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The Raft

Coningsby Dawson

The night quickened; the ghostly feet of a little breeze tiptoed across the tree-tops, causing their leaves to rustle. From the far distance, the throb of belated traffic reached him like the beat of a muffled drum. He heard London marching to the martial music of struggle; his heart was stirred. Life was a fight--well, what of it? When his time came, he must be ready. He looked again at the stars, remembering what his father had said. One need not be frightened. And then he looked away into the blackness; somewhere over there the houses ended and the wide peace of the country commenced. Somewhere over there was Cherry. He waited impatiently for his next half-holiday, when he would be free to tricycle out. When he went, she was not in the Haunted Wood; nor the next time, nor the next. He wanted to ask the Faun Man, but postponed through shyness; he was afraid his secret would be guessed. He was always hoping and hoping that he would find her behind the green wall of leaves, where the little river ran. One afternoon, when tea was ended and Kay and Harry had gone out, he asked, “Does the girl who broke your pictures never come here now?” The Faun Man looked up sharply and stared, trying to guess behind the question. “I wasn't very decent to you that day, was I? And I was beastly to her.” “I think she was sorry,” said Peter softly. “I wish you'd let her----. Does she never come here now?” The Faun Man leant forward across the table, with his face between his long brown hands. “Did you like her, Peter?” “Yes.” “Very much?” Peter lowered his eyes. “Very much.” When he dared to glance up, he found that the Faun Man wasn't laughing. He reached out his hand to Peter. “You're young,” he said. “Fifteen, isn't it? Well, she's a year older. It's dangerous to like a girl very much--especially a little wild thing like Cherry. I'm a man and I know, because I, too, like some one very much; and it doesn't always make me happy. You'll like heaps of girls, Peter, before you find the right one.” He felt that Peter's hand had grown smaller in his own and was withdrawing. “You think it isn't true?” he questioned. “You think it wasn't kind of me to say that? And you want to see her?” Peter gazed out of the cottage window to where sunlight fell aslant the Haunted Wood. Why should he want to see her more than anyone in the world? But he did. And he knew that because he was so young, most people would consider his desire absurd. But the Faun Man, who found so much to laugh at, was regarding him seriously. “And you want to see her?” Peter whispered, “Yes.” The Faun Man's eyes filmed over in that curious way they had. He said: “I want you to trust me. There are reasons why you can't see her. I've sent her away because I think that it's best. I can't tell you why or where I've sent her; or what right I have to send her. But I want you to know that I don't smile at you for liking her. It doesn't matter how old or young we are; when love comes, it always hurts. And it seems just as serious whether it comes late or early. But some day I'll let you see her. To you at fifteen, some day seems very far from now. But if you wait, and still think you care for her, I'll let you see her when the time comes. I don't think we ought to speak of this again till then. We'll keep it a secret which we never discuss; but we'll each remember. Is that a bargain?” Peter had no other choice than to accept. They shook hands. Shortly after this Kay and Peter went away to a farm in North Wales for their summer holidays. Their first intention on their return was to visit the Faun Man and Harry. On going to the stable, they found that the tricycle was no longer there. Their father was very mysterious and unconcerned when they told him; evidently he knew what had happened. “All right,” he said, “just wait a day or two. You'll see--it'll come back.” And one morning it did come back, ridden by a man with a face all smudges, who presented a bill for payment. It had entirely transformed itself, like a widow-lady who had been brisked up by an unexpected offer of marriage. From a sober, old-fashioned tricycle it had taken on an appearance almost modern and festive. Its handle-bars had been replated; its framework re-enameled; its tall wheels cut down; its solid tires removed and replaced by pneumatics. It sparkled in the sun, as though defying butcher-boys to jeer at it. The man, with the face all smudges, wheeled it through the stable into the garden; he left it beneath the mulberry-tree, and there the children, on arriving home from school, found it. “Why, it's a new tricycle!” Peter looked it over, “No, it isn't, Kitten Kay. It's the old one altered.” Their mother, hearing their shouts, came out into the garden, nearly as excited herself. They had visions of spinning out to the Happy Cottage at the breakneck speed of eight miles an hour. While they clambered on to it, examined it and spotted new improvements in the way of a lamp and saddles, she explained to them how it had happened. “It's your father's doing. He meant it as a surprise. He thought the old tires made it too heavy, so----.” Kay interrupted. “Oh, Peter, do let's take it out on to the Terrace and try it.” As they wheeled it down the gravel path between the geranium beds, they chattered of how they would surprise Harry. But Harry was fated never to see it. On the Terrace, when they had mounted, while their mother watched them from the window, they found that everything was not well. The man with the face all smudges had been wise in demanding his money before his handiwork was tested. He had cut the wheels so low that, where the road was uneven, the pedals bumped against the ground. Life had, indeed, become serious for Peter; through his father's well-intentioned kindness, his means of communication between reality and fairyland had been annihilated. For a time it looked as though so small an accident as the indiscreet remodeling of a tricycle had lost for him forever the new friendships formed at the Happy Cottage. But one evening a dinner was given by Mr. Barrington to a famous man whose work he was anxious to publish. Kay and Peter were allowed to see him after dessert. The moment Peter's head appeared round the door the famous man rose up and shouted, “Hulloa, young 'un, so at last I've found you! Where the dickens have you been hiding?” Mr. Barrington lay back in his chair, his arms hanging limp on either side, the image of amazement. He heard his son explaining: “It was the tandem trike. Father wanted to be kind to us and----. Well, after he'd had it improved, it wouldn't work. And so, you see, there was no way of getting to you.” The Faun Man spread out his long legs, laughing uproariously; until the appearance of the children, he'd been most scrupulously conventional and polite. “But, Peter, an immortal friendship like ours cut short by a tandem trike! You little donkey, why didn't you write?” Kay rose up in her brother's defence. “He isn't a little donkey. We were all to be pretence people, don't you remember? We didn't know your address.” The Faun Man stroked his chin and lengthened his face. “If you'd left me alone much longer,” he said, “you wouldn't have found me; I'm moving into London.” Then their parents began to ask questions; the story of Friday Lane and the mouth-organ boy came out. That evening, after Lorenzo Arran had said good-by, he turned back to his host, just as the door was closing. “Oh, I say! One minute, Barrington. That matter we were discussing yesterday--let's consider it settled.” Barrington watched the tall, lean figure go striding down the Terrace. He was so taken up with watching, that he didn't know that Nan had stolen up behind him until she touched his hand. He turned; his mouth was crooked with amusement. “Did you hear that? He agrees--I'm to publish for him. And it's Peter's doing. One never knows where that boy won't turn up.” And Peter, snuggled cosily in bed, was wondering whether, now that he'd found the Faun Man, he'd refind Cherry. He reflected that when life could play such tricks on you, a lifetime of it wouldn't be half bad. He was no longer frightened to remember that, whether he liked it or not, he must grow up. CHAPTER XXIX--A GOLDEN WORLD And he refound her, when he had almost forgotten her. In those four long years, which stretch like a magic ocean between the island of boyhood and the misty coasts of early manhood, it is so easy to forget. Those years, between fifteen and nineteen, are the longest in life, perhaps. They had been spent by Peter among books, watching, as in a wizard's crystal, the dead world-builders at work; they had risen from their graves in the dusk of his imagination, stretched themselves, gathered strength and marched anew to the downfall of Troy and the conquest of befabled empires. How real those poignant religions were, telling of the loves of ruffianly gods for perishable earth-maidens--so real to him that he had paid little heed to the present. In his outward life nothing had much altered; things were called by different names. They spoke of him as nearly a man now--servants addressed him as “sir”; they had never doubted that he was a boy once. Kay stood a few inches higher on her legs. Romance had retired from active business, leaving to her children the unthankful task of having kittens. Just as Peter was said to be nearly a man and hadn't changed, so the nursery was said to be his study, though it was almost the same in appearance. A student's lamp had replaced the old gas-jet. Shelves, which had held fairy-tale volumes in which truth was depicted with a laughing countenance, now supported serious lexicons from which truth stared out with austerity. But his study retained reminders of those tremulous days when it was still a nursery, and hadn't grown up--when it was the dreaming place of a girl whose arms were empty, in whose heart had begun to echo the patter of tiny footsteps. The tall guard stood before the fireplace, as though it feared that the long youth, who sat continually poring over a book with his eyes shaded by his hand, might shrink into the curly-headed urchin who hadn't known that live coals burned. The laburnum still leant her arms upon the window-sill and tap-tap-tapped, shedding her golden tassels; she gazed in upon him with the same indiscretion as when he was a newcomer, with ungovernable arms and legs, who had to be tubbed night and morning. And she saw the same mother, who had sung him to sleep, peer in at the door on her way to bed, tiptoe across the threshold, ruffle his hair and whisper, “Peter, darling, you can't learn everything between now and morning. Won't you get some rest?” He had exchanged tandem tricycles for lexicons as a means of locomotion to the land of adventure. His little sister could no longer accompany him; but the desire for wisdom had left room for the heart of tenderness. When his lamp shone solitary in the darkened house, he would straighten his shoulders and listen, fancying he heard the angel's whistle. In four months he was going up to Oxford, to live in gray cloisters where boys at once become men. His father shared his anticipation generously. “You're going to recover my lost chances. Lucky chap!” It was summer. He had risen early and sat by his study window reading the Iliad. The house was full of lazy morning sounds--bath-water running, breakfast being prepared, doors opening and shutting, footsteps on the stairs. Outside in the garden the sun dropped golden balls, which tumbled through the trees and rolled across the turf. Birds, hopping in and out the rose-bushes, were industriously foraging. Tripping up the