War and Peace
stones of the pavement.
“Shut up!” cried Dólokhov, pushing him away from the window. The
lad jumped awkwardly back into the room, tripping over his spurs.
Placing the bottle on the window sill where he could reach it easily,
Dólokhov climbed carefully and slowly through the window and lowered
his legs. Pressing against both sides of the window, he adjusted himself
on his seat, lowered his hands, moved a little to the right and then to
the left, and took up the bottle. Anatole brought two candles and
placed them on the window sill, though it was already quite light.
Dólokhov’s back in his white shirt, and his curly head, were lit
up from both sides. Everyone crowded to the window, the Englishman in
front. Pierre stood smiling but silent. One man, older than the others
present, suddenly pushed forward with a scared and angry look and wanted
to seize hold of Dólokhov’s shirt.
“I say, this is folly! He’ll be killed,” said this more sensible
man.
Anatole stopped him.
“Don’t touch him! You’ll startle him and then he’ll be killed.
Eh?... What then?... Eh?”
Dólokhov turned round and, again holding on with both hands, arranged
himself on his seat.
“If anyone comes meddling again,” said he, emitting the words
separately through his thin compressed lips, “I will throw him down
there. Now then!”
Saying this he again turned round, dropped his hands, took the bottle
and lifted it to his lips, threw back his head, and raised his free hand
to balance himself. One of the footmen who had stooped to pick up some
broken glass remained in that position without taking his eyes from the
window and from Dólokhov’s back. Anatole stood erect with staring
eyes. The Englishman looked on sideways, pursing up his lips. The man
who had wished to stop the affair ran to a corner of the room and threw
himself on a sofa with his face to the wall. Pierre hid his face, from
which a faint smile forgot to fade though his features now expressed
horror and fear. All were still. Pierre took his hands from his eyes.
Dólokhov still sat in the same position, only his head was thrown
further back till his curly hair touched his shirt collar, and the hand
holding the bottle was lifted higher and higher and trembled with the
effort. The bottle was emptying perceptibly and rising still higher
and his head tilting yet further back. “Why is it so long?” thought
Pierre. It seemed to him that more than half an hour had elapsed.
Suddenly Dólokhov made a backward movement with his spine, and his arm
trembled nervously; this was sufficient to cause his whole body to slip
as he sat on the sloping ledge. As he began slipping down, his head and
arm wavered still more with the strain. One hand moved as if to clutch
the window sill, but refrained from touching it. Pierre again covered
his eyes and thought he would never open them again. Suddenly he was
aware of a stir all around. He looked up: Dólokhov was standing on the
window sill, with a pale but radiant face.
“It’s empty.”
He threw the bottle to the Englishman, who caught it neatly. Dólokhov
jumped down. He smelt strongly of rum.
“Well done!... Fine fellow!... There’s a bet for you!... Devil take
you!” came from different sides.
The Englishman took out his purse and began counting out the money.
Dólokhov stood frowning and did not speak. Pierre jumped upon the
window sill.
“Gentlemen, who wishes to bet with me? I’ll do the same thing!”
he suddenly cried. “Even without a bet, there! Tell them to bring me a
bottle. I’ll do it.... Bring a bottle!”
“Let him do it, let him do it,” said Dólokhov, smiling.
“What next? Have you gone mad?... No one would let you!... Why, you go
giddy even on a staircase,” exclaimed several voices.
“I’ll drink it! Let’s have a bottle of rum!” shouted Pierre,
banging the table with a determined and drunken gesture and preparing to
climb out of the window.
They seized him by his arms; but he was so strong that everyone who
touched him was sent flying.
“No, you’ll never manage him that way,” said Anatole. “Wait a
bit and I’ll get round him.... Listen! I’ll take your bet tomorrow,
but now we are all going to ——’s.”
“Come on then,” cried Pierre. “Come on!... And we’ll take Bruin
with us.”
And he caught the bear, took it in his arms, lifted it from the ground,
and began dancing round the room with it.
CHAPTER X
Prince Vasíli kept the promise he had given to Princess Drubetskáya
who had spoken to him on behalf of her only son Borís on the evening of
Anna Pávlovna’s soiree. The matter was mentioned to the Emperor, an
exception made, and Borís transferred into the regiment of Semënov
Guards with the rank of cornet. He received, however, no appointment
to Kutúzov’s staff despite all Anna Mikháylovna’s endeavors and
entreaties. Soon after Anna Pávlovna’s reception Anna Mikháylovna
returned to Moscow and went straight to her rich relations, the
Rostóvs, with whom she stayed when in the town and where her darling
Bóry, who had only just entered a regiment of the line and was being
at once transferred to the Guards as a cornet, had been educated from
childhood and lived for years at a time. The Guards had already left
Petersburg on the tenth of August, and her son, who had remained in
Moscow for his equipment, was to join them on the march to Radzivílov.
It was St. Natalia’s day and the name day of two of the Rostóvs—the
mother and the youngest daughter—both named Nataly. Ever since
the morning, carriages with six horses had been coming and going
continually, bringing visitors to the Countess Rostóva’s big house on
the Povarskáya, so well known to all Moscow. The countess herself and
her handsome eldest daughter were in the drawing room with the visitors
who came to congratulate, and who constantly succeeded one another in
relays.
The countess was a woman of about forty-five, with a thin Oriental type
of face, evidently worn out with childbearing—she had had twelve.
A languor of motion and speech, resulting from weakness, gave her a
distinguished air which inspired respect. Princess Anna Mikháylovna
Drubetskáya, who as a member of the household was also seated in the
drawing room, helped to receive and entertain the visitors. The young
people were in one of the inner rooms, not considering it necessary to
take part in receiving the visitors. The count met the guests and saw
them off, inviting them all to dinner.
“I am very, very grateful to you, mon cher,” or “ma chère”—he
called everyone without exception and without the slightest variation
in his tone, “my dear,” whether they were above or below him in
rank—“I thank you for myself and for our two dear ones whose name
day we are keeping. But mind you come to dinner or I shall be offended,
ma chère! On behalf of the whole family I beg you to come, mon cher!”
These words he repeated to everyone without exception or variation, and
with the same expression on his full, cheerful, clean-shaven face, the
same firm pressure of the hand and the same quick, repeated bows. As
soon as he had seen a visitor off he returned to one of those who were
still in the drawing room, drew a chair toward him or her, and jauntily
spreading out his legs and putting his hands on his knees with the air
of a man who enjoys life and knows how to live, he swayed to and
fro with dignity, offered surmises about the weather, or touched on
questions of health, sometimes in Russian and sometimes in very bad but
self-confident French; then again, like a man weary but unflinching in
the fulfillment of duty, he rose to see some visitors off and, stroking
his scanty gray hairs over his bald patch, also asked them to dinner.
Sometimes on his way back from the anteroom he would pass through the
conservatory and pantry into the large marble dining hall, where tables
were being set out for eighty people; and looking at the footmen, who
were bringing in silver and china, moving tables, and unfolding damask
table linen, he would call Dmítri Vasílevich, a man of good family and
the manager of all his affairs, and while looking with pleasure at the
enormous table would say: “Well, Dmítri, you’ll see that things are
all as they should be? That’s right! The great thing is the serving,
that’s it.” And with a complacent sigh he would return to the
drawing room.
“Márya Lvóvna Karágina and her daughter!” announced the
countess’ gigantic footman in his bass voice, entering the drawing
room. The countess reflected a moment and took a pinch from a gold
snuffbox with her husband’s portrait on it.
“I’m quite worn out by these callers. However, I’ll see her and
no more. She is so affected. Ask her in,” she said to the footman in a
sad voice, as if saying: “Very well, finish me off.”
A tall, stout, and proud-looking woman, with a round-faced smiling
daughter, entered the drawing room, their dresses rustling.
“Dear Countess, what an age... She has been laid up, poor child ...
at the Razumóvski’s ball ... and Countess Apráksina ... I was
so delighted...” came the sounds of animated feminine voices,
interrupting one another and mingling with the rustling of dresses and
the scraping of chairs. Then one of those conversations began which last
out until, at the first pause, the guests rise with a rustle of dresses
and say, “I am so delighted... Mamma’s health... and Countess
Apráksina...” and then, again rustling, pass into the anteroom, put
on cloaks or mantles, and drive away. The conversation was on the chief
topic of the day: the illness of the wealthy and celebrated beau of
Catherine’s day, Count Bezúkhov, and about his illegitimate son
Pierre, the one who had behaved so improperly at Anna Pávlovna’s
reception.
“I am so sorry for the poor count,” said the visitor. “He is in
such bad health, and now this vexation about his son is enough to kill
him!”
“What is that?” asked the countess as if she did not know what the
visitor alluded to, though she had already heard about the cause of
Count Bezúkhov’s distress some fifteen times.
“That’s what comes of a modern education,” exclaimed the visitor.
“It seems that while he was abroad this young man was allowed to do
as he liked, now in Petersburg I hear he has been doing such terrible
things that he has been expelled by the police.”
“You don’t say so!” replied the countess.
“He chose his friends badly,” interposed Anna Mikháylovna.
“Prince Vasíli’s son, he, and a certain Dólokhov have, it is said,
been up to heaven only knows what! And they have had to suffer for it.
Dólokhov has been degraded to the ranks and Bezúkhov’s son sent
back to Moscow. Anatole Kurágin’s father managed somehow to get his
son’s affair hushed up, but even he was ordered out of Petersburg.”
“But what have they been up to?” asked the countess.
“They are regular brigands, especially Dólokhov,” replied the
visitor. “He is a son of Márya Ivánovna Dólokhova, such a worthy
woman, but there, just fancy! Those three got hold of a bear somewhere,
put it in a carriage, and set off with it to visit some actresses! The
police tried to interfere, and what did the young men do? They tied
a policeman and the bear back to back and put the bear into the Moyka
Canal. And there was the bear swimming about with the policeman on his
back!”
“What a nice figure the policeman must have cut, my dear!” shouted
the count, dying with laughter.
“Oh, how dreadful! How can you laugh at it, Count?”
Yet the ladies themselves could not help laughing.
“It was all they could do to rescue the poor man,” continued the
visitor. “And to think it is Cyril Vladímirovich Bezúkhov’s son
who amuses himself in this sensible manner! And he was said to be so
well educated and clever. This is all that his foreign education has
done for him! I hope that here in Moscow no one will receive him, in