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The Napoleon of Notting Hill

G. K. Chesterton

"What a nice fellow he is!" he said. "It's odd how often they are nice. Much nicer than those as are all right." Meanwhile Adam Wayne stood outside the glowing chemist's shop, unmistakably wavering. "What a weakness it is!" he muttered. "I have never got rid of it from childhood--the fear of this magic shop. The grocer is rich, he is romantic, he is poetical in the truest sense, but he is not--no, he is not supernatural. But the chemist! All the other shops stand in Notting Hill, but this stands in Elf-land. Look at those great burning bowls of colour. It must be from them that God paints the sunsets. It is superhuman, and the superhuman is all the more uncanny when it is beneficent. That is the root of the fear of God. I am afraid. But I must be a man and enter." He was a man, and entered. A short, dark young man was behind the counter with spectacles, and greeted him with a bright but entirely business-like smile. "A fine evening, sir," he said. "Fine indeed, strange Father," said Adam, stretching his hands somewhat forward. "It is on such clear and mellow nights that your shop is most itself. Then they appear most perfect, those moons of green and gold and crimson, which from afar oft guide the pilgrim of pain and sickness to this house of merciful witchcraft." "Can I get you anything?" asked the chemist. "Let me see," said Wayne, in a friendly but vague manner. "Let me have some sal volatile." "Eightpence, tenpence, or one and sixpence a bottle?" said the young man, genially. "One and six--one and six," replied Wayne, with a wild submissiveness. "I come to ask you, Mr. Bowles, a terrible question." He paused and collected himself. "It is necessary," he muttered--"it is necessary to be tactful, and to suit the appeal to each profession in turn." "I come," he resumed aloud, "to ask you a question which goes to the roots of your miraculous toils. Mr. Bowles, shall all this witchery cease?" And he waved his stick around the shop. Meeting with no answer, he continued with animation-- "In Notting Hill we have felt to its core the elfish mystery of your profession. And now Notting Hill itself is threatened." "Anything more, sir?" asked the chemist. "Oh," said Wayne, somewhat disturbed--"oh, what is it chemists sell? Quinine, I think. Thank you. Shall it be destroyed? I have met these men of Bayswater and North Kensington--Mr. Bowles, they are materialists. They see no witchery in your work, even when it is wrought within their own borders. They think the chemist is commonplace. They think him human." The chemist appeared to pause, only a moment, to take in the insult, and immediately said-- "And the next article, please?" "Alum," said the Provost, wildly. "I resume. It is in this sacred town alone that your priesthood is reverenced. Therefore, when you fight for us you fight not only for yourself, but for everything you typify. You fight not only for Notting Hill, but for Fairyland, for as surely as Buck and Barker and such men hold sway, the sense of Fairyland in some strange manner diminishes." "Anything more, sir?" asked Mr. Bowles, with unbroken cheerfulness. "Oh yes, jujubes--Gregory powder--magnesia. The danger is imminent. In all this matter I have felt that I fought not merely for my own city (though to that I owe all my blood), but for all places in which these great ideas could prevail. I am fighting not merely for Notting Hill, but for Bayswater itself; for North Kensington itself. For if the gold-hunters prevail, these also will lose all their ancient sentiments and all the mystery of their national soul. I know I can count upon you." "Oh yes, sir," said the chemist, with great animation; "we are always glad to oblige a good customer." Adam Wayne went out of the shop with a deep sense of fulfilment of soul. "It is so fortunate," he said, "to have tact, to be able to play upon the peculiar talents and specialities, the cosmopolitanism of the grocer and the world-old necromancy of the chemist. Where should I be without tact?" CHAPTER II--_The Remarkable Mr. Turnbull_ After two more interviews with shopmen, however, the patriot's confidence in his own psychological diplomacy began vaguely to wane. Despite the care with which he considered the peculiar rationale and the peculiar glory of each separate shop, there seemed to be something unresponsive about the shopmen. Whether it was a dark resentment against the uninitiate for peeping into their masonic magnificence, he could not quite conjecture. His conversation with the man who kept the shop of curiosities had begun encouragingly. The man who kept the shop of curiosities had, indeed, enchanted him with a phrase. He was standing drearily at the door of his shop, a wrinkled man with a grey pointed beard, evidently a gentleman who had come down in the world. "And how does your commerce go, you strange guardian of the past?" said Wayne, affably. "Well, sir, not very well," replied the man, with that patient voice of his class which is one of the most heart-breaking things in the world. "Things are terribly quiet." Wayne's eyes shone suddenly. "A great saying," he said, "worthy of a man whose merchandise is human history. Terribly quiet; that is in two words the spirit of this age, as I have felt it from my cradle. I sometimes wondered how many other people felt the oppression of this union between quietude and terror. I see blank well-ordered streets and men in black moving about inoffensively, sullenly. It goes on day after day, day after day, and nothing happens; but to me it is like a dream from which I might wake screaming. To me the straightness of our life is the straightness of a thin cord stretched tight. Its stillness is terrible. It might snap with a noise like thunder. And you who sit, amid the _debris_ of the great wars, you who sit, as it were, upon a battlefield, you know that war was less terrible than this evil peace; you know that the idle lads who carried those swords under Francis or Elizabeth, the rude Squire or Baron who swung that mace about in Picardy or Northumberland battles, may have been terribly noisy, but were not like us, terribly quiet." Whether it was a faint embarrassment of conscience as to the original source and date of the weapons referred to, or merely an engrained depression, the guardian of the past looked, if anything, a little more worried. "But I do not think," continued Wayne, "that this horrible silence of modernity will last, though I think for the present it will increase. What a farce is this modern liberality! Freedom of speech means practically, in our modern civilisation, that we must only talk about unimportant things. We must not talk about religion, for that is illiberal; we must not talk about bread and cheese, for that is talking shop; we must not talk about death, for that is depressing; we must not talk about birth, for that is indelicate. It cannot last. Something must break this strange indifference, this strange dreamy egoism, this strange loneliness of millions in a crowd. Something must break it. Why should it not be you and I? Can you do nothing else but guard relics?" The shopman wore a gradually clearing expression, which would have led those unsympathetic with the cause of the Red Lion to think that the last sentence was the only one to which he had attached any meaning. "I am rather old to go into a new business," he said, "and I don't quite know what to be, either." "Why not," said Wayne, gently having reached the crisis of his delicate persuasion--"why not be a colonel?" It was at this point, in all probability, that the interview began to yield more disappointing results. The man appeared inclined at first to regard the suggestion of becoming a colonel as outside the sphere of immediate and relevant discussion. A long exposition of the inevitable war of independence, coupled with the purchase of a doubtful sixteenth-century sword for an exaggerated price, seemed to resettle matters. Wayne left the shop, however, somewhat infected with the melancholy of its owner. That melancholy was completed at the barber's. "Shaving, sir?" inquired that artist from inside his shop. "War!" replied Wayne, standing on the threshold. "I beg your pardon," said the other, sharply. "War!" said Wayne, warmly. "But not for anything inconsistent with the beautiful and the civilised arts. War for beauty. War for society. War for peace. A great chance is offered you of repelling that slander which, in defiance of the lives of so many artists, attributes poltroonery to those who beautify and polish the surface of our lives. Why should not hairdressers be heroes? Why should not--" "Now, you get out," said the barber, irascibly. "We don't want any of your sort here. You get out." And he came forward with the desperate annoyance of a mild person when enraged. Adam Wayne laid his hand for a moment on the sword, then dropped it. "Notting Hill," he said, "will need her bolder sons;" and he turned gloomily to the toy-shop. It was one of those queer little shops so constantly seen in the side streets of London, which must be called toy-shops only because toys upon the whole predominate; for the remainder of goods seem to consist of almost everything else in the world--tobacco, exercise-books, sweet-stuff, novelettes, halfpenny paper clips, halfpenny pencil sharpeners, bootlaces, and cheap fireworks. It also sold newspapers, and a row of dirty-looking posters hung along the front of it. "I am afraid," said Wayne, as he entered, "that I am not getting on with these tradesmen as I should. Is it that I have neglected to rise to the full meaning of their work? Is there some secret buried in each of these shops which no mere poet can discover?" He stepped to the counter with a depression which he rapidly conquered as he addressed the man on the other side of it,--a man of short stature, and hair prematurely white, and the look of a large baby. "Sir," said Wayne, "I am going from house to house in this street of ours, seeking to stir up some sense of the danger which now threatens our city. Nowhere have I felt my duty so difficult as here. For the toy-shop keeper has to do with all that remains to us of Eden before the first wars began. You sit here meditating continually upon the wants of that wonderful time when every staircase leads to the stars, and every garden-path to the other end of nowhere. Is it thoughtlessly, do you think, that I strike the dark old drum of peril in the paradise of children? But consider a moment; do not condemn me hastily. Even that paradise itself contains the rumour or beginning of that danger, just as the Eden that was made for perfection contained the terrible tree. For judge childhood, even by your own arsenal of its pleasures. You keep bricks; you make yourself thus, doubtless, the witness of the constructive instinct older than the destructive. You keep dolls; you make yourself the priest of that divine idolatry. You keep Noah's Arks; you perpetuate the memory of the salvation of all life as a precious, an irreplaceable thing. But do you keep only, sir, the symbols of this prehistoric sanity, this childish rationality of the earth? Do you not keep more terrible things? What are those boxes, seemingly of lead soldiers, that I see in that glass case? Are they not witnesses to that terror and beauty, that desire for a lovely death, which could not be excluded even from the immortality of Eden? Do not despise the lead soldiers, Mr. Turnbull." "I don't," said Mr. Turnbull, of the toy-shop, shortly, but with great emphasis. "I am glad to hear it," replied Wayne. "I confess that I feared for my military schemes the awful innocence of your profession. How, I