The Phantom 'Rickshaw, and Other Ghost Stories
any harm--that hadn’t done them any--”
He rocked to and fro and wept bitterly, wiping his eyes with the back of
his scarred hands and moaning like a child for some ten minutes.
“They was cruel enough to feed him up in the temple, because they said
he was more of a God than old Daniel that was a man. Then they turned
him out on the snow, and told him to go home, and Peachey came home in
about a year, begging along the roads quite safe; for Daniel Dravot he
walked before and said, ‘Come along, Peachey. It’s a big thing we’re
doing.’ The mountains they danced at night, and the mountains they tried
to fall on Peachey’s head, but Dan he held up his hand, and Peachey came
along bent double. He never let go of Dan’s hand, and he never let go
of Dan’s head. They gave it to him as a present in the temple, to remind
him not to come again; and though the crown was pure gold and Peachey
was starving, never would Peachey sell the same. You know Dravot, Sir!
You knew Right Worshipful Brother Dravot! Look at him now!”
He fumbled in the mass of rags round his bent waist; brought out a black
horsehair bag embroidered with silver thread; and shook therefrom on to
my table--the dried, withered head of Daniel Dravot! The morning sun,
that had long been paling the lamps, struck the red beard and blind
sunken eyes; struck, too, a heavy circlet of gold studded with raw
turquoises, that Carnehan placed tenderly on the battered temples.
“You be’old now,” said Carnehan, “the Emperor in his ‘abit as he
lived--the King of Kafiristan with his crown upon his head. Poor old
Daniel that was a monarch once!”
I shuddered, for, in spite of defacements manifold, I recognised the
head of the man of Marwar Junction. Carnehan rose to go. I attempted to
stop him. He was not fit to walk abroad. “Let me take away the whisky,
and give me a little money,” he gasped. “I was a King once. I’ll go to
the Deputy Commissioner and ask to set in the Poorhouse till I get my
health. No, thank you, I can’t wait till you get a carriage for me. I’ve
urgent private affairs--in the south--at Marwar.”
He shambled out of the office and departed in the direction of the
Deputy Commissioner’s house. That day at noon I had occasion to go down
the blinding-hot Mall, and I saw a crooked man crawling along the white
dust of the roadside, his hat in his hand, quavering dolorously after
the fashion of street-singers at Home. There was not a soul in sight,
and he was out of all possible earshot of the houses. And he sang
through his nose, turning his head from right to left:
“The Son of Man goes forth to war,
A golden crown to gain;
His blood-red banner streams afar--
Who follows in His train?”
I waited to hear no more, but put the poor wretch into my carriage and
drove him off to the nearest missionary for eventual transfer to the
Asylum. He repeated the hymn twice while he was with me, whom he did not
in the least recognise, and I left him singing it to the missionary.
Two days later I inquired after his welfare of the Superintendent of the
Asylum.
“He was admitted suffering from sunstroke. He died early yesterday
morning,” said the Superintendent. “Is it true that he was half an hour
bareheaded in the sun at midday?”
“Yes,” said I; “but do you happen to know if he had anything upon him by
any chance when he died?”
“Not to my knowledge,” said the Superintendent.
And there the matter rests.
“THE FINEST STORY IN THE WORLD”
“O’ ever the knightly years were gone
With the old world to the grave,
I was a king in Babylon
And you were a Christian slave.”
--W. E. Henley.
His name was Charlie Mears; he was the only son of his mother who was a
widow, and he lived in the north of London, coming into the City
every day to work in a bank. He was twenty years old and suffered from
aspirations. I met him in a public billiard-saloon where the marker
called him by his given name, and he called the marker “Bulls-eyes.”
Charley explained, a little nervously, that he had only come to the
place to look on, and since looking on at games of skill is not a cheap
amusement for the young, I suggested that Charlie should go back to his
mother.
That was our first step toward better acquaintance. He would call on
me sometimes in the evenings instead of running about London with his
fellow-clerks; and before long, speaking of himself as a young man must,
he told me of his aspirations, which were all literary. He desired to
make himself an undying name chiefly through verse, though he was not
above sending stories of love and death to the drop-a-penny-in-the-slot
journals. It was my fate to sit still while Charlie read me poems of
many hundred lines, and bulky fragments of plays that would surely
shake the world. My reward was his unreserved confidence, and the
self-revelations and troubles of a young man are almost as holy as those
of a maiden. Charlie had never fallen in love, but was anxious to do so
on the first opportunity; he believed in all things good and all things
honorable, but, at the same time, was curiously careful to let me
see that he knew his way about the world as befitted a bank clerk on
twenty-five shillings a week. He rhymed “dove” with “love” and “moon”
with “June,” and devoutly believed that they had never so been rhymed
before. The long lame gaps in his plays he filled up with hasty words of
apology and description and swept on, seeing all that he intended to
do so clearly that he esteemed it already done, and turned to me for
applause.
I fancy that his mother did not encourage his aspirations, and I know
that his writing-table at home was the edge of his washstand. This he
told me almost at the outset of our acquaintance; when he was ravaging
my bookshelves, and a little before I was implored to speak the truth
as to his chances of “writing something really great, you know.” Maybe
I encouraged him too much, for, one night, he called on me, his eyes
flaming with excitement, and said breathlessly:
“Do you mind--can you let me stay here and write all this evening? I
won’t interrupt you, I won’t really. There’s no place for me to write in
at my mother’s.”
“What’s the trouble?” I said, knowing well what that trouble was.
“I’ve a notion in my head that would make the most splendid story that
was ever written. Do let me write it out here. It’s _such_ a notion!”
There was no resisting the appeal. I set him a table; he hardly
thanked me, but plunged into the work at once. For half an hour the pen
scratched without stopping. Then Charlie sighed and tugged his hair. The
scratching grew slower, there were more erasures, and at last ceased.
The finest story in the world would not come forth.
“It looks such awful rot now” he said, mournfully. “And yet it seemed so
good when I was thinking about it. What’s wrong?”
I could not dishearten him by saying the truth. So I answered: “Perhaps
you don’t feel in the mood for writing.”
“Yes I do--except when I look at this stuff. Ugh!”
“Read me what you’ve done,” I said. He read, and it was wondrous bad
and he paused at all the specially turgid sentences, expecting a little
approval; for he was proud of those sentences, as I knew he would be.
“It needs compression,” I suggested, cautiously.
“I hate cutting my things down. I don’t think you could alter a word
here without spoiling the sense. It reads better aloud than when I was
writing it.”
“Charlie, you’re suffering from an alarming disease afflicting a
numerous class. Put the thing by, and tackle it again in a week.”
“I want to do it at once. What do you think of it?”
“How can I judge from a half-written tale? Tell me the story as it lies
in your head.”
Charlie told, and in the telling there was everything that his ignorance
had so carefully prevented from escaping into the written word. I looked
at him, and wondering whether it were possible, that he did not know the
originality, the power of the notion that had come in his way? It was
distinctly a Notion among notions. Men had been puffed up with pride by
notions not a tithe as excellent and practicable. But Charlie babbled
on serenely, interrupting the current of pure fancy with samples of
horrible sentences that he purposed to use. I heard him out to the end.
It would be folly to allow his idea to remain in his own inept hands,
when I could do so much with it. Not all that could be done indeed; but,
oh so much!
“What do you think?” he said, at last. “I fancy I shall call it ‘The
Story of a Ship.’”
“I think the idea’s pretty good; but you won’t be able to handle it for
ever so long. Now I----”
“Would it be of any use to you? Would you care to take it? I should be
proud,” said Charlie, promptly.
There are few things sweeter in this world than the guileless,
hot-headed, intemperate, open admiration of a junior. Even a woman in
her blindest devotion does not fall into the gait of the man she adores,
tilt her bonnet to the angle at which he wears his hat, or interlard her
speech with his pet oaths. And Charlie did all these things. Still
it was necessary to salve my conscience before I possessed myself of
Charlie’s thoughts.
“Let’s make a bargain. I’ll give you a fiver for the notion,” I said.
Charlie became a bank-clerk at once.
“Oh, that’s impossible. Between two pals, you know, if I may call you
so, and speaking as a man of the world, I couldn’t. Take the notion if
it’s any use to you. I’ve heaps more.”
He had--none knew this better than I--but they were the notions of other
men.
“Look at it as a matter of business-between men of the world,” I
returned. “Five pounds will buy you any number of poetry-books. Business
is business, and you may be sure I shouldn’t give that price unless----”
“Oh, if you put it _that_ way,” said Charlie, visibly moved by the
thought of the books. The bargain was clinched with an agreement that
he should at unstated intervals come to me with all the notions that he
possessed, should have a table of his own to write at, and unquestioned
right to inflict upon me all his poems and fragments of poems. Then I
said, “Now tell me how you came by this idea.”
“It came by itself.” Charlie’s eyes opened a little.
“Yes, but you told me a great deal about the hero that you must have
read before somewhere.”
“I haven’t any time for reading, except when you let me sit here, and
on Sundays I’m on my bicycle or down the river all day. There’s nothing
wrong about the hero, is there?”
“Tell me again and I shall understand clearly. You say that your hero
went pirating. How did he live?”
“He was on the lower deck of this ship-thing that I was telling you
about.”
“What sort of ship?”
“It was the kind rowed with oars, and the sea spurts through the
oar-holes and the men row sitting up to their knees in water. Then
there’s a bench running down between the two lines of oars and an
overseer with a whip walks up and down the bench to make the men work.”
“How do you know that?”
“It’s in the tale. There’s a rope running overhead, looped to the upper
deck, for the overseer to catch hold of when the ship rolls. When the
overseer misses the rope once and falls among the rowers, remember the
hero laughs at him and gets licked for it. He’s chained to his oar of
course--the hero.”
“How is he chained?”
“With an iron band round his waist fixed to the bench he sits on, and a
sort of handcuff on his left wrist chaining him to the oar. He’s on the
lower deck where the worst men are sent, and the only light comes from
the hatchways and through the oar-holes. Can’t you imagine the sunlight
just squeezing through between the handle and the hole and wobbling
about as the ship moves?”
“I can, but I can’t imagine your imagining it.”