About this book

Things near & far

Arthur Machen

Highness the Duchess of Kent.” And the old gentleman who kept this shop wore what we call evening-dress all day long, and advanced to meet his customers with an inclined head, his hands clasped together. The Brothers were a good deal younger, but they were of the same school. They had a way of putting things. For example, Brother Charles was trying to teach me how to catalogue their very beautiful collection of French eighteenth-century illustrated books, the sort of books that have illustrations by Fragonard. “And if, Mr. Machen,” said Brother Charles, “if it strikes you that any of these plates are brilliant impressions--well, we have no objection to your saying so.” It may be mentioned that the firm dealt occasionally in works which would not be suitable for the “center table” of a New England parlour. For themselves, for their own private taste, they read George Eliot and thought her by far the greatest novelist that the English Nation had ever produced. I am sure that they would have held “Peregrine Pickle”--save in the rare first impression--to be a low book, and Dickens, I conjecture, would have struck them as funny and vulgar. But, still, selling books was their business, and it was not their affair as booksellers to censor the morals of the works they sold. They dealt in rare books. Well, one morning as I walked down from Great Russell Street to the shop, I was reading of the trial and conviction of a minor bookseller of Charing Cross Road. This Mr. Jackson, or whatever his name was, had been found guilty of selling obscene books, and had been sent to gaol, for nine months, if I remember. I mentioned the matter to Brother Ned as I entered. “You’ve seen about Jackson?” I said. “Yes, Mr. Machen,” said Brother Ned, with a certain moral austerity of demeanour that was new to me. “We _have_ seen about Mr. Jackson, and we wish to state at once that we have no sympathy with Mr. Jackson; none whatever. There is a _right_ way, Mr. Machen, of doing these things and a _wrong_ way.” Mr. Jackson, I may say, did not deal in rare books. His prices were low, he appealed to the general public. I hasten to add that on the whole I sympathise with the Brothers on this matter. And I add also: that after more recent experiences of mine I am very loath to find fault with any persons who treat those in their employment as human beings, with the decent civilities, courtesies and considerations that are befitting between man and man. In those days I had no knowledge of the anthropoids; still, I appreciated the pleasant treatment I received. Yet, with all their pleasant manners, I am afraid that the Brothers did not find in me the ideal cataloguer. Anyhow, one day Brother Ned came down to my darksome place with a queer little quarto in his hand, a quarto in a dull paper wrapper. He had it open, marked with a slip of paper, at a certain page, and so far as I remember, without any particular preface or explanation, he asked me to begin making a translation of the work from that point. I said: “Certainly, Mr. Edward,” and began to translate without more ado. And here I may say that my career as a French translator has always struck me as highly humorous. At the good old grammar school where I was educated and educated very well, I think that the headmaster thoroughly agreed with the boys that Foreign Languages were a silly game that, for various reasons, one had to play. Education was Latin and Greek, but a notion had arisen in these late days that one ought to learn French, and so there was a French master. But he wore neither cap nor gown, and so he was not a real master, and so, again, his language was not a real language. Therefore: poor M. Ménard! And I am afraid that he was a very bad master. If his authority had been supported, and if we had tried our best, I do not think we should have learned much; as it was, the French lessons, three times a week, were a farce. I knew no French when I left Hereford Cathedral School in 1880, that is, I could not have conjugated the verb _Aimer_ to save my life. I had read no French to speak of. Then, in my desolation in Clarendon Road, I had somehow come across “Gil Blas” and had managed, being interested, to get through it. Then, the York Street publisher had sent me down the sixteenth-century “Heptameron” and had ordered me to translate it, and I did so, somehow. And now, Brother Ned ordered me to translate from the dumpy quarto which he handed me; and forthwith I set about translating, not troubling what it was, what it was about, not caring two straws that I had not the thread of the narrative, nor worrying over the fact that I knew nothing whatever about the enigmatic “M.M.” or the mysterious “C.C.” into whose singular adventures I now plunged gaily. Thus I began the translation of the famous “Memoirs of Casanova,” and I think the money balance between the Brothers and myself was readjusted. For if I had been dear as a cataloguer, at thirty shillings a week, I was decidedly cheap as a translator. Casanova is a work that runs into twelve sizeable volumes, and the task of turning it into English took me a year, and I think the cost to the firm will be held to have been strictly moderate. And what about these strange Memoirs of the charlatan adventurer? Well, not long ago I was called upon to write an introduction to a reissue of the version I had made in the ’eighties. I found this an extremely difficult task. The obvious solution of the difficulty, the writing a sort of _précis_ of the book and calling it an Introduction, did not appeal to me. It was some time before the “moral” of the Memoirs disengaged itself. The Introduction when written proved to be an essay on the futility of trying to tell the whole truth about the relations between men and women. This is what Casanova, who was highly qualified, in a certain sense, for the undertaking, tried to do; and the more “frank,” the more “outspoken” his page the more the secret escapes from it; the more openly he reveals, the more deeply he conceals the mysteries. For the fact is that all the real secrets are ineffable; the secrets of love, and the secrets of the wood; the secrets of the flower and the secrets of the flame; and the secrets of the Faith. As I point out in my Introduction, you can enumerate the scientific facts--such of them as are known--relating to any subject. You can define a horse, for example, as Bitzer defined it in “Hard Times.” “Quadruped. Gramjnivorous. Forty teeth, namely twenty-four grinders, four eye-teeth and twelve incisive. Sheds coat in the spring; in marshy countries sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth.” And so you may discourse of the pistils and stamens of the lilies of the field, and divide the fowls of the air into genera and species and sub-species and count the teeth of Keats: and when all is done, you know--nothing. Nothing that is of the essence of your matter, nothing of its “quiddity,” a word that we have ceased to use, I suppose, because we have no use for it, having forgotten that there is such a thing as that essence which is present in all things, which indeed makes them to be what they are, which is nevertheless unsearchable and ineffable. And all this is true, not only of the matters which the plain man, the man in the street, is inclined to sniff at, but of all things, of man himself and of the universe of noumena and phenomena which is presented to him. If you talk to the plain, practical man about Mystic Theology, Mystic Love, Poetry, Romance, he will, very likely, brush you aside with his “In my opinion that’s all imagination”--and serve you right for talking to him on such subjects at all. The dear fellow has no notion of the fact that he has never seen a point, a line, a square, or a triangle, and that he never will see any one of these things--in this life at all events. He has seen black marks on paper which he has been told are lines and squares and triangles. Being at heart thoroughly credulous, he believes what he is told, but if he will dig up his old “Euclid” and read the definitions, he will find that no mortal eyes can ever see a square or a circle, since a line is length without breadth and a plane surface is length and breadth without thickness. There is nothing in the nature of things to prevent a man from seeing a dragon or a griffin, a gorgon or a unicorn. Nobody as a matter of fact has seen a woman whose hair consisted of snakes, nor a horse from whose forehead a horn projected; though very early man most probably did see dragons--known to science as pterodactyls--and monsters more improbable than griffins. At any rate, none of these zoological fancies violates the fundamental laws of the intellect; the monsters of heraldry and mythology do not exist, but there is no reason in the nature of things nor in the laws of the mind why they should not exist. But no man hath seen a line at any time, since the manifestation of length without breadth is a contradiction in terms. And the plain man is probably inclined to believe in the existence of vulgar fractions; he may tell you that he makes use of them daily in his calculations. But let him study the story of the race between Achilles and the Tortoise, and note to what monstrous results his belief in elementary arithmetic inevitably conducts him; results which are more intolerable than a madman’s dreams. And then, again, there are wider, more universal conceptions than anything contained in the geometry and arithmetic books. In a little book of mine with the bad title of “War and the Christian Faith”--the publisher chose the title--I speak thus of Space and Time: “Take two insistent and unavoidable examples (of the things which are unsearchable and indefinable), space and time. No man who strolls from his arm-chair to the mantelpiece and watches the hands of the clock move round can deny the existence of either, since he has walked from point to point in one and seen the other measured before his eyes. But as to understanding space and time, what highest philosophy can attain to such a pitch? The limitless cannot so much as be imagined in the mind, nor imagined in a nightmare: but that space which you have traversed of some eight or ten feet is limitless, and must be so. “It is a sea without a shore. And time, that which your two-guinea clock ticks off for you, as you watch the dial: it had no beginning that you can picture; it can have no end save with God. You cannot understand; you must believe; and so on your very hearth-rug the infinites and eternities are before you and confront you, as truly as the clock face confronts you.” And the conclusion of the whole matter is that we live and move in a world of profound and ineffable mystery; that all things from the most abstract to the most concrete are involved in this mystery, and, _therefore_, that Casanova as an exponent of love is a futile fellow. He was a Voltairean; he approached the question as he would say without prejudices, as the foolish among us would say, without any nonsense, or, as the still more foolish among us would say, in a scientific spirit. And the result is exactly what might be expected: nothing. Love is defined and expounded in the spirit of Bitzer defining a horse; and one perceives that science misapplied is just gibberish, nothing more or less. Otherwise, taking Casanova’s Memoirs from a lower standpoint, they are in many places vastly entertaining. He knew all Europe from Petersburg and Constantinople to London and Madrid; he was familiar with the palace and the gutter; he was the friend of Kings and philosophers and popes--and also of