by lot, who sat with the praetors. At this
time he went down into the orchestra amongst the senators, and received
the crown for the best performance in Latin prose and verse, for which
several persons of the greatest merit contended, but they unanimously
yielded to him. The crown for the best performer on the harp, being
likewise awarded to him by the judges, he devoutly saluted it, and
ordered it to be carried to the statue of Augustus. In the gymnastic
exercises, which he presented in the Septa, while they were preparing the
great sacrifice of an ox, he shaved his beard for the first time [573],
and putting it up in a casket of gold studded with pearls of great price,
consecrated it to Jupiter Capitolinus. He invited the Vestal Virgins to
see the (346) wrestlers perform, because, at Olympia, the priestesses of
Ceres are allowed the privilege of witnessing that exhibition.
XIII. Amongst the spectacles presented by him, the solemn entrance of
Tiridates [574] into the city deserves to be mentioned. This personage,
who was king of Armenia, he invited to Rome by very liberal promises.
But being prevented by unfavourable weather from showing him to the
people upon the day fixed by proclamation, he took the first opportunity
which occurred; several cohorts being drawn up under arms, about the
temples in the forum, while he was seated on a curule chair on the
rostra, in a triumphal dress, amidst the military standards and ensigns.
Upon Tiridates advancing towards him, on a stage made shelving for the
purpose, he permitted him to throw himself at his feet, but quickly
raised him with his right hand, and kissed him. The emperor then, at the
king’s request, took the turban from his head, and replaced it by a
crown, whilst a person of pretorian rank proclaimed in Latin the words in
which the prince addressed the emperor as a suppliant. After this
ceremony, the king was conducted to the theatre, where, after renewing
his obeisance, Nero seated him on his right hand. Being then greeted by
universal acclamation with the title of Emperor, and sending his laurel
crown to the Capitol, Nero shut the temple of the two-faced Janus, as
though there now existed no war throughout the Roman empire.
XIV. He filled the consulship four times [575]: the first for two
months, the second and last for six, and the third for four; the two
intermediate ones he held successively, but the others after an interval
of some years between them.
XV. In the administration of justice, he scarcely ever gave his decision
on the pleadings before the next day, and then in writing. His manner of
hearing causes was not to allow any adjournment, but to dispatch them in
order as they stood. When he withdrew to consult his assessors, he did
not debate the matter openly with them; but silently and privately
reading over their opinions, which they gave separately in writing, (347)
he pronounced sentence from the tribunal according to his own view of the
case, as if it was the opinion of the majority. For a long time he would
not admit the sons of freedmen into the senate; and those who had been
admitted by former princes, he excluded from all public offices. To
supernumerary candidates he gave command in the legions, to comfort them
under the delay of their hopes. The consulship he commonly conferred for
six months; and one of the two consuls dying a little before the first of
January, he substituted no one in his place; disliking what had been
formerly done for Caninius Rebilus on such an occasion, who was consul
for one day only. He allowed the triumphal honours only to those who
were of quaestorian rank, and to some of the equestrian order; and
bestowed them without regard to military service. And instead of the
quaestors, whose office it properly was, he frequently ordered that the
addresses, which he sent to the senate on certain occasions, should be
read by the consuls.
XVI. He devised a new style of building in the city, ordering piazzas to
be erected before all houses, both in the streets and detached, to give
facilities from their terraces, in case of fire, for preventing it from
spreading; and these he built at his own expense. He likewise designed
to extend the city walls as far as Ostia, and bring the sea from thence
by a canal into the old city. Many severe regulations and new orders
were made in his time. A sumptuary law was enacted. Public suppers were
limited to the Sportulae [576]; and victualling-houses restrained from
selling any dressed victuals, except pulse and herbs, whereas before they
sold all kinds of meat. He likewise inflicted punishments on the
Christians, a sort of people who held a new and impious [577]
superstition.
(348) He forbad the revels of the charioteers, who had long assumed a
licence to stroll about, and established for themselves a kind of
prescriptive right to cheat and thieve, making a jest of it. The
partisans of the rival theatrical performers were banished, as well as
the actors themselves.
XVII. To prevent forgery, a method was then first invented, of having
writings bored, run through three times with a thread, and then sealed.
It was likewise provided that in wills, the two first pages, with only
the testator’s name upon them, should be presented blank to those who
were to sign them as witnesses; and that no one who wrote a will for
another, should insert any legacy for himself. It was likewise ordained
that clients should pay their advocates a certain reasonable fee, but
nothing for the court, which was to be gratuitous, the charges for it
being paid out of the public treasury; that causes, the cognizance of
which before belonged to the judges of the exchequer, should be
transferred to the forum, and the ordinary tribunals; and that all
appeals from the judges should be made to the senate.
XVIII. He never entertained the least ambition or hope of augmenting and
extending the frontiers of the empire. On the contrary, he had thoughts
of withdrawing the troops from Britain, and was only restrained from so
doing by the fear of appearing to detract from the glory of his father
[578]. All (349) that he did was to reduce the kingdom of Pontus, which
was ceded to him by Polemon, and also the Alps [579], upon the death of
Cottius, into the form of a province.
XIX. Twice only he undertook any foreign expeditions, one to Alexandria,
and the other to Achaia; but he abandoned the prosecution of the former
on the very day fixed for his departure, by being deterred both by ill
omens, and the hazard of the voyage. For while he was making the circuit
of the temples, having seated himself in that of Vesta, when he attempted
to rise, the skirt of his robe stuck fast; and he was instantly seized
with such a dimness in his eyes, that he could not see a yard before him.
In Achaia, he attempted to make a cut through the Isthmus [580]; and,
having made a speech encouraging his pretorians to set about the work, on
a signal given by sound of trumpet, he first broke ground with a spade,
and carried off a basket full of earth upon his shoulders. He made
preparations for an expedition to the Pass of the Caspian mountains
[581]; forming a new legion out of his late levies in Italy, of men all
six feet high, which he called the phalanx of Alexander the Great. These
transactions, in part unexceptionable, and in part highly commendable, I
have brought into one view, in order to separate them from the scandalous
and criminal part of his conduct, of which I shall now give an account.
XX. Among the other liberal arts which he was taught in his youth, he
was instructed in music; and immediately after (350) his advancement to
the empire, he sent for Terpnus, a performer upon the harp [582], who
flourished at that time with the highest reputation. Sitting with him
for several days following, as he sang and played after supper, until
late at night, he began by degrees to practise upon the instrument
himself. Nor did he omit any of those expedients which artists in music
adopt, for the preservation and improvement of their voices. He would
lie upon his back with a sheet of lead upon his breast, clear his stomach
and bowels by vomits and clysters, and forbear the eating of fruits, or
food prejudicial to the voice. Encouraged by his proficiency, though his
voice was naturally neither loud nor clear, he was desirous of appearing
upon the stage, frequently repeating amongst his friends a Greek proverb
to this effect: “that no one had any regard for music which they never
heard.” Accordingly, he made his first public appearance at Naples; and
although the theatre quivered with the sudden shock of an earthquake, he
did not desist, until he had finished the piece of music he had begun.
He played and sung in the same place several times, and for several days
together; taking only now and then a little respite to refresh his voice.
Impatient of retirement, it was his custom to go from the bath to the
theatre; and after dining in the orchestra, amidst a crowded assembly of
the people, he promised them in Greek [583], “that after he had drank a
little, he would give them a tune which would make their ears tingle.”
Being highly pleased with the songs that were sung in his praise by some
Alexandrians belonging to the fleet just arrived at Naples [584], he sent
for more of the like singers from Alexandria. At the same time, he chose
young men of the equestrian order, and above five thousand robust young
fellows from the common people, on purpose to learn various kinds of
applause, called bombi, imbrices, and testae [585], which they were to
practise in his favour, whenever he performed. They were (351) divided
into several parties, and were remarkable for their fine heads of hair,
and were extremely well dressed, with rings upon their left hands. The
leaders of these bands had salaries of forty thousand sesterces allowed
them.
XXI. At Rome also, being extremely proud of his singing, he ordered the
games called Neronia to be celebrated before the time fixed for their
return. All now becoming importunate to hear “his heavenly voice,” he
informed them, “that he would gratify those who desired it at the
gardens.” But the soldiers then on guard seconding the voice of the
people, he promised to comply with their request immediately, and with
all his heart. He instantly ordered his name to be entered upon the list
of musicians who proposed to contend, and having thrown his lot into the
urn among the rest, took his turn, and entered, attended by the prefects
of the pretorian cohorts bearing his harp, and followed by the military
tribunes, and several of his intimate friends. After he had taken his
station, and made the usual prelude, he commanded Cluvius Rufus, a man of
consular rank, to proclaim in the theatre, that he intended to sing the
story of Niobe. This he accordingly did, and continued it until nearly
ten o’clock, but deferred the disposal of the crown, and the remaining
part of the solemnity, until the next year; that he might have more
frequent opportunities of performing. But that being too long, he could
not refrain from often appearing as a public performer during the
interval. He made no scruple of exhibiting on the stage, even in the
spectacles presented to the people by private persons, and was offered by
one of the praetors, no less than a million of sesterces for his
services. He likewise sang tragedies in a mask; the visors of the heroes