Ulysses
Stephen said, who when dying in exile frees and endows his slaves, pays
tribute to his elders, wills to be laid in earth near the bones of his
dead wife and bids his friends be kind to an old mistress (don’t forget
Nell Gwynn Herpyllis) and let her live in his villa.
—Do you mean he died so? Mr Best asked with slight concern. I mean...
—He died dead drunk, Buck Mulligan capped. A quart of ale is a dish for
a king. O, I must tell you what Dowden said!
—What? asked Besteglinton.
William Shakespeare and company, limited. The people’s William. For
terms apply: E. Dowden, Highfield house...
—Lovely! Buck Mulligan suspired amorously. I asked him what he thought
of the charge of pederasty brought against the bard. He lifted his
hands and said: _All we can say is that life ran very high in those
days._ Lovely!
Catamite.
—The sense of beauty leads us astray, said beautifulinsadness Best to
ugling Eglinton.
Steadfast John replied severe:
—The doctor can tell us what those words mean. You cannot eat your cake
and have it.
Sayest thou so? Will they wrest from us, from me, the palm of beauty?
—And the sense of property, Stephen said. He drew Shylock out of his
own long pocket. The son of a maltjobber and moneylender he was himself
a cornjobber and moneylender, with ten tods of corn hoarded in the
famine riots. His borrowers are no doubt those divers of worship
mentioned by Chettle Falstaff who reported his uprightness of dealing.
He sued a fellowplayer for the price of a few bags of malt and exacted
his pound of flesh in interest for every money lent. How else could
Aubrey’s ostler and callboy get rich quick? All events brought grist to
his mill. Shylock chimes with the jewbaiting that followed the hanging
and quartering of the queen’s leech Lopez, his jew’s heart being
plucked forth while the sheeny was yet alive: _Hamlet_ and _Macbeth_
with the coming to the throne of a Scotch philosophaster with a turn
for witchroasting. The lost armada is his jeer in _Love’s Labour Lost_.
His pageants, the histories, sail fullbellied on a tide of Mafeking
enthusiasm. Warwickshire jesuits are tried and we have a porter’s
theory of equivocation. The _Sea Venture_ comes home from Bermudas and
the play Renan admired is written with Patsy Caliban, our American
cousin. The sugared sonnets follow Sidney’s. As for fay Elizabeth,
otherwise carrotty Bess, the gross virgin who inspired _The Merry Wives
of Windsor_, let some meinherr from Almany grope his life long for
deephid meanings in the depths of the buckbasket.
I think you’re getting on very nicely. Just mix up a mixture of
theolologicophilolological. _Mingo, minxi, mictum, mingere._
—Prove that he was a jew, John Eglinton dared, expectantly. Your dean
of studies holds he was a holy Roman.
_Sufflaminandus sum._
—He was made in Germany, Stephen replied, as the champion French
polisher of Italian scandals.
—A myriadminded man, Mr Best reminded. Coleridge called him
myriadminded.
_Amplius. In societate humana hoc est maxime necessarium ut sit
amicitia inter multos._
—Saint Thomas, Stephen began...
—_Ora pro nobis_, Monk Mulligan groaned, sinking to a chair.
There he keened a wailing rune.
—_Pogue mahone! Acushla machree!_ It’s destroyed we are from this day!
It’s destroyed we are surely!
All smiled their smiles.
—Saint Thomas, Stephen smiling said, whose gorbellied works I enjoy
reading in the original, writing of incest from a standpoint different
from that of the new Viennese school Mr Magee spoke of, likens it in
his wise and curious way to an avarice of the emotions. He means that
the love so given to one near in blood is covetously withheld from some
stranger who, it may be, hungers for it. Jews, whom christians tax with
avarice, are of all races the most given to intermarriage. Accusations
are made in anger. The christian laws which built up the hoards of the
jews (for whom, as for the lollards, storm was shelter) bound their
affections too with hoops of steel. Whether these be sins or virtues
old Nobodaddy will tell us at doomsday leet. But a man who holds so
tightly to what he calls his rights over what he calls his debts will
hold tightly also to what he calls his rights over her whom he calls
his wife. No sir smile neighbour shall covet his ox or his wife or his
manservant or his maidservant or his jackass.
—Or his jennyass, Buck Mulligan antiphoned.
—Gentle Will is being roughly handled, gentle Mr Best said gently.
—Which will? gagged sweetly Buck Mulligan. We are getting mixed.
—The will to live, John Eglinton philosophised, for poor Ann, Will’s
widow, is the will to die.
_—Requiescat!_ Stephen prayed.
What of all the will to do?
It has vanished long ago...
—She lies laid out in stark stiffness in that secondbest bed, the
mobled queen, even though you prove that a bed in those days was as
rare as a motorcar is now and that its carvings were the wonder of
seven parishes. In old age she takes up with gospellers (one stayed
with her at New Place and drank a quart of sack the town council paid
for but in which bed he slept it skills not to ask) and heard she had a
soul. She read or had read to her his chapbooks preferring them to the
_Merry Wives_ and, loosing her nightly waters on the jordan, she
thought over _Hooks and Eyes for Believers’ Breeches_ and _The most
Spiritual Snuffbox to Make the Most Devout Souls Sneeze_. Venus has
twisted her lips in prayer. Agenbite of inwit: remorse of conscience.
It is an age of exhausted whoredom groping for its god.
—History shows that to be true, _inquit Eglintonus Chronolologos_. The
ages succeed one another. But we have it on high authority that a man’s
worst enemies shall be those of his own house and family. I feel that
Russell is right. What do we care for his wife or father? I should say
that only family poets have family lives. Falstaff was not a family
man. I feel that the fat knight is his supreme creation.
Lean, he lay back. Shy, deny thy kindred, the unco guid. Shy, supping
with the godless, he sneaks the cup. A sire in Ultonian Antrim bade it
him. Visits him here on quarter days. Mr Magee, sir, there’s a
gentleman to see you. Me? Says he’s your father, sir. Give me my
Wordsworth. Enter Magee Mor Matthew, a rugged rough rugheaded kern, in
strossers with a buttoned codpiece, his nether stocks bemired with
clauber of ten forests, a wand of wilding in his hand.
Your own? He knows your old fellow. The widower.
Hurrying to her squalid deathlair from gay Paris on the quayside I
touched his hand. The voice, new warmth, speaking. Dr Bob Kenny is
attending her. The eyes that wish me well. But do not know me.
—A father, Stephen said, battling against hopelessness, is a necessary
evil. He wrote the play in the months that followed his father’s death.
If you hold that he, a greying man with two marriageable daughters,
with thirtyfive years of life, _nel mezzo del cammin di nostra vita_,
with fifty of experience, is the beardless undergraduate from
Wittenberg then you must hold that his seventyyear old mother is the
lustful queen. No. The corpse of John Shakespeare does not walk the
night. From hour to hour it rots and rots. He rests, disarmed of
fatherhood, having devised that mystical estate upon his son.
Boccaccio’s Calandrino was the first and last man who felt himself with
child. Fatherhood, in the sense of conscious begetting, is unknown to
man. It is a mystical estate, an apostolic succession, from only
begetter to only begotten. On that mystery and not on the madonna which
the cunning Italian intellect flung to the mob of Europe the church is
founded and founded irremovably because founded, like the world, macro
and microcosm, upon the void. Upon incertitude, upon unlikelihood.
_Amor matris_, subjective and objective genitive, may be the only true
thing in life. Paternity may be a legal fiction. Who is the father of
any son that any son should love him or he any son?
What the hell are you driving at?
I know. Shut up. Blast you. I have reasons.
_Amplius. Adhuc. Iterum. Postea._
Are you condemned to do this?
—They are sundered by a bodily shame so steadfast that the criminal
annals of the world, stained with all other incests and bestialities,
hardly record its breach. Sons with mothers, sires with daughters,
lesbic sisters, loves that dare not speak their name, nephews with
grandmothers, jailbirds with keyholes, queens with prize bulls. The son
unborn mars beauty: born, he brings pain, divides affection, increases
care. He is a new male: his growth is his father’s decline, his youth
his father’s envy, his friend his father’s enemy.
In rue Monsieur-le-Prince I thought it.
—What links them in nature? An instant of blind rut.
Am I a father? If I were?
Shrunken uncertain hand.
—Sabellius, the African, subtlest heresiarch of all the beasts of the
field, held that the Father was Himself His Own Son. The bulldog of
Aquin, with whom no word shall be impossible, refutes him. Well: if the
father who has not a son be not a father can the son who has not a
father be a son? When Rutlandbaconsouthamptonshakespeare or another
poet of the same name in the comedy of errors wrote _Hamlet_ he was not
the father of his own son merely but, being no more a son, he was and
felt himself the father of all his race, the father of his own
grandfather, the father of his unborn grandson who, by the same token,
never was born, for nature, as Mr Magee understands her, abhors
perfection.
Eglintoneyes, quick with pleasure, looked up shybrightly. Gladly
glancing, a merry puritan, through the twisted eglantine.
Flatter. Rarely. But flatter.
—Himself his own father, Sonmulligan told himself. Wait. I am big with
child. I have an unborn child in my brain. Pallas Athena! A play! The
play’s the thing! Let me parturiate!
He clasped his paunchbrow with both birthaiding hands.
—As for his family, Stephen said, his mother’s name lives in the forest
of Arden. Her death brought from him the scene with Volumnia in
_Coriolanus._ His boyson’s death is the deathscene of young Arthur in
_King John._ Hamlet, the black prince, is Hamnet Shakespeare. Who the
girls in _The Tempest_, in _Pericles,_ in _Winter’s Tale_ are we know.
Who Cleopatra, fleshpot of Egypt, and Cressid and Venus are we may
guess. But there is another member of his family who is recorded.
—The plot thickens, John Eglinton said.
The quaker librarian, quaking, tiptoed in, quake, his mask, quake, with
haste, quake, quack.
Door closed. Cell. Day.
They list. Three. They.
I you he they.
Come, mess.
STEPHEN: He had three brothers, Gilbert, Edmund, Richard. Gilbert in
his old age told some cavaliers he got a pass for nowt from Maister
Gatherer one time mass he did and he seen his brud Maister Wull the
playwriter up in Lunnon in a wrastling play wud a man on’s back. The
playhouse sausage filled Gilbert’s soul. He is nowhere: but an Edmund
and a Richard are recorded in the works of sweet William.
MAGEEGLINJOHN: Names! What’s in a name?
BEST: That is my name, Richard, don’t you know. I hope you are going to
say a good word for Richard, don’t you know, for my sake. _(Laughter)_
BUCKMULLIGAN: (_Piano, diminuendo_)
Then outspoke medical Dick
To his comrade medical Davy...
STEPHEN: In his trinity of black Wills, the villain shakebags, Iago,
Richard Crookback, Edmund in _King Lear_, two bear the wicked uncles’
names. Nay, that last play was written or being written while his
brother Edmund lay dying in Southwark.
BEST: I hope Edmund is going to catch it. I don’t want Richard, my name
...
_(Laughter)_
QUAKERLYSTER: (_A tempo_) But he that filches from me my good name...
STEPHEN: _(Stringendo)_ He has hidden his own name, a fair name,