The possessed or, The devils

THE POSSESSED (The Devils) A Novel In Three Parts By Fyodor Dostoevsky Translated From The Russian By Constance Garnett 1916 CONTENTS: * PART I * CHAPTER I. INTRODUCTORY * CHAPTER II. PRINCE HARRY. MATCHMAKING. * CHAPTER III. THE SINS OF OTHERS * CHAPTER IV. THE CRIPPLE * CHAPTER V. THE SUBTLE SERPENT * PART II * CHAPTER I. NIGHT * CHAPTER II. NIGHT (continued) * CHAPTER III. THE DUEL * CHAPTER IV. ALL IN EXPECTATION * CHAPTER V. ON THE EVE OF THE FETE * CHAPTER VI. PYOTR STEPANOVITCH IS BUSY * CHAPTER VII. A MEETING * CHAPTER VIII. IVAN THE TSAREVITCH * CHAPTER IX. A RAID AT STEPAN TROFIMOVITCH'S * CHAPTER X. FILIBUSTERS. A FATAL MORNING * PART III * CHAPTER I. THE FETE--FIRST PART * CHAPTER II. THE END OF THE FETE * CHAPTER III. A ROMANCE ENDED * CHAPTER IV. THE LAST RESOLUTION * CHAPTER V. A WANDERER * CHAPTER VI. A BUSY NIGHT * CHAPTER VII. STEPAN TROFIMOVITCH'S LAST WANDERING * CHAPTER VIII. CONCLUSION "Strike me dead, the track has vanished, Well, what now? We've lost the way, Demons have bewitched our horses, Led us in the wilds astray. "What a number! Whither drift they? What's the mournful dirge they sing? Do they hail a witch's marriage Or a goblin's burying?" A. Pushkin. "And there was one herd of many swine feeding on this mountain; and they besought him that he would suffer them to enter into them. And he suffered them. "Then went the devils out of the man and entered into the swine; and the herd ran violently down a steep place into the lake and were choked. "When they that fed them saw what was done, they fled, and went and told it in the city and in the country. "Then they went out to see what was done; and came to Jesus and found the man, out of whom the devils were departed, sitting at the feet of Jesus, clothed and in his right mind; and they were afraid." Luke, ch. viii. 32-37. PART I CHAPTER I. INTRODUCTORY SOME DETAILS OF THE BIOGRAPHY OF THAT HIGHLY RESPECTED GENTLEMAN STEPAN TROFIMOVITCH VERHOVENSKY. I IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and highly-esteemed gentleman, Stepan Trofimovitch Verhovensky. I trust that these details may at least serve as an introduction, while my projected story itself will come later. I will say at once that Stepan Trofimovitch had always filled a particular rôle among us, that of the progressive patriot, so to say, and he was passionately fond of playing the part--so much so that I really believe he could not have existed without it. Not that I would put him on a level with an actor at a theatre, God forbid, for I really have a respect for him. This may all have been the effect of habit, or rather, more exactly of a generous propensity he had from his earliest years for indulging in an agreeable day-dream in which he figured as a picturesque public character. He fondly loved, for instance, his position as a "persecuted" man and, so to speak, an "exile." There is a sort of traditional glamour about those two little words that fascinated him once for all and, exalting him gradually in his own opinion, raised him in the course of years to a lofty pedestal very gratifying to vanity. In an English satire of the last century, Gulliver, returning from the land of the Lilliputians where the people were only three or four inches high, had grown so accustomed to consider himself a giant among them, that as he walked along the streets of London he could not help crying out to carriages and passers-by to be careful and get out of his way for fear he should crush them, imagining that they were little and he was still a giant. He was laughed at and abused for it, and rough coachmen even lashed at the giant with their whips. But was that just? What may not be done by habit? Habit had brought Stepan Trofimovitch almost to the same position, but in a more innocent and inoffensive form, if one may use such expressions, for he was a most excellent man. I am even inclined to suppose that towards the end he had been entirely forgotten everywhere; but still it cannot be said that his name had never been known. It is beyond question that he had at one time belonged to a certain distinguished constellation of celebrated leaders of the last generation, and at one time--though only for the briefest moment--his name was pronounced by many hasty persons of that day almost as though it were on a level with the names of Tchaadaev, of Byelinsky, of Granovsky, and of Herzen, who had only just begun to write abroad. But Stepan Trofimovitch's activity ceased almost at the moment it began, owing, so to say, to a "vortex of combined circumstances." And would you believe it? It turned out afterwards that there had been no "vortex" and even no "circumstances," at least in that connection. I only learned the other day to my intense amazement, though on the most unimpeachable authority, that Stepan Trofimovitch had lived among us in our province not as an "exile" as we were accustomed to believe, and had never even been under police supervision at all. Such is the force of imagination! All his life he sincerely believed that in certain spheres he was a constant cause of apprehension, that every step he took was watched and noted, and that each one of the three governors who succeeded one another during twenty years in our province came with special and uneasy ideas concerning him, which had, by higher powers, been impressed upon each before everything else, on receiving the appointment. Had anyone assured the honest man on the most irrefutable grounds that he had nothing to be afraid of, he would certainly have been offended. Yet Stepan Trofimovitch was a most intelligent and gifted man, even, so to say, a man of science, though indeed, in science... well, in fact he had not done such great things in science. I believe indeed he had done nothing at all. But that's very often the case, of course, with men of science among us in Russia. He came back from abroad and was brilliant in the capacity of lecturer at the university, towards the end of the forties. He only had time to deliver a few lectures, I believe they were about the Arabs; he maintained, too, a brilliant thesis on the political and Hanseatic importance of the German town Hanau, of which there was promise in the epoch between 1413 and 1428, and on the special and obscure reasons why that promise was never fulfilled. This dissertation was a cruel and skilful thrust at the Slavophils of the day, and at once made him numerous and irreconcilable enemies among them. Later on--after he had lost his post as lecturer, however--he published (by way of revenge, so to say, and to show them what a man they had lost) in a progressive monthly review, which translated Dickens and advocated the views of George Sand, the beginning of a very profound investigation into the causes, I believe, of the extraordinary moral nobility of certain knights at a certain epoch or something of that nature. Some lofty and exceptionally noble idea was maintained in it, anyway. It was said afterwards that the continuation was hurriedly forbidden and even that the progressive review had to suffer for having printed the first part. That may very well have been so, for what was not possible in those days? Though, in this case, it is more likely that there was nothing of the kind, and that the author himself was too lazy to conclude his essay. He cut short his lectures on the Arabs because, somehow and by someone (probably one of his reactionary enemies) a letter had been seized giving an account of certain circumstances, in consequence of which someone had demanded an explanation from him. I don't know whether the story is true, but it was asserted that at the same time there was discovered in Petersburg a vast, unnatural, and illegal conspiracy of thirty people which almost shook society to its foundations. It was said that they were positively on the point of translating Fourier. As though of design a poem of Stepan Trofimovitch's was seized in Moscow at that very time, though it had been written six years before in Berlin in his earliest youth, and manuscript copies had been passed round a circle consisting of two poetical amateurs and one student. This poem is lying now on my table. No longer ago than last year I received a recent copy in his own handwriting from Stepan Trofimovitch himself, signed by him, and bound in a splendid red leather binding. It is not without poetic merit, however, and even a certain talent. It's strange, but in those days (or to be more exact, in the thirties) people were constantly composing in that style. I find it difficult to describe the subject, for I really do not understand it. It is some sort of an allegory in lyrical-dramatic form, recalling the second part of Faust. The scene opens with a chorus of women, followed by a chorus of men, then a chorus of incorporeal powers of some sort, and at the end of all a chorus of spirits not yet living but very eager to come to life. All these choruses sing about something very indefinite, for the most part about somebody's curse, but with a tinge of the higher humour. But the scene is suddenly changed. There begins a sort of "festival of life" at which even insects sing, a tortoise comes on the scene with certain sacramental Latin words, and even, if I remember aright, a mineral sings about something that is a quite inanimate object. In fact, they all sing continually, or if they converse, it is simply to abuse one another vaguely, but again with a tinge of higher meaning. At last the scene is changed again; a wilderness appears, and among the rocks there wanders a civilized young man who picks and sucks certain herbs. Asked by a fairy why he sucks these herbs, he answers that, conscious of a superfluity of life in himself, he seeks forgetfulness, and finds it in the juice of these herbs, but that his great desire is to lose his reason at once (a desire possibly superfluous). Then a youth of indescribable beauty rides in on a black steed, and an immense multitude of all nations follow him. The youth represents death, for whom all the peoples are yearning. And finally, in the last scene we are suddenly shown the Tower of Babel, and certain athletes at last finish building it with a song of new hope, and when at length they complete the topmost pinnacle, the lord (of Olympia, let us say) takes flight in a comic fashion, and man, grasping the situation and seizing his place, at once begins a new life with new insight into things. Well, this poem was thought at that time to be dangerous. Last year I proposed to Stepan Trofimovitch to publish it, on the ground of its perfect harmlessness nowadays, but he declined the suggestion with evident dissatisfaction. My view of its complete harmlessness evidently displeased him, and I even ascribe to it a certain coldness on his part, which lasted two whole months. And what do you think? Suddenly, almost at the time I proposed printing it here, our poem was published abroad in a collection of revolutionary verse, without the knowledge of Stepan Trofimovitch. He was at first alarmed, rushed to the governor, and wrote a noble letter in self-defence to Petersburg. He read it to me twice, but did not send it, not knowing to whom to address it. In fact he was in a state of