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The Nowadays Girls in the Adirondacks or, The deserted bungalow on Saranac Lake

Gertrude Hall Brownell

"Almost, yes. How do you like my dress?" "It's perfect. I never thought you could get such a stunning effect from that calico and creton." Alice was a Dresden shepherdess, and a sweet and dainty figure she made. "Your own costume is a dream, Sylvia!" "I'm glad it isn't a nightmare," was the laughing retort. Sylvia was attired as Night in a black dress, spangled with stars, and quarter moons. It became her wonderfully well. Her black mask dangled from her hand. Soon it would be time to don it. Rose was a Columbine, in a voluminous clown suit of white with black spots, and a peaked hat, while Baby Reed was Little Miss Muffett. The girls hoped they had kept their secrets well, and that none of the hotel guests had discovered the designs of their costumes. Mrs. Brownley was to go just as herself, in common with some of the other matrons of the hotel, who would act as chaperons and patronesses of the dance, which was for a local charity. Louder sounded the entrancing music. The strains of it penetrated to the room of our friends, and set their feet to tapping the floor impatiently. "Aren't you ready yet, Rose?" asked Sylvia; for they were waiting for some last touches to be put to her dress by one of the chambermaids. "Yes--coming!" They went out, masked, to the main hall, to find themselves in a gay throng of other maskers, who were attired with more or less historic semblance to represent characters, past, present and future. This was the ladies' dressing floor. The gentlemen were on the one below. There were murmurs of "Ohs!" and "Ahs!" as Sylvia and her chums came from their rooms. "Those are the four girls!" came in whispers from various corners, with the accent on "the." "Where's Natalie?" asked Hazel, in a low voice, of Sylvia. "She wanted to go down with us." "She and her husband are going as Jack and Jill," explained Sylvia. "But don't mention it. She doesn't want it known that she is married." "Has she taken off her wedding ring?" Alice asked. "Indeed not! Brides don't do that. But she is going to wear gloves. There she is now." A charming "Jill" came out of a room and joined the four girls. There sounded a crash of music from the ballroom floor. "Oh, come on!" begged Hazel. "We're missing it." As they passed the floor where the gentlemen were costuming, a group passed down the broad staircase. There were clowns, tramps, gallants of the thirteenth century, courtiers, Puritans, aviators, sailors, soldiers and what-not. Down the stairs hustled and bustled the masqueraders, eager to throng into the place whence the music came. It was a hesitation waltz, and Sylvia presently found herself whirling through it with a Spaniard who danced wonderfully well.
Illustration note[Illustration: SYLVIA PRESENTLY FOUND HERSELF WHIRLING THROUGH IT WITH A SPANIARD WHO DANCED WONDERFULLY WELL.]
"Do you do the Marcel?" he asked, looking intently at her as if to pierce her identity through her mask. "Yes," she said, trying to speak unnaturally, for she suspected her partner was a certain young man staying at the Antlers. He whirled her about in the pivot, glided first on her right side, and then, after a hesitation, to the left, again whirling into the waltz. She knew this dance perhaps better than any of the newest new ones, and she was not a little gratified when her partner remarked: "That was beautifully done. Don't you like it?" "Indeed, yes. It is such a change from the plain hesitation." They found themselves in a crush, and had to "lame duck" it for a few steps until they found themselves free again. "Do you know what that reminds me of?" he asked, as they passed the palm-screened corner where the musicians were playing. "What?" she asked. "The hesitation. It reminds me of a canoe gracefully overturning in the rapids----" "What! You?" she cried, astonished. "Even so, O Night!" He spoke dramatically. "I thought I should find you again, but I looked for a Niobe." "Why, because I was all water?" "Somewhat, yes. May I have the next dance?" "I--I am not so sure----" "You had better be. Come out on the veranda. The moon is glorious." The music had stopped, and as there had already been two encores there would be no more. Sylvia, her heart beating rather fast, stepped out of the low windows to the porch whereon were many strolling couples. Sylvia was on her guard. After all it might be one of the hotel guests who had heard the story of the upset. A figure that Sylvia recognised as that of Alice came up to her, but stopped on seeing her with the Spaniard. "Oh!" she exclaimed. "Yes?" asked Sylvia. "Nothing now, I'll speak to you later." "Oh, I'll leave you," said the Spaniard, quickly. "Remember, I have the new dance, O Night," he said, and with a bow he was gone. "Who is it?" asked Alice, in a whisper. "The young man who saved our canoe." "Really?" "So he says." "You can't believe a word they say. Did you have a nice dance?" "Lovely! And you?" "Perfect. I'm engaged for the next one. Are you?" "Well, if he insists on claiming it I can hardly say no. And he really _does_ dance beautifully. Have you seen Rose or Hazel?" "Yes, they were enjoying themselves, evidently. I want some pins. Have you any?" Alice was supplied, and went to the dressing-room. Sylvia was looking for Hazel or Rose, when the music started up again. She saw a grotesquely attired Dutchman approaching, and wondered if he would ask her to dance. He did. "This is ours, I believe, O Night," he murmured. "Yours? I--er--I----" "I am the knight of the overturned canoe, who wore no hat," he said, in a low voice. CHAPTER XXI THE MYSTERY DEEPENS Sylvia did not know what to say. There were two explanations possible--perhaps more, but two certainly. One was that the Spaniard had hastily changed his costume, or else that there were two young men who had penetrated her disguise, and were conversant at least with the episode of the overturned canoe. And both explanations were feasible. "I--er--I half promised this dance," murmured Sylvia. "I told----" "Yes, and I am he whom you told," was the answer. "He was a----" "Yes, I know. But pardon me for pointing out that we are missing part of it," and he led her in through the low window to the ballroom. It was a onestep, and Sylvia could not judge, from the style of her partner's dancing, whether or not he was the same one she had had in the hesitation. "I trust you did not take cold," he said, "from your immersion." "Oh, no, not at all," Sylvia said. She and her chums had been reasonably sure that the camping accident was known only to a few in the hotel, for it had been made light of, and canoe upsets were far too common to make much fuss over. And yet if this were not the young man who had rescued the canoe he must be some one of the boarders at the Antlers who knew more about the episode than had been given out by the participants. "And why did he change his costume, when he practically acknowledged who he was?" Sylvia asked herself. "I hope you did not tire yourself carrying the canoes?" she remarked, casually, after a period of silence. "I? Oh, no. Not in the least. Do you do the aëroplane in this dance?" "Yes." "Shall we----?" "If you please." He swung her into it with ease and grace. Then she was sure from his manner of stepping at her side that this was the same dancer who had been with her in the hesitation. But why had he changed his costume? That was a question which she could not answer. The music stopped, but there was at once an insistent applauding for an encore, which, after a few seconds of waiting, came. "Is your camp near here?" Sylvia asked. "Not far away. Is yours?" "No, not now." Evidently he did not know she was a hotel guest. The mystery deepened. "Would it be asking too much to crave the next number?" he murmured, when the last encore had been danced out. "Well, I--er--I----" "Oh, not if you are engaged!" he hastily interposed. Sylvia was not, but she knew there would be no trouble in getting a partner. "I shall see you again, anyhow," he said, as he bowed and walked off. Alice, Hazel and Rose found Sylvia standing on the porch in the brilliant moonlight. "Oh, I had the loveliest dance!" Rose said, clapping her hands. "He showed me some new steps. He was dressed as a Spaniard and he was the same fellow who saved our canoe for us." "He--he was?" gasped Sylvia. "Do you mean just now?" "No, he didn't save our canoe just now. I mean when we were in the rapids." "But did you just dance this onestep with him--with a Spaniard?" "I certainly did." "And did he claim to be the Knight of the Upset Canoe?" "No, he didn't claim to be anything of the sort. But I knew from what he said that he was the one. I wonder how he knew me?" Sylvia's brain was in a whirl. Who was the Dutchman? "Why do you ask?" Rose wanted to know. "Oh, nothing in particular. I'll tell you later. Here's a fox trot. I wonder----" Three young men, as if moved by a common impulse, came fairly charging down on Alice, Rose and Hazel. The Spaniard was not one of them. Sylvia wondered if she was to be left out, for none of the three approached her. However, the music had played but a few more measures when Sylvia saw approaching her a masker in the red suit and face-covering of Mephistopheles. She felt a little thrill as it became evident that he meant to claim her as his partner. "Aren't you dancing?" he asked, extending his hands in an invitation. "Well, I----" Sylvia seemed strangely noncommittal this evening. "Then may I have the honour? I danced with you before, I believe." "Oh, no," she answered, as he led her toward the ballroom. "Oh, but yes!" he insisted, with a laugh. "I am perhaps attired for something a little out of my--shall we say--element," he went on, "but surely you have not forgotten the Knight of the Overturned Canoe?" his voice questioned. "You--you--surely you are not he!" "Even so, O Night!" "But you--your----" They were fox-trotting toward the musicians, and as Sylvia was not quite sure of the sequence of the steps in this dance--at least with this partner--she deferred continuing her remarks until she had found out just how he did it. "Here is a new one, perhaps," he said, as they found themselves in a rather secluded corner, secluded for the moment. They had just finished the two-step glide part of the fox trot. "It's a slide forward, a slide back, two counts each, another slide forward, a draw on two counts and a hop on the fourth," he explained. He executed it as he spoke, and Sylvia grasped it almost at once. "Like it?" he asked. "Yes, indeed. It's quite novel. Where did you learn that?" "In New York." "Oh, you're from there?" "When I'm not in the woods, saving canoes." He laughed in a boyish fashion. Sylvia looked into his eyes, but they told her nothing. Sylvia glanced around the room. She saw neither the Spaniard nor the Dutchman. Clearly then this must be he who had masqueraded as both. And yet why his triple change of costume? There seemed to be no need of it. Sylvia determined to find out about it, but not now. She would not give him the satisfaction of asking too many questions. But she resolved to do a bit of detective work in the interval between this and the next dance. The fox trot ended in the tapping accompaniment by the drummer, and the musicians, who had given three encores, refused another. "Will you have an ice?" asked Mephistopheles. Sylvia assented. There was quite a crush in the refreshment room, but her partner managed to worm his way through, and procured for her a