The Passionate Elopement

THE PASSIONATE ELOPEMENT THE PASSIONATE ELOPEMENT _By COMPTON MACKENZIE_ * * * * * NEW YORK G. P. PUTNAM'S SONS 1916 BALLANTINE AND CO. LTD., TAVISTOCK STREET, COVENT GARDEN, LONDON _TO FAITH_ _Contents_ I. THE TOILET 1 II. THE PUMP ROOM 10 III. THE BLUE BOAR 20 IV. CURTAIN MAZE 34 V. THE PUBLICK BREAKFAST 47 _The Order of the Exquisite Mob_ 49 THE PUBLICK BREAKFAST [_resumea_ 50 VI. BAVERSTOCK BARN 61 VII. SUNDAY MORNING 75 VIII. THE GREAT REBELLION 82 IX. THE ASSEMBLY 86 X. AFTER THE ASSEMBLY 104 XI. NOX ALBA 109 XII. WET DAYS 114 XIII. MONARCHY IN ACTION 118 XIV. MONARCHY IN REPOSE 127 XV. PHOEBUS ADEST 135 XVI. THE CHINESE MASQUERADE 146 XVII. THE GRAND MINUET OF CATHAY 157 XVIII. THE CONFIDANTE 165 XIX. BLACKHART FARM WITH A COCK-FIGHT 171 XX. IN WHICH EVERYTHING GROWS BUT THE PLOT 180 XXI. CURTAIN POLLS 184 XXII. THE CURTAIN ROD 193 XXIII. SPACE BETWEEN AN HEROICK COUPLET 198 XXIV. DAISH'S ROOMS 209 XXV. QUARTS OF BURGUNDY 216 XXVI. AND THE DREGS OF THE SAME 231 XXVII. TIME FOR REFLECTION 236 XXVIII. THE LOVE CHASE 247 XXIX. THE BASKET OF ROSES 255 XXX. SIR GEORGE REPINGTON 265 XXXI. A TALE WITH AN INTERRUPTED MORAL 273 XXXII. THE HORRID ADVENTURES OF BEAU RIPPLE AND MRS. COURTEEN 277 XXXIII. THE HIGHWAYMEN 290 XXXIV. OLD ACQUAINTANCE 300 XXXV. THE CUTTING OF A DIAMOND 312 XXXVI. THE SCARLET DAWN 319 XXXVII. APRIL FOOLS 334 XXXVIII. BEAU LOVELY 340 _The PASSIONATE ELOPEMENT_ _Chapter the First_ THE TOILET The meagre sun that for thirteen pallid February days had shone with no more brilliance than a rushlight stuck amid the cobwebs of a garret, poured down at last his profuse glories, and Curtain Wells woke up to a fine morning and the burden of conscious existence, with an effort all the more completely unanimous on account of its reputation as an inland Spa. Residence there implied an almost monastick ideal of regularity. Other shrines of AEsculapius, falling from their primitive purity of worship, might set up for adoration a hooped Venus or bag-wigged Cupid, but Curtain Wells would never admit so naked and misleading a pair of Immortals. Her fountains ministered to bodily ailments--Vapours, Winds, Gouts, Quinsies, Consumptions, Fevers quartan and tertian--without pretending to the power of love-philtres or the sparkle of the Castalian Spring. 'Tis true, romantick dusk or sunset candlelight might consecrate the vows of many a shepherd and shepherdess, but those stretched hours of dalliance were always understood to be the sensuous reward of a strict matutinal discipline. Consequently Curtain Wells woke up as to a bugle-call. Casement-hangings were flung back, shutters unbarred and, wonderful to relate, an occasional window-sash creaked and subsided. A simultaneous toilet would be followed by a simultaneous visit to the cleansing springs. Drums, routs, auctions, ridottos, and masquerades did not avail to keep their votaries abed. Perchance a velvet patch would hide the wearer's secret blemish less artfully; beneath young Miss Kitcat's eyes there might be a deeper violet than the state of her health warranted; my lady Bunbutter newly arrived from scurrilous Bath might see her nose sharpen to a richer carmine point; but half-past eight o'clock would behold them all bound for the Pump Room, somewhat reticent perhaps, a little fretful even, yet completely subjugated by their self-imposed renunciation. St. Simon's clock struck the half-hour of seven, and the birds who live tropick days in the eternal summer of chintz curtains seemed to crow remorsefully at any sluggard who was inclined longer to indulge his laziness. The sun spangled their plumage with innumerable pin-points of light until they began to glow with all the astonishing dyes of printed fabricks. They glowed and ruffled until the sluggard forsook his couch and, creeping over the chilly floor, flung them back into a day-long folded tranquillity. Here, then, is an excellent opportunity to catch a few of our fine characters unaware. Follow the guidance of my Muses and you will see hero and heroine, comedian, villain, and chorus stripped of all outward aids to beauty. You may trust the modesty of Clio and Melpomene who will certainly treat their own sex with discretion and admit you to the keyhole not a moment before it becomes your disposition of mind. Pray do not expect a wanton exhibition because you are holding on to the draperies of two pagan young women. See that fine house in the middle of the Crescent. Mark the flambeaux guttering and sputtering into an odorous death. Note the flattened Ionick columns which lend it such an air of superiority, and the extra story, and the fat bow-windows on either side of the door. Look well at the door with its cornice of airy Cupids for ever playing Hide and Seek behind solemn urns and festoons of carven flowers. That is the Great House where Beau Ripple lives. Do you wonder at the early hour of rising when you know that his decree was responsible for the united achievement? I cannot think you do; especially if you have read his _Epigrams_ published by Mr. Scratch at the Sign of the _Claw_ in Paul's Churchyard--those epigrams with razor-keen edge translated into Latin by Doctor Fumble and into Greek by the Reverend Mr. Tootell. We read how, in ancient days, tyrants beguiled their political victims with Impromptus of their own composition and at Curtain Wells it was esteemed an honour to be reprimanded in such polished prose. Mr. Ripple scorned the easy allurements of metre and, although in himself he summed up the profound artificiality of his age, he was wont to say that Verse as a form of composition possessed all the disadvantages of prose without any of the advantages. Let us take a glimpse at the Great Man in the Great House while the little maid is pondering the gaudy Valentine stuck in a crack of the basement-steps by the sweep's apprentice. That carpet of mellow hue was presented by the Captain of an East Indiaman, much addicted to wind. It muffles the footsteps of the courtiers who throng the stairs, and secures a respectful calm. It even enables us to reach the door of his bedchamber unheralded, but as, invisible and armed with reverence, we cross the threshold, the Great Beau is nowhere to be seen. We observe his bedclothes dignified even in disarray, we see the open patchbox, the bottles of Eau de Luce and Eau de Chypre, the black sattin tie and the wig on the stand, but not until, instinct with awe, we drop our eyes, do we behold two pink feet and the Circumference of the least austere portion of his anatomy wrapped, it is true, in embroidered dressing gown, and with the bedspread hung about it like a pall, yet nevertheless an unmistakeable Circumference protruding from beneath the bed. Diana very wisely killed Actaeon for overlooking her toilet, and I doubt we deserve the same penalty, for when, the errant button in his hand, we see the Beau emerge with purple cheeks and oaths innumerable, a certain conviction steals over our shocked sensibility that the Great little Man is only mortal after all, of the same temper and anatomy as ourselves, and, as the gods know very well, this is a mighty dangerous and revolutionary discovery. There stood Beau Ripple dancing and d--g, while a monologue with appropriate action went somehow like this: _Beau._ D---- all buttons for being round. Then he danced. _Beau._ D---- all pins for dropping upon the floor and the chambermaids for not picking them up, and my own feet for treading on them. Then he danced again. _Beau._ D---- all beds for being wide. Then he danced. _Beau._ D---- my eyes, I shall be late for the waters. Then he danced to his mirrour. And the mirrour showed a man of ripe age with smooth round face and a pair of very blue eyes. _Beau._ And d---- you, Ripple, for a clumsy old fool. Hereupon the Great little Man beamed at himself, for the nature of him was so truly kind that he could not be crossed by himself for long, and as for the world, his severity never upset the balance of a well-turned phrase. He was an urbane man, one who had presumably lived all his life in prim and decorous cities but, since he will preside over this story of mine, we shall learn more about him as we go along. Further round the Crescent, Mrs. Choke let furnished apartments to valetudinarian bachelors, and in one of the brightest of these, Mr. Francis Vernon sat before his looking glass contemplatively combing his wig. His closely cropped curly hair accentuated the lines of a profile already inclined to sharpness, just as his red lips enhanced the surrounding paleness of his complexion. He combed his wig very much as a man strokes a cat. The caress half-felt loses itself in speculation, and just now Mr. Vernon was gazing at the wrought-iron balcony of the opposite house where Miss Phyllida Courteen, all swansdown and rosy cheeks, was plucking half a dozen snowdrops from a bough-pot. These were to be enclosed in a note and sent by the hand of the first pleasant-looking passer-by to Miss Sukey Morton in the Western Colonnade. And the aforesaid Miss Morton would, in the estimation of Miss Courteen, simper and blush and confide in her dear Phyllida that, though she had known he admired her and indeed, had proffered her a dropped fan more than once at the Monday Assemblies, yet never, _never_ had she for a moment imagined that he would _dare_ to send her a Valentine, and if he had, she would have _died_ rather than take it, yes, _died_, for _what_ she would do when she passed him next Monday evening, she could not _think_, especially as he was _known_ to be partial to her, and her Mechlin pinner was quite ruined by the _abominable_ wax-candles they would use just because the P---- of W---- was not coming that year after all.