About this book

The Queen of Spades, and other stories

Aleksandr Sergeevich Pushkin

he tried in vain to resume the conversation. But the mazurka was coming to an end, and immediately afterwards the old Countess rose to go. Tomski's mysterious phrases were nothing more than the usual platitudes of the mazurka, but they had made a deep impression upon the heart of the poor little companion. The portrait sketched by Tomski had struck her as very exact; and with her romantic ideas, she saw in the rather ordinary countenance of her adorer something to fear and admire. She was now sitting down with her cloak off, with bare shoulders; her head, crowned with flowers, falling forward from fatigue, when suddenly the door opened and Hermann entered. She shuddered. "Where were you?" she said, trembling all over. "In the Countess's bedroom. I have just left her," replied Hermann. "She is dead." "Great Heavens! What are you saying?" "I am afraid," he said, "that I am the cause of her death." Lisaveta looked at him in consternation, and remembered Tomski's words: "He has at least three crimes on his conscience." Hermann sat down by the window, and told everything. The young girl listened with terror. So those letters so full of passion, those burning expressions, this daring obstinate pursuit--all this had been inspired by anything but love! Money alone had inflamed the man's soul. She, who had nothing but a heart to offer, how could she make him happy? Poor child! she had been the blind instrument of a robber, of the murderer of her old benefactress. She wept bitterly in the agony of her repentance. Hermann watched her in silence; but neither the tears of the unhappy girl, nor her beauty, rendered more touching by her grief, could move his heart of iron. He had no remorse in thinking of the Countess's death. One sole thought distressed him--the irreparable loss of the secret which was to have made his fortune. "You are a monster!" said Lisaveta, after a long silence. "I did not mean to kill her," replied Hermann coldly. "My pistol was not loaded." They remained for some time without speaking, without looking at one another. The day was breaking, and Lisaveta put out her candle. She wiped her eyes, drowned in tears, and raised them towards Hermann. He was standing close to the window, his arms crossed, with a frown on his forehead. In this attitude he reminded her involuntarily of the portrait of Napoleon. The resemblance overwhelmed her. "How am I to get you away?" she said at last. "I thought you might go out by the back stairs. But it would be necessary to go through the Countess's bedroom, and I am too frightened." "Tell me how to get to the staircase, and I will go alone." She went to a drawer, took out a key, which she handed to Hermann, and gave him the necessary instructions. Hermann took her icy hand, kissed her on the forehead, and departed. He went down the staircase, and entered the Countess's bedroom. She was seated quite stiff in her armchair; but her features were in no way contracted. He stopped for a moment, and gazed into her face as if to make sure of the terrible reality. Then he entered the dark room, and, feeling behind the tapestry, found the little door which, opened on to a staircase. As he went down it, strange ideas came into his head. "Going down this staircase," he said to himself, "some sixty years ago, at about this time, may have been seen some man in an embroidered coat with powdered wig, pressing to his breast a cocked hat: some gallant who has long been buried; and now the heart of his aged mistress has ceased to beat." At the end of the staircase he found another door, which his key opened, and he found himself in the corridor which led to the street. CHAPTER V. Three days after this fatal night, at nine o'clock in the morning, Hermann entered the convent where the last respects were to be paid to the mortal remains of the old Countess. He felt no remorse, though he could not deny to himself that he was the poor woman's assassin. Having no religion, he was, as usual in such cases, very superstitious; believing that the dead Countess might exercise a malignant influence on his life, he thought to appease her spirit by attending her funeral. The church was full of people, and it was difficult to get in. The body had been placed on a rich catafalque, beneath a canopy of velvet. The Countess was reposing in an open coffin, her hands joined on her breast, with a dress of white satin, and head-dress of lace. Around the catafalque the family was assembled, the servants in black caftans with a knot of ribbons on the shoulder, exhibiting the colours of the Countesses coat of arms. Each of them held a wax candle in his hand. The relations, in deep mourning--children grandchildren, and great-grandchildren--were all present; but none of them wept. To have shed tears would have looked like affectation. The Countess was so old that her death could have taken no one by surprise, and she had long been looked upon as already out of the world. The funeral sermon was delivered by a celebrated preacher. In a few simple, touching phrases he painted the final departure of the just, who had passed long years of contrite preparation, for a Christian end. The service concluded in the midst of respectful silence. Then the relations went towards the defunct to take a last farewell After them, in a long procession, all who had been, invited to the ceremony bowed, for the last time, to her who for so many years had been a scarecrow at their entertainments. Finally came the Countess's household; among them was remarked an old governess, of the same age as the deceased, supported by two woman. She had not strength enough to kneel down, but tears flowed from her eyes, as she kissed the hand of her old mistress. In his turn Hermann advanced towards the coffin. He knelt down for a moment on the flagstones, which were strewed with branches of yew. Then he rose, as pale as death, and walked up the steps of the catafalque. He bowed his head. But suddenly the dead woman seemed to be staring at him; and with a mocking look she opened and shut one eye. Hermann by a sudden movement started and fell backwards. Several persons hurried towards him. At the same moment, close to the church door, Lisaveta fainted. Throughout the day Hermann suffered from a strange indisposition. In a quiet restaurant, where he took his meals, he, contrary to his habit, drank a great deal of wine, with the object of stupefying himself. But the wine had no effect but to excite his imagination, and give fresh activity to the ideas with which he was preoccupied. He went home earlier than usual, lay down with his clothes on upon the bed, and fell into a leaden sleep. When he woke up it was night, and the room was lighted up by the rays of the moon. He looked at his watch; it was a quarter to three. He could sleep no more. He sat up on the bed and thought of the old Countess. At this moment someone in the street passed the window, looked into the room, and then went on. Hermann scarcely noticed it; but in another minute he heard the door of the ante-chamber open. He thought, that his orderly, drunk as usual, was returning from some nocturnal excursion; but the step was one to which he was not accustomed. Somebody seemed to be softly walking over the floor in slippers.
Illustration note[Illustration: "HERMANN STARTED AND FELL BACKWARDS."]
The door opened, and a woman, dressed entirely in white, entered the bedroom. Hermann thought it must be his old nurse, and he asked himself what she could want at that time of night. But the woman in white, crossing the room with a rapid step, was now at the foot of his bed, and Hermann recognised the Countess. "I come to you against my wish," she said in a firm voice. "I am forced to grant your prayer. Three, seven, ace, will win, if played one after the other; but you must not play more than one card in twenty-four hours, and afterwards, as long as you live, you must never touch a card again. I forgive you my death on condition of your marrying my companion, Lisaveta Ivanovna." With these words she walked towards the door, and gliding with her slippers over the floor, disappeared. Hermann heard the door of the ante-chamber open, and soon afterwards saw a white figure pass along the street. It stopped for a moment before his window, as if to look at him. Hermann remained, for some time astounded. Then he got up and went into the next room. His orderly, drunk as usual, was asleep on the floor. He had much difficulty in waking him, and then could not obtain from him the least explanation. The door of the ante-chamber was locked. Hermann went back to his bedroom, and wrote down all the details of his vision. CHAPTER VI. Two fixed ideas can no more exist together in the moral world, than in the physical two bodies can occupy the same place at the same time; and "Three, seven, ace" soon drove away Hermann's recollection of the old Countess's last moments. "Three, seven, ace" were now in his head to the exclusion of everything else. They followed him in his dreams, and appeared to him under strange forms. Threes seemed to be spread before him like magnolias, sevens took the form of Gothic doors, and aces became gigantic spiders. His thoughts concentrated themselves on one single point. How was he to profit by the secret so dearly purchased? What if he applied for leave to travel? At Paris, he said to himself, he would find some gambling-house where, with his three cards, he could at once make his fortune. Chance soon came to his assistance. There was at Moscow a society of rich gamblers, presided over by the celebrated Tchekalinski, who had passed all his life playing at cards, and had amassed millions. For while he lost silver only, he gained bank-notes. His magnificent house, his excellent kitchen, his cordial manners, had brought him numerous friends and secured for him general esteem. When he came to St. Petersburg, the young men of the capital filled his rooms, forsaking balls for his card-parties, and preferring the emotions of gambling to the fascinations of flirting. Hermann was taken to Tchekalinski by Narumoff. They passed through a long suite of rooms, full of the most attentive, obsequious servants. The place was crowded. Generals and high officials were playing at whist; young men were stretched out on the sofas, eating ices and smoking long pipes. In the principal room at the head of a long table, around which were assembled a score of players, the master of the house held a faro bank. He was a man of about sixty, with a sweet and noble expression of face, and hair white as snow. On his full, florid countenance might be read good humour and benevolence. His eyes shone with a perpetual smile. Narumoff introduced Hermann. Tchekalinski took him by the hand, told him that he was glad to see him, that no one stood on ceremony in his house; and then went on dealing. The deal occupied some time, and stakes were made on more than thirty cards. Tchekalinski waited patiently to allow the winners time to double their stakes, paid what he had lost, listened politely to all observations, and, more politely still, put straight the corners of cards, when in a fit of absence some one had taken the liberty of turning them down. At last when the game was at an end, Tchekalinski collected the cards, shuffled them again, had them cut, and then dealt anew. "Will you allow me to take a card?" said Hermann, stretching out his arm above a fat man who occupied nearly the whole of one side of the table. Tchekalinski, with a gracious smile, bowed in consent. Naroumoff complimented Hermann, with a laugh, on the cessation of the austerity by which his conduct had hitherto been marked, and wished him all kinds