The secret of Father Brown

daybreak had already appeared in the corners of the grey sky that the thing happened. Boyle, being young, was naturally both the healthier and the heavier sleeper of the two. Though active enough when he was once awake, he always had a load to lift in waking. Moreover, he had dreams of the sort that cling to the emerging minds like the dim tentacles of an octopus. They were a medley of many things, including his last look from the balcony across the four grey roads and the green square. But the pattern of them changed and shifted and turned dizzily, to the accompaniment of a low grinding noise, which sounded somehow like a subterranean river, and may have been no more than old Mr. Jameson snoring in the dressing-room. But in the dreamer's mind all that murmur and motion was vaguely connected with the words of the Count de Lara, about a wisdom that could hold the levers of time and space and turn the world. In the dream it seemed as if a vast murmuring machinery under the world were really moving whole landscapes hither and thither, so that the ends of the earth might appear in a man's front-garden, or his own front-garden be exiled beyond the sea. The first complete impressions he had were the words of a song, with a rather thin metallic accompaniment; they were sung in a foreign accent and a voice that was still strange and yet faintly familiar. And yet he could hardly feel sure that he was not making up poetry in his sleep. _Over the land and over the sea My flying fishes will come to me, For the note is not of the world that wakes them, But in----_ He struggled to his feet and saw that his fellow-guardian was already out of bed; Jameson was peering out of the long window on to the balcony and calling out sharply to someone in the street below. "Who's that?" he called out sharply. "What do you want?" He turned to Boyle in agitation, saying: "There's somebody prowling about just outside. I knew it wasn't safe. I'm going down to bar that front door, whatever they say." He ran downstairs in a flutter and Boyle could hear the clattering of the bars upon the front door; but Boyle himself stepped out upon the balcony and looked out on the long grey road that led up to the house, and he thought he was still dreaming. Upon that grey road leading across that empty moor and through that little English hamlet, there had appeared a figure that might have stepped straight out of the jungle or the bazaar--a figure out of one of the Count's fantastic stories; a figure out of the "Arabian Nights." The rather ghostly grey twilight which begins to define and yet to discolour everything when the light in the east has ceased to be localized, lifted slowly like a veil of grey gauze and showed him a figure wrapped in outlandish raiment. A scarf of a strange sea-blue, vast and voluminous, went round the head like a turban, and then again round the chin, giving rather the general character of a hood; so far as the face was concerned it had a the effects of a mask. For the raiment round the head was drawn close as a veil; and the head itself was bowed over a queer-looking musical instrument made of silver or steel, and shaped like a deformed or crooked violin. It was played with something like a silver comb, and the notes were curiously thin and keen. Before Boyle could open his mouth, the same haunting alien accent came from under the shadow of the burnous, singing-words of the same sort: _As the golden birds go back to the tree My golden fishes return to me. Return_---- "You've no right here," called out Boyle in exasperation, hardly knowing what he said. "I have a right to the goldfish," said the stranger, speaking more like King Solomon than an unsandalled Bedouin in a ragged blue cloak. "And they will come to me. Come!" He struck his strange fiddle as his voice rose sharply on the word. There was a pang of sound that seemed to pierce the mind, and then there came a fainter sound, like an answer: a vibrant whisper. It came from the dark room behind where the bowl of goldfish was standing. Boyle turned towards it; and even as he turned the echo in the inner room changed to a long tingling sound like an electric bell, and then to a faint crash. It was still a matter of seconds since he had challenged the man from the balcony; but the old clerk had already regained the top of the stairs, panting a little, for he was an elderly gentleman. "I've locked up the door, anyhow," he said. "The stable door," said Boyle out of the darkness of the inner room. Jameson followed him into that apartment and found him staring down at the floor, which was covered with a litter of coloured glass like the curved bits of a broken rainbow. "What do you mean by the stable door?" began Jameson. "I mean that the steed is stolen," answered Boyle. "The flying steeds. The flying fishes our Arab friend outside has just whistled to like so many performing puppies." "But how could he?" exploded the old clerk, as if such events were hardly respectable. "Well, they're gone," said Boyle shortly. "The broken bowl is here, which would have taken a long time to open properly, but only a second to smash. But the fish are gone, God knows how, though I think our friend ought to be asked." "We are wasting time," said the distracted Jameson. "We ought to be after him at once." "Much better be telephoning the police at once," answered Boyle. "They ought to outstrip him in a flash with motors and telephones that go a good deal farther than we should ever get, running through the village in our nightgowns. But it may be there are things even the police cars and wires won't outstrip." While Jameson was talking to the police-station through the telephone in an agitated voice, Boyle went out again on to the balcony and hastily scanned that grey landscape of daybreak. There was no trace of the man in the turban, and no other sign of life, except some faint stirrings an expert might have recognized in the hotel of the Blue Dragon. Only Boyle, for the first time, noted consciously something that he had all along been noting unconsciously. It was like a fact struggling in the submerged mind and demanding its own meaning. It was simply the fact that the grey landscape had never been entirely grey; there was one gold spot amid its stripes of colourless colour, a lamp lighted in one of the houses on the other side of the green. Something, perhaps irrational, told him that it had been burning through all the hours of the darkness and was only fading with the dawn. He counted the houses, and his calculation brought out a result which seemed to fit in with something, he knew not what. Anyhow, it was apparently the house of the Count Yvon de Lara. Inspector Pinner had arrived with several policemen, and done several things of a rapid and resolute sort, being conscious that the very absurdity of the costly trinkets might give the case considerable prominence in the newspapers. He had examined everything, measured, everything, taken down everybody's deposition, taken everybody's finger-prints, put everybody's back up, and found himself at the end left facing a fact which he could not believe. An Arab from the desert had walked up the public road and stopped in front of the house of Mr. Peregrine Smart, where a bowl of artificial goldfish was kept in an inner room; he had then sung or recited a little poem, and the bowl had exploded like a bomb and the fishes vanished into thin air. Nor did it soothe the inspector to be told by a foreign Count, in a soft, purring voice, that the bounds of experience were being enlarged. Indeed, the attitude of each member of the little group was characteristic enough. Peregrine Smart himself had come back from London the next morning to hear the news of his loss. Naturally he admitted a shock; but it was typical of something sporting and spirited in the little old gentleman, something that always made his small strutting figure look like a cock-sparrow's, that he showed more vivacity in the search than depression at the loss. The man named Harmer, who had come to the village on purpose to buy the goldfish, might be excused for being a little testy on learning they were not there to be bought. But, in truth, his rather aggressive moustache and eyebrows seemed to bristle with something more definite than disappointment, and the eyes that darted over the company were bright with a vigilance that might well be suspicion. The sallow face of the bank manager, who had also returned from London though by a later train, seemed again and again to attract those shining and shifting eyes like a magnet. Of the two remaining figures of the original circle. Father Brown was generally silent when he was not spoken to, and the dazed Hartopp was often silent even when he was. But the Count was not a man to let anything pass that gave an apparent advantage to his views. He smiled at his rationalistic rival, the doctor, in the manner of one who knows how it is possible to be irritating by being ingratiating. "You will admit, doctor," he said, "that at least some of the stories you thought so improbable look a little more realistic to-day than they did yesterday. When a man as ragged as those I described is able, by speaking a word, to dissolve a solid vessel inside the four walls of the house he stands outside, it might perhaps be called an example of what I said about spiritual powers and material barriers." "And it might be called an example of what I said," said the doctor sharply, "about a little scientific knowledge being enough to show how the tricks are done." "Do you really mean, doctor," asked Smart in some excitement, "that you can throw any scientific light on this mystery?" "I can throw light on what the Count calls a mystery," said the doctor, "because it is not a mystery at all. That part of it is plain enough. A sound is only a wave of vibration, and certain vibrations can break glass, if the sound is of a certain kind and the glass of a certain kind. The man did not stand in the road and think, which the Count tells us is the ideal method when Orientals want a little chat. He sang out what he wanted, quite loud, and struck a shrill note on an instrument. It is similar to many experiments by which glass of special composition has been cracked." "Such as the experiment," said the Count lightly, "by which several lumps of solid gold have suddenly ceased to exist." "Here comes Inspector Pinner," said Boyle. "Between ourselves, I think he would regard the doctor's natural explanation as quite as much of a fairy tale as the Count's preternatural one. A very sceptical intellect, Mr. Pinner's, especially about me. I rather think I am under suspicion." "I think we are all under suspicion," said the Count. It was the presence of this suspicion in his own case that led Boyle to seek the personal advice of Father Brown. They were walking round the village green together, some hours later in the day, when the priest, who was frowning thoughtfully at the ground as he listened, suddenly stopped. "Do you see that?" he asked. "Somebody's been washing the pavement here--just this little strip of pavement outside Colonel Varney's house. I wonder whether that was done yesterday." Father Brown looked rather earnestly at the house, which was high and narrow, and carried rows of striped sun-blinds of gay but already faded colours. The chinks or crannies that gave glimpses of the interior looked all the darker; indeed, they looked almost black in contrast with the facade thus golden in the morning light. "That is Colonel Varney's house, isn't it?" he asked. "He comes from the East, too, I fancy. What sort of man is he?"