The Love-Story of Aliette Brunton
question put to her by the dead.
Sir Peter had stopped speaking. His eyes under the gold-rimmed glasses
were perturbed, yet kindly. Obviously he found the situation difficult.
She waited for Ronnie or James to intervene; but they, too, remained
dumb.
And, "Do I understand," asked Aliette, summoning up all her courage,
"that this novel is a personal story--the story of my"--her whole body
quivered--"matrimonial difficulties?"
Ronnie removed his hand from her shoulder. James nodded assent.
Admiration and gratitude mingled in Sir Peter's: "You've defined the
matter exactly. One of the questions on which I should like _your_ views
is," the careful words paused, "whether or no this book should be
published."
Fleetingly, Aliette thought, "Shall I tell them ... about myself? Does
it make any difference?" Her intuition, suddenly active, remembered two
hints dropped--purposefully perhaps--by Ronnie's mother. "Public
judgment is usually inaccurate because the public is not told the whole
truth"; "My dear, if only the whole world realized, as I realize, your
story, they would not misjudge you."
"My views----" she parried aloud, playing for time.
"Publicity," she thought. "The flaunting policy once more. Dear God,
that too." And, revisualizing the ordeal at Patrick O'Riordan's first
night, her nerve frayed. Why couldn't these three men leave her in
peace--in peace? Looking at Ronnie, she saw his eyes very resolute. He
said:
"My decision is that the book _must_ be published."
"Please let _me_ finish, Cavendish," broke in Sir Peter; and to Aliette:
"There are other points besides the publication of this book to be
decided." Then he read to her, always in the same soft purr, the
codicil; and explained, in tense, reasoned sentences, the consequences
of its publication in the press, ending: "It means, to use a rather
old-fashioned phrase, social ruin."
For a long while Aliette sat silent, her eyes wide, her pale hands
clutching the black folds of her dress. Womanlike, she tried to put
herself into the mind of the dead. Why had Julia Cavendish done this
thing? Why? Could Julia have guessed that---- Womanlike, Aliette looked
into the future, and her cheeks grew hot.
Ronnie said: "He can't bring an action for libel without bringing one
for divorce"; Sir Peter, "Let's stick to our point; the publication of
this codicil means disaster--for all three of you." "It means Aliette's
freedom," retorted Ronnie.
The words of the codicil stood out in fire on the screen of Aliette's
mind. She saw those words published, saw the book published, saw scandal
follow scandal. Sir Peter was right. This thing meant ruin, social ruin
for herself, for Ronnie, for Hector. And yet, and yet--it meant freedom.
But would freedom come in time?
She glanced at the three men: at Ronnie and James, on their feet,
motionless; at Sir Peter, seated at the desk, his hand fidgeting the
ivory paper-knife. Swiftly, as a shuttle through the warp, her mind
threaded the skeins of the future. The future would hold more than
Ronnie.
"Before you take any decision," Jimmy spoke, "read this." He laid a
letter before her. She read the letter through twice, her mind fighting
for self-control, before asking:
"And is there no other method by which Mrs. Cavendish's 'main object'
can be achieved, Sir Peter?"
Sir Peter's hand ceased fidgeting at the knife. "There may be a way," he
said doubtfully. "But whether we can take it or not depends on
your--er--former husband."
Blazing, Ronnie intervened. "Once and for all, I'll have no favors from
that--that blackguard. He's made his own bed. Let him lie in it. Who the
devil cares about scandal nowadays? I don't. And if Brunton does, so
much the worse for him."
But the baronet's next remark shattered heroics. "I think," said the
baronet sarcastically, "that as my co-executor is getting so very
excited, we had better adjourn our conference. Perhaps you'll let me
know what you both decide."
4
Late that same evening, Aliette and her lover sat alone in the familiar
drawing-room among the familiar things--the jade idols, the Toby mugs,
the Spanish velvets, and the Venetian brocades which Julia Cavendish had
collected for her delight. Ever since their hasty dinner--most of the
staff were still at Daffadillies--Ronnie had been urging her decision.
Ever since dinner, haggard, she had been playing for time.
"It was my mother's wish," he said. "Let's prove the will; publish the
book; take the consequences. Anything's worth while--if only he'll
divorce you."
"Is it?" Dully, the woman's mind was looking for a loophole. "Is it
worth while to ruin three lives?"
"Three?"
"Yes, dear. Yours--and mine ... and--and Hector's,"
"Hector!" The rage in Ronnie's voice terrified her, as it had been
terrifying her all the evening. "We needn't consider him. He hasn't
considered us. There would have been no need for all this if he'd been
reasonable; if he'd brought his action for divorce when I asked him to."
"There are others we ought to consider, too." Aliette's hand, as she
fondled her lover's rigid arm, was tremulous. "Mollie, James, my
parents. They'll all suffer if you--if we carry this thing through."
"They must look after themselves. They've done nothing to help us. Don't
let's discuss the matter further. Believe me, it's the only way to get
what we want."
"But Sir Peter said----"
"Sir Peter's only a solicitor. Even if that blackguard did file his
petition, the will and the book would have to be published."
"Why are you so bitter, man?" Aliette's eyes suffused.
"I'm not bitter. Only just. He had no mercy on Lucy Towers. I'll have
none on him."
Aliette's hands ceased their fondling. For a little while she sat
silent, unmoving among the deep cushions. Her mind, busied so long,
could function no longer. She felt her womanliness naked--flesh
quivering under the lash. She wanted to say to him: 'Ronnie, there's
something--something you don't know.' But suddenly her courage--the
courage which had carried her, carried them both, through the hard-run
months--broke. She began to sob. Like a broken soul she sobbed--sobbed
to herself, faintly, feebly; careless--as Lucy Towers had been
careless--of the man who strove to comfort her. Words came, feebly,
through the sobs:
"Man, I meant to make you so happy. I meant to make everybody happy. But
I've failed--failed. I'm not blaming you. I'm not blaming your mother.
You and your mother have done everything. Everything. It's only I who
have been useless--useless. And I meant, heaven only knows how much I
meant, to be of use. Before I ran away with you I reasoned it all out. I
thought that I was doing right. There didn't seem to be any one else to
consider except you and me." She broke off. Then, almost fiercely, she
asked him: "Tell me I've been a little bit of use? Tell me I've made you
happy--just sometimes----"
"Of course you've made me happy." He tried to take her hands; but her
hands shrank from him.
"I don't believe it You're only saying that to comfort me."
"I'm not."
"You are." Hysteria took her by the throat. "You hate me. If you don't
hate me--you ought to. I killed your mother." She broke off again,
sobbing.
"Alie"--the tone told her that he thought her crazy--"what's the matter
with you? Nothing could have saved Julia. Sir Heron told me."
"Sir Heron wouldn't tell _you_. Nobody would tell you anything. You're
only a man. All men are the same. You're only thinking about yourself.
You're not thinking about me. You only want your revenge on--on Hector.
Why shouldn't you have your revenge?"
Suddenly, her sobbing ceased; and she faced him--this Aliette he could
not understand--dry-eyed and venomous.
"Have your revenge on him if you want to. But don't pretend you're being
just. Don't pretend you're being heroic. Don't pretend you're any better
than he is. You're not. He's a man, just the same as you are. You talk
about my freedom. You say scandal doesn't matter. Perhaps it doesn't--to
a man. Perhaps it oughtn't to matter to me, I've belonged to two----"
At that, for the first and last time in their lives, Aliette was
physically afraid of her lover. His arms, which had been seeking to
comfort, abandoned her. He sprang to his feet. Jealousy, a red and angry
aura of jealousy, exuded from him.
"Christ!" he burst out, "Christ! You needn't remind me of that."
Speech died at his lips. Furiously he strode from her--strode up and
down the familiar room, the room in which, months since, she had given
her unspoken promise to Julia Cavendish. The scene came back to her now.
She thought, "What have I been saying? Dear God, what have I been
saying?" Hysteria went out of her, as fever goes out, leaving her weak,
nerveless.
"Damn it!" he was muttering, "damn it! Do you think I ever forget that
once--once----"
She wanted to cry out to him, "I didn't mean to hurt you. You're hurting
me now, hurting me beyond all bearing." But she knew that, hurt, she
dared not cry out; knew that this was the hardest of the path, the full
price, the full torment exacted.
Sitting there, rigid, uncomplaining, teeth bit to the under lip lest the
mouth should cry out its torture, she remembered the long years with
Hector, the mornings and the evenings when, facing him over the
breakfast-table or the dinner-table, listening after dinner to his voice
in the library, tolerating--for the sake of the dream which this other
man had made true--the ungentle fury of his caresses, she had learned to
wear the mask which so many married women wear, the mask of compliance.
Must she, for Ronnie's sake, still wear the mask? Daren't she tell
him--the truth? Wouldn't he--knowing the truth--flinch from his purpose?
Wasn't it worth while, more than worth while, to keep silence till the
die was cast? Couldn't she still play for time? Time! There might be
some way--some other way to freedom. If only she weren't so afraid--so
strangely and newly afraid! If only Ronnie were not so angry!
And suddenly she knew that Ronnie's anger had left him. His feet stopped
in mid-stride. Slowly he came across the room toward her; and she could
see a little of the old understanding tenderness in his blue eyes.
"Alie," he said, "forgive me."
"What is there to forgive?" Her voice sounded listless, broken. "It was
my fault. I oughtn't to have spoken as I did. I called up the past. I
had no right to call up the past. The past's dead. There's only the
future----"
"Our future." He was on his knees to her now; and dumbly she put out her
hands to him; dumbly she fondled his temples. Once more she wanted to
cry; but no tears came. Her tongue felt parched, as though by some
bitter fruit. "It wasn't your fault, Alie. You're tired. And perhaps I'm
not being just. Perhaps I do want my revenge. But it's only for your
sake"--his hands sought her shoulders--"only for your sake that I hate
him. I think, I know, that if he'd made you happy, if he'd been kind to
you, I could bear the thought of him. But he made you miserable. He hurt
you. He's hurting you now. When I think of that, I go mad; mad with
hatred."
She leaned forward; and words came to her. "You mustn't hate him. We
mustn't either of us hate him. We're as much to blame as he is. At
least, I am. I'm a rotten woman. Rotten."
"You're not. You 're the best woman in the world." Still on his knees to
her by the sofa, he pressed her to him--gently, with that gentleness
which had first won her heart. And desperately her heart wanted to tell
him everything. But tears, tears of sheer weakness, choked her once
more.
"Don't cry, darling. Please don't cry." Conscience-wrung, Ronnie could
find no other words. The sense of his responsibility, of that awful