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The Passionate Elopement

Compton MacKenzie

tapers that twinkled in every window pane and the ruddy flambeaux of the lackeys as they stamped up and down in waiting to escort their mistresses to the ball. Phyllida was not long in putting on her white muslin nightgown with flowered sack; and as her curls had neither to be subdued by Powder and Pomatum, nor frizzled to a mock vivacity by restorative Tongs, she sat in the bow-window of her bedchamber and stared at the young moon. The curtains were drawn back, but, even so, she could still see innumerable shepherds arming as many shepherdesses through the pattern and, as the fire-light flickered over them, they seemed, indeed, to be stepping a forgotten dance. "I should like to live in a curtain," thought Phyllida, "and be always young and always happy and always hand in hand with--but after all nothing could be less like a shepherd than Amor," and just then the little flame that had been urging all the figures into motion turned to a noisy puff of smoke; the picture faded from her mind and the voice of her mother destroyed the last gossamer fancy that floated through her brain. The widow's room was billowy with rejected petticoats on which, like sea-wrack, floated garters, stockings, and gloves; while a large constellation of paste gleamed fitfully through the mirk of a Paris net. In the midst of the delicate havock sat the widow uncertain as ever what colour and stuff would most become the evening. "The Major spoils my rose lustring and my orange sack makes the Justice look----" "Like suet," said Betty. The widow was about to reprimand her for the simile, but as it perfectly expressed what the Justice would look like, she refrained. "Sure, madam," said Phyllida, who was impatient to set out, "you had best wear your blue brocade." "The child is right," said the widow emphatically. "Betty! my blue brocade." Betty did not protest she had already tried on the blue brocade four times because, if she had, the widow would instantly have thought that green would be better, and the argument would have begun all over again. At last the widow was dressed; the coach was at the door; and in a very short time made one of a long row of equally cumbersome vehicles that extended far down the High Street. Mrs. Courteen peering from the window announced she had caught a glimpse of Lady Bunbutter stepping out of her coach in blue brocade. This dreadful anticipation of her own entrance was extremely disconcerting, and if there had been the slightest prospect of turning round in the crush of coaches, chairs, footmen, linkboys and gaping cits, she would have instantly driven home to exchange blue for any other colour in her trunk-mail or closet. However, as she could not change her attire, she did the next best thing possible, by blaming Phyllida for her suggestion. As this was the prologue to every assembly, the latter was not much troubled by her mother's annoyance and soon the coach arrived at the very steps leading up to the Rooms. At the moment it drew up, Major Tarry and Mr. Moon stepped forward and flung open the door and handed the widow out and armed her up the steps and gave her name to Mr. Ripple's confidential Secretary who passed it on to another equally confidential footman who bawled it out at the top of his voice just as Mrs. Courteen sailed into the ballroom where Mr. Ripple, with the rosy bloom of triumph on his cheeks, advanced to offer two fingers vailed in gloves of diaphanous chicken-skin. Curtseys, bows, and compliments lasted until the arrival of the next guest, when the widow with her faithful Ancients surveyed the room in a grand promenade. Phyllida made off to greet her dear Morton with half a glance in the direction of the young gentlemen from the _Blue Boar_, who were grouped rather stiffly at the other end of the ballroom. The babble of conversation and the swish of fans, the colour all compact of movement, the innumerable tapers, the glitter of many brooches, pins, and buckles, the mirrours, the preliminary notes of the musicians, the shuffling feet, and the tap of the opened snuff-boxes combined in that glorious whole--a ball at the Assembly Rooms, Curtain Wells. Soon the Minuets would begin, and after the Minuets, the Gavottes, and so on to the Country Dances and the last great Cotillon. The passionate history of the world is writ in crowquill letters on the programs of dances. What Jealousies and yellow-winged Envies hovered on the cool air of waving fans, what vows would be made and broken in those alcoves, now serene and empty, before the last flambeau expired in the gutter outside. What mean Ambitions coiled around every genteel fine hoop! Yet Mr. Ripple was so suave, Mrs. Courteen and my Lady Bunbutter so full of compliments, Lieutenant Blewforth so jolly and Mr. Lovely so witty, old Lord Vanity so generous of snuff, my Lord Cinderton so distinguished--and as for Miss Phyllida Courteen, she was enchanted to a magical domain where only very slowly did Mr. Francis Vernon blacken a trinket sun with the menace of real passion. Suddenly her heart began to beat so fast that she feared all her friends would observe her agitation. Surely that young gentleman in primrose sattin and flesh-coloured brocaded waistcoat, who took the polished floor so easily, was the poet of Valentine Day to whom she had confided her note. Surely too, for all he stared at everybody else from time to time, his eyes were really fixed on hers. Perhaps he was a friend of Amor's with a message to deliver--and yet it would be more interesting, she decided, if he were not. Presently Mr. Lovely was bowing over her chair and asking in the politest manner possible for the honour of the next two dances. She looked round at Miss Morton as if to say she could not leave her without a partner. "Madam," said Mr. Lovely bowing very low indeed, "if I might be so presumptuous, does the young lady wish for a Vis a Vis, for in that case I shall certainly present my friend Mr. Chalkley of the Foot." Miss Morton, amid a deal of simpering, confessed she favoured a minuet on occasions, so Mr. Lovely hurried off to fetch Mr. Chalkley before the musicians began to play the opening bars of the dance. Phyllida was astonished at the coincidence and not sure whether, after all, Mr. Chalkley had not employed Mr. Lovely's offices on his behalf. However, as she had little enough envy in her and was romantically attached to Mr. Amor, she could scarcely refuse to help her dear Morton into the arms of an expectant lover, and if Mr. Lovely had no real inclination to dance with her, that was no great matter, since he was a vastly agreeable young gentleman and would pass the time very pleasantly in the absence of another. Mr. Chalkley, when summoned by Charles, was extremely indignant and swore he was not come to dance with any jade in the room. "Pshaw," replied his friend, "you can't stand there gaping all the evening." "Why don't you make Blewforth dance with the hussy?" "Odds my life, Tom, why won't you tread a minuet with a handsome young woman?" "You're too devilish fond of arranging matters for other people to suit your own whims. I'll be hanged if I dance a step to-night!" But all the other young gentlemen vowed so earnestly that Mr. Chalkley was a surly fellow, that he gave way at last and suffered himself to be dragged to the feet of attractive Miss Sukey Morton, whose black eyes flashed very brightly at the sight of Mr. Chalkley's red coat. Charles, having disposed her friend, offered his hand to Phyllida and soon they were stepping the minuet with infinite grace, admired by every one who saw them. For her the room sank into unreality and she lived in a rainbow whose colours moved and changed to the slow dignity of far-heard Pizzicato. The melody to which these marionettes were dancing possessed a strange quality. It was emotion in quintessence, without passion, without abandon. Whatever it had of definite character lay in the half bashful invitation to dance, as if some ghostly puppet master, pale and stately, were beckoning to his performers. As the opening bars of the minuet were repeated at the close only to die away in a poignant farewell, Phyllida felt for the first time, in the swoon of her last courtesy, that she was a doll whose gestures served to amuse a genteel but unearthly audience of monocled Gods. Actually it was a mere momentary dizziness, a sudden loss of volition on which Charles hung a score of fancies. "You are feeling faint?" he inquired. "No, no." "The heat is overpowering. Shall we sit for a while in an alcove, or shall we saunter in Curtain Garden?" They passed through the crowded room and down a cool passage into a Baroc cloister where stone Satyrs took the place of Angels, and the Cherubim were not easily to be distinguished from Loves. The young moon was setting behind Curtain Hill larger and more golden than before. The cloister was hung with amber lights and held innumerable whispers. Somewhere close at hand was a sound of running water. "You are fond of dancing, madam?" "Oh, sir, 'tis a very delicate motion truly." "I fear you thought I was presumptuous in offering my hand for the minuet." "No, indeed, sir," Phyllida answered quite naturally. Lovely was rather surprized. He had expected the customary play of a fan. "You are making a long stay here?" he asked. "Oh, sir, I do not know, 'tis for so long as my mamma thinks proper." "I have not had the honour of an introduction." "No," said Phyllida doubtfully. She was not at all anxious to present Mr. Lovely, and willing enough to take advantage of the Assembly rule that the offer and acceptance of a dance was not necessarily a passport to intimacy on the next day. She did not wish to be treated like a child before the gallant Mr. Lovely who treated her with such deference. "Did you hear anything more of the Valentine?" said Phyllida with a ripple of laughter. "Not a word." "You remember the young woman by whom I was seated?" "Perfectly." "'Twas for her," said Phyllida with more laughter. "Nonsense." "Oh, yes! indeed, 'tis true, and the best of it is she thinks the Valentine was sent by Mr. Chalkley." "Never!" "Oh! yes, yes, yes." "But he has never set eyes on her." "No! But she thinks he has--often, just because he picked up her fan once." "Truly then I did a very politick action in effecting the introduction." "Oh, sir, she was ravished, you may be sure." "Gad! I'll send her a Valentine every day of the week, and put one in her Prayer Book on Sundays." "Oh, sir! but sure, it might end in a wedding, and that's a very serious matter as all the world knows." "Not more serious than love," said Charles. "Well, no, perhaps not more than love; but then neither of 'em is in love with t'other." "I swear they shall be." "You can't force people to fall in love." "Can't you?" said Charles very earnestly, so earnestly that Phyllida thought the air was turning chill and that they ought to go back to the ballroom. "Not yet," pleaded Mr. Lovely. "I thought we might walk towards the Maze." "The Maze?" said she quickly. "Why, yes! the entrance is but a few yards from where we are." "I had forgot," she answered, and then with a sudden determination, "I think we had better go back." "You're not frightened of the Maze?" "Oh, no, truly I'm not," Phyllida affirmed. "But I think I heard my mamma's voice and if she sees me here, I shall not be allowed to come to the next Assembly." Phyllida was feeling a vague emotion of infidelity to her dear Amor and almost dreaded to see his tall shadow in the amber light. "As you will," he said in some disappointment, "but we han't had a deal of conversation yet."