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Three millions! or, The way of the world

Oliver Optic

“I know you well enough to believe it, Hungerford.” “But I am not bigoted, Dick. I don’t intend to become a professional philanthropist. I am going to be selfish enough to look out for myself first. I am going to build as fine a house on Pine Hill as a man worth half a million ought to live in; one, say, that will cost twenty-five or thirty thousand dollars. Then I shall employ at least a hundred men for the next year upon the Pine Hill grounds, which I shall transform into a kind of Central Park. This will give employment to a small army of mechanics and laborers. This is my first scheme of philanthropy.” “It is a very sensible one.” “I shall lay out this work, and then, while it is in progress, go to Europe for six months or a year.” “And leave your affairs to take care of themselves?” “No; I shall have a business man to act for me.” “I don’t know where you will find one who could do your dreaming for you,” laughed Dick. “I know of only one man who can think and feel for me, Dick; and that is yourself.” “I!” “There will be a great deal of legal business to be done, and I must have a lawyer. I will give you a salary of five thousand dollars--more if you say so.” “You are getting personal. There should be nothing mercenary between friends. The salary is double what I should make at my profession in the city.” “But it is only a little more than two and a half per cent on the money you will handle.” “I accept the offer, because I think it is only a fair one.” “I will give you ten thousand.” “And sell me at your own price! No, I should not be your friend if I took advantage of your liberality.” “I should have said ten in the first place, but I feared you would think I intended to patronize you, to make you a creature of my bounty, as the novels say, which would be an insult to you. You have a soul, Dick. Now let me talk to you as my business man.” “Go on; I am all ears.” The sea was quite rough outside The Great Bell, and for the purpose of making the conversation easy and free, Eugene had put the boat about, and she was now standing, close-hauled, up the river; otherwise Mary and the artist would have been seen before. “At the Port and at the Mills there is a population of at least four thousand poor people,” continued Eugene. “Now we come to the eleemosynary schemes,” laughed Dick. “Don’t mistake me. I seek my own comfort and luxury first, for even these help the poor indirectly. I attend to my own salvation first; and have no opinion of those who neglect their own souls in running after the souls of others. Not a dollar of charity shall be wrung from me. I repeat that I shall not go prowling about the country on missions of benevolence. Your sickly sentimental philanthropist, with long hair parted in the middle, who lives on cold beans and warm water, is not my ideal of the man who reforms the world and carries blessings to the poor and needy. I propose to do something, but I don’t wish to make any noise about it. I had about as lief be pointed at as a thief as a professional philanthropist.” “Do you mean clergymen, missionaries, agents of charitable associations, who collect money for the poor and the wronged?” “By no means--God forbid! I refer to your bran-bread philosophers, who ride hobbies about the country; men who have theories, who believe in fantastic communities, free-love brothels, and other abominations; men who strain at a gnat and swallow a camel; in a word, men who can do nothing for the poor and needy until society is reformed--until our social and political institutions have been remodelled. Dick, I propose to go to work in my own sphere. I am not going to upset the world, and throw the machinery of society out of gear. Now, to our four thousand poor in Poppleton. They are not beggars. Most of them earn enough to live on. They work in the factories, go to sea, and job about the two villages. A large portion of them are vicious, immoral, and irreligious.” “And you propose to build a church and establish a Sunday school for them.” “I don’t propose anything of the sort,” replied Eugene, impatiently. The boat had been put about again, and was now off The Little Bell. “What kind of an institution do you propose?” “No institution whatever. These people live in poor, mean houses, crowded together like sheep in a pen, surrounded by filth, and unvisited by the pure air of heaven. These causes alone are quite sufficient to make them vicious and immoral. I propose to strike at the root of the evil. In a word, my first work shall be with the homes of the poor. I shall quietly purchase one or two of these tumble-down old houses, clear them off, and build upon the sites suitable dwellings for the poor--such as can be afforded at a cheap rent.” “Model houses, you mean.” “I hate even the cant of calling them model houses. I don’t intend to let them rent free, but to have the occupants independent while they are comfortably lodged. When we return to the Port, I will show you where I mean to begin.” “I am all interest, Hungerford, but I see some difficulties. For instance, who will collect these rents?” “I should employ a man for that purpose.” These difficulties were discussed at length, till the sail boat passed the light on The Great Bell. “Boat ahoy!” shouted Mr. Eliot Buckstone. “There’s a craft in distress,” said Dick Birch. “There’s a woman in it.” “I see there is,” replied Eugene, as he put the helm down. “Give the jib-sheet a pull, Dick.” The sail boat was now headed towards the disabled craft. Eugene tried to make out the person who had appealed to him, but he was a stranger. “Young and pretty,” said Dick, as the sail boat rounded to alongside the other boat. “It is Miss Kingman!” exclaimed Eugene, not a little puzzled to account for the circumstances under which she happened to be in a boat with a stranger at this distance from the shore. “Who is Miss Kingman?” “Her father lives in the house on The Great Bell.” “Ah, indeed!” “Could you oblige me with the use of a pair of oars?” asked Mr. Buckstone, holding on to the sailing craft to keep the two boats together. “Mary!” said Eugene to the lady. “You are making a long voyage for a small boat.” “It was an involuntary one,” she replied, blushing and looking troubled when his gaze met her own. “I was crossing from the Port to the island, when I lost my oars overboard. I was drifting out to sea, and this kind gentleman swam off to my assistance.” “But was unable to render any,” added Mr. Buckstone. “Could you spare me a pair of oars, sir?” “I can do better than that for you. I will land you at the Point, or wherever you please. Mary, let me help you on board.” “Excuse me, sir, but I would much rather pull ashore,” interposed Mr. Buckstone. “I am wet and rather chilly, and I think the exercise would do me good.” The marine painter had already imagined how very pleasant and exhilarating it would be to place the fair girl in the stern-sheets of the boat, while he occupied the fore thwart, and sit gazing into her sweet face as he leisurely pulled to the shore. He was not willing to abandon this delightful prospect. “It will be a long, hard pull against wind and tide; besides, I have a couple of overcoats on board, which will make you quite comfortable.” “I prefer the exercise; I think it would be better for me, if the lady does not object.” “I am afraid my friends on shore will think something has happened to me, and I prefer to return as soon as possible,” added Mary, as she took Eugene’s hand, and stepped into the sail boat. “You shall have the oars with pleasure, sir, if you insist upon it,” continued Eugene, as he handed Miss Kingman to a seat in the standing-room. Mr. Buckstone did not insist any longer. He was evidently annoyed at the decision of his charmer; but there was no appeal from it, and he went on board of the sail boat. The rebellious craft, that would not go without sails or oars, was taken in tow, and the little schooner was headed towards the Point, for the artist expressed a desire to recover his coat, boots, and sketch-book. On the passage the conversation was confined to the incidents of the lady’s voyage, and her “rescue” by the marine painter, who had placed himself in such a position that he could see the face of the fair one. Dick Birch, who had no idea of what the artist was thinking about, amused himself in watching the countenances of Eugene and Mary, to detect, if he could, any silent indication of affection on the part of either. He was not rewarded by a single sign or token. Eugene was dignified and reserved, devoting his whole attention to the sailing of the boat. If Mary had any thoughts or feelings which concerned the helmsman, they were a sealed book to the observer. Off the Point, Mr. Buckstone sculled the truant boat ashore, and procured his clothing and his sketches. Mary had already invited him to go to her father’s house on The Great Bell, and dry himself. He was very nearly dry without the intervention of the good fire she promised him, but he accepted the invitation; and on his return, the boat stood up the channel towards the pier at the upper end of the island. It was but a short run, and on the way, Mr. Buckstone, now assured that he should not be ruthlessly torn from the beautiful girl, made himself wonderfully agreeable. He exhibited his sketches, especially commenting on the one which included the view of The Great Bell from the Point, and flattered Eugene by promising that his schooner should have a place in the painting. The boat landed her party at the pier in good order and condition. “Will you go up to the house with us, Mr. Hungerford?” said Mary, as she stepped on the pier. “I think not, Mary. I agreed to take my friend down to the Ledges.” “I should be happy to have you go,” she added. “I would like to take a stroll on this island, Hungerford,” interposed Dick. “Then you will go,” continued Mary, with a look which was more eloquent than her words. “Go,” said Dick, in a low tone. There was certainly no reason why he should not go, especially as his friend desired him to do so; and to the intense disgust of Mr. Eliot Buckstone, he complied. Eugene placed himself by the side of Mary as they walked up the hill, and the poor artist was obliged to follow with Dick Birch. Eugene tried to be tender and gentle, tried to let his actions convey the first impressions of what was going on in his heart; but in spite of himself, though he was not conscious of it, he was rather stiff and reserved. He wished to go just far enough to assure Mary that he was tenderly inclined, and then, with the slightest encouragement, he would take another step; but he was so fearful of going too far, that he altogether failed to produce the least impression. To Dick he looked cold and reserved. To Mary he seemed not at all like the free and generous boy he had been in the days when they glanced at each other across the school-room. “We don’t live in a palace,” said Mary, turning round to the two strangers behind her, as they approached the dilapidated mansion of her father. There was a blush on her cheek, and her lip quivered as she spoke, for there was more to mortify her pride within the house than without. “I am fond of old houses. I take an especial delight in them. I shall paint this house, with the sea for a background,” replied Mr. Buckstone, as he followed Mary into the dwelling. CHAPTER V. THE KINGMAN FAMILY. Mary Kingman led the way into the house. As she had remarked, it certainly was not a palace. It was a very old house, but it would have been a very good one, if it had been kept in repair. The party