Uncle Vanya: Scenes from Country Life in Four Acts

husband, knows me very well. I now live with you, ma'am, on this estate, and perhaps you will be so good as to notice that I dine with you every day. SONIA. He is our great help, our right-hand man. [Tenderly] Dear godfather, let me pour you some tea. MME. VOITSKAYA. Oh! Oh! SONIA. What is it, grandmother? MME. VOITSKAYA. I forgot to tell Alexander--I have lost my memory--I received a letter to-day from Paul Alexevitch in Kharkoff. He has sent me a new pamphlet. ASTROFF. Is it interesting? MME. VOITSKAYA. Yes, but strange. He refutes the very theories which he defended seven years ago. It is appalling! VOITSKI. There is nothing appalling about it. Drink your tea, mamma. MME. VOITSKAYA. It seems you never want to listen to what I have to say. Pardon me, Jean, but you have changed so in the last year that I hardly know you. You used to be a man of settled convictions and had an illuminating personality---- VOITSKI. Oh, yes. I had an illuminating personality, which illuminated no one. [A pause] I had an illuminating personality! You couldn't say anything more biting. I am forty-seven years old. Until last year I endeavoured, as you do now, to blind my eyes by your pedantry to the truths of life. But now--Oh, if you only knew! If you knew how I lie awake at night, heartsick and angry, to think how stupidly I have wasted my time when I might have been winning from life everything which my old age now forbids. SONIA. Uncle Vanya, how dreary! MME. VOITSKAYA. [To her son] You speak as if your former convictions were somehow to blame, but you yourself, not they, were at fault. You have forgotten that a conviction, in itself, is nothing but a dead letter. You should have done something. VOITSKI. Done something! Not every man is capable of being a writer _perpetuum mobile_ like your Herr Professor. MME. VOITSKAYA. What do you mean by that? SONIA. [Imploringly] Mother! Uncle Vanya! I entreat you! VOITSKI. I am silent. I apologise and am silent. [A pause.] HELENA. What a fine day! Not too hot. [A pause.] VOITSKI. A fine day to hang oneself. TELEGIN tunes the guitar. MARINA appears near the house, calling the chickens. MARINA. Chick, chick, chick! SONIA. What did the peasants want, nurse? MARINA. The same old thing, the same old nonsense. Chick, chick, chick! SONIA. Why are you calling the chickens? MARINA. The speckled hen has disappeared with her chicks. I am afraid the crows have got her. TELEGIN plays a polka. All listen in silence. Enter WORKMAN. WORKMAN. Is the doctor here? [To ASTROFF] Excuse me, sir, but I have been sent to fetch you. ASTROFF. Where are you from? WORKMAN. The factory. ASTROFF. [Annoyed] Thank you. There is nothing for it, then, but to go. [Looking around him for his cap] Damn it, this is annoying! SONIA. Yes, it is too bad, really. You must come back to dinner from the factory. ASTROFF. No, I won't be able to do that. It will be too late. Now where, where--[To the WORKMAN] Look here, my man, get me a glass of vodka, will you? [The WORKMAN goes out] Where--where--[Finds his cap] One of the characters in Ostroff's plays is a man with a long moustache and short wits, like me. However, let me bid you good-bye, ladies and gentlemen. [To HELENA] I should be really delighted if you would come to see me some day with Miss Sonia. My estate is small, but if you are interested in such things I should like to show you a nursery and seed-bed whose like you will not find within a thousand miles of here. My place is surrounded by government forests. The forester is old and always ailing, so I superintend almost all the work myself. HELENA. I have always heard that you were very fond of the woods. Of course one can do a great deal of good by helping to preserve them, but does not that work interfere with your real calling? ASTROFF. God alone knows what a man's real calling is. HELENA. And do you find it interesting? ASTROFF. Yes, very. VOITSKI. [Sarcastically] Oh, extremely! HELENA. You are still young, not over thirty-six or seven, I should say, and I suspect that the woods do not interest you as much as you say they do. I should think you would find them monotonous. SONIA. No, the work is thrilling. Dr. Astroff watches over the old woods and sets out new plantations every year, and he has already received a diploma and a bronze medal. If you will listen to what he can tell you, you will agree with him entirely. He says that forests are the ornaments of the earth, that they teach mankind to understand beauty and attune his mind to lofty sentiments. Forests temper a stern climate, and in countries where the climate is milder, less strength is wasted in the battle with nature, and the people are kind and gentle. The inhabitants of such countries are handsome, tractable, sensitive, graceful in speech and gesture. Their philosophy is joyous, art and science blossom among them, their treatment of women is full of exquisite nobility---- VOITSKI. [Laughing] Bravo! Bravo! All that is very pretty, but it is also unconvincing. So, my friend [To ASTROFF] you must let me go on burning firewood in my stoves and building my sheds of planks. ASTROFF. You can burn peat in your stoves and build your sheds of stone. Oh, I don't object, of course, to cutting wood from necessity, but why destroy the forests? The woods of Russia are trembling under the blows of the axe. Millions of trees have perished. The homes of the wild animals and birds have been desolated; the rivers are shrinking, and many beautiful landscapes are gone forever. And why? Because men are too lazy and stupid to stoop down and pick up their fuel from the ground. [To HELENA] Am I not right, Madame? Who but a stupid barbarian could burn so much beauty in his stove and destroy that which he cannot make? Man is endowed with reason and the power to create, so that he may increase that which has been given him, but until now he has not created, but demolished. The forests are disappearing, the rivers are running dry, the game is exterminated, the climate is spoiled, and the earth becomes poorer and uglier every day. [To VOITSKI] I read irony in your eye; you do not take what I am saying seriously, and--and--after all, it may very well be nonsense. But when I pass peasant-forests that I have preserved from the axe, or hear the rustling of the young plantations set out with my own hands, I feel as if I had had some small share in improving the climate, and that if mankind is happy a thousand years from now I will have been a little bit responsible for their happiness. When I plant a little birch tree and then see it budding into young green and swaying in the wind, my heart swells with pride and I--[Sees the WORKMAN, who is bringing him a glass of vodka on a tray] however--[He drinks] I must be off. Probably it is all nonsense, anyway. Good-bye. He goes toward the house. SONIA takes his arm and goes with him. SONIA. When are you coming to see us again? ASTROFF. I can't say. SONIA. In a month? ASTROFF and SONIA go into the house. HELENA and VOITSKI walk over to the terrace. HELENA. You have behaved shockingly again. Ivan, what sense was there in teasing your mother and talking about _perpetuum mobile?_ And at breakfast you quarreled with Alexander again. Really, your behaviour is too petty. VOITSKI. But if I hate him? HELENA. You hate Alexander without reason; he is like every one else, and no worse than you are. VOITSKI. If you could only see your face, your gestures! Oh, how tedious your life must be. HELENA. It is tedious, yes, and dreary! You all abuse my husband and look on me with compassion; you think, "Poor woman, she is married to an old man." How well I understand your compassion! As Astroff said just now, see how you thoughtlessly destroy the forests, so that there will soon be none left. So you also destroy mankind, and soon fidelity and purity and self-sacrifice will have vanished with the woods. Why cannot you look calmly at a woman unless she is yours? Because, the doctor was right, you are all possessed by a devil of destruction; you have no mercy on the woods or the birds or on women or on one another. VOITSKI. I don't like your philosophy. HELENA. That doctor has a sensitive, weary face--an interesting face. Sonia evidently likes him, and she is in love with him, and I can understand it. This is the third time he has been here since I have come, and I have not had a real talk with him yet or made much of him. He thinks I am disagreeable. Do you know, Ivan, the reason you and I are such friends? I think it is because we are both lonely and unfortunate. Yes, unfortunate. Don't look at me in that way, I don't like it. VOITSKI. How can I look at you otherwise when I love you? You are my joy, my life, and my youth. I know that my chances of being loved in return are infinitely small, do not exist, but I ask nothing of you. Only let me look at you, listen to your voice-- HELENA. Hush, some one will overhear you. [They go toward the house.] VOITSKI. [Following her] Let me speak to you of my love, do not drive me away, and this alone will be my greatest happiness! HELENA. Ah! This is agony! TELEGIN strikes the strings of his guitar and plays a polka. MME. VOITSKAYA writes something on the leaves of her pamphlet. The curtain falls. ACT II The dining-room of SEREBRAKOFF'S house. It is night. The tapping of the WATCHMAN'S rattle is heard in the garden. SEREBRAKOFF is dozing in an arm-chair by an open window and HELENA is sitting beside him, also half asleep. SEREBRAKOFF. [Rousing himself] Who is here? Is it you, Sonia? HELENA. It is I. SEREBRAKOFF. Oh, it is you, Nelly. This pain is intolerable. HELENA. Your shawl has slipped down. [She wraps up his legs in the shawl] Let me shut the window. SEREBRAKOFF. No, leave it open; I am suffocating. I dreamt just now that my left leg belonged to some one else, and it hurt so that I woke. I don't believe this is gout, it is more like rheumatism. What time is it? HELENA. Half past twelve. [A pause.] SEREBRAKOFF. I want you to look for Batushka's works in the library to-morrow. I think we have him. HELENA. What is that? SEREBRAKOFF. Look for Batushka to-morrow morning; we used to have him, I remember. Why do I find it so hard to breathe? HELENA. You are tired; this is the second night you have had no sleep. SEREBRAKOFF. They say that Turgenieff got angina of the heart from gout. I am afraid I am getting angina too. Oh, damn this horrible, accursed old age! Ever since I have been old I have been hateful to myself, and I am sure, hateful to you all as well. HELENA. You speak as if we were to blame for your being old. SEREBRAKOFF. I am more hateful to you than to any one. HELENA gets up and walks away from him, sitting down at a distance. SEREBRAKOFF. You are quite right, of course. I am not an idiot; I can understand you. You are young and healthy and beautiful, and longing for life, and I am an old dotard, almost a dead man already. Don't I know it? Of course I see that it is foolish for me to live so long, but wait! I shall soon set you all free. My life cannot drag on much longer. HELENA. You are overtaxing my powers of endurance. Be quiet, for God's sake! SEREBRAKOFF. It appears that, thanks to me, everybody's power of endurance is being overtaxed; everybody is miserable, only I am blissfully triumphant. Oh, yes, of course! HELENA. Be quiet! You are torturing me. SEREBRAKOFF. I torture everybody. Of course. HELENA. [Weeping] This is unbearable! Tell me, what is it you want me to do? SEREBRAKOFF. Nothing. HELENA. Then be quiet, please. SEREBRAKOFF. It is funny that everybody listens to Ivan and his old