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Under the Witches' Moon: A Romantic Tale of Mediaeval Rome

Nathan Gallizier

the conditions. It is for him to accept or reject them, as he sees fit." A rasping voice, speaking a villainous jargon, made itself heard at this juncture. "What of my Saracens, mighty lord?" Hassan Abdullah, for no lesser than the great Mahometan chieftain was the speaker, turned to the Grand Chamberlain. "I, too, am desirous of sparing the blood of my soldiers and, insofar as lies within my power, that of the Nazarenes also. For it is written in the book: Slavery for infidels--but death only for apostates." "Our compact is sealed beyond recall," Basil made reply. "Then you will deliver the woman into my hands?" There was a pause. "She shall be delivered into the hands of Hassan Abdullah! And he will sail away with his white-plumed bird--the fairest flower of the North--and the ransom of a city." "Yet I do not know the lady's name," said the Saracen. "This I should know--else how may she heed my call?" "Those who love her call her Hellayne." At the name Tristan started so violently that the monk caught his arm in a grip of steel. "Silence--if you value your life," Odo enjoined. "When and where is she to be delivered into my hands?" Hassan Abdullah continued. "The place will be made known to you, my lord," Basil replied, "when the Emperor's Tomb hails its new master." "Here is an infernal plot," Odo whispered into Tristan's ear, "spawned up by the very Prince of Darkness." "What can we do?" came back the almost soundless reply. "Hellayne to be delivered over to this infidel dog! Nay, do not restrain me, Father--" "There are six to two of us," Odo interposed. "Silence! Some one speaks." It was the voice of the envoy of Ugo of Tuscany. "Although it seems like a taunt, to fling into the face of my lord the sister of the woman who was the cause of his defeat--" "His coward soul was the cause of the Lord Ugo's defeat," Basil interposed hotly. "In the dark of night, by means of a rope he let himself down from his lair, to escape the wrath of the fledgling he had struck for an unintentional affront. Did the Lord Ugo even inquire into the fate of the woman who perished miserably in the dungeons of the Emperor's Tomb?" "Let us not be hasty," interposed another. "The Lord Ugo will listen to reason." "The conditions are settled," Basil replied. "On the third night from to-night!" The conspirators rose and, emerging from the ruined refectory, made their way down to their boat. Soon the sound of oars, becoming fainter and fainter, informed the listeners that the company had departed. Tristan's face was very white. "What is to be done?" he turned pathetically to the monk who stood brooding by his side. "I almost wish I had let my fate overtake me--" "Do not blaspheme," Odo interposed. "Sometimes divine aid is nearest when it seems farthest removed. In three days the blow is to fall! In three days Rome is to be turned over to the infidels who are ravaging our southern coasts, and the Tuscan is once more to hold sway in the Tomb of the former Master of the World. But not he--Basil will rule, for Ugo has his hands full in Ivrea. With Basil Theodora will lord it from yonder castello. He will let the Lord Ugo burn his hands and he will snatch the golden fruit. I will pray that this feeble hand may undo their dark plotting." "What is Rome to me? What the universe?" Tristan interposed, "if she whom I love better than life is lost to me?" The monk turned to him laying his hand upon his shoulder. "You have been miraculously delivered from the very jaws of death. You will save the woman you love from dishonor and shame." Odo pondered for a pace then he continued: "There is one in Rome--who is encompassing your destruction. The foul crime in the Lateran of which you were the victim is but another proof of the schemes of the Godless, who have desecrated the churches of Christ for their hellish purposes. We must find their devil's chapel, hidden somewhere beneath the soil of Rome. None shall escape." "How will you bring this about, Father?" Tristan queried despairingly. "The soldiers of the Church have not been bribed," Odo replied. "Listen, my son, and do you as I direct. On to-morrow's eve Theodora gives one of her splendid feasts. Go you disguised. Watch--but speak not. Listen--but answer not. Who knows but that you may receive tidings of your lost one? As for myself, I shall seek one whose crimes lie heavily upon him, one who trembles with the fear of death, at whose door he lies--Il Gobbo--the bravo. His master has dealt him a mortal wound to remove the last witness of his crimes. Come to me on the second day at dusk." Emerging from the shadows of the wall, Tristan hailed the boatman, and a few moments later they were being rowed towards a solitary spot near the base of the Aventine, where they paid and dismissed their Charon and disappeared among the ruins. CHAPTER X THE BROKEN SPELL Again there was feasting and high revels in the palace of Theodora on Mount Aventine. Colored lanterns were suspended between the interstices of orange and oleander trees; and incense rose in spiral coils from bronze and copper vessels, concealed among leafy bowers. The great banquet hall was thronged with a motley crowd of Romans, Greeks, men from the coasts of Africa and Iceland, Spaniards, Persians, Burgundians, Lombards, men from the steppes of Sarmatia, and the amber coast of the Baltic. Here and there groups were discussing the wines or the viands or the gossip of the day. The guests marvelled at the splendor, wealth and the variegated mosaics, the gilded walls, the profusion of beautiful marble columns and the wonderfully groined ceiling. It was a veritable banquet of the senses. The fairylike radiance of the hall with its truly eastern splendor captivated the eye. From remote grottoes came the sounds of flutes, citherns and harps, quivering through the dreaming summer night. On ebony couches upon silver frames, covered with rare tapestries and soft cushions, the guests reclined. Between two immense, crescent-shaped tables, made of citron wood and inlaid with ivory, rose a miniature bronze fountain, representing Neptune. From it spurted jets of scented water, which cooled and perfumed the air. Not in centuries had there been such a feast in Rome. Mountain, plain and the sea had been relentlessly laid under tribute, to surrender their choicest towards supplying the sumptuous board. Nubian slaves in spotless white kept at the elbows of the guests and filled the golden flagons as quickly as they were emptied. A powerful Cyprian wine, highly spiced, was served. Under its stimulating influence the revellers soon gave themselves up to the reckless enjoyment of the hour. As the feast proceeded the guests cried more loudly for flagons of the fiery ecobalda. They quaffed large quantities of this wine and their faces became flushed, their eyes sparkled and their tongues grew more and more free. The temporary restraint they had imposed upon themselves gradually vanished. In proportion as they partook of the fiery vintage their conviviality increased. The roll-call was complete. None was found missing. Here was the Lord of Norba and Boso, Lord of Caprara. Here was the Lord Atenulf of Benevento, the Lord Amgar, from the coasts of the Baltic; here was Bembo the poet, Eugenius the philosopher and Alboin, Lord of Farfa. Here was the Prefect of Rome and Roger de Laval. He, too, had joined the throng of idolators at the shrine of Theodora. The Lord Guaimar of Salerno was there, and Guido, Duke of Spoleto. The curtain at the far end of the banquet hall slowly parted. On the threshold stood Theodora. Silent, rigid, she gazed into the hall. Like a sudden snow on a summer meadow, a white silence fell from her imagination across that glittering, gleaming tinselled atmosphere. Everywhere the dead seemed to sit around her, watching, as in a trance, strange antics of the grimacing dead. A vision of beauty she appeared, radiantly attired, a jewelled diadem upon her brow. By her side appeared Basil, the Grand Chamberlain. When her gaze fell upon the motley crowd, a disgust, such as she had never known, seized her. She seated herself on the dais, reserved for her, and with queenly dignity bade her guests welcome. Basil occupied the seat of honor at her right, Roger de Laval at her left. Had any one watched the countenances of Theodora and of Basil he would have surprised thereon an expression of ravening anxiety. To themselves they appeared like two players, neither knowing the next move of his opponent, yet filled with the dire assurance that upon this move depended the fate of the house of cards each has built upon a foundation of sand. At last the Count de Laval arose and whirled his glass about his head. "Twine a wreath about your cups," he shouted, "and drink to the glory of the most beautiful woman in the world--the Lady Theodora." They rose to their feet and shouted their endorsement till the very arches seemed to ring with the echoes. His initiative was received with such favor by the others that, fired with the desire to emulate his example, they fell to singing and shouting the praise of the woman whose beauty had not its equal in Rome. Theodora viewed the scene of dissipation with serenity and composure, and, by her attitude she seemed, in a strange way, even tacitly to encourage them to drink still deeper. Faster, ever faster, the wine coursed among the guests. Some of them became more and more boisterous, others were rendered somnolent and fell forward in a stupor upon the silken carpets. Theodora, whose restlessness seemed to increase with every moment, and who seemed to hold herself in leash by a strenuous effort of the will, suddenly turned to Basil and whispered a question into his ear. A silent nod came in response and the next moment a clash of cymbals, stormily persistent, roused the revellers from their stupor. Then, like a rainbow garmented Peri, floating easefully out of some far-off sphere of sky-wonders, an aerial maiden shape glided into the full lustre of the varying light, a dancer nude, save for the glistening veil that carelessly enshrouded her limbs, her arms and hands being adorned with circlets of tiny golden bells which kept up a melodious jingle as she moved. And now began the strangest music, music that seemed to hover capriciously between luscious melody and harsh discord, a wild and curious medley of fantastic minor suggestions in which the imaginative soul might discover hints of tears and folly, love and madness. To this uncertain yet voluptuous measure the glittering girl dancer leaped forward with a startling abruptness and, halting as it were on the boundary line between the dome and the garden beyond, raised her rounded arms in a snowy arch above her head. Her pause was a mere breathing spell in duration. Dropping her arms with a swift decision, she hurled herself into the giddy mazes of a dance. Round and round she floated, like an opal-winged butterfly in a net of sunbeams, now seemingly shaken by delicate tremors, as aspen leaves are shaken by the faintest wind, now assuming the most voluptuous eccentricities of posture, sometimes bending down wistfully as though she were listening to the chanting of demon voices underground, and again, with her waving white hands, appearing to summon spirits to earth from their wanderings in the upper air. Her figure was in perfect harmony with the seductive grace of her gestures; not only her feet, but her whole body danced, her very features bespoke abandonment to the frenzy of her rapid movement. Her large black eyes flashed with something of fierceness as well as languor; and her raven