About this book

The Open Boat and Other Stories

Stephen Crane

The Paseo de la Reforma is the famous drive of the city of Mexico, leading to the Castle of Chapultepec, which last ought to be well known in the United States. It is a fine broad avenue of macadam with a much greater quality of dignity than anything of the kind we possess in our own land. It seems of the old world, where to the beauty of the thing itself is added the solemnity of tradition and history, the knowledge that feet in buskins trod the same stones, that cavalcades of steel thundered there before the coming of carriages. When the Americans tumbled out of their cabs the giant bronzes of Aztec and Spaniard loomed dimly above them like towers. The four roads of poplar trees rustled weirdly off there in the darkness. Pop took out his watch and struck a match. "Well, hurry up this thing. It's almost midnight." The other cabs came swarming, the drivers lashing their horses, for these Americans, who did all manner of strange things, nevertheless always paid well for it. There was a mighty hubbub then in the darkness. Five or six men began to pace the distance and quarrel. Others knotted their handkerchiefs together to make a tape. Men were swearing over bets, fussing and fuming about the odds. Benson came to the kids swaggering. "You're a pair of asses." The cabs waited in a solid block down the avenue. Above the crowd the tall statues hid their visages in the night. At last a voice floated through the darkness. "Are you ready there?" Everybody yelled excitedly. The men at the tape pulled it out straight. "Hold it higher, Jim, you fool," and silence fell then upon the throng. Men bended down trying to pierce the deep gloom with their eyes. From out at the starting point came muffled voices. The crowd swayed and jostled. The racers did not come. The crowd began to fret, its nerves burning. "Oh, hurry up," shrilled some one. The voice called again--"Ready there?" Everybody replied--"Yes, all ready. Hurry up!" There was a more muffled discussion at the starting point. In the crowd a man began to make a proposition. "I'll bet twenty--" but the crowd interrupted with a howl. "Here they come!" The thickly-packed body of men swung as if the ground had moved. The men at the tape shouldered madly at their fellows, bawling, "Keep back! Keep back!" From the distance came the noise of feet pattering furiously. Vague forms flashed into view for an instant. A hoarse roar broke from the crowd. Men bended and swayed and fought. The kids back near the tape exchanged another stolid look. A white form shone forth. It grew like a spectre. Always could be heard the wild patter. A scream broke from the crowd. "By Gawd, it's Pop! Pop! Pop's ahead!" The old man spun towards the tape like a madman, his chin thrown back, his grey hair flying. His legs moved like oiled machinery. And as he shot forward a howl as from forty cages of wild animals went toward the imperturbable chieftains in bronze. The crowd flung themselves forward. "Oh, you old Indian! You savage! Did anybody ever see such running?" "Ain't he a peach! Well!" "Where's the kids? H-e-y, kids!" "Look at him, would you? Did you ever think?" These cries flew in the air blended in a vast shout of astonishment and laughter. For an instant the whole tragedy was in view. Freddie, desperate, his teeth shining, his face contorted, whirling along in deadly effort, was twenty feet behind the tall form of old Pop, who, dressed only in his--only in his underclothes--gained with each stride. One grand insane moment, and then Pop had hurled himself against the tape--victor! Freddie, fallen into the arms of some men, struggled with his breath, and at last managed to stammer-- "Say, can't--can't--that old--old--man run!" Pop, puffing and heaving, could only gasp--"Where's my shoes? Who's got my shoes?" Later Freddie scrambled panting through the crowd, and held out his hand. "Good man, Pop!" And then he looked up and down the tall, stout form. "Hell! who would think you could run like that?" The kids were surrounded by a crowd, laughing tempestuously. "How did you know he could run?" "Why didn't you give me a line on him?" "Say--great snakes!--you fellows had a nerve to bet on Pop." "Why, I was cock-sure he couldn't win." "Oh, you fellows must have seen him run before." "Who would ever think it?" Benson came by, filling the midnight air with curses. They turned to jibe him. "What's the matter, Benson?" "Somebody pinched my handkerchief. I tied it up in that string. Damn it." The kids laughed blithely. "Why, hello! Benson," they said. There was a great rush for cabs. Shouting, laughing, wondering, the crowd hustled into their conveyances, and the drivers flogged their horses toward the city again. "Won't Freddie be crazy! Say, he'll be guyed about this for years." "But who would ever think that old tank could run so?" One cab had to wait while Pop and Freddie resumed various parts of their clothing. As they drove home, Freddie said--"Well, Pop, you beat me." Pop said--"That's all right, old man." The kids, grinning, said--"How much did you lose, Benson?" Benson said defiantly--"Oh, not so much. How much did you win?" "Oh, not so much." Old Colonel Hammigan, squeezed down in a corner, had apparently been reviewing the event in his mind, for he suddenly remarked, "Well, I'm damned!" They were late in reaching the Café Colorado, but when they did, the bottles were on the bar as thick as pickets on a fence. THE FIVE WHITE MICE Freddie was mixing a cock-tail. His hand with the long spoon was whirling swiftly, and the ice in the glass hummed and rattled like a cheap watch. Over by the window, a gambler, a millionaire, a railway conductor, and the agent of a vast American syndicate were playing seven-up. Freddie surveyed them with the ironical glance of a man who is mixing a cock-tail. From time to time a swarthy Mexican waiter came with his tray from the rooms at the rear, and called his orders across the bar. The sounds of the indolent stir of the city, awakening from its siesta, floated over the screens which barred the sun and the inquisitive eye. From the far-away kitchen could be heard the roar of the old French _chef_, driving, herding, and abusing his Mexican helpers. A string of men came suddenly in from the street. They stormed up to the bar. There were impatient shouts. "Come now, Freddie, don't stand there like a portrait of yourself. Wiggle!" Drinks of many kinds and colours, amber, green, mahogany, strong and mild, began to swarm upon the bar with all the attendants of lemon, sugar, mint and ice. Freddie, with Mexican support, worked like a sailor in the provision of them, sometimes talking with that scorn for drink and admiration for those who drink which is the attribute of a good bar-keeper. At last a man was afflicted with a stroke of dice-shaking. A herculean discussion was waging, and he was deeply engaged in it, but at the same time he lazily flirted the dice. Occasionally he made great combinations. "Look at that, would you?" he cried proudly. The others paid little heed. Then violently the craving took them. It went along the line like an epidemic, and involved them all. In a moment they had arranged a carnival of dice-shaking with money penalties and liquid prizes. They clamorously made it a point of honour with Freddie that he should play and take his chance of sometimes providing this large group with free refreshment. With bended heads like football players, they surged over the tinkling dice, jostling, cheering, and bitterly arguing. One of the quiet company playing seven-up at the corner table said profanely that the row reminded him of a bowling contest at a picnic. After the regular shower, many carriages rolled over the smooth calle, and sent a musical thunder through the Casa Verde. The shop-windows became aglow with light, and the walks were crowded with youths, callow and ogling, dressed vainly according to superstitious fashions. The policemen had muffled themselves in their gnome-like cloaks, and placed their lanterns as obstacles for the carriages in the middle of the street. The city of Mexico gave forth the deep organ-mellow tones of its evening resurrection. But still the group at the bar of the Casa Verde were shaking dice. They had passed beyond shaking for drinks for the crowd, for Mexican dollars, for dinners, for the wine at dinner. They had even gone to the trouble of separating the cigars and cigarettes from the dinner's bill, and causing a distinct man to be responsible for them. Finally they were aghast. Nothing remained in sight of their minds which even remotely suggested further gambling. There was a pause for deep consideration. "Well----" "Well----" A man called out in the exuberance of creation. "I know! Let's shake for a box to-night at the circus! A box at the circus!" The group was profoundly edified. "That's it! That's it! Come on now! Box at the circus!" A dominating voice cried--"Three dashes--high man out!" An American, tall, and with a face of copper red from the rays that flash among the Sierra Madres and burn on the cactus deserts, took the little leathern cup and spun the dice out upon the polished wood. A fascinated assemblage hung upon the bar-rail. Three kings turned their pink faces upward. The tall man flourished the cup, burlesquing, and flung the two other dice. From them he ultimately extracted one more pink king. "There," he said. "Now, let's see! Four kings!" He began to swagger in a sort of provisional way. The next man took the cup, and blew softly in the top of it. Poising it in his hand, he then surveyed the company with a stony eye and paused. They knew perfectly well that he was applying the magic of deliberation and ostentatious indifference, but they could not wait in tranquillity during the performance of all these rites. They began to call out impatiently. "Come now--hurry up." At last the man, with a gesture that was singularly impressive, threw the dice. The others set up a howl of joy. "Not a pair!" There was another solemn pause. The men moved restlessly. "Come, now, go ahead!" In the end, the man, induced and abused, achieved something that was nothing in the presence of four kings. The tall man climbed on the foot-rail and leaned hazardously forward. "Four kings! My four kings are good to go out," he bellowed into the middle of the mob, and although in a moment he did pass into the radiant region of exemption, he continued to bawl advice and scorn. The mirrors and oiled woods of the Casa Verde were now dancing with blue flashes from a great buzzing electric lamp. A host of quiet members of the Anglo-Saxon colony had come in for their pre-dinner cock-tails. An amiable person was exhibiting to some tourists this popular American saloon. It was a very sober and respectable time of day. Freddie reproved courageously the dice-shaking brawlers, and, in return, he received the choicest advice in a tumult of seven combined vocabularies. He laughed; he had been compelled to retire from the game, but he was keeping an interested, if furtive, eye upon it. Down at the end of the line there was a youth at whom everybody railed for his flaming ill-luck. At each disaster, Freddie swore from behind the bar in a sort of affectionate contempt. "Why, this kid has had no luck for two days. Did you ever see such throwin'?" The contest narrowed eventually to the New York kid and an individual who swung about placidly on legs that moved in nefarious circles. He had a grin that resembled a bit of carving. He was obliged to lean down and blink rapidly to ascertain the facts of his venture, but fate presented him with five queens. His smile did not change, but he puffed