About this book

The Queen of Spades, and other stories

Aleksandr Sergeevich Pushkin

the arm, and lead her out of the room if their dress required attending to. She had her portion of self-respect, and felt deeply the misery of her position. She looked with impatience for a liberator to break her chain. But the young men, prudent in the midst of their affected giddiness, took care not to honour her with their attentions, though Lisaveta Ivanovna was a hundred times prettier than the shameless or stupid girls whom they surrounded with their homage. More than once she slunk away from the splendour of the drawing-room to shut herself up alone in her little bed-room, furnished with an old screen and a pieced carpet, a chest of drawers, a small looking-glass, and a wooden bedstead. There she shed tears at her ease by the light of a tallow candle in a tin candlestick. One morning--it was two days after the party at Narumoff's, and a week before the scene we have just sketched--Lisaveta was sitting at her embroidery before the window, when, looking carelessly into the street, she saw an officer, in the uniform of the Engineers, standing motionless with his eyes fixed upon her. She lowered her head, and applied herself to her work more attentively than ever. Five minutes afterwards she locked mechanically into the street, and the officer was still in the same place. Not being in the habit of exchanging glances with young men who passed by her window, she remained with her eyes fixed on her work for nearly two hours, until she was told that lunch was ready. She got up to put her embroidery away, and while doing so, looked into the street, and saw the officer still in the same place. This seemed to her very strange. After lunch she went to the window with a certain emotion, but the officer of Engineers was no longer in the street.
Illustration note[Illustration: "THERE SHE SHED TEARS."]
She thought no more of him. But two days afterwards, just as she was getting into the carriage with the Countess, she saw him once more, standing straight before the door. His face was half concealed by a fur collar, but his black eyes sparkled beneath his helmet. Lisaveta was afraid, without knowing why, and she trembled as she took her seat in the carriage. On returning home, she rushed with a beating heart towards the window. The officer was in his habitual place, with his eyes fixed ardently upon her. She at once withdrew, burning at the same time with curiosity, and moved by a strange feeling which she now experienced for the first time. No day now passed but the young officer showed himself beneath the window. Before long a dumb acquaintance was established between them. Sitting at her work she felt his presence, and when she raised her head she looked at him for a long time every day. The young man seemed full of gratitude for these innocent favours. She observed, with the deep and rapid perceptions of youth, that a sudden redness covered the officer's pale cheeks as soon as their eyes met. After about a week she would smile at seeing him for the first time. When Tomski asked his grandmother's permission to present one of his friends, the heart of the poor young girl beat strongly, and when she heard that it was Narumoff, she bitterly repented having compromised her secret by letting it out to a giddy young man like Paul. Hermann was the son of a German settled in Russia, from whom he had inherited a small sum of money. Firmly resolved to preserve his independence, he had made it a principle not to touch his private income. He lived on his pay, and did not allow himself the slightest luxury. He was not very communicative; and his reserve rendered it difficult for his comrades to amuse themselves at his expense. Under an assumed calm he concealed strong passions and a highly-imaginative disposition. But he was always master of himself, and kept himself free from the ordinary faults of young men. Thus, a gambler by temperament, he never touched a card, feeling, as he himself said, that his position did not allow him to "risk the necessary in view of the superfluous." Yet he would pass entire nights before a card-table, watching with feverish anxiety the rapid changes of the game. The anecdote of Count St. Germaines three cards had struck his imagination, and he did nothing but think of it all that night. "If," he said to himself next day as he was walking along the streets of St. Petersburg, "if she would only tell me her secret--if she would only name the three winning cards! I must get presented to her, that I may pay my court and gain her confidence. Yes! And she is eighty-seven! She may die this week--to-morrow perhaps. But after all, is there a word of truth in the story? No! Economy, Temperance, Work; these are my three winning cards. With them I can double my capital; increase it tenfold. They alone can ensure my independence and prosperity." Dreaming in this way as he walked along, his attention was attracted by a house built in an antiquated style of architecture. The street was full of carriages, which passed one by one before the old house, now brilliantly illuminated. As the people stepped out of the carriages Hermann saw now the little feet of a young woman, now the military boot of a general. Then came a clocked stocking; then, again, a diplomatic pump. Fur-lined cloaks and coats passed in procession before a gigantic porter. Hermann stopped. "Who lives here?" he said to a watchman in his box. "The Countess Anna Fedotovna." It was Tomski's grandmother. Hermann started. The story of the three cards came once more upon his imagination. He walked to and fro before the house, thinking of the woman to whom it belonged, of her wealth and her mysterious power. At last he returned to his den. But for some time he could not get to sleep; and when at last sleep came upon him, he saw, dancing before his eyes, cards, a green table, and heaps of rubles and bank-notes. He saw himself doubling stake after stake, always winning, and then filling his pockets with piles of coin, and stuffing his pocket-book with countless bank-notes. When he awoke, he sighed to find that his treasures were but creations of a disordered fancy; and, to drive such thoughts from him, he went out for a walk. But he had not gone far when he found himself once more before the house of the Countess. He seemed to have been attracted there by some irresistible force. He stopped, and looked up at the windows. There he saw a girl's head with beautiful black hair, leaning gracefully over a book or an embroidery-frame. The head was lifted, and he saw a fresh complexion and black eyes. This moment decided his fate. CHAPTER III. Lisaveta was just taking off her shawl and her bonnet, when the Countess sent for her. She had had the horses put in again. While two footmen were helping the old lady into the carriage, Lisaveta saw the young officer at her side. She felt him take her by the hand, lost her head, and found, when the young officer had walked away, that he had left a paper between her fingers. She hastily concealed it in her glove. During the whole of the drive she neither saw nor heard. When they were in the carriage together the Countess was in the habit of questioning Lisaveta perpetually. "Who is that man that bowed to us? What is the name of this bridge? What is there written on that signboard?" Lisaveta now gave the most absurd answers, and was accordingly scolded by the Countess. "What is the matter with you, my child?" she asked. "What are you thinking about? Or do you really not hear me? I speak distinctly enough, however, and I have not yet lost my head, have I?" Lisaveta was not listening. When she got back to the house, she ran to her room, locked the door, and took the scrap of paper from her glove. It was not sealed, and it was impossible, therefore, not to read it. The letter contained protestations of love. It was tender, respectful, and translated word for word from a German novel. But Lisaveta did not read German, and she was quite delighted. She was, however, much embarrassed. For the first time in her life she had a secret. Correspond with a young man! The idea of such a thing frightened her. How imprudent she had been! She had reproached herself, but knew not now what to do. Cease to do her work at the window, and by persistent coldness try and disgust the _young_ officer? Send him back his letter? Answer him in a firm, decided manner? What line of conduct was she to pursue? She had no friend, no one to advise her. She at last decided to send an answer. She sat down at her little table, took pen and paper, and began to think. More than once she wrote a sentence and then tore up the paper. What she had written seemed too stiff, or else it was wanting in reserve. At last, after much trouble, she succeeded in composing a few lines which seemed to meet the case. "I believe," she wrote, "that your intentions are those of an honourable man, and that you would not wish to offend me by any thoughtless conduct. But you must understand that our acquaintance cannot begin in this way. I return your letter, and trust that you will not give me cause to regret my imprudence." Next day, as soon as Hermann made his appearance, Lisaveta left her embroidery, and went into the drawing-room, opened the ventilator, and threw her letter into the street, making sure that the young officer would pick it up.
Illustration note[Illustration: SHE TORE IT INTO A HUNDRED PIECES.]
Hermann, in fact, at once saw it, and picking it up, entered a confectioner's shop in order to read it. Finding nothing discouraging in it, he went home sufficiently pleased with the first step in his love adventure. Some days afterwards, a young person with lively eyes called to see Miss Lisaveta, on the part of a milliner. Lisaveta wondered what she could want, and suspected, as she received her, some secret intention. She was much surprised, however, when she recognised, on the letter that was now handed to her, the writing of Hermann. "You make a mistake," she said; "this letter is not for me." "I beg your pardon," said the milliner, with a slight smile; "be kind enough to read it." Lisaveta glanced at it. Hermann was asking for an appointment. "Impossible!" she cried, alarmed both at the boldness of the request, and at the manner in which it was made. "This letter is not for me," she repeated; and she tore it into a hundred pieces. "If the letter was not for you, why did you tear it up? You should have given it me back, that I might take it to the person it was meant for." "True," said Lisaveta, quite disconcerted. "But bring me no more letters, and tell the person who gave you this one that he ought to blush for his conduct." Hermann, however, was not a man to give up what he had once undertaken. Every day Lisaveta received a fresh letter from him, sent now in one way, now in another. They were no longer translated from the German. Hermann wrote under the influence of a commanding passion, and spoke a language which was his own. Lisaveta could not hold out against such torrents of eloquence. She received the letters, kept them, and at last answered them. Every day her answers were longer and more affectionate, until at last she threw out of the window a letter couched as follows:-- "This evening there is a ball at the Embassy. The Countess will be there. We shall remain until two in the morning. You may manage to see me alone. As soon as the Countess leaves home, that is to say towards eleven o'clock, the servants are sure to go out, and there will be no one left but the porter, who will be sure to be asleep in his box. Enter as soon as it strikes eleven, and go upstairs as fast as possible. If you find anyone in the ante-chamber, ask whether the