The Mysteries of Udolpho
stealing to her mind, she experienced that pensive luxury which is felt
on viewing the scenes of ancient story, and on comparing their present
state of silence and solitude with that of their former grandeur and
animation. The scenes of the Illiad illapsed in glowing colours to her
fancy—scenes, once the haunt of heroes—now lonely, and in ruins; but
which still shone, in the poet’s strain, in all their youthful
splendour.
As her imagination painted with melancholy touches, the deserted plains
of Troy, such as they appeared in this after-day, she reanimated the
landscape with the following little story.
STANZAS
O’er Ilion’s plains, where once the warrior bled,
And once the poet rais’d his deathless strain,
O’er Ilion’s plains a weary driver led
His stately camels: For the ruin’d fane
Wide round the lonely scene his glance he threw,
For now the red cloud faded in the west,
And twilight o’er the silent landscape drew
Her deep’ning veil; eastward his course he prest:
There, on the grey horizon’s glimm’ring bound,
Rose the proud columns of deserted Troy,
And wandering shepherds now a shelter found
Within those walls, where princes wont to joy.
Beneath a lofty porch the driver pass’d,
Then, from his camels heav’d the heavy load;
Partook with them the simple, cool repast,
And in short vesper gave himself to God.
From distant lands with merchandise he came,
His all of wealth his patient servants bore;
Oft deep-drawn sighs his anxious wish proclaim
To reach, again, his happy cottage door;
For there, his wife, his little children, dwell;
Their smiles shall pay the toil of many an hour:
Ev’n now warm tears to expectation swell,
As fancy o’er his mind extends her pow’r.
A death-like stillness reign’d, where once the song,
The song of heroes, wak’d the midnight air,
Save, when a solemn murmur roll’d along,
That seem’d to say—“for future worlds prepare.”
For Time’s imperious voice was frequent heard
Shaking the marble temple to its fall,
(By hands he long had conquer’d, vainly rear’d),
And distant ruins answer’d to his call.
While Hamet slept, his camels round him lay,
Beneath him, all his store of wealth was piled;
And here, his cruse and empty wallet lay,
And there, the flute that chear’d him in the wild.
The robber Tartar on his slumber stole,
For o’er the waste, at eve, he watch’d his train;
Ah! who his thirst of plunder shall control?
Who calls on him for mercy—calls in vain!
A poison’d poignard in his belt he wore,
A crescent sword depended at his side,
The deathful quiver at his back he bore,
And infants—at his very look had died!
The moon’s cold beam athwart the temple fell,
And to his sleeping prey the Tartar led;
But soft!—a startled camel shook his bell,
Then stretch’d his limbs, and rear’d his drowsy head.
Hamet awoke! the poignard glitter’d high!
Swift from his couch he sprung, and ’scap’d the blow;
When from an unknown hand the arrows fly,
That lay the ruffian, in his vengeance, low.
He groan’d, he died! from forth a column’d gate
A fearful shepherd, pale and silent, crept,
Who, as he watch’d his folded flock star-late,
Had mark’d the robber steal where Hamet slept.
He fear’d his own, and sav’d a stranger’s life!
Poor Hamet clasp’d him to his grateful heart;
Then, rous’d his camels for the dusty strife,
And, with the shepherd, hasten’d to depart.
And now, aurora breathes her fresh’ning gale,
And faintly trembles on the eastern cloud;
And now, the sun, from under twilight’s veil,
Looks gaily forth, and melts her airy shroud.
Wide o’er the level plains, his slanting beams
Dart their long lines on Ilion’s tower’d site;
The distant Hellespont with morning gleams,
And old Scamander winds his waves in light.
All merry sound the camel bells, so gay,
And merry beats fond Hamet’s heart, for he,
E’er the dim evening steals upon the day,
His children, wife and happy home shall see.
As Emily approached the shores of Italy she began to discriminate the
rich features and varied colouring of the landscape—the purple hills,
groves of orange pine and cypress, shading magnificent villas, and
towns rising among vineyards and plantations. The noble Brenta, pouring
its broad waves into the sea, now appeared, and, when she reached its
mouth, the barge stopped, that the horses might be fastened which were
now to tow it up the stream. This done, Emily gave a last look to the
Adriatic, and to the dim sail,
that from the sky-mix’d wave
Dawns on the sight,
and the barge slowly glided between the green and luxuriant slopes of
the river. The grandeur of the Palladian villas, that adorn these
shores, was considerably heightened by the setting rays, which threw
strong contrasts of light and shade upon the porticos and long arcades,
and beamed a mellow lustre upon the orangeries and the tall groves of
pine and cypress, that overhung the buildings. The scent of oranges, of
flowering myrtles, and other odoriferous plants was diffused upon the
air, and often, from these embowered retreats, a strain of music stole
on the calm, and “softened into silence.”
The sun now sunk below the horizon, twilight fell over the landscape,
and Emily, wrapt in musing silence, continued to watch its features
gradually vanishing into obscurity. She remembered her many happy
evenings, when with St. Aubert she had observed the shades of twilight
steal over a scene as beautiful as this, from the gardens of La Vallée,
and a tear fell to the memory of her father. Her spirits were softened
into melancholy by the influence of the hour, by the low murmur of the
wave passing under the vessel, and the stillness of the air, that
trembled only at intervals with distant music:—why else should she, at
these moments, have looked on her attachment to Valancourt with
presages so very afflicting, since she had but lately received letters
from him, that had soothed for a while all her anxieties? It now seemed
to her oppressed mind, that she had taken leave of him for ever, and
that the countries, which separated them, would never more be retraced
by her. She looked upon Count Morano with horror, as in some degree the
cause of this; but apart from him, a conviction, if such that may be
called, which arises from no proof, and which she knew not how to
account for, seized her mind—that she should never see Valancourt
again. Though she knew, that neither Morano’s solicitations, nor
Montoni’s commands had lawful power to enforce her obedience, she
regarded both with a superstitious dread, that they would finally
prevail.
Lost in this melancholy reverie, and shedding frequent tears, Emily was
at length roused by Montoni, and she followed him to the cabin, where
refreshments were spread, and her aunt was seated alone. The
countenance of Madame Montoni was inflamed with resentment, that
appeared to be the consequence of some conversation she had held with
her husband, who regarded her with a kind of sullen disdain, and both
preserved, for some time, a haughty silence. Montoni then spoke to
Emily of Mons. Quesnel: “You will not, I hope, persist in disclaiming
your knowledge of the subject of my letter to him?”
“I had hoped, sir, that it was no longer necessary for me to disclaim
it,” said Emily, “I had hoped, from your silence, that you were
convinced of your error.”
“You have hoped impossibilities then,” replied Montoni; “I might as
reasonably have expected to find sincerity and uniformity of conduct in
one of your sex, as you to convict me of error in this affair.”
Emily blushed, and was silent; she now perceived too clearly, that she
had hoped an impossibility, for, where no mistake had been committed no
conviction could follow; and it was evident, that Montoni’s conduct had
not been the consequence of mistake, but of design.
Anxious to escape from conversation, which was both afflicting and
humiliating to her, she soon returned to the deck, and resumed her
station near the stern, without apprehension of cold, for no vapour
rose from the water, and the air was dry and tranquil; here, at least,
the benevolence of nature allowed her the quiet which Montoni had
denied her elsewhere. It was now past midnight. The stars shed a kind
of twilight, that served to show the dark outline of the shores on
either hand, and the grey surface of the river; till the moon rose from
behind a high palm grove, and shed her mellow lustre over the scene.
The vessel glided smoothly on: amid the stillness of the hour Emily
heard, now and then, the solitary voice of the barge-men on the bank,
as they spoke to their horses; while, from a remote part of the vessel,
with melancholy song,
The sailor sooth’d,
Beneath the trembling moon, the midnight wave.
Emily, meanwhile, anticipated her reception by Mons, and Madame
Quesnel; considered what she should say on the subject of La Vallée;
and then, to withhold her mind from more anxious topics, tried to amuse
herself by discriminating the faint-drawn features of the landscape,
reposing in the moonlight. While her fancy thus wandered, she saw, at a
distance, a building peeping between the moonlight trees, and, as the
barge approached, heard voices speaking, and soon distinguished the
lofty portico of a villa, overshadowed by groves of pine and sycamore,
which she recollected to be the same, that had formerly been pointed
out to her, as belonging to Madame Quesnel’s relative.
The barge stopped at a flight of marble steps, which led up the bank to
a lawn. Lights appeared between some pillars beyond the portico.
Montoni sent forward his servant, and then disembarked with his family.
They found Mons. and Madame Quesnel, with a few friends, seated on
sofas in the portico, enjoying the cool breeze of the night, and eating
fruits and ices, while some of their servants at a little distance, on
the river’s bank, were performing a simple serenade. Emily was now
accustomed to the way of living in this warm country, and was not
surprised to find Mons. and Madame Quesnel in their portico, two hours
after midnight.
The usual salutations being over, the company seated themselves in the
portico, and refreshments were brought them from the adjoining hall,
where a banquet was spread, and servants attended. When the bustle of
this meeting had subsided, and Emily had recovered from the little
flutter into which it had thrown her spirits, she was struck with the
singular beauty of the hall, so perfectly accommodated to the luxuries
of the season. It was of white marble, and the roof, rising into an
open cupola, was supported by columns of the same material. Two
opposite sides of the apartment, terminating in open porticos, admitted
to the hall a full view of the gardens, and of the river scenery; in
the centre a fountain continually refreshed the air, and seemed to
heighten the fragrance, that breathed from the surrounding orangeries,
while its dashing waters gave an agreeable and soothing sound. Etruscan
lamps, suspended from the pillars, diffused a brilliant light over the
interior part of the hall, leaving the remoter porticos to the softer
lustre of the moon.
Mons. Quesnel talked apart to Montoni of his own affairs, in his usual
strain of self-importance; boasted of his new acquisitions, and then
affected to pity some disappointments, which Montoni had lately
sustained. Meanwhile, the latter, whose pride at least enabled him to
despise such vanity as this, and whose discernment at once detected
under this assumed pity, the frivolous malignity of Quesnel’s mind,
listened to him in contemptuous silence, till he named his niece, and
then they left the portico, and walked away into the gardens.
Emily, however, still attended to Madame Quesnel, who spoke of France
(for even the name of her native country was dear to her) and she found