About this book

Harriet Martineau

Florence Fenwick Miller

would not be willing to accept it. She replied from Tynemouth to the same effect to Mr. Hutton, who wrote to inquire if she would now be thus assisted. Her objection was, in the first place, one of principle; she disapproved of the money of the people being dispensed in any pensions at the sole will of the Ministry, instead of being conferred directly by the representatives of the people. Her second reason was, that after accepting she would feel herself bound to the Ministers, and would be understood by the public to be so bound, and would thus suffer a loss of both freedom and usefulness during whatever life might remain to her. Lord Melbourne, a few months later, in July, 1841, made her an explicit offer of a pension of L150 per annum, and her answer to the Minister was substantially the same as to her friend. She said that while taxation was levied so unequally, and while Parliament had no voice in the distribution of pensions, she would rather receive public aid from the parish, if necessary, than as a pensioner. She added an earnest plea that all influential persons who held themselves indebted on public grounds to any writer, would show that gratitude by endeavoring to make better copyright arrangements and foreign treaties, so as to secure to authors the full, due and independent reward of their efforts. The rare (perhaps mistaken) generosity of this refusal can only be appreciated by bearing in mind that she had invested a large part of her earnings a few years before in a form from which she was now receiving no return. During her illness she was really in want of money, so far as to have to accept assistance from relatives. For her charities she partly provided by doing fancy-work, sending subscriptions both in this form and in the shape of articles for publication to the anti-slavery cause in America. In the early part of 1841 she began a series of four children's stories, which were published under the general title of _The Playfellow_. These admirable tales are still amongst the best-known and most popular of her writings; simple, vivid and interesting, they are really model children's stories, and it would have been quite impossible for any reader to imagine that they were written by an invalid, in constant suffering. _Settlers at Home_ was the first one written, _The Prince and the Peasant_ came next; then _Feats on the Fjord_; and, finally, that one from which I quoted largely in an early chapter, _The Crofton Boys_. By the time the last-named was finished she was very ill, and believed that she should never write another book. Her interest in all public affairs continued, nevertheless, to be as keen as ever. In 1841 she wrote for publication a long letter to support the American Anti-Slavery Society under a secession from its ranks of a number of persons, chiefly clerical, who objected, of all things, to women being allowed to be members of the society! Another piece of work which she did for the public benefit was by a course of correspondence, full of delicate tact, to personally reconcile Sir Robert Peel and Mr. Cobden, and so to pave the way for the amicable work of the two statesmen in the repeal of the Corn Laws. In 1843, some of her friends who knew her circumstances, and that she had refused a pension, collected money to present her with a testimonial. L1,400, thus obtained, was invested for her benefit in the Terminable Long Annuities, and a considerable sum besides was expended in a present of plate. The Ladies Lambton (the eldest of whom, as Countess of Elgin, was afterwards one of her warmest friends) went over to Tynemouth to use the plate with her for the first time, and "it was a testimonial fete." It was about this time, too, that the personal acquaintance, destined to become an intimate association in work, between Harriet Martineau and Florence Nightingale was commenced. Miss Martineau's younger sister Ellen had been governess in Miss Nightingale's family. Sick-nursing occupied Florence Nightingale's hands and heart long before the Crimean War made her famous, and Harriet Martineau was one of the sick to whom she ministered in those earlier days. Towards the end of 1843, Harriet's mind had accumulated a store of thoughts and feelings which imperatively pressed to be poured forth. She wrote then, in about six weeks, her volume of essays, _Life in the Sick-Room_. The book was published under the pseudonym of "An Invalid," but was immediately attributed to her on all hands. It is a most interesting record of the high thoughts and feelings by which so melancholy an experience as years of suffering, of an apparently hopeless character, can be elevated, and made productive of benefit to the sufferer's own nature. Incidentally there is much wise counsel in the volume for those who have the care of invalids of this class. Amidst the many expressions of admiration and interest which this work drew forth, the following is perhaps most worthy of preservation because of the source whence it came. Mr. Quillinan, Wordsworth's son-in-law, wrote as follows to his friend, Henry Crabbe Robinson, on December 9, 1843:-- Mr. Wordsworth, Mrs. Wordsworth and Miss Fenwick have been quite charmed, affected, and instructed by the invalid's volume.... Mrs. Wordsworth, after a few pages were read, at once pronounced it to be Miss Martineau's production, and concluded that you knew all about it and caused it to be sent hither. In some of the most eloquent parts it stops short of their wishes and expectations: but they all agree that it is _a rare book_, doing honor to the head and heart of your able and interesting friend. Mr. Wordsworth praised it with more unreserve--I may say, with more _earnestness_--than is usual with him. The serene and heavenly-minded Miss Fenwick was prodigal of her admiration. But Mrs. Wordsworth's was the crowning praise. She said--and you know how she would say it--"I wish I had read exactly such a book as that years ago!"... It is a _genuine_ and touching series of meditations by an invalid not sick in mind or heart.[10] [10] _Diary and Letters of H. C. Robinson_, vol. iii., p. 235. From one of the letters with which Mr. Henry G. Atkinson has favored me and my readers, I find that she wrote a chapter for that book, which undoubtedly must have been of the deepest interest, but which was not published. LETTER TO MR. ATKINSON. [Extract.] November 19, 1872. DEAR FRIEND: ... You will feel at once how earnestly I must be longing for death--I who never loved life, and who would any day of my life have rather departed than stayed. Well! it can hardly go on very much longer now. But I do wish it was permitted to us to judge for ourselves a little how long we ought to carry on the task which we never desired and could not refuse, and how soon we may fairly relieve our comrades from the burden of taking care of us. I wonder whether the chapter I wrote about this for the "Sick-Room" book will ever see the light. I rather wish it may, because I believe it utters what many people think and feel. I let it be omitted from that book because it might perhaps injure the impression of the rest of the volume; but, so far as I remember it, it is worth considering, and therefore publishing. I have made such inquiries as I could (of one of Miss Martineau's executors and others), but can get no tidings of this missing chapter on Euthanasia. It was just such a subject--needing for its discussion, courage, calmness, common sense, and logic, combined with sympathy, and a high standard of moral beauty and goodness--as she would have been sure to treat rarely well. There is one passage in _Life in the Sick-Room_, bearing upon the question; she observes that the great reason why hopeless invalids so commonly endure on when they are longing for the rest of insensibility, is the uncertainty as to whether they may not find themselves still conscious in another state. Her own history was to supply a stronger reason still against the irrevocable action being taken upon our rash assumptions that our work and our usefulness in life are ended. As she truly observed: "No one knows when the spirits of men begin to work, or when they leave off, or whether they work best when their bodies are weak, or when they are strong. Every human creature that has a spirit in him must therefore be taken care of, and kept alive as long as possible, that his spirit may do all it can in the world." So she wrote at that very time--showing how her mind was pondering every view of the subject. The sentence just quoted is from _Dawn Island_, a little one-hundred paged story which she wrote in the midst of her suffering, as her contribution to the funds of the Anti-Corn Law League. It was printed and sold for the benefit of that league, at the great bazaar of 1845. After the publication of the "Sick-Room" book, she commenced the writing of her autobiography--not as it was published afterwards, be it understood--for she was too ill to make much progress with it, and soon stopped writing. But she _never_ became too ill to feel and to show a vivid interest in every cause that had the happiness and progress of mankind for its object. She kept up an extensive correspondence with those engaged in the world's work, and such personal efforts for public objects as those above mentioned she frequently exerted--sometimes over-exerted--herself to make. Her body was chained to two small rooms; but her mind, with all its powers and affections, yet swept freely through the universe. No one would have been more impatient than she herself of any pretence that she lived incessantly on a high plane of lofty emotions, where pain ceased to be felt, or that her care for others was so extraordinary that self-regard was swallowed up in the depths of altruism. I have quoted her candid revelations about her sufferings and her opiates, to avoid the possibility of conveying an impression that she was thus guilty of hypocrisy or affectation. But the wide interests and the sympathies with mankind that were the solace of her sick life, and the inspiration of the work which she did so heavily, and yet so continuously, amidst her pain, assuredly shall be marked with the reverence that they merit. In 1844 the long illness came to an end. Harriet Martineau was restored to perfect health by means of mesmerism. Such a cure of such a person could not fail to make a great sensation. Not only had she a wide circle of personal acquaintances, but she had deeply impressed the public at large with a sense of her perfect sanity, her calm common-sense, and her practical wisdom, as well as with a conviction of her truthfulness and accuracy. Accordingly, as the _Zoist_ (Dr. Elliotson's mesmeric periodical) declared at the time:-- The subject which the critic, a few months since, would not condescend to notice, has been elevated to a commanding position. It is the topic with which the daily papers and the weekly periodicals are filled; in fact, all classes are moved by one common consent, and mesmerism, from the palace to the smallest town in the United Kingdom, is the scientific question absorbing public attention.... The immediate cause of all this activity, is the publication of the case of Miss Martineau, who, after five years' incessant suffering and confinement to her couch, is now well. I have thought that what needs to be said here of the medical aspect and course of this period of suffering, and of the final cure, will best be said consecutively; and, therefore, we will look back briefly