The Red and the Black: A Chronicle of 1830
restore to Europe the liberty which Mirabeau has given it.
A crowd of moustachised young men had approached Mathilde. She realized
that Altamira had not felt allured, and was piqued by his departure.
She saw his black eye gleam as he talked to the Peruvian general.
Mademoiselle de la Mole looked at the young Frenchmen with that
profound seriousness which none of her rivals could imitate, "which
of them," she thought, "could get himself condemned to death, even
supposing he had a favourable opportunity?"
This singular look flattered those who were not very intelligent, but
disconcerted the others. They feared the discharge of some stinging
epigram that would be difficult to answer.
"Good birth vouchsafes a hundred qualities whose absence would offend
me. I see as much in the case of Julien," thought Mathilde, "but it
withers up those qualities of soul which make a man get condemned to
death."
At that moment some one was saying near her: "Comte Altamira is the
second son of the Prince of San Nazaro-Pimentel; it was a Pimentel who
tried to save Conradin, was beheaded in 1268. It is one of the noblest
families in Naples."
"So," said Mathilde to herself, "what a pretty proof this is of my
maxim, that good birth deprives a man of that force of character
in default of which a man does not get condemned to death. I seem
doomed to reason falsely to-night. Since I am only a woman like any
other, well I must dance." She yielded to the solicitations of M. de
Croisenois who had been asking for a gallop for the last hour. To
distract herself from her failure in philosophy, Mathilde made a point
of being perfectly fascinating. M. de Croisenois was enchanted. But
neither the dance nor her wish to please one of the handsomest men at
court, nor anything at all, succeeded in distracting Mathilde. She
could not possibly have been more of a success. She was the queen of
the ball. She coldly appreciated the fact.
"What a blank life I shall pass with a person like Croisenois," she
said to herself as he took her back to her place an hour afterwards.
"What pleasure do I get," she added sadly, "if after an absence of
six months I find myself at a ball which all the women of Paris were
mad with jealousy to go to? And what is more I am surrounded by the
homage of an ideally constituted circle of society. The only bourgeois
are some peers and perhaps one or two Juliens. And yet," she added
with increasing sadness, "what advantages has not fate bestowed upon
me! Distinction, fortune, youth, everything except happiness. My most
dubious advantages are the very ones they have been speaking to me
about all the evening. Wit, I believe I have it, because I obviously
frighten everyone. If they venture to tackle a serious subject, they
will arrive after five minutes of conversation and as though they had
made a great discovery at a conclusion which we have been repeating to
them for the last hour. I am beautiful, I have that advantage for which
madame de Stael would have sacrificed everything, and yet I'm dying of
boredom. Shall I have reason to be less bored when I have changed my
name for that of the marquis de Croisenois?
"My God though," she added, while she almost felt as if she would like
to cry, "isn't he really quite perfect? He's a paragon of the education
of the age; you can't look at him without his finding something
charming and even witty to say to you; he is brave. But that Sorel is
strange," she said to herself, and the expression of her eyes changed
from melancholy to anger. "I told him that I had something to say to
him and he hasn't deigned to reappear."
CHAPTER XXXIX
THE BALL
The luxurious dresses, the glitter of the candles; all
those pretty arms and fine shoulders; the bouquets,
the intoxicating strains of Rossini, the paintings of
Ciceri. I am beside myself.--_Journeys of Useri_.
"You are in a bad temper," said the marquise de la Mole to her; "let me
caution you, it is ungracious at a ball."
"I only have a headache," answered Mathilde disdainfully, "it is too
hot here."
At this moment the old Baron Tolly became ill and fell down, as though
to justify mademoiselle de la Mole's remark. They were obliged to carry
him away. They talked about apoplexy. It was a disagreeable incident.
Mathilde did not bother much about it.
She made a point of never looking at old men, or at anyone who had the
reputation of being bad company.
She danced in order to escape the conversation about the apoplexy,
which was not apoplexy inasmuch as the baron put in an appearance the
following day.
"But Sorel does not come," she said to herself after she had danced.
She was almost looking round for him when she found him in another
salon. Astonishing, but he seemed to have lost that impassive coldness
that was so natural to him; he no longer looked English.
"He is talking to comte Altamira who was sentenced to death," said
Mathilde to herself. "His eye is full of a sombre fire; he looks like a
prince in disguise; his haughtiness has become twice as pronounced."
Julien came back to where she was, still talking to Altamira. She
looked at Altamira fixedly, studying his features in order to trace
those lofty qualities which can earn a man the honour of being
condemned to death.
"Yes," he was saying to comte Altamira as he passed by her, "Danton was
a real man."
"Heavens can he be a Danton?" said Mathilde to herself, "but he has
so noble a face, and that Danton was so horribly ugly, a butcher I
believe." Julien was still fairly near her. She did not hesitate to
call him; she had the consciousness and the pride of putting a question
that was unusual for a young girl.
"Was not Danton a butcher?" she said to him.
"Yes, in the eyes of certain persons," Julien answered her with the
most thinly disguised expression of contempt. His eyes were still
ardent from his conversation with Altamira, "but unfortunately for
the people of good birth he was an advocate at Méry-sur-Seine, that
is to say, mademoiselle," he added maliciously, "he began like many
peers whom I see here. It was true that Danton laboured under a great
disadvantage in the eyes of beauty; he was ugly."
These last few words were spoken rapidly in an extraordinary and indeed
very discourteous manner.
Julien waited for a moment, leaning slightly forward and with an air of
proud humility. He seemed to be saying, "I am paid to answer you and I
live on my pay." He did not deign to look up at Mathilde. She looked
like his slave with her fine eyes open abnormally wide and fixed on
him. Finally as the silence continued he looked at her, like a valet
looking at his master to receive orders. Although his eyes met the full
gaze of Mathilde which were fixed on him all the time with a strange
expression, he went away with a marked eagerness.
"To think of a man who is as handsome as he is," said Mathilde to
herself as she emerged from her reverie, "praising ugliness in such a
way, he is not like Caylus or Croisenois. This Sorel has something like
my father's look when he goes to a fancy dress ball as Napoleon." She
had completely forgotten Danton. "Yes, I am decidedly bored to-night."
She took her brother's arm and to his great disgust made him take
her round the ball-room. The idea occurred to her of following the
conversation between Julien and the man who had been condemned to
death.
The crowd was enormous. She managed to find them, however, at the
moment when two yards in front of her Altamira was going near a
dumb-waiter to take an ice. He was talking to Julien with his body half
turned round. He saw an arm in an embroidered coat which was taking an
ice close by. The embroidery seemed to attract his attention. He turned
round to look at the person to whom the arm belonged. His noble and yet
simple eyes immediately assumed a slightly disdainful expression.
"You see that man," he said to Julien in a low voice; "that is the
Prince of Araceli Ambassador of ----. He asked M. de Nerval, your
Minister for Foreign Affairs, for my extradition this morning. See,
there he is over there playing whist. Monsieur de Nerval is willing
enough to give me up, for we gave up two or three conspirators to you
in 1816. If I am given up to my king I shall be hanged in twenty-four
hours. It will be one of those handsome moustachioed gentlemen who will
arrest me."
"The wretches!" exclaimed Julien half aloud.
Mathilde did not lose a syllable of their conversation. Her ennui had
vanished.
"They are not scoundrels," replied Count Altamira. "I talk to you about
myself in order to give you a vivid impression. Look at the Prince of
Araceli. He casts his eyes on his golden fleece every five minutes; he
cannot get over the pleasure of seeing that decoration on his breast.
In reality the poor man is really an anachronism. The fleece was a
signal honour a hundred years ago, but he would have been nowhere
near it in those days. But nowadays, so far as people of birth are
concerned, you have to be an Araceli to be delighted with it. He had a
whole town hanged in order to get it."
"Is that the price he had to pay?" said Julien anxiously.
"Not exactly," answered Altamira coldly, "he probably had about thirty
rich landed proprietors in his district who had the reputation of being
Liberals thrown into the river."
"What a monster!" pursued Julien.
Mademoiselle de la Mole who was leaning her head forward with keenest
interest was so near him that her beautiful hair almost touched his
shoulder.
"You are very young," answered Altamira. "I was telling you that I had
a married sister in Provence. She is still pretty, good and gentle; she
is an excellent mother, performs all her duties faithfully, is pious
but not a bigot."
"What is he driving at?" thought mademoiselle de la Mole.
"She is happy," continued the comte Altamira; "she was so in 1815. I
was then in hiding at her house on her estate near the Antibes. Well
the moment she learnt of marshall Ney's execution she began to dance."
"Is it possible?" said Julien, thunderstruck.
"It's party spirit," replied Altamira. "There are no longer any real
passions in the nineteenth century: that's why one is so bored in
France. People commit acts of the greatest cruelty, but without any
feeling of cruelty."
"So much the worse," said Julien, "when one does commit a crime one
ought at least to take pleasure in committing it; that's the only good
thing they have about them and that's the only way in which they have
the slightest justification."
Mademoiselle de la Mole had entirely forgotten what she owed to herself
and placed herself completely between Altamira and Julien. Her brother,
who was giving her his arm, and was accustomed to obey her, was
looking at another part of the room, and in order to keep himself in
countenance was pretending to be stopped by the crowd.
"You are right," Altamira went on, "one takes pleasure in nothing one
does, and one does not remember it: this applies even to crimes. I can
show you perhaps ten men in this ballroom who have been convicted of
murder. They have forgotten all about it and everybody else as well."
"Many are moved to the point of tears if their dog breaks a paw.
When you throw flowers on their grave at Père-la-Chaise, as you say
so humorously in Paris, we learn they united all the virtues of the
knights of chivalry, and we speak about the noble feats of their
great-grandfather who lived in the reign of Henri IV. If, in spite of
the good offices of the Prince de Araceli, I escape hanging and I ever
manage to enjoy the use of my money in Paris, I will get you to dine
with eight or ten of these respected and callous murderers.
"At that dinner you and I will be the only ones whose blood is pure,