The secret of Father Brown

business. She may have eloped with Knight; she may have bamboozled Randall; she may have bamboozled me. But she can't have murdered her husband; for everyone agrees she was on the stage through the whole scene. She may be wicked; but she isn't a witch." "Well, I wouldn't be so sure," said Father Brown, with a smile. "But she didn't need to use any witchcraft in this case. I know now that she did it, and very simply indeed." "Why are you so sure of that?" asked Jarvis, looking at him in a puzzled way. "Because the play was _The School for Scandal_," replied Father Brown, "and that particular act of _The School for Scandal_. I should like to remind you, as I said just now, that she always arranged the furniture how she liked. I should also like to remind you that this stage was built and used for pantomimes; it would naturally have trap-doors and trick exits of that sort. And when you say that witnesses could attest to having seen all the performers on the stage, I should like to remind you that in the principal scene of _The School for Scandal_ one of the principal performers remains for a considerable time on the stage, but is _not_ seen. She is technically 'on,' but she might practically be very much 'off.' That is the Screen of Lady Teazle and the Alibi of Mrs. Mandeville." There was a silence and then the actor said: "You think she slipped through a trap-door behind a screen down to the floor below, where the manager's room was?" "She certainly slipped away in some fashion; and that is the most probable fashion," said the other. "I think it all the more probable because she took the opportunity of an undress rehearsal, and even indeed arranged for one. It is a guess; but I fancy if it had been a dress rehearsal it might have been more difficult to get through a trap-door in the hoops of the eighteenth century. There are many little difficulties, of course, but I think they could all be met in time and in turn." "What I can't meet is the big difficulty," said Jarvis, putting his head on his hand with a sort of groan. "I simply can't bring myself to believe that a radiant and serene creature like that could so lose, so to speak, her bodily balance, to say nothing of her moral balance. Was any motive strong enough? Was she very much in love with Knight?" "I hope so," replied his companion; "for really it would be the most human excuse. But I'm sorry to say that I have my doubts. She wanted to get rid of her husband, who was an old-fashioned, provincial hack, not even making much money. She wanted to have a career as the brilliant wife of a brilliant and rapidly-rising actor. But she didn't want in that sense to act in _The School for Scandal_. She wouldn't have run away with a man except in the last resort. It wasn't a human passion with her, but a sort of hellish respectability. She was always dogging her husband in secret and badgering him to divorce himself or otherwise get out of the way; and as he refused he paid at last for his refusal. There's another thing you've got to remember. You talk about these highbrows having a higher art and a more philosophical drama. But remember what a lot of the philosophy is! Remember what sort of conduct those highbrows often present to the highest! All about the Will to Power and the Right to Live and the Right to Experience ... damned nonsense and more than damned nonsense--nonsense that can damn." Father Brown frowned, which he did very rarely; and there was still a cloud on his brow as he put on his hat and went out into the night. V THE VANISHING OF VAUDREY SIR ARTHUR VAUDREY, in his light-grey summer suit, and wearing on his grey head the white hat which he so boldly affected, went walking briskly up the road by the river from his own house to the little group of houses that were almost like outhouses to his own, entered that little hamlet, and then vanished completely as if he had been carried away by the fairies. The disappearance seemed the more absolute and abrupt because of the familiarity of the scene and the extreme simplicity of the conditions of the problem. The hamlet could not be called a village; indeed, it was little more than a small and strangely-isolated street. It stood in the middle of wide and open fields and plains, a mere string of the four or five shops absolutely needed by the neighbours; that is, by a few farmers and the family at the great house. There was a butcher's at the corner, at which, it appeared, Sir Arthur had last been seen. He was seen by two young men staying at his house; Evan Smith, who was acting as his secretary, and John Dalmon, who was generally supposed to be engaged to his ward. There was next to the butcher's a small shop combining a large number of functions, such as is found in villages, in which a little old woman sold sweets, walking-sticks, golf-balls, gum, balls of string and a very faded sort of stationery. Beyond this was the tobacconist, to which the two young men were betaking themselves when they last caught a glimpse of their host standing in front of the butcher's shop; and beyond that was a dingy little dressmaker's, kept by two ladies. A pale and shiny shop, offering to the passer-by great goblets of very wan, green lemonade, completed the block of buildings; for the only real and Christian inn in the neighbourhood stood by itself some way, down the main road. Between the inn and the hamlet was a cross-roads, at which stood a policeman and a uniformed official of a motoring club; and both agreed that Sir Arthur had never passed that point on the road. It had been at an early hour of a very brilliant summer day that the old gentleman had gone gaily striding up the road, swinging his walking-stick and flapping his yellow gloves. He was a good deal of a dandy, but one of a vigorous and virile sort, especially for his age. His bodily strength and activity were still very remarkable, and his curly hair might have been a yellow so pale as to look white instead of a white that was a faded yellow. His clean-shaven face was handsome, with a high-bridged nose like the Duke of Wellington's; but the most outstanding features were his eyes. They were not merely metaphorically outstanding; something prominent and almost bulging about them was perhaps the only disproportion in his features; but his lips were sensitive and set a little tightly, as if by an act of will. He was the squire of all that country and the owner of the little hamlet. In that sort of place everybody not only knows everybody else, but generally knows where anybody is at any given moment. The normal course would have been for Sir Arthur to walk to the village, to say whatever he wanted to say to the butcher or anybody else, and then walk back to his house again, all in the course of about half an hour: as the two young men did when they had bought their cigarettes. But they saw nobody on the road returning; indeed, there was nobody in sight except the one other guest at the house, a certain Dr. Abbott, who was sitting with his broad back to them on the river bank, very patiently fishing. When all the three guests returned to breakfast, they seemed to think little or nothing of the continued absence of the squire; but when the day wore on and he missed one meal after another, they naturally began to be puzzled, and Sybil Rye, the lady of the household, began to be seriously alarmed. Expeditions of discovery were dispatched to the village again and again without finding any trace; and eventually, when darkness fell, the house was full of a definite fear. Sybil had sent for Father Brown, who was a friend of hers and had helped her out of a difficulty in the past; and under the pressure of the apparent peril he had consented to remain at the house and see it through. Thus it happened that when the new day's dawn broke without news, Father Brown was early afoot and on the look out for anything; his black, stumpy figure could be seen pacing the garden path where the garden was embanked along the river, as he scanned the landscape up and down with his short-sighted and rather misty gaze. He realized that another figure was moving even more restlessly along the embankment, and saluted Evan Smith, the secretary, by name. Evan Smith was a tall, fair-haired young man, looking rather harassed, as was perhaps natural in that hour of distraction. But something of the sort hung about him at all times. Perhaps it was more marked because he had the sort of athletic reach and poise and the sort of leonine yellow hair and moustache which accompany (always in fiction and sometimes in fact) a frank and cheerful demeanour of "English youth." As in his case they accompanied deep and cavernous eyes and a rather haggard look, the contrast with the conventional tall figure and fair hair of romance may have had a touch of something sinister. But Father Brown smiled at him amiably enough and then said more seriously: "This is a trying business." "It's a very trying business for Miss Rye," answered the young man gloomily; "and I don't see why I should disguise what's the worst part of it for me, even if she is engaged to Dalmon. Shocked, I suppose?" Father Brown did not look very much shocked, but his face was often rather expressionless; he merely said, mildly: "Naturally, we all sympathize with her anxiety. I suppose you haven't any news or views in the matter?" "I haven't any news exactly." answered Smith; "no news from outside at least. As for views...." And he relapsed into moody silence. "I should be very glad to hear your views," said the little priest pleasantly. "I hope you don't mind my saying that you seem to have something on your mind." The young man stirred rather than started and looked at the priest steadily, with a frown that threw his hollow eyes into dense shadow. "Well, you're right enough," he said at last. "I suppose I shall have to tell somebody. And you seem a safe sort of person to tell." "Do you know what has happened to Sir Arthur?" asked Father Brown calmly, as if it were the most casual matter in the world. "Yes," said the secretary harshly, "I think I know what has happened to Sir Arthur." "A beautiful morning," said a bland voice in his ear; "a beautiful morning for a rather melancholy meeting." This time the secretary jumped as if he had been shot, as the large shadow of Dr. Abbott fell across his path in the already strong sunshine. Dr. Abbott was still in his dressing-gown; a sumptuous oriental dressing-gown covered with coloured flowers and dragons, looking rather like one of the most brilliant flower beds that were growing under the glowing sun. He also wore large, flat slippers, which was doubtless why he had come so close to the others without being heard. He would normally have seemed the last person for such a light and airy approach, for he was a very big, broad and heavy man, with a powerful benevolent face very much sunburnt, in a frame of old-fashioned grey whiskers and chin beard, which hung about him luxuriantly, like the long, grey curls of his venerable head. His long slits of eyes were rather sleepy and, indeed, he was an elderly gentleman to be up so early; but he had a look at once robust and weather-beaten, as of an old farmer or sea captain who had once been out in all weathers. He was the only old comrade and contemporary of the squire in the company that met at the house. "It seems truly extraordinary," he said, shaking his head. "Those little houses are like dolls' houses, always open front and back, and there's hardly room to hide anybody, even if they wanted to hide him. And I'm sure they don't. Dalmon and I cross-examined them all yesterday; they're mostly little old women that couldn't hurt a fly. The men are nearly all