Ulysses
said, cried, clapped all, Ben Dollard, Lydia Douce, George Lidwell,
Pat, Mina Kennedy, two gentlemen with two tankards, Cowley, first gent
with tank and bronze Miss Douce and gold Miss Mina.
Blazes Boylan’s smart tan shoes creaked on the barfloor, said before.
Jingle by monuments of sir John Gray, Horatio onehandled Nelson,
reverend father Theobald Mathew, jaunted, as said before just now.
Atrot, in heat, heatseated. _Cloche. Sonnez la. Cloche. Sonnez la._
Slower the mare went up the hill by the Rotunda, Rutland square. Too
slow for Boylan, blazes Boylan, impatience Boylan, joggled the mare.
An afterclang of Cowley’s chords closed, died on the air made richer.
And Richie Goulding drank his Power and Leopold Bloom his cider drank,
Lidwell his Guinness, second gentleman said they would partake of two
more tankards if she did not mind. Miss Kennedy smirked, disserving,
coral lips, at first, at second. She did not mind.
—Seven days in jail, Ben Dollard said, on bread and water. Then you’d
sing, Simon, like a garden thrush.
Lionel Simon, singer, laughed. Father Bob Cowley played. Mina Kennedy
served. Second gentleman paid. Tom Kernan strutted in. Lydia, admired,
admired. But Bloom sang dumb.
Admiring.
Richie, admiring, descanted on that man’s glorious voice. He remembered
one night long ago. Never forget that night. Si sang _’Twas rank and
fame_: in Ned Lambert’s ’twas. Good God he never heard in all his life
a note like that he never did _then false one we had better part_ so
clear so God he never heard _since love lives not_ a clinking voice
lives not ask Lambert he can tell you too.
Goulding, a flush struggling in his pale, told Mr Bloom, face of the
night, Si in Ned Lambert’s, Dedalus house, sang _’Twas rank and fame._
He, Mr Bloom, listened while he, Richie Goulding, told him, Mr Bloom,
of the night he, Richie, heard him, Si Dedalus, sing _’Twas rank and
fame_ in his, Ned Lambert’s, house.
Brothers-in-law: relations. We never speak as we pass by. Rift in the
lute I think. Treats him with scorn. See. He admires him all the more.
The night Si sang. The human voice, two tiny silky chords, wonderful,
more than all others.
That voice was a lamentation. Calmer now. It’s in the silence after you
feel you hear. Vibrations. Now silent air.
Bloom ungyved his crisscrossed hands and with slack fingers plucked the
slender catgut thong. He drew and plucked. It buzz, it twanged. While
Goulding talked of Barraclough’s voice production, while Tom Kernan,
harking back in a retrospective sort of arrangement talked to listening
Father Cowley, who played a voluntary, who nodded as he played. While
big Ben Dollard talked with Simon Dedalus, lighting, who nodded as he
smoked, who smoked.
Thou lost one. All songs on that theme. Yet more Bloom stretched his
string. Cruel it seems. Let people get fond of each other: lure them
on. Then tear asunder. Death. Explos. Knock on the head.
Outtohelloutofthat. Human life. Dignam. Ugh, that rat’s tail wriggling!
Five bob I gave. _Corpus paradisum._ Corncrake croaker: belly like a
poisoned pup. Gone. They sing. Forgotten. I too. And one day she with.
Leave her: get tired. Suffer then. Snivel. Big spanishy eyes goggling
at nothing. Her wavyavyeavyheavyeavyevyevyhair un comb:’d.
Yet too much happy bores. He stretched more, more. Are you not happy in
your? Twang. It snapped.
Jingle into Dorset street.
Miss Douce withdrew her satiny arm, reproachful, pleased.
—Don’t make half so free, said she, till we are better acquainted.
George Lidwell told her really and truly: but she did not believe.
First gentleman told Mina that was so. She asked him was that so. And
second tankard told her so. That that was so.
Miss Douce, miss Lydia, did not believe: miss Kennedy, Mina, did not
believe: George Lidwell, no: miss Dou did not: the first, the first:
gent with the tank: believe, no, no: did not, miss Kenn: Lidlydiawell:
the tank.
Better write it here. Quills in the postoffice chewed and twisted.
Bald Pat at a sign drew nigh. A pen and ink. He went. A pad. He went. A
pad to blot. He heard, deaf Pat.
—Yes, Mr Bloom said, teasing the curling catgut line. It certainly is.
Few lines will do. My present. All that Italian florid music is. Who is
this wrote? Know the name you know better. Take out sheet notepaper,
envelope: unconcerned. It’s so characteristic.
—Grandest number in the whole opera, Goulding said.
—It is, Bloom said.
Numbers it is. All music when you come to think. Two multiplied by two
divided by half is twice one. Vibrations: chords those are. One plus
two plus six is seven. Do anything you like with figures juggling.
Always find out this equal to that. Symmetry under a cemetery wall. He
doesn’t see my mourning. Callous: all for his own gut. Musemathematics.
And you think you’re listening to the etherial. But suppose you said it
like: Martha, seven times nine minus x is thirtyfive thousand. Fall
quite flat. It’s on account of the sounds it is.
Instance he’s playing now. Improvising. Might be what you like, till
you hear the words. Want to listen sharp. Hard. Begin all right: then
hear chords a bit off: feel lost a bit. In and out of sacks, over
barrels, through wirefences, obstacle race. Time makes the tune.
Question of mood you’re in. Still always nice to hear. Except scales up
and down, girls learning. Two together nextdoor neighbours. Ought to
invent dummy pianos for that. _Blumenlied_ I bought for her. The name.
Playing it slow, a girl, night I came home, the girl. Door of the
stables near Cecilia street. Milly no taste. Queer because we both, I
mean.
Bald deaf Pat brought quite flat pad ink. Pat set with ink pen quite
flat pad. Pat took plate dish knife fork. Pat went.
It was the only language Mr Dedalus said to Ben. He heard them as a boy
in Ringabella, Crosshaven, Ringabella, singing their barcaroles.
Queenstown harbour full of Italian ships. Walking, you know, Ben, in
the moonlight with those earthquake hats. Blending their voices. God,
such music, Ben. Heard as a boy. Cross Ringabella haven mooncarole.
Sour pipe removed he held a shield of hand beside his lips that cooed a
moonlight nightcall, clear from anear, a call from afar, replying.
Down the edge of his _Freeman_ baton ranged Bloom’s, your other eye,
scanning for where did I see that. Callan, Coleman, Dignam Patrick.
Heigho! Heigho! Fawcett. Aha! Just I was looking...
Hope he’s not looking, cute as a rat. He held unfurled his _Freeman._
Can’t see now. Remember write Greek ees. Bloom dipped, Bloo mur: dear
sir. Dear Henry wrote: dear Mady. Got your lett and flow. Hell did I
put? Some pock or oth. It is utterl imposs. Underline _imposs._ To
write today.
Bore this. Bored Bloom tambourined gently with I am just reflecting
fingers on flat pad Pat brought.
On. Know what I mean. No, change that ee. Accep my poor litt pres
enclos. Ask her no answ. Hold on. Five Dig. Two about here. Penny the
gulls. Elijah is com. Seven Davy Byrne’s. Is eight about. Say half a
crown. My poor little pres: p. o. two and six. Write me a long. Do you
despise? Jingle, have you the? So excited. Why do you call me naught?
You naughty too? O, Mairy lost the string of her. Bye for today. Yes,
yes, will tell you. Want to. To keep it up. Call me that other. Other
world she wrote. My patience are exhaust. To keep it up. You must
believe. Believe. The tank. It. Is. True.
Folly am I writing? Husbands don’t. That’s marriage does, their wives.
Because I’m away from. Suppose. But how? She must. Keep young. If she
found out. Card in my high grade ha. No, not tell all. Useless pain. If
they don’t see. Woman. Sauce for the gander.
A hackney car, number three hundred and twentyfour, driver Barton James
of number one Harmony avenue, Donnybrook, on which sat a fare, a young
gentleman, stylishly dressed in an indigoblue serge suit made by George
Robert Mesias, tailor and cutter, of number five Eden quay, and wearing
a straw hat very dressy, bought of John Plasto of number one Great
Brunswick street, hatter. Eh? This is the jingle that joggled and
jingled. By Dlugacz’ porkshop bright tubes of Agendath trotted a
gallantbuttocked mare.
—Answering an ad? keen Richie’s eyes asked Bloom.
—Yes, Mr Bloom said. Town traveller. Nothing doing, I expect.
Bloom mur: best references. But Henry wrote: it will excite me. You
know how. In haste. Henry. Greek ee. Better add postscript. What is he
playing now? Improvising. Intermezzo. P. S. The rum tum tum. How will
you pun? You punish me? Crooked skirt swinging, whack by. Tell me I
want to. Know. O. Course if I didn’t I wouldn’t ask. La la la ree.
Trails off there sad in minor. Why minor sad? Sign H. They like sad
tail at end. P. P. S. La la la ree. I feel so sad today. La ree. So
lonely. Dee.
He blotted quick on pad of Pat. Envel. Address. Just copy out of paper.
Murmured: Messrs Callan, Coleman and Co, limited. Henry wrote:
Miss Martha Clifford
c/o P. O.
Dolphin’s Barn Lane
Dublin.
Blot over the other so he can’t read. There. Right. Idea prize titbit.
Something detective read off blottingpad. Payment at the rate of guinea
per col. Matcham often thinks the laughing witch. Poor Mrs Purefoy. U.
P: up.
Too poetical that about the sad. Music did that. Music hath charms.
Shakespeare said. Quotations every day in the year. To be or not to be.
Wisdom while you wait.
In Gerard’s rosery of Fetter lane he walks, greyedauburn. One life is
all. One body. Do. But do.
Done anyhow. Postal order, stamp. Postoffice lower down. Walk now.
Enough. Barney Kiernan’s I promised to meet them. Dislike that job.
House of mourning. Walk. Pat! Doesn’t hear. Deaf beetle he is.
Car near there now. Talk. Talk. Pat! Doesn’t. Settling those napkins.
Lot of ground he must cover in the day. Paint face behind on him then
he’d be two. Wish they’d sing more. Keep my mind off.
Bald Pat who is bothered mitred the napkins. Pat is a waiter hard of
his hearing. Pat is a waiter who waits while you wait. Hee hee hee hee.
He waits while you wait. Hee hee. A waiter is he. Hee hee hee hee. He
waits while you wait. While you wait if you wait he will wait while you
wait. Hee hee hee hee. Hoh. Wait while you wait.
Douce now. Douce Lydia. Bronze and rose.
She had a gorgeous, simply gorgeous, time. And look at the lovely shell
she brought.
To the end of the bar to him she bore lightly the spiked and winding
seahorn that he, George Lidwell, solicitor, might hear.
—Listen! she bade him.
Under Tom Kernan’s ginhot words the accompanist wove music slow.
Authentic fact. How Walter Bapty lost his voice. Well, sir, the husband
took him by the throat. _Scoundrel,_ said he, _You’ll sing no more
lovesongs._ He did, faith, sir Tom. Bob Cowley wove. Tenors get wom.
Cowley lay back.
Ah, now he heard, she holding it to his ear. Hear! He heard. Wonderful.
She held it to her own. And through the sifted light pale gold in
contrast glided. To hear.
Tap.
Bloom through the bardoor saw a shell held at their ears. He heard more
faintly that that they heard, each for herself alone, then each for
other, hearing the plash of waves, loudly, a silent roar.
Bronze by a weary gold, anear, afar, they listened.
Her ear too is a shell, the peeping lobe there. Been to the seaside.
Lovely seaside girls. Skin tanned raw. Should have put on coldcream
first make it brown. Buttered toast. O and that lotion mustn’t forget.
Fever near her mouth. Your head it simply. Hair braided over: shell
with seaweed. Why do they hide their ears with seaweed hair? And Turks
the mouth, why? Her eyes over the sheet. Yashmak. Find the way in. A
cave. No admittance except on business.
The sea they think they hear. Singing. A roar. The blood it is. Souse