The Wandering Jew — Complete
sheathed his claws, and rolled on the ground before her. It's a pity,
for there was some sense in the scheme."
The walk of Rodin became more and more agitated. "Nothing is more
extraordinary," continued he, "than the generative succession of ideas.
In comparing this red-haired jade to a dove (colombe), I could not
help thinking of that infamous old woman, Sainte-Colombe, whom that big
rascal Jacques Dumoulin pays his court to, and whom the Abbe Corbinet
will finish, I hope, by turning to good account. I have often remarked,
that, as a poet may find an excellent rhyme by mere chance, so the
germ of the best ideas is sometimes found in a word, or in some absurd
resemblance like the present. That abominable hag, Sainte-Colombo, and
the pretty Adrienne de Cardoville, go as well together, as a ring would
suit a cat, or a necklace a fish. Well, there is nothing in it."
Hardly had Rodin pronounced these words, than he started suddenly,
and his face shone with a fatal joy. Then it assumed an expression of
meditative astonishment, as happens when chance reveals some unexpected
discovery to the surprised and charmed inquirer after knowledge.
Soon, with raised head and sparkling eye, his hollow cheeks swelling
with joy and pride, Rodin folded his arms in triumph on his breast,
and exclaimed: "Oh! how admirable and marvellous are these mysterious
evolutions of the mind; how incomprehensible is the chain of human
thought, which, starting from an absurd jingle of words, arrives at
a splendid or luminous idea! Is it weakness? or is it strength?
Strange--very strange! I compare the red-haired girl to a dove--a
colombe. That makes me think of the hag, who traded in the bodies and
souls of so many creatures. Vulgar proverbs occur to me, about a ring
and a cat, a fish and a necklace--and suddenly, at the word NECKLACE,
a new light dawns upon me. Yes: that one word NECKLACE shall be to me a
golden key, to open the portals of my brain, so long foolishly closed."
And, after again walking hastily up and down, Rodin continued: "Yes, it
is worth attempting. The more I reflect upon it, the more feasible it
appears. Only how to get at that wretch, Saint-Colombe? Well, there
is Jacques Dumoulin, and the other--where to find her? That is the
stumbling-block. I must not shout before I am out of the wood."
Rodin began again to walk, biting his nails with an air of deep thought.
For some moments, such was the tension of his mind, large drops of sweat
stood on his yellow brow. He walked up and down, stopped, stamped with
his foot, now raised his eyes as if in search of an inspiration, and now
scratched his head violently with his left hand, whilst he continued
to gnaw the nails of the right. Finally, from time to time, he uttered
exclamations of rage, despondency, or hope, as by turns they took
possession of his mind. If the cause of this monster's agitation had not
been horrible, it would have been a curious and interesting spectacle to
watch the labors of that powerful brain--to follow, as it were, on that
shifting countenance, the progress and development of the project,
on which he was now concentrating all the resources of his strong
intellect. At length, the work appeared to be near completion, for Rodin
resumed: "Yes, yes! it is bold, hazardous--but then it is prompt, and
the consequences may be incalculable. Who can foresee the effects of the
explosion of a mine?"
Then, yielding to a movement of enthusiasm, which was hardly natural
to him, the Jesuit exclaimed, with rapture: "Oh, the passions! the
passions! what a magical instrument do they form, if you do but touch
the keys with a light, skillful, and vigorous hand! How beautiful too
is the power of thought! Talk of the acorn that becomes an oak, the seed
that grows up to the corn--the seed takes months, the acorn centuries,
to unfold its splendors--but here is a little word in eight letters,
necklace and this word, falling into my brain but a few minutes ago, has
grown and grown till it has become larger than any oak. Yes, that word
is the germ of an idea, that, like the oak, lifts itself up towards
heaven, for the greater glory of the Lord--such as they call Him,
and such as I would assert Him to be, should I attain--and I shall
attain--for these miserable Renneponts will pass away like a shadow. And
what matters it, after all, to the moral order I am reserved to guide,
whether these people live or die? What do such lives weigh in the
balance of the great destinies of the world? while this inheritance
which I shall boldly fling into the scale, will lift me to a sphere,
from which one commands many kings, many nations--let them say and make
what noise they will. The idiots--the stupid idiots! or rather, the
kind, blessed, adorable idiots! They think they have crushed us, when
they say to us men of the church: 'You take the spiritual, but we will
keep the temporal!'--Oh, their conscience or their modesty inspires them
well, when it bids them not meddle with spiritual things! They abandon
the spiritual! they despise it, they will have nothing to do with
it--oh, the venerable asses! they do not see, that, even as they go
straight to the mill, it is by the spiritual that we go straight to
the temporal. As if the mind did not govern the body! They leave us
the spiritual--that is, command of the conscience, soul, heart, and
judgment--the spiritual--that is, the distribution of heaven's rewards,
and punishments, and pardons--without check, without control, in the
secrecy of the confessional--and that dolt, the temporal, has nothing
but brute matter for his portion, and yet rubs his paunch for joy. Only,
from time to time, he perceives, too late, that, if he has the body, we
have the soul, and that the soul governs the body, and so the body ends
by coming with us also--to the great surprise of Master Temporal, who
stands staring with his hands on his paunch, and says: 'Dear me! is it
possible?'"
Then, with a laugh of savage contempt, Rodin began to walk with great
strides, and thus continued: "Oh! let me reach it--let me but reach the
place of SIXTUS V.--and the world shall see (one day, when it awakes)
what it is to have the spiritual power in hands like mine--in the hands
of a priest, who, for fifty years, has lived hardly, frugally, chastely,
and who, were he pope, would continue to live hardly, frugally,
chastely!"
Rodin became terrible, as he spoke thus. All the sanguinary,
sacrilegious, execrable ambition of the worst popes seemed written in
fiery characters on the brow of this son of Ignatius. A morbid desire
of rule seemed to stir up the Jesuit's impure blood; he was bathed in
a burning sweat, and a kind of nauseous vapor spread itself round about
him. Suddenly, the noise of a travelling-carriage, which entered
the courtyard of the house, attracted his attention. Regretting his
momentary excitement, he drew from his pocket his dirty white and red
cotton handkerchief, and dipping it in a glass of water, he applied
it to his cheeks and temples, while he approached the window, to look
through the half-open blinds at the traveller who had just arrived.
The projection of a portico, over the door at which the carriage had
stopped, intercepted Rodin's view.
"No matter," said he, recovering his coolness: "I shall know presently
who is there. I must write at once to Jacques Dumoulin, to come hither
immediately. He served me well, with regard to that little slut in the
Rue Clovis, who made my hair stand on end with her infernal Beranger.
This time, Dumoulin may serve me again. I have him in my clutches, and
he will obey me."
Rodin sat down to his desk and wrote. A few seconds later, some one
knocked at the door, which was double-locked, quite contrary to the
rules of the order. But, sure of his own influence and importance,
Rodin, who had obtained from the general permission to be rid for a
time of the inconvenient company of a socius, often took upon himself to
break through a number of the rules. A servant entered and delivered
a letter to Rodin. Before opening it the latter said to the man: "What
carriage is that which just arrived?"
"It comes from Rome, father," answered the servant, bowing.
"From Rome!" said Rodin, hastily; and in spite of himself, a vague
uneasiness was expressed in his countenance. But, still holding the
letter in his hands, he added: "Who comes in the carriage."
"A reverend father of our blessed Company."
Notwithstanding his ardent curiosity, for he knew that a reverend
father, travelling post, is always charged with some important mission,
Rodin asked no more questions on the subject, but said, as he pointed to
the paper in his hand: "Whence comes this letter?"
"From our house at St. Herem, father."
Rodin looked more attentively at the writing, and recognized the hand of
Father d'Aigrigny, who had been commissioned to attend M. Hardy in his
last moments. The letter ran as follows:
"I send a despatch to inform your reverence of a fact which is, perhaps,
more singular than important. After the funeral of M. Francis Hardy, the
coffin, which contained his remains, had been provisionally deposited in
a vault beneath our chapel, until it could be removed to the cemetery of
the neighboring town. This morning, when our people went down into
the vault, to make the necessary preparations for the removal of the
body--the coffin had disappeared.
"That is strange indeed," said Rodin with a start. Then, he continued to
read:
"All search has hitherto been vain, to discover the authors of the
sacrilegious deed. The chapel being, as you know, at a distance from the
house, they were able to effect an entry without disturbing us. We
have found traces of a four-wheeled carriage on the damp ground in the
neighborhood; but, at some little distance from the chapel, these marks
are lost in the sand, and it has been impossible to follow them any
farther."
"Who can have carried away this body?" said Rodin, with a thoughtful
air. "Who could have any interest in doing so?"
He continued to read:
"Luckily, the certificate of death is quite correct. I sent for a doctor
from Etampes, to prove the disease, and no question can be raised on
that point. The donation is therefore good and valid in every respect,
but I think it best to inform your reverence of what has happened, that
you may take measures accordingly, etc., etc."
After a moment's reflection, Rodin said to himself: "D'Aigrigny is right
in his remark; it is more singular than important. Still, it makes one
think. We must have an eye to this affair."
Turning towards the servant, who had brought him the letter, Rodin gave
him the note he had just written to Ninny Moulin, and said to him: "Let
this letter be taken instantly to its address, and let the bearer wait
for an answer."
"Yes, father."
At the moment the servant left the room, a reverend father entered,
and said to Rodin, "Father Caboccini of Rome has just arrived, with a
mission from our general to your reverence."
At these words, Rodin's blood ran cold, but he maintained his immovable
calmness, and said simply: "Where is Father Caboccini?"
"In the next room, father."
"Beg him to walk in, and leave us," said the other.
A second after, Father Caboccini of Rome entered the room and was left
alone with Rodin.
CHAPTER LXII. TO A SOCIUS, A SOCIUS AND A HALF.
The Reverend Father Caboccini, the Roman Jesuit who now came to visit
Rodin, was a short man of about thirty years of age, plump, in good
condition, and with an abdomen that swelled out his black cassock. The
good little father was blind with one eye, but his remaining organ of
vision sparkled with vivacity. His rosy countenance was gay, smiling,
joyous, splendidly crowned with thick chestnut hair, which curled like