About this book

The Queen of Spades, and other stories

Aleksandr Sergeevich Pushkin

refuses to raise itself against the bottle! No, Count, you must not neglect to practise, or you will soon lose all skill. The best shot I ever knew used to shoot every day, and at least three times every day, before dinner. This was as much his habit as the preliminary glass of vodka."
Illustration note[Illustration: "SILVIO! _YOU_ KNEW SILVIO?"]
The Count and Countess seemed pleased that I had begun to talk. "And what sort of a shot was he?" asked the Count. "This sort, Count. If he saw a fly settle on the wall--you smile, Countess, but I assure you it is a fact. When he saw the fly, he would call out, 'Kuska, my pistol!' Kuska brought him the loaded pistol. A crack, and the fly was crushed into the wall!" "That is astonishing!" said the Count. "And what was his name?" "Silvio was his name." "Silvio!" exclaimed the Count, starting from his seat. "_You_ knew Silvio?" "How could I fail to know him? We were comrades; he was received at our mess like a brother officer. It is now about five years since I last had tidings of him. Then you, Count, also knew him?" "I knew him very well. Did he never tell you of one very extraordinary incident in his life?" "Do you mean the slap in the face, Count, that he received from a blackguard at a ball?" "He did not tell you the name of this blackguard?" "No, Count, he did not. Forgive me," I added, guessing the truth, "forgive me--I did not--could it really have been you?" "It was myself," replied the Count, greatly agitated. "And the shots in the picture are a memento of our last meeting." "Oh, my dear," said the Countess, "for God's sake do not relate it! It frightens me to think of it." "No," replied the Count; "I must tell him all. He knows how I insulted his friend. He shall also know how Silvio revenged himself." The Count pushed a chair towards me, and with the liveliest interest I listened to the following story:-- "Five years ago," began the Count, "I got married. The honeymoon I spent here, in this village. To this house I am indebted for the happiest moments of my life, and for one of its saddest remembrances. "One afternoon we went out riding together. My wife's horse became restive. She was frightened, got off the horse, handed the reins over to me; and walked home. I rode on before her. In the yard I saw a travelling carriage, and I was told that in my study sat a man who would not give his name, but simply said that he wanted to see me on business. I entered the study, and saw in the darkness a man, dusty and unshaven. He stood there, by the fireplace. I approached him, trying to recollect his face. "'You don't remember me, Count?' he said, in a tremulous voice. "'Silvio!' I cried, and I confess I felt that my hair was standing on end. "'Exactly so,' he added. 'You owe me a shot; I have come to claim it. Are you ready?' "A pistol protruded from his side pocket. "I measured twelve paces, and stood there in that corner, begging him to fire quickly, before my wife came in. "He hesitated, and asked for a light. Candles were brought in. I locked the doors, gave orders that no one should enter, and again called upon him to fire. He took out his pistol and aimed. "I counted the seconds.... I thought of her ... A terrible moment passed! Then Silvio lowered his hand. "'I only regret,' he said, that the pistol is not loaded with cherry-stones. My bullet is heavy; and it always seems to me that an affair of this kind is net a duel, but a murder. I am not accustomed to aim at unarmed men. Let us begin again from the beginning. Let us cast lots as to who shall fire first.' "My head went round. I think I objected. Finally, however, we loaded another pistol and rolled up two pieces of paper. These he placed inside his cap; the one through which, at our first meeting, I had put the bullet. I again drew the lucky number. "'Count, you have the devil's luck,' he said, with a smile which I shall never forget. "I don't know what I was about, or how it happened that he succeeded in inducing me. But I fired and hit that picture." The Count pointed with his finger to the picture with the shot-marks His face had become red with agitation. The Countess was whiter than her own handkerchief; and I could not restrain an exclamation. "I fired," continued the Count, "and, thank Heaven, missed. Then Silvio--at this moment he was really terrible--then Silvio raised his pistol to take aim at me. "Suddenly the door flew open, Masha rushed into the room. She threw herself upon my neck with a loud shriek. Her presence restored to me-all my courage. "'My dear,' I said to her, 'don't you see that we are only joking? How frightened you look! Go and drink a glass of water and then come back; I will introduce you to an old friend and comrade.' Masha was still in doubt.
Illustration note[Illustration: "MASHA THREW HERSELF AT HIS FEET"]
"'Tell me; is my husband speaking the truth?' she asked, turning to the terrible Silvio. 'Is it true that you are only joking?' "'He is always joking. Countess,' Silvio replied. 'He once in a joke gave me a slap in the face; in joke he put a bullet through this cap while I was wearing it; and in joke, too, he missed me when he fired just now. And now _I_ have a fancy for a joke.' "With these words he raised his pistol as if to shoot me down before her eyes." Masha threw herself at his feet. 'Rise, Masha! For shame!' I cried, in my passion. 'And you, sir, cease to amuse yourself at the expense of an unhappy woman. Will you fire or not?' "'I will not,' replied Silvio. 'I am satisfied. I have witnessed your agitation--your terror. I forced you to fire at me. That is enough; you will remember me. I leave you to your conscience.' "He was now about to go; but he stopped at the door, looked round at the picture which my shot had passed through, fired at it almost without taking aim, and disappeared. "My wife had sunk down fainting. The servants had not ventured to stop Silvio, whom they looked upon with terror. He passed out to the steps, called his coachman, and before I could collect myself drove off." The Count was silent. I had now heard the end of the story of which the beginning had long before surprised me. The hero of it I never saw again. I heard, however, that Silvio, during the rising of Alexander Ipsilanti, commanded a detach of insurgents and was killed in action. THE SNOWSTORM. Towards the end of 1811, at a memorable period for Russians, lived on his own domain of Nenaradova the kind-hearted Gravril R. He was celebrated in the whole district for his hospitality and his genial character. Neighbours constantly visited him to have something to eat and drink, and to play at five-copeck boston with his wife, Praskovia. Some, too, went to have a look at their daughter, Maria; a tall pale girl of seventeen. She was an heiress, and they desired her either for themselves or for their sons. Maria had been brought up on French novels, and consequently was in love. The object of her affection was a poor ensign in the army, who was now at home in his small village on leave of absence. As a matter of course, the young man reciprocated Maria's passion. But the parents of his beloved, noticing their mutual attachment, forbade their daughter even to think of him, while they received him worse than an ex-assize judge.
Illustration note[Illustration: "THE LOVERS MET IN THE PINE WOOD."]
Our lovers corresponded, and met alone daily in the pine wood or by the old roadway chapel. There they vowed everlasting love, inveighed against fate, and exchanged various suggestions. Writing and talking in this way, they quite naturally reached the following conclusion:-- If we cannot exist apart from each other, and if the tyranny of hard-hearted parents throws obstacles in the way of our happiness, then can we not manage without them? Of course, this happy idea originated in the mind of the young man; but it pleased the romantic imagination of Maria immensely. Winter set in and put a stop to their meetings. But their correspondence became all the more active. Vladimir begged Maria in every letter to give herself up to him that they might get married secretly, hide for a while, and then throw themselves at the feet of the parents, who would of course in the end be touched by their heroic constancy and say to them, "Children, come to our arms!" Maria hesitated a long while, and out of many different plans proposed, that of flight was for a time rejected. At last, however, she consented. On the appointed day she was to decline supper, and retire to her room under the plea of a headache. She and her maid, who was in the secret, were then to go out into the garden by the back stairs, and beyond the garden they would find a sledge ready for them, would get into it and drive a distance of five miles from Nenaradova, to the village of Jadrino, straight to the church, where Vladimir would be waiting for them. On the eve of the decisive day, Maria did not sleep all night; she was packing and tying up linen and dresses. She wrote, moreover, a long letter to a friend of hers, a sentimental young lady; and another to her parents. Of the latter, she took leave in the most touching terms. She excused the step she was taking by reason of the unconquerable power of love, and wound up by declaring that she should consider it the happiest moment of her life when she was allowed to throw herself at the feet of her dearest parents. Sealing both letters with a Toula seal, on which were engraven two flaming hearts with an appropriate inscription, she at last threw herself upon her bed before daybreak and dozed off, though even then she was awake tied from one moment to another by terrible thoughts. First it seemed to her that at the moment of entering the sledge in order to go and get married her father stopped her, and with cruel rapidity dragged her over the snow and threw her into a dark bottomless cellar, down which she fell headlong with an indescribable sinking of the heart. Then she saw Vladimir, lying on the grass, pale and bleeding; with his dying breath he implored her to make haste and marry him. Other hideous and senseless visions floated before her one after another. Finally she rose paler than usual, and with, a real headache.
Illustration note[Illustration: "SHE BURST INTO TEARS."]
Both her father and her mother remarked her indisposition. Their tender anxiety and constant inquiries, "What is the matter with you, Masha--are you ill?" cut her to the heart. She tried to pacify them and to appear cheerful; but she could not. Evening set in. The idea that she was passing the day for the last time in the midst of her family oppressed her. In her secret heart she took leave of everybody, of everything which surrounded her. Supper was served; her heart beat violently. In a trembling voice she declared that she did not want any supper, and wished her father and mother good-night. They kissed her, and as usual blessed her; and she nearly wept. Reaching her own room she threw herself into an easy chair and burst into tears. Her maid begged her to be calm and take courage. Everything was ready. In half-an-hour Masha would leave for ever her parents' house, her own room, her peaceful life as a young girl. Out of doors the snow was falling, the wind howling. The shutters rattled and shook. In everything she seemed to recognise omens and threats. Soon the whole home was quiet and asleep. Masha wrapped herself in a shawl, put on a warm cloak, and with a box in her hand passed out on to the back staircase. The maid carried two bundles after her. They descended into the garden. The snowstorm raged: a strong wind blew against them as if trying to stop the young culprit. With difficulty