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The San Rosario Ranch

Maud Howe Elliott

the state of mind into which Millicent was thrown by the article in the San Francisco "Roarer," was entirely surprising. It was without doubt annoying, but they had both become so accustomed to seeing their own names and those of their friends in the columns of the daily journals, that Millicent's horror and indignation seemed disproportionate to the cause. This utter disrespect of the privacy of life which is the right of all men and women leading peaceable lives, breaking no law of the civil or social statutes, is the crying sin of modern journalism. When they are charged with this, the journals very tritely retort that "social news" pays better than any other class of matter; that its insertion is more often prized and sought after by the individuals mentioned than resented by them; that much of the personal news is actually furnished by the individuals whom it most concerns; and that they but supply the demand of their readers. It would be well for them to remember that to pander to the public taste is not the highest object open to journalism; to elevate that taste were a task more deserving of commendation, and less unworthy of good printer's ink and paper. The next mail brought two letters for Millicent; one from a well-known photographer asking her for an early sitting, and begging that he might have the sole privilege of photographing her. The other communication was a civil letter from the editor of a weekly journal, asking for a slight autobiographical sketch from the hand of the heroine of San Real. In the course of the morning a reporter from the California "Bugle," a rival sheet, arrived and requested an interview with Miss Almsford and Mr. Graham, from which to compile an article on "The Rescuer and the Rescued." Millicent's eyes flashed angrily when the import of the small printed visiting-card bearing the name of this nineteenth-century inquisitor was explained to her. She was heard to murmur, beneath her breath, some Italian words highly inimical to the smart young person who was taking the opportunity to examine Mrs. Shallop's drawing-room with an eye to future "notes." She was astonished when Graham quietly lighted a cigarette, and asking that the gentleman might be shown into the smoking-room, joined him there. "Why does he not beat him?" she cried. "If I were a man I should thrust him from the house." "And be held up to the public as a brutal assassin?" laughed Barbara. "No, no, my dear, let Mr. Graham alone; he knows best how to manage the visitor. It never does to insult those gentlemen; they are dangerous enemies, and have the public's ear into which to pour all their grievances. Our friend will draw the fire on himself, I fancy, in order to spare you. News the news-fiend must have; he will make it himself if it be not provided for him. Poor thing! he must live, after all, as well as you or I. It is not his fault that he is obliged to interview people; it must be a very disagreeable profession." Thus kindly and with wide sympathy did Barbara Deering judge all men and women; ay, and reporters too, together with babies, Chinamen, and other unfortunate works of God. Graham returned in a quarter of an hour, having appeased his visitor with the aid of a good cigar and a champagne cocktail, compounded by the careful hand of the solemn-faced butler. Millicent was still flushed and excited, all Barbara's arguments having failed to soothe her nerves. Graham, with one sentence, banished the angry dint from her white forehead and brought a smile back to her face. The hour of the last good-bys had arrived; and the guests took leave of their kind hostess, with promises to repeat their visit before long. Little Mrs. Shallop really cried at parting with Millicent, to whom she had become greatly attached. She sighed as the carriage disappeared from view, bearing its freight of young people with their vivid lives and strong interests. When she went back to her great lonely drawing-room, with its splendid furnishings, she realized what a fitting frame it had made for the two pretty young guests, and how unsuitable it was to her simple tastes. The house was dreary without their joyous voices and quick footsteps. Just after sundown the travellers reached the San Rosario station, where Hal was awaiting them in the great red-painted wagon. The two sturdy mules were supplemented by old Sphinx harnessed before them, making what is known as a spiked team. "Hail! the conquering Heroine comes! sound the trumpets, beat the drums!" cried the irrepressible young rancher. "How is our most heroic Princess, and will she deign to enter the triumphal car which her humble slave has prepared for her?" They all laughed; but, through all the lively nonsense which he reeled off to them on the way to the house, Millicent felt that he had been really moved by what had occurred. The grip which he gave her hand spoke a volume of approval; and the loud clap on the shoulder with which he greeted Graham expressed more than a dozen sentences of rhetorical eloquence could have done. The antics of the unicorn team were extremely diverting; and these, with the absurdities which Hal perpetrated at every step of the road, brought the quartette to the house door "in a state of merriment bordering on idiocy," as he expressed it. Mrs. Deering, with her sweet motherly greeting, made their return seem a home-coming to Millicent and Graham, as well as to Barbara, the tall daughter of the house. Her hospitality was so genuinely of the heart that the recipient of it was made to feel that it was simply his due, and that his presence was as great a favor to the hostess as her kindness was to him. Graham was warmly urged to stay over night, but he resisted the temptation of remaining. Neither Millicent's voice nor Millicent's eyes had supplemented the invitation. As they paced the path together, her hand lying on his arm, Graham told Mrs. Deering, in a low voice, of all that had happened since their departure,--of the pleasant days with their excursions; of the new impressions made on Millicent by all that she saw; of the friends whom he had met, remembering all the kind messages which had been sent to the gentle _chatelaine_ of San Rosario; of Barbara's sweetness and Mrs. Shallop's hospitality; of the progress he had made on the portrait of his hostess; of the thousand-and-one little items of news so welcome to people leading a life of quiet isolation. Then in graver tones he spoke of his great peril and Millicent's bravery, of the strange thoughts which had crossed his mind in that last moment of consciousness, how her face as well as his mother's had been revealed to him as in a vision. All this was listened to with that perfect sympathy that is always ready to receive confidences, and which forbears to claim them when they are not spontaneously given. Blessed among women are these rare ones to whom motherless sons can confide every hope and disappointment, sure of a quick sympathy, and in whom the mighty instinct of maternity is not satisfied in ministering to their own flesh and blood, but springs forth to succor all who are suffering for the gentle mother love. It was late when these two said good-night, and Graham went to find the others to take farewell. Barbara and Hal were singing duets. They had neither of them seen Millicent, and fancied that she must have gone to her room. With a sense of cold disappointment and injury the young man left the house. As he passed by the corner of the piazza he fancied he saw a figure standing close in the shadow of an angle. He stopped; the figure remained motionless; through the heavy drapery of the vines he could not tell whether it was a person or merely a shadow. "Who is it?" he asked in a low voice. No answer came, but through the stillness of the night he thought he heard the sound of a quick-drawn breath. Putting the honeysuckle aside he stepped on the piazza, and found that his eyes had not deceived him. Millicent stood beneath the rose vines. When she saw that she was discovered she spoke with a light laugh: "I did not want you to see me, for I have been unsociable this evening, and hoped you would all think I had gone to bed." "Is it not damp for you to be sitting out-of-doors?" he asked, with a voice grown deep and tender. "Oh, no! I am quite used to it. What a wonderful night! I think I never saw the stars so brilliant." The girl seated herself on the edge of the piazza, Graham placing a cushion under her feet and taking his place at her side. It was a perfectly still evening, the only sound being the far-away tinkle of a sheep bell. There was a moment of dangerous silence, which Millicent broke a little nervously, speaking of Italy, of Mrs. Shallop and their late visit, of Hal's irresistible wit, of any one of the subjects which danced through her brain. She was afraid to be silent, and feared yet longed for what might be said if she left too long a pause. The spell which kept Graham at her side when he should have been half way to his lonely tower, began to assert itself over the woman, always the last to yield. The man had long since abandoned himself to that mysterious state of being in which every nerve of brain and every pulse of heart yearns for sympathy and reaches out toward its counterpart. At last she was silent, the last commonplace dying half spoken on her trembling lips. Silence now in all the land; only the sound of heart-beats which each felt must reach the other's ears. Stars more tender than those of heaven shone close to Graham through the blue-black night; a breath sweeter than the wind stirring the honeysuckle touched his cheek. At length that silence, more musical than sweetest harmony, was broken by a low, deep voice. "May I kiss you?" said the voice. What was the faint sound which the night wind wafted to his ear? Was it the whirring of the humming birds whose nest hung close by? Was it the far-off silver ripple of the brooklet, or the cadence of the distant sheep-bell? Was it that sweeter sound than note of mating bird, of falling water, or of faint bell-chime,--was it a loving woman's "Yes"? CHAPTER VIII. "Oui, les premiers baisers, oui, les premiers serments Que deux etres mortels echangerent sur terre Ce fut au pied d' un arbre effeuille par les vents, Sur un roc en poussiere." When he awoke the next morning, John Graham gave a deep sigh. His dreams had been so sweet that no reality could equal their happiness. As he sat on the edge of his narrow bed disentangling what was real from what was dream-born in his thoughts, his eye fell upon the knot of roses which he had taken from Millicent's hair the night before, and had clasped to his lips as he fell asleep. They were faded now, but they still gave out a strong perfume. His cheek had been wounded by a thorn, but he kissed the wilted posies, for all that, placed the little bouquet tenderly in an exquisite Venetian vase, and then bounded down the stairway of his tower and across the narrow space which led to a clear deep pool where a crystal stream fell in a white cataract to a rocky basin. The foam-bubbles danced joyously in the clear dark waters, and the plashing of the fall had a sound of a sweet deep voice which had grown very dear to him. A mossy bank, shaded by two drooping trees, sloped to the edge of this natural bath, refreshing enough to have tempted Diana from the chase. As Graham plunged into the cool waters he shouted out a verse of a song he had learned long ago. Attracted by the sound of his voice, French John laid down his axe beside the young tree he was about to fell, and came down to the pool where Graham was