The Trail of the Hawk: A Comedy of the Seriousness of Life
much house and so little home. The colonel was a widower, and for his
only son he showed a proud affection which included Carl. The three of
them sat in state, after dinner, on the porch of Quarters No. 1,
smoking cigars and looking down to a spur of the Santa Lucia
Mountains, where it plunged into the foam of the Pacific. They talked
of aviation and eugenics and the Benet-Mercier gun, of the post
doctor's sister who had come from the East on a visit, and of a
riding-test, but their hearts spoke of affection.... Usually it is a
man and a woman that make home; but three men, a stranger one of them,
talking of motors on a porch in the enveloping dusk, made for one
another a home to remember always.
They stayed over Monday night, for a hop, and Carl found that the
officers and their wives were as approachable as Hank Odell. They did
not seem to be waiting for young Ericson to make social errors. When
he confessed that he had forgotten what little dancing he knew, the
sister of the post doctor took him in hand, retaught him the waltz,
and asked with patent admiration: "How does it feel to fly? Don't you
get frightened? I'm terribly in awe of you and Mr. Haviland. I know I
should be frightened to death, because it always makes me dizzy just
to look down from a high building."
Carl slipped away, to be happy by himself, and hid in the shadow of
palms on the porch, lapped in the flutter of pepper-trees. The
orchestra began a waltz that set his heart singing. He heard a girl
cry: "Oh, goody! the 'Blue Danube'! We must go in and dance that."
"The Blue Danube." The name brought back the novels of General Charles
King, as he had read them in high-school days; flashed the picture of
a lonely post, yellow-lighted, like a topaz on the night-swathed
desert; a rude ball-room, a young officer dancing to the "Blue
Danube's" intoxication; a hot-riding, dusty courier, hurling in with
news of an Apache outbreak; a few minutes later a troop of cavalry
slanting out through the gate on horseback, with a farewell burning
the young officer's lips.... He was in just such an army story, now!
The scent of royal climbing-roses enveloped Carl as that picture
changed into others. San Spirito Presidio became a vast military
encampment over which Hawk Ericson was flying.... From his monoplane
he saw a fairy town, with red roofs rising to a tower of fantastic
turrets. (That was doubtless the memory of a magazine-cover painted by
Maxfield Parrish.)... He was wandering through a poppy-field with a
girl dusky of eyes, soft black of hair, ready for any jaunt....
Pictures bright and various as tropic shells, born of music and peace
and his affection for the Havilands; pictures which promised him the
world. For the first time Hawk Ericson realized that he might be a
Personage instead of a back-yard boy.... The girl with twilight eyes
was smiling.
* * * * *
The Bagby camp broke up on the first of May, with all of them, except
one of the nondescript collegians and the air-current student, more or
less trained aviators. Carl was going out to tour small cities, for
the George Flying Corporation. Lieutenant Haviland was detailed to the
army flying-camp.
Parting with Haviland and kindly Hank Odell, with Carmeau and
anxiously polite Tony Bean, was as wistful as the last night of senior
year. Till the old moon rose, sad behind tulip-trees, they sat on
packing-boxes by the larger hangar, singing in close harmony "Sweet
Adeline," "Teasing," "I've Been Working on the Railroad."... "Hay-ride
classics, with barber-shop chords," the songs are called, but tears
were in Carl's eyes as the minors sobbed from the group of comrades
who made fun of one another and were prosaic and pounded their heels
on the packing-boxes--and knew that they were parting to face death.
Carl felt Forrest Haviland's hand on one shoulder, then an awkward pat
from tough Jack Ryan's paw, as Tony Bean's violin turned the plaintive
half-light into music, and broke its heart in the "Moonlight Sonata."
CHAPTER XX
"Yuh, piston-ring burnt off and put the exhaust-valve on the blink.
That means one cylinder out of business," growled Hawk Ericson. "I
could fly, maybe, but I don't like to risk it in this wind. It was bad
enough this morning when I tried it."
"Oh, this hick town 's going to be the death of us, all right--and
Riverport to-morrow, with a contract nice as pie, if we can only get
there," groaned his manager, Dick George, a fat man with much muscle
and more diamonds. "Listen to that crowd. Yelling for blood. Sounds
like a bunch of lumber-jacks with the circus slow in starting."
The head-line feature of the Onamwaska County spring fair was "Hawk
Ericson, showing the most marvelous aerial feats of the ages with the
scientific marvels of aviation, in his famous French Bleriot
flying-machine, the first flying-machine ever seen in this state, no
balloon or fake, come to Onamwaska by the St. L. & N." The spring fair
was usually a small gathering of farmers to witness races and new
agricultural implements, but this time every road for thirty-five
miles was dust-fogged with buggies and democrat wagons and small
motor-cars. Ten thousand people were packed about the race-track.
It was Carl's third aviation event. A neat, though not imposing
figure, in a snug blue flannel suit, with his cap turned round on his
head, he went to the flap of the rickety tent which served as his
hangar. A fierce cry of "Fly! Fly! Why don't he fly?" was coming from
the long black lines edging the track, and from the mound of people on
the small grand stand; the pink blur of their faces turned toward
him--him, Carl Ericson; all of them demanding _him_! The five meek
police of Onamwaska were trotting back and forth, keeping them behind
the barriers. Carl was apprehensive lest this ten-thousandfold demand
drag him out, make him fly, despite a wind that was blowing the flags
out straight, and whisking up the litter of newspapers and
cracker-jack boxes and pink programs. While he stared out, an official
crossing the track fairly leaned up against the wind, which seized his
hat and sailed it to the end of the track.
"Some wind!" Carl grunted, stolidly, and went to the back of the
silent tent, to reread the local papers' accounts of his arrival at
Onamwaska. It was a picturesque narrative of the cheering mob
following him down the street ("Gee! that was _me_ they followed!"),
crowding into the office of the Astor House and making him autograph
hundreds of cards; of girls throwing roses ("Humph! geraniums is more
like it!") from the windows.
"A young man," wrote an enthusiastic female reporter, "handsome as a
Greek god, but honestly I believe he is still in his twenties; and he
is as slim and straight as a soldier, flaxen-haired and
rosy-cheeked--the birdman, the god of the air."
"Handsome as a Greek----" Carl commented. "I look like a Minnesota
Norwegian, and that ain't so bad, but handsome----Urrrrrg!... Sure
they love me, all right. Hear 'em yell. Oh, they love me like a dog
does a bone.... Saint Jemima! talk about football rooting.... Come on,
Greek god, buck up."
He glanced wearily about the tent, its flooring of long, dry grass
stained with ugly dark-blue lubricating-oil, under the tan light
coming through the canvas. His manager was sitting on a suit-case,
pretending to read a newspaper, but pinching his lower lip and
consulting his watch, jogging his foot ceaselessly. Their temporary
mechanic, who had given up trying to repair the lame valve, squatted
with bent head, biting his lip, harkening to the blood-hungry mob.
Carl's own nerves grew tauter and tauter as he saw the manager's
restless foot and the mechanic's tension. He strolled to the
monoplane, his back to the tent-opening.
He started as the manager exclaimed: "Here they come! After us!"
Outside the tent a sound of running.
The secretary of the fair, a German hardware-dealer with an
automobile-cap like a yachting-cap, panted in, gasping: "Come quick!
They won't wait any longer! I been trying to calm 'em down, but they
say you got to fly. They're breaking over the barriers into the track.
The p'lice can't keep 'em back."
Behind the secretary came the chairman of the entertainment committee,
a popular dairyman, who was pale as he demanded: "You got to play
ball, Mr. Ericson. I won't guarantee what 'll happen if you don't play
ball, Mr. Ericson. You got to make him fly, Mr. George. The crowd 's
breaking----"
Behind him charged a black press of people. They packed before the
tent, trying to peer in through the half-closed tent-opening, like a
crowd about a house where a policeman is making an arrest. Furiously:
"Where's the coward? Fake! Bring 'im out! Why don't he fly? He's a
fake! His flying-machine's never been off the ground! He's a
four-flusher! Run 'im out of town! Fake! Fake! Fake!"
The secretary and chairman stuck out deprecatory heads and coaxed the
mob. Carl's manager was an old circus-man. He had removed his collar,
tie, and flashy diamond pin, and was diligently wrapping the thong of
a black-jack about his wrist. Their mechanic was crawling under the
side of the tent. Carl caught him by the seat of his overalls and
jerked him back.
As Carl turned to face the tent door again the manager ranged up
beside him, trying to conceal the black-jack in his hand, and casually
murmuring, "Scared, Hawk?"
"Nope. Too mad to be scared."
The tent-flap was pulled back. Tossing hands came through. The
secretary and chairman were brushed aside. The mob-leader, a
red-faced, loud-voiced town sport, very drunk, shouted, "Come out and
fly or we'll tar and feather you!"
"Yuh, come on, you fake, you four-flusher!" echoed the voices.
The secretary and chairman were edging back into the tent, beside
Carl's cowering mechanic.
Something broke in Carl's hold on himself. With his arm drawn back,
his fist aimed at the point of the mob-leader's jaw, he snarled: "You
can't make me fly. You stick that ugly mug of yours any farther in and
I'll bust it. I'll fly when the wind goes down----You would, would
you?"
As the mob-leader started to advance, Carl jabbed at him. It was not a
very good jab. But the leader stopped. The manager, black-jack in
hand, caught Carl's arm, and ordered: "Don't start anything! They can
lick us. Just look ready. Don't say anything. We'll hold 'em till the
cops come. But nix on the punch."
"Right, Cap'n," said Carl.
It was a strain to stand motionless, facing the crowd, not answering
their taunts, but he held himself in, and in two minutes the yell
came: "Cheese it! The cops!" The mob unwillingly swayed back as
Onamwaska's heroic little band of five policemen wriggled through it,
requesting their neighbors to desist.... They entered the tent and,
after accepting cigars from Carl's manager, coldly told him that Carl
was a fake, and lucky to escape; that Carl would better "jump right
out and fly if he knew what was good for him." Also, they nearly
arrested the manager for possessing a black-jack, and warned him that
he'd better not assault any of the peaceable citizens of beautiful
Onamwaska....
When they had coaxed the mob behind the barriers, by announcing that
Ericson would now go up, Carl swore: "I won't move! They can't make
me!"
The secretary of the fair, who had regained most of his courage, spoke
up, pertly, "Then you better return the five hundred advance, pretty
quick sudden, or I'll get an attachment on your fake flying-machine!"
"You go----Nix, nix, Hawk, don't hit him; he ain't worth it. You go to
hell, brother," said the manager, mechanically. But he took Carl
aside, and groaned: "Gosh! we got to do something! It's worth two
thousand dollars to us, you know. Besides, we haven't got enough cash