Madame FlirtCharles Edward PearceOmniClassics · Literature
Madame Flirt
Charles Edward PearceThe future star of The Beggar's Opera enters a fictional world of street songs, theatrical ambition, and powerful patrons.
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About the book
A young singer performing outside a St. Giles tavern catches the attention of John Gay and Lord Bolingbroke. Her voice suggests possibilities far beyond the rough crowd from which she earns her living, but talent alone offers little protection in the London Pearce reconstructs. The story follows Lavinia Fenton through a world where theatrical opportunity, personal affection, and the influence of wealthy men continually overlap. Using the milieu of The Beggar's Opera, Pearce combines historical figures with the inventions of a romantic novel. The opening's contrast between a beautiful song and the revelry surrounding a public execution sets the tone: art may promise escape, while the conditions of its production remain entangled with appetite, money, and unequal power.
- Theatrical ambition
- Patronage and independence
- Art and urban life
Why read it
The tavern audience makes the discovery of a voice a social encounter, bringing the stage's glamour into contact with the street.
English Stanley Paul and Co. edition first published in 1922
Contents and reading sections
- Section 1
- Section 2
- Section 3
- Section 4
- Section 5
- Section 6
- Section 7
- Section 8
- Section 9
- Section 10
- Section 11
- Section 12
- Section 13
- Section 14
- Section 15
- Section 16
- Section 17
- Section 18
- Section 19
- Section 20
- Section 21
- Section 22
- Section 23
- Section 24
- Section 25
- Section 26
- Section 27
- Section 28
- Section 29
- Section 30
- Section 31
- Section 32
- Section 33
- Section 34
- Section 35
- Section 36
- Section 37