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The mark of the monster

Jack Williamson

"Yes," the low, booming voice caught the word. "The demon in you." The flaming eyes lifted. "Through some accident of inheritance, the dark blood is recessive in you, Clay. Physically, you appear quite human. Psychically, you are also, save for the shadow of strangeness that you feel, and for the waking of the demon when you fight. "But I'm afraid for you, Clay!" The terrible voice sank lower. "Passion will awake that slumbering demon. It will transmute that shadow into reality. You must walk with care, my son, or you will lose all humanity, in a hideous reversion to the dark blood! "If you married, you might become as monstrous as your brother. The strange blood was dominant in him. Tonight, in wishing to see you, he--or it--was displaying a fit of human emotion as rare as your fits of evil. For the most part, your twin is a mad monstrosity----" * * * * * "Tonight!" My mounting terror seized the word, and I reeled under an avalanche of dread. Icy sweat drenched me. Sick, quivering, I sank against the back of the chair. It was a little time before my lips could form the faint query: "Tonight? The thing in the cellar--that wanted me? That is my--my _brother_?" Doctor Kyle nodded. His dark eyes looked quickly away, as if with pity. His voice throbbed to me faintly through the gray mist of dread: "Your own brother, Clay. Its blood is your blood. Passion will cause your reversion to its form. What is equally dreadful, if you should marry Valyne, or any other woman, your children would probably be such things as it is!" The chill gloom of the musty attic chamber was spinning around me. Fainter, ever receding, still I heard the booming tones: "I attended your mother when you and your twin were born. I wanted to destroy the other, but neither she nor her father would allow. There was a strange perversity in her love. And Eliakim Coe desired the monster in the practise of the dark art that was overwhelming him. "As the strange being grew, your mother saw that it could never be reared in the world of men. When you were two years old--when Eliakim Coe died, a victim of the fearful powers he had summoned out of space--she left you in this household, and took the other into the forest. "Clay, it was a dreadful, secret life that your mother led, for the next twenty years and more, in these dark mountains above Creston! She sacrificed herself for her monstrous son. She kept it in a cave, on Blue Squaw Mountain. "She had no contact with the world, save for her infrequent midnight visits to me. But many a time, Clay, until the year when you left Creston, she stood beside your bed at night, and even touched your hair. But always she went back. "A few months ago she came to me, ill. I told her that she was going to die. On the last night of her life, she coaxed your strange brother down from the cave, and gave it into my keeping. Since then we have kept it in the cellar. "I still feel that it should be destroyed--as I wanted to destroy it when it was born. But I have preserved its life because of my promise to your mother, and because it will be a living exhibit to prove the authenticity of my book: _A History of the Sorceries and Demonolatries of Creston_." Fast in a frozen sea of dread, I dimly knew that Doctor Kyle was turning toward the door. I could scarcely hear him say: "You may go back to your room, Clay. You see why you can never marry Valyne." _4. At the Mercy of--Monstrosity!_ Back in my own frosty room, I collapsed on the bed. I tried to think. But red chaos ruled my brain. Only one clear thought emerged: If I couldn't marry Valyne Kirk, then I must die. I tried to doubt what Doctor Kyle had told me. It was hideously incredible, and belief in it meant death. But the sober, convincing manner of his telling, the strangeness that had shadowed all my life, the lurking dread that festered in Creston, the hideous monster in the cellar--these combined to bring me maddening conviction. I tried to think it a lie. But what reason had Doctor Kyle to lie to me, to whom he had always been a second father? What motive could he have for a deception calculated only to drive me away from Creston, a crazed and hopeless fugitive, for ever? And what lie could have darkened all my life, and set me apart from men, even in the distant East? No! I could not escape the clutching intuition of horror. Strange and fearful blood burned through my body. In all the world was no being of my own kind--none save that chained monstrosity! And my love for Valyne could give birth only to terror, madness, and death. Distantly, from below, I heard a sound like howling, and a chain clanking, and wood splintering. The monster--my twin---- Cold, trembling, I sat up on the edge of the bed. It was struggling; perhaps it would escape. A terrible resolve steadied me. I would never see it again. I strode grimly to the window. Outside was night; the silent, immemorial forests of Creston; the gloomy, tangled slope of Blue Squaw Mountain, whose summit was crowned with that altar of frightful sacrifice. Shrinking from the darkness and the horror of it, I was suddenly conscious of the weight sagging against my chest. There was a surer way.... With a hand now steady, I slipped the automatic out of its holster. It was heavy and cold and black. Its grim steel efficiency was a match for all the festering evil of ancient Creston. I snapped back the slide and watched the bright, blunt cartridge leap into the chamber. I thrust the hard muzzle resolutely against my temple, hardly conscious of the quiet, swift rapping upon my door. But it was flung open, and Valyne rushed to me. Her urgent hand jerked my arm away. "Clay! Clay!" gasped her terrified whisper. "I came because I was afraid you would!" She stood before me. Her trembling hand still held down the gun. Her breast was fluttering to her quick breathing. Her violet eyes, wide, glistening with tears, held my face. The live, pulsating beauty of her slim body stung my own eyes with tears. Every soft line of it was infinitely precious. My resolution found new steel. "Why shouldn't I?" I rasped the hoarse demand. "You know what I am! You know why we can't marry! And that the sooner I die the less likely I am to revert to--to something hideous!" "I know what Doctor Kyle says." Her eyes probed to the back of my brain. "And you believe it, Clay?" "I--I do. I tried not to. But my whole life points to the truth of it--even to the rage that struck down Jud Geer! "You must go away, Valyne," I said. I pushed her toward the door. "You must let me kill that fiend in me before it injures you." Her body stood tremulously firm against the pressure of my hands. "You don't understand, Clay," she told me, and a ringing strength was in her voice. "Even if it's true, I can't let you die--alone! For I love you, Clay." I returned the gun to its holster, and caught her hands in mine. For I had been touched and elated by the sudden conviction that our love was a pure flame that could burn all the tainting horror from my blood. Her warm hands clasped mine, and she whispered: "Clay, promise me that you will live as long as I do! Promise me that you will never again surrender to that horror! Just promise. And we will go away from Creston, in the morning, as we planned. Perhaps we can find a way to happiness. At least we can be together for a while--and together when we die!" I promised. I thought we might consult some psychiatrist or occultist.... * * * * * The glory of her love seemed for a little time to banish the sinister chill of evil from the room. I begged her to stay with me; for the dread that still haunted me was stronger than my regard for convention. And perhaps she would have stayed; for she too was strained and white with unuttered forebodings. But there was a light, hurried knocking on the door, and old Sarah Kyle hobbled into the room. Her dark, pointed face was bloodless. Her small, bright eyes darted about the room, and a thin, anxious whisper lisped from her toothless mouth: "Have ye seen it, Clay? Have ye heard it?" "You mean----" I wet my lips. "You mean the thing in the cellar?" Her glittering eyes met mine, veiled with unspeakable dread. "Your brother," shrilled her tremulous whisper, "has broken his chains and gone." I swayed, and caught Valyne to me, as if an icy dark wind had sought to drag her away. The cracked whisper insisted: "Have ye heard it?" "Half an hour ago I heard the chain rattling, and the sound of breaking wood." The thin lips came together, like strips of dried leather. "That must have been when it escaped. God knows where it went!" Valyne whispered, into the fearful silence: "What will it do, Mother Kyle?" Her big violet eyes came to me, with a naked horror pleading in them. "One day," she whispered, "I went down into the cellar, and it saw me through the bars. It wanted me, Clay! It tried to break out. For days it howled, and wouldn't touch its food. "I'm afraid, Clay." Her tense, trembling arms slipped around my neck, and her frightened eyes went back to Sarah Kyle. Her thin lips still were pursed. "I don't know what it will do," her thin voice said slowly. "It is cunning, and aflame with demon lusts. You're in danger, Valyne. Go back to your room, and lock the door. The rest of us must try to find it. The doctor and the servants are searching, now. "And you must be careful for yourself, Clay. It was friendly, a while ago--it knew its own blood. But if it learns that you love Valyne, its affection will turn to jealous rage.... "_Listen!_" The whispered warning fell suddenly, and for a moment we were silent in the frosty room. "I thought I heard it," said Sarah Kyle. "We must hasten. You must keep with me, Clay. The doctor thinks it will come to you." In a shivering voice, Valyne said: "Let me go with you." "No, darling," protested the old woman; "you must keep out of its sight. Remember, once it went mad at sight of you. If it saw you again, we could never quiet it. And it might harm you." Valyne acquiesced, and we took her to her room. She kissed me, and her lips were cold. "Remember your promise, Clay," she whispered. "And tomorrow we shall go away together. Don't let it harm you!" We heard the lock snap in her door, and went down the stairs. Sarah Kyle took a kerosene lamp from the dining-table. "We shall go to the cellar to begin." Her bright, sunken eyes darted at me suddenly. "Have ye any sense for it, Clay? Any intuition from the common blood? Do ye think that ye could trail it?" "I don't know." My dazed brain was still spinning blindly along the black, swift river of horror. "The doctor says it will come to you," she was saying. "And when it comes, I can calm it. It ever heeded me----" "It won't come to nobody," put in the flat, mannish voice of big Josepha Hand, who had just appeared out of the dark hall. "It wants that girl! It smelled the odor of her on _him_, when he came to speak to it. It broke out to git her, and it won't come to nobody----" * * * * * Sarah Kyle led the way down the steps, and I carried the lamp into the walled-off cell. The heavy door had been crushed outward, torn from its hinges as if by some terrific projectile. A broken length of rusty iron chain lay across the threshold. Beyond was a rude wooden trough, which had been overturned, to spill dark, clotted blood across the foul stone floor. Suffocatingly strong in the room was that acrid, animal stench. Reeling with its nausea, I stumbled back toward the door. But an idea had