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My Recollections of Lord Byron

contessa di Teresa Guiccioli

says Mr. Galt, "I was frequently with him. At that time, the strongest feeling by which he appeared to be actuated was indignation against a writer in a scurrilous publication, called 'The Scourge,' in which he was not only treated with unjustifiable malignity, but charged with being, as he told me himself, the illegitimate son of a murderer. I had not read the work; but the writer who could make such an absurd accusation, must have been strangely ignorant of the very circumstances from which he derived the materials of his own libel. When Lord Byron mentioned the subject to me, and that he was consulting Sir Vicary Gibbs with the intention of prosecuting the publisher and the author, I advised him, as well as I could, to desist simply because the allegations referred to well-known occurrences. His grand-uncle's duel with Mr. Chaworth, and the order of the House of Peers to produce evidence of his grandfather's marriage with Miss Trevannion, the facts of which being matter of history and public record, superseded the necessity of any proceeding. "Knowing how deeply this affair agitated him at that time, I was not surprised at the sequestration in which he held himself, and which made those who were not acquainted with his shy and mystical nature apply to him the description of his own 'Lara.'"[176] Lord Byron's conduct at this period, led those who did not know his timid mystery-loving nature, to fancy that they recognized him in the portrait drawn of "Lara." Probably they were unaware how his hard fate was now not sparing him one single grief or mortification; how he was struggling between the necessity of putting up Newstead for sale and the extreme repugnance he felt to such a step. "Before his resolve was taken on this head," says Mr. Galt, "he was often so troubled in mind, as to be unable to hide his sadness; and he often spoke of leaving England forever." Already, long absence had made him lose sight of several early comrades; his mother was dead, and he scarcely saw his sister, who lived in quite another circle; through his antecedents, his youth, and his travels abroad, he was still a stranger among his fellow-peers; the only persons he saw much of were five or six college friends, whom death had spared, and to whom he was extremely attached; but they were his sole affections. His ideal standard of perfection which, being brought in contact with reality, had always a little spoilt women for him, had ended by making them almost disagreeable. "I have one request to make," wrote he at this time to H----, "never again speak to me in your letters of a woman; do not even allude to the existence of the sex. I will not so much as read a word about them; it must be _propria que maribus_." It was in this state of relative isolation that he came to London, about the end of the year, and found Dallas preparing to have "Childe Harold" published; a task in which Lord Byron half unwillingly joined. "He seemed more inclined," says Dallas, "at that time to seek more solid fame, by endeavoring to become an active, eloquent statesman." But, notwithstanding this perspective, despite his genius and his youth, Lord Byron often fell into a sort of mental prostration, which was, says Dallas again, "rather the _result of his particular situation, feeling himself out of his sphere, than that of a gloomy disposition_ received from nature." We have seen, in effect, that there were circumstances then existing well calculated to darken his noble brow, and give him those nervous movements that may have seemed like caprice to those who were ignorant of their cause; and I wished to enter into these details so as to characterize well the epoch when his melancholy was greatest, and to show that it had its chief source in the anguish of his heart. It was to this time he alluded, when, in other days of suffering (at the period of his separation from Lady Byron), wherein his heart had smaller share, he wrote to Moore:--"If my heart could have broken, it would have done so years ago, through events more afflicting than this." I also wished to enter into these details, because, desiring to prove that Lord Byron's melancholy almost always arose from palpable causes, it was necessary to make these causes known; and thus those who have declared his griefs to be rather _imaginary_ than _real_, may find in this chapter abundant reason for rectifying their ideas. Among the number of such persons we may rank Mr. Macaulay, the eloquent historian, whose opinion, however, has _no weight_, as regards Lord Byron's character. For it is evident that he made use of this great name by way of choosing a good theme for his eloquence, a sort of mould for fine phrases. Besides, Macaulay did not know Lord Byron personally, nor did he study him impartially; facts which are his _fault_ and his _excuse_. After having paid this great tribute to grief during six months, the storm appeared to subside, and a ray of sunshine penetrated into Lord Byron's mind. It was then that he made Moore's acquaintance, and that of other clever men, among whom we may cite Rogers and Campbell. Moore especially, introduced under circumstances that brought out strongly the most amiable and estimable qualities of heart and mind, was to Lord Byron as a beacon-light amid the clouds external and internal harassing him then; and their sympathy was mutual and instantaneous. Lord Byron wrote directly to Harness:-- "Moore is the epitome of every thing exquisite in poetic and personal perfections." On his side, Moore, after having praised the _manly, generous, pleasing refinement of his new friend_, sums up by saying:--"_Frank and manly as I found his nature then, so did I ever find it to his latest hour._" And in describing the effect produced on him by his first meeting with Lord Byron, he says:-- "_Among the impressions which this meeting left upon me, what I chiefly remember to have remarked was the nobleness of his air, his beauty, the gentleness of his voice and manners._ Being in mourning for his mother, the color, as well of his dress as of his glossy, curling, and picturesque hair, gave more effect to the pure, spiritual paleness of his features, in the expression of which, when he spoke, there was a perpetual play of lively thought, though melancholy was their habitual character when in repose." But this melancholy, having become habitual to him through accident, began then to disperse, as snow melts beneath the soft and warm breath of spring. The first symptom was that he judged better of himself; for, writing to his friend Harness, to express his general opinion on human selfishness, he said, "But I do not think we are born of this disposition." "From the time of our first meeting," says Moore, "there seldom elapsed a day that Lord Byron and I did not see each other, and our acquaintance ripened into intimacy and friendship with a rapidity of which I have seldom known an example."[177] Moore's company was a great consolation to him then, and Providence willed that the first balsam applied to his wounds, after that of time, should come from the hand of one whom he had lashed in his satire. He passed in this way the last months of 1811, and the first two of the following year. Meanwhile his star was about to rise, soon to transform, without any transition, his misty sky into brightest light, too dazzling, alas! to endure. For the sun, when it shines so radiantly in early morning, absorbs too many bad vapors. But we will not anticipate events which I am not relating here. The parliamentary session being opened, Lord Byron resumed his seat in the upper House. But he was only known there by the satire that had raised him up such a host of enemies; otherwise, the handsome young man who had come among them three years before, but who had since appeared to disdain their labors, preferring foreign travel in Spain and the East, was scarcely remembered. When they saw him return, still so young and handsome, but with a grave melancholy brow, and that he immediately distinguished himself as an orator, general admiration was excited. Even those he had offended generously forgot their anger in sympathy for a fellow-countryman, and pride in such a colleague; pride and enthusiasm were so general that both parties, Tories and Whigs, shared it equally. Lord Holland told him that _as an orator he would beat them all, if he persevered_. Lord Grenville remarked that for the construction of his phrases _he already resembled Burke_. Sir Francis Burdett declared that his discourse was the _best_ pronounced by a lord in parliamentary memory. Several other noblemen asked to be presented, and even those he had offended came round to shake hands. Generous natures showed themselves on this occasion. The success of the orator heralded that of the poet, for "Childe Harold" appeared a few days after. "The effect was," said Moore, "accordingly electric; his fame had not to wait for any of the ordinary gradations, but seemed to spring up like the palace of a fairy tale, in a night. As he himself briefly described it in his memoranda:--'I awoke one morning, and found myself famous.' "The first edition of his work was disposed of instantly; and, as the echoes of its reputation multiplied on all sides, 'Childe Harold' and 'Lord Byron' became the theme of every tongue. At his door most of the leading names of the day presented themselves. From morning till night the most flattering testimonies of his success crowded his table from the grave tributes of the statesman and the philosopher down to (what flattered him still more) the romantic billet of some _incognita_, or the pressing note of invitation from some fair leader of fashion; and, in place of the desert which London had been to him but a few weeks before, he now not only saw the whole splendid interior of high life thrown open to receive him, but found himself among its illustrious crowds the most distinguished object." I may also mention Dallas, who in speaking of this unexampled success, says:-- "Lord Byron had become the subject of every conversation in town. "He was surrounded with honors. From the regent and his admirable daughter, down to the editor and his clerk; from Walter Scott and Jeffrey down to the anonymous authors of the 'Satirist' and the 'Scourge,' all and each extolled his merits. He was the admiration of the old, and the marvel of the fashionable circles of which he had become the idol." This adoration of a whole nation did not turn his head, but it touched and rejoiced his heart. When he knew himself forgiven and loved by those even whom he had most offended in his satire, toward whom he felt most guilty, as, for instance, the excellent Lord Holland, who asked for his friendship, predicting his future fame as an orator, and already placing him beside Walter Scott as a poet; then by Lord Fitzgerald, who declared himself incapable of feeling angry with "Childe Harold," and many, many others; when all this occurred, Lord Byron's heart expanded to the better feelings he had long kept under control and hidden. He gave way to his innate kindness, to generous forgiveness; his own good qualities were stimulated by the kindness and generosity of others; this, rather than any satisfaction of self-love, dispelled the clouds from his soul, changed the sky and atmosphere, and his melancholy of that period, which owed its source to the heart, became neutralized by the heartfelt satisfaction he experienced. His letters, and particularly those to Moore, are full of life and animation at this time; and such as he appeared in his letters, such did Moore describe him in his habitual frame of mind. Dallas, who before had so often seen him melancholy, says:--