About this book

Wanderfoot (The Dream Ship)

Cynthia Stockley

himself and murmured his morning orison, his eyes still fixed on his mother's head: "Jesus, Mary, and Joseph, I give you my heart, take it please, and preserve it from sin." "Jesus, Mary, and Joseph, I give you my soul and my life. "Jesus, Mary, and Joseph, help me in my last agony. "Jesus, Mary, and Joseph, grant that I live and die in thy holy company. Amen." Immediately afterwards humour, that Irish vice, overcame all gentler feelings; like a certain famous Bishop of Down, Bran would lose a friend for a joke. He woke Val with a cruel jest: "_Bon jour, Monsieur le Cure!_" The cure of Mascaret was a Breton as rugged as his country, with haggard spiritual eyes and an upper lip you could built a fort on, as the saying is; he intensified his uncomeliness by wearing his hair so close-shaved that it was impossible to say where his _tonsure_ began or ended. To be told by her loving but candid son that she resembled this good man was a cruel thrust to Val, and the memory of it darkened life for many days to come. She wrapped herself in gloom and the blue veil, and nothing more was heard of the fez cap and cigarettes except that in good time the Stores forwarded them and the French Customs taxed them. After once trying on the fez and finding herself the image of a sallow and melancholy Turk, she had cast it from her. Her one instinct was to hide her ugliness from every one. Even at the sight of John the Baptist she would fly and hide, and she never left the house except after dark, when for exercise she would sometimes race Haidee up and down the _digue_, or run along the beach at midnight, her scarf floating behind her in the wind, and her head bare to give her "roots" a chance. These proceedings gravely annoyed the Customs officers distributed in the little straw-littered watch-huts that line the Normandy coast. Instead of tucking themselves in their blankets for a peaceful night, they were obliged to keep awake for fear the mad American woman meant either to commit suicide or meet a boat full of brandy and cigars from Jersey. CHAPTER XIV THE WAYS OF LITERATURE "The voyage of even the best ship is a zigzag line of a hundred tacks." From Jersey Val had made a bee-line for Paris which she knew well, and where she had hopes of renewing her mental energy by the sights and sounds of a great city and association with other brain workers. Autumn removals were in full swing and there was no great difficulty in finding house-room for herself and the children, though she was unprepared to find how Paris rents had risen since the days when she and her mother sojourned in the Latin Quarter. It was to that part of Paris she naturally turned--the only possible part for artists and writers to live, though the rich and empty-headed are fond of calling it the "wrong side" of the river. A studio seemed the most suitable form of residence, for she knew she would not be able to work in a small room, and she hated the sordid construction of a cheap flat. She was fortunate in finding a good _atelier_ in a little secluded _rue_ on the confines of the Quarter--a big, high room, with kitchen and small bedroom attached, looking out onto a little square yard with clusters of shrubs, ivied walls, and a few old battered statues that lent a picturesque air. Here she had settled down and with resolute energy begun the series of "Wanderfoot" articles for which Branker Preston had obtained a commission. It was an arduous task. No matter how much material is stored in the mind it is not easy to import the air and colour of far-off lands into a Paris _atelier_. The art of putting things down had not yet been recaptured either. Still, the stimulus of even the short journey from Jersey to Paris had done something for her, and though to her critical eye the articles she achieved seemed but pale echoes of her former work, they at least paid the rent and kept things going in rue Campagne Premiere. The continuation of Haidee's education became a problem needing instant attention; for Val very soon realised that the Latin Quarter with its liberal ideas of morality and its fascinating students was no place for a young impressionable girl. Her own child she would have allowed to stay, for she knew that anything with her nature would come to no harm among these careless, attractive people, to whom she felt herself blood-kin. But Haidee, the child of a pretty flighty mother, was of different stock. Besides, there was a responsibility to Westenra in the matter. There were no convents left in Paris, or indeed, in France. All those lovely homes where girls learned a sweet sedateness and many beautiful arts had been closed by a ruthless government. No more in France may the gentle coifed women impart composure and beauty of mind to English and American girls and train the aristocratic children of France to a love of Church and Country. What the loss is to the sum of the world's harmony can never be computed, but American and English mothers have a slight realisation of it. It was in Belgium that Val at last found what was needed for Haidee--a little community of French nuns who, refusing to unveil, had been obliged to flee over the border, and there had founded a convent to which many good Catholics in Paris sent their children. It was well within Val's means too, for the living is cheap in Belgium, and the fare in the convent was simple though good. Haidee hated terribly to go, but Val was firm, though she held out the promise of early liberation if Haidee would work well at French and try and pass her _brevet simple_. This was no difficult task, for the girl had been well grounded in French during their sojourn in Jersey. Remained the problem of Bran--and little children are a problem in France to parents of limited means. No one caters for them as in other countries. No one even understands the art of teaching and amusing them at the same time, nor even how to feed them. There are no kindergartens and no milk puddings! Small wonder that French babies are small and sallow and sad! Since the nuns were driven out there are only the public Lycees where strong and weak, rough and gentle, are jumbled together with results that no thinking woman would welcome for her child. From their tenderest years French children are crammed with lessons, pushed ahead to pass exams, while the business of play so necessary for little children is almost entirely suppressed. Val very certainly had no intention of confiding her son to such institutions. She was therefore obliged to hire a daily governess for him, for though, at his age, he needed little teaching, he had to be sent out of doors so that she might have silence and solitude wherein to work. Even this was a costly business. In England a nursery governess can be afforded by almost every one, but in France it costs one hundred francs a month to have your child well taken care of and taught his alphabet for a few hours a day. Val did not grudge it, but what worried her was that Bran did not thrive. Paris was no place for him. The Luxembourg Gardens make a good play-ground for city-bred children, but Bran was Val's own child in his need of air and space and horizon. His bloom faded a little, and he began to look very fair and spiritual. Also his love of the picture and statue galleries seemed to his mother something too wistful and wonderful in a small boy, and brought tears to her pillow in the silence of many a night. Then she took him to Belgium for awhile and left him with Haidee and the good nuns. He was a shy creature, though he hated any one to know it, and believed he hid his secret well behind a set smile and little hardy incomprehensible sayings. When the nuns clustered round him calling him their "little Jesus," a favourite name in France for a pretty child, he disdained to shelter behind Val's skirts, as instinct bade him, but nothing could be got out of him except an enigmatic saying he always kept for strangers: "The cat says bow-wow-wow, and The dog says meow, meow, meow." All the while he smiled his little bright smile and his eyes roving keenly noted every detail of the pale aesthetic faces. Even the tears in the Reverend Mother's eyes did not escape him. Afterward he said to Val: "I like that one with the floating eyes. I think she wishes she had a nice little boy like me. Her voice was littler than a pin's head when she called me her _petit Jesu_. But why do they nearly all have green teeth?" When Val kissed him farewell it nearly broke her heart to see the brave smile he maintained, though Haidee was sniffling and snuffling at his elbow, partly with momentary grief but mostly with indignation at being, as she rudely phrased it: "Shut up in a convent with a lot of old pussycats." Back in Paris the studio seemed desolate and empty. Bran had become so much a part of his mother's being and life that without him she was like a bird from whom a wing had been torn. A month later Haidee wrote: "I think Bran is fretting. Whenever I speak to him he puts that little fixed grin on his mouth, but you should see his eyes." Within an hour Val was in the Brussels express speeding for that dear sight. On the journey back to Paris, happy now and healed of her broken wing, she heard all the history of his lonely nights and the "purply-red pain" that he got in his stomach when he thought of her. Cuddled to her side he wept as he had never wept whilst separated from her, and Val's tears ran down her face too while she listened, registering a vow that she would never part with him again. So once more he went out with a governess and came home to his mother full of original criticisms of Moreau's pictures and the statues of Rodin, until one morning nearly two years after their arrival in Paris, and just when Haidee had arrived for the summer holidays, Val rose up from her bed with the itch for travel in her feet, and the longing quickly communicated to the children for the sight of a clear horizon. They tore their possessions from the walls, stuffed them into trunks, and shook the dust of Paris from their feet. "Let's go to Italy and live on olives and spaghetti, "was Haidee's suggestion, but Bran knew the news of the world. "We might get an earthquake!" The size of the cheque from Branker Preston, however, was what really decided the affair, limiting them to wandering happily enough in Brittany. But the water and primitive methods of Breton cooks made Val think nervously of typhoid, and after a time she headed for Normandy. Normans are cleaner in their household ways than Bretons, of whom they slightingly speak as "_les pores Bretons_," declaring that they eat out of holes in the table and never wash the holes. Besides, Normandy in winter is milder than Brittany. So, travelling by highways and byways, they happened at last on Mascaret. It was the tag end of September when they arrived. All the summer visitors were gone and the big silver beach deserted, but summer itself still lingered. They got an entrancing glimpse of the gentle green and gold beauty of the place before the chills of autumn set in. Even then they had been able to bathe and go sailing in the fishing boat of one of _pere_ Duval's sons, who was now in his turn lighthouse-keeper of Mascaret. For ten sunny October days, too, they had assisted with all the ardour of novitiates at _pere_ Duval's cider making, becoming acquainted with the secrets of _cidre bouche_, and the grades to be found in _cidre ordinaire_ unto the third and fourth watering. They even sampled the latter as drunk by the fishermen and called for at the cafes