The Secret Agent: A Simple Tale
private ownership. It was fatal. Ah! he did not depend upon emotional
excitement to keep up his belief, no declamations, no anger, no visions
of blood-red flags waving, or metaphorical lurid suns of vengeance rising
above the horizon of a doomed society. Not he! Cold reason, he boasted,
was the basis of his optimism. Yes, optimism—
His laborious wheezing stopped, then, after a gasp or two, he added:
“Don’t you think that, if I had not been the optimist I am, I could not
have found in fifteen years some means to cut my throat? And, in the
last instance, there were always the walls of my cell to dash my head
against.”
The shortness of breath took all fire, all animation out of his voice;
his great, pale cheeks hung like filled pouches, motionless, without a
quiver; but in his blue eyes, narrowed as if peering, there was the same
look of confident shrewdness, a little crazy in its fixity, they must
have had while the indomitable optimist sat thinking at night in his
cell. Before him, Karl Yundt remained standing, one wing of his faded
greenish havelock thrown back cavalierly over his shoulder. Seated in
front of the fireplace, Comrade Ossipon, ex-medical student, the
principal writer of the F. P. leaflets, stretched out his robust legs,
keeping the soles of his boots turned up to the glow in the grate. A
bush of crinkly yellow hair topped his red, freckled face, with a
flattened nose and prominent mouth cast in the rough mould of the negro
type. His almond-shaped eyes leered languidly over the high cheek-bones.
He wore a grey flannel shirt, the loose ends of a black silk tie hung
down the buttoned breast of his serge coat; and his head resting on the
back of his chair, his throat largely exposed, he raised to his lips a
cigarette in a long wooden tube, puffing jets of smoke straight up at the
ceiling.
Michaelis pursued his idea—_the_ idea of his solitary reclusion—the
thought vouchsafed to his captivity and growing like a faith revealed in
visions. He talked to himself, indifferent to the sympathy or hostility
of his hearers, indifferent indeed to their presence, from the habit he
had acquired of thinking aloud hopefully in the solitude of the four
whitewashed walls of his cell, in the sepulchral silence of the great
blind pile of bricks near a river, sinister and ugly like a colossal
mortuary for the socially drowned.
He was no good in discussion, not because any amount of argument could
shake his faith, but because the mere fact of hearing another voice
disconcerted him painfully, confusing his thoughts at once—these thoughts
that for so many years, in a mental solitude more barren than a waterless
desert, no living voice had ever combatted, commented, or approved.
No one interrupted him now, and he made again the confession of his
faith, mastering him irresistible and complete like an act of grace: the
secret of fate discovered in the material side of life; the economic
condition of the world responsible for the past and shaping the future;
the source of all history, of all ideas, guiding the mental development
of mankind and the very impulses of their passion—
A harsh laugh from Comrade Ossipon cut the tirade dead short in a sudden
faltering of the tongue and a bewildered unsteadiness of the apostle’s
mildly exalted eyes. He closed them slowly for a moment, as if to
collect his routed thoughts. A silence fell; but what with the two
gas-jets over the table and the glowing grate the little parlour behind
Mr Verloc’s shop had become frightfully hot. Mr Verloc, getting off the
sofa with ponderous reluctance, opened the door leading into the kitchen
to get more air, and thus disclosed the innocent Stevie, seated very good
and quiet at a deal table, drawing circles, circles, circles; innumerable
circles, concentric, eccentric; a coruscating whirl of circles that by
their tangled multitude of repeated curves, uniformity of form, and
confusion of intersecting lines suggested a rendering of cosmic chaos,
the symbolism of a mad art attempting the inconceivable. The artist
never turned his head; and in all his soul’s application to the task his
back quivered, his thin neck, sunk into a deep hollow at the base of the
skull, seemed ready to snap.
Mr Verloc, after a grunt of disapproving surprise, returned to the sofa.
Alexander Ossipon got up, tall in his threadbare blue serge suit under
the low ceiling, shook off the stiffness of long immobility, and strolled
away into the kitchen (down two steps) to look over Stevie’s shoulder.
He came back, pronouncing oracularly: “Very good. Very characteristic,
perfectly typical.”
“What’s very good?” grunted inquiringly Mr Verloc, settled again in the
corner of the sofa. The other explained his meaning negligently, with a
shade of condescension and a toss of his head towards the kitchen:
“Typical of this form of degeneracy—these drawings, I mean.”
“You would call that lad a degenerate, would you?” mumbled Mr Verloc.
Comrade Alexander Ossipon—nicknamed the Doctor, ex-medical student
without a degree; afterwards wandering lecturer to working-men’s
associations upon the socialistic aspects of hygiene; author of a popular
quasi-medical study (in the form of a cheap pamphlet seized promptly by
the police) entitled “The Corroding Vices of the Middle Classes”; special
delegate of the more or less mysterious Red Committee, together with Karl
Yundt and Michaelis for the work of literary propaganda—turned upon the
obscure familiar of at least two Embassies that glance of insufferable,
hopelessly dense sufficiency which nothing but the frequentation of
science can give to the dulness of common mortals.
“That’s what he may be called scientifically. Very good type too,
altogether, of that sort of degenerate. It’s enough to glance at the
lobes of his ears. If you read Lombroso—”
Mr Verloc, moody and spread largely on the sofa, continued to look down
the row of his waistcoat buttons; but his cheeks became tinged by a faint
blush. Of late even the merest derivative of the word science (a term in
itself inoffensive and of indefinite meaning) had the curious power of
evoking a definitely offensive mental vision of Mr Vladimir, in his body
as he lived, with an almost supernatural clearness. And this phenomenon,
deserving justly to be classed amongst the marvels of science, induced in
Mr Verloc an emotional state of dread and exasperation tending to express
itself in violent swearing. But he said nothing. It was Karl Yundt who
was heard, implacable to his last breath.
“Lombroso is an ass.”
Comrade Ossipon met the shock of this blasphemy by an awful, vacant
stare. And the other, his extinguished eyes without gleams blackening
the deep shadows under the great, bony forehead, mumbled, catching the
tip of his tongue between his lips at every second word as though he were
chewing it angrily:
“Did you ever see such an idiot? For him the criminal is the prisoner.
Simple, is it not? What about those who shut him up there—forced him in
there? Exactly. Forced him in there. And what is crime? Does he know
that, this imbecile who has made his way in this world of gorged fools by
looking at the ears and teeth of a lot of poor, luckless devils? Teeth
and ears mark the criminal? Do they? And what about the law that marks
him still better—the pretty branding instrument invented by the overfed
to protect themselves against the hungry? Red-hot applications on their
vile skins—hey? Can’t you smell and hear from here the thick hide of the
people burn and sizzle? That’s how criminals are made for your Lombrosos
to write their silly stuff about.”
The knob of his stick and his legs shook together with passion, whilst
the trunk, draped in the wings of the havelock, preserved his historic
attitude of defiance. He seemed to sniff the tainted air of social
cruelty, to strain his ear for its atrocious sounds. There was an
extraordinary force of suggestion in this posturing. The all but
moribund veteran of dynamite wars had been a great actor in his
time—actor on platforms, in secret assemblies, in private interviews.
The famous terrorist had never in his life raised personally as much as
his little finger against the social edifice. He was no man of action;
he was not even an orator of torrential eloquence, sweeping the masses
along in the rushing noise and foam of a great enthusiasm. With a more
subtle intention, he took the part of an insolent and venomous evoker of
sinister impulses which lurk in the blind envy and exasperated vanity of
ignorance, in the suffering and misery of poverty, in all the hopeful and
noble illusions of righteous anger, pity, and revolt. The shadow of his
evil gift clung to him yet like the smell of a deadly drug in an old vial
of poison, emptied now, useless, ready to be thrown away upon the
rubbish-heap of things that had served their time.
Michaelis, the ticket-of-leave apostle, smiled vaguely with his glued
lips; his pasty moon face drooped under the weight of melancholy assent.
He had been a prisoner himself. His own skin had sizzled under the
red-hot brand, he murmured softly. But Comrade Ossipon, nicknamed the
Doctor, had got over the shock by that time.
“You don’t understand,” he began disdainfully, but stopped short,
intimidated by the dead blackness of the cavernous eyes in the face
turned slowly towards him with a blind stare, as if guided only by the
sound. He gave the discussion up, with a slight shrug of the shoulders.
Stevie, accustomed to move about disregarded, had got up from the kitchen
table, carrying off his drawing to bed with him. He had reached the
parlour door in time to receive in full the shock of Karl Yundt’s
eloquent imagery. The sheet of paper covered with circles dropped out of
his fingers, and he remained staring at the old terrorist, as if rooted
suddenly to the spot by his morbid horror and dread of physical pain.
Stevie knew very well that hot iron applied to one’s skin hurt very much.
His scared eyes blazed with indignation: it would hurt terribly. His
mouth dropped open.
Michaelis by staring unwinkingly at the fire had regained that sentiment
of isolation necessary for the continuity of his thought. His optimism
had begun to flow from his lips. He saw Capitalism doomed in its cradle,
born with the poison of the principle of competition in its system. The
great capitalists devouring the little capitalists, concentrating the
power and the tools of production in great masses, perfecting industrial
processes, and in the madness of self-aggrandisement only preparing,
organising, enriching, making ready the lawful inheritance of the
suffering proletariat. Michaelis pronounced the great word
“Patience”—and his clear blue glance, raised to the low ceiling of Mr
Verloc’s parlour, had a character of seraphic trustfulness. In the
doorway Stevie, calmed, seemed sunk in hebetude.
Comrade Ossipon’s face twitched with exasperation.
“Then it’s no use doing anything—no use whatever.”
“I don’t say that,” protested Michaelis gently. His vision of truth had
grown so intense that the sound of a strange voice failed to rout it this
time. He continued to look down at the red coals. Preparation for the
future was necessary, and he was willing to admit that the great change
would perhaps come in the upheaval of a revolution. But he argued that
revolutionary propaganda was a delicate work of high conscience. It was
the education of the masters of the world. It should be as careful as
the education given to kings. He would have it advance its tenets
cautiously, even timidly, in our ignorance of the effect that may be
produced by any given economic change upon the happiness, the morals, the
intellect, the history of mankind. For history is made with tools, not