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My Recollections of Lord Byron

contessa di Teresa Guiccioli

is an enlivening ingredient of such intercourse, it would be difficult to find two persons more formed to whet each other's faculties by discussion, as on few points of common interest between them did their opinions agree: and that this difference had its root deep in the conformation of their respective minds, needs but a glance through the rich, glittering labyrinth of Shelley's pages to assure us. "In Lord Byron, the real was never forgotten in the fanciful. However Imagination had placed her whole realm at his disposal, he was no less a man of this world than a ruler of hers: and, accordingly, through the airiest and most subtle creations of his brain, still the life-blood of truth and reality circulates. With Shelley it was far otherwise: his fancy was the medium through which he saw all things, his facts as well as his theories; and not only the greater part of his poetry, but the political and philosophical speculations in which he indulged, were all distilled through the same over-refining and unrealizing alembic. Having started as a teacher and reformer of the world, at an age when he could know nothing of the world but from fancy, the persecution he met with on the threshold of this boyish enterprise only confirmed him in his first paradoxical views of human ills, and their remedies. Instead of waiting to take lessons from those of greater experience, he with a courage, admirable, had it been but wisely directed, made war upon both.... With a mind, by nature, fervidly pious, he yet refused to acknowledge a Supreme Providence, and substituted some airy abstraction of 'Universal Love' in its place. An aristocrat by birth, and, as I understand, also in appearance and manners, he was yet a leveller in politics, and to such an utopian extent as to be the serious advocate of a community of goods. Though benevolent and generous to an extent that seemed to exclude all idea of selfishness, he yet scrupled not, in the pride of system, to disturb wantonly the faith of his fellow-men, and, without substituting any equivalent good in its place, to rob the wretched of a hope, which, even if false, would be better than all this world's best truths. "Upon no point were the opposite tendencies of the two friends more observable than in their notions on philosophical subjects: Lord Byron being, with the great bulk of mankind, a believer in the existence of matter and evil, while Shelley so far refined upon the theory of Berkeley, as not only to resolve the whole of creation into spirit, but to add also to this immaterial system, some pervading principle, some abstract nonentity of love and beauty--of which, as a substitute at least for Deity--the philosophic bishop had never dreamed." The difference existing between their philosophical doctrines was that which existed between the two most opposed systems of spiritualism and pantheism. I said that Shelley, notwithstanding his originality of mind, was destined, through the mobility of his impressions, to be easily influenced by what he read. The study of Plato and of Spinoza had already given to his metaphysical views a different bent. But before his transition from atheism to a mystical pantheism, before finding God in all things, after having sought him in vain everywhere, before considering himself to be a fragment of a chosen existence, and before shutting himself up in a kind of mysticism which did actually absorb him at a later period, he confined himself to a positive worship of nature, which appeared to him then in the glorious shape of the mountains and lakes of Helvetia. Wordsworth was his oracle, and thus cultivating a poetry which deified nature, Shelley, in reality, remained at heart an atheist, and doubtless tried to imbue Byron with his enthusiasm and with his opinions. Himself greatly delighted with the beauties of the scenery in the midst of which they lived, and, as he was wont to say in laughter, having received many large doses of Wordsworth from Shelley, Lord Byron wrote several stanzas in which the same enthusiasm may be met with, recorded in terms almost of adoration. It was only a poetical form, however, a poetical illusion, which was succeeded by stanzas in which God himself as our creator, was loudly proclaimed. If in the seventy-second and following stanzas of the third canto, opinions were expressed which savored of pantheistic tendencies, they were at once followed by some such as these:-- "All heaven and earth are still--though not in sleep, But breathless, as we grow when feeling most; And silent, as we stand in thought too deep:-- All heaven and earth are still: from the high host Of stars to the lull'd lake and mountain-coast, All is concentred in a life intense, Where not a beam, nor air, nor leaf is lost, But hath a part of being, and a sense Of that which is of all _Creator_ and _Defense_." And again, on viewing the Alps, he writes the poem of "Manfred," in which his belief in a One God, and Creator, is expressed in sublime lines. His repugnance to atheism and to materialism is testified not only in his poetry, but also by his own actions. On reaching Montauvert with his friend Hobhouse, and on the point of ascending Mont Blanc with him, he found Shelley's name in the register of the travellers, and under it the qualification of "atheist" written in Shelley's own hand. Lord Byron at once scratched it out. But on reading, a little below, a remark by another traveller, who had justly rebuked Shelley's folly, Byron added the words, "The appellation is well deserved." He soon after left the Alps, and came to Italy, without his views, either philosophical or religious, being in the least altered by the seductions of "that serpent," as he jokingly denominated Shelley. We shall now follow him, step by step, until the end of his life, and we shall see whether he will not show himself stanch in his adherence to great principles. Lord Byron had enough of systems, and was disgusted with their absurdity, their proud dogmatical views, and their intolerant spirit. Whenever the great questions of life and the dictates of the soul occupy his thoughts, either in the silence of the night or in the absence of passion, we shall see him set himself resolutely to the examination of his own conscience, for the purpose of arriving at truth and justice. The answers which his powerful reasoning suggested to him served to determine and confirm his faith in God. On leaving Geneva, Lord Byron proceeded to Milan. "One day," says Mr. Stendhall, who knew Lord Byron at Milan, in 1817, and saw a great deal of him there, "some people alluded to a couplet from the 'Aminta' of Tasso, in which the poet appears to take credit to himself for being an unbeliever, and expresses it in the lines which may thus be translated:-- 'Listen, oh my son, to the thunder as it rolls. But what is it to us what Jupiter does up there? Let us rejoice down here if betroubled above; Let the common herd of mortals dread his blows: And let the world go to ruin, I will only think Of what pleases me; and if I become dust again, I shall only be what I have already been.' Lord Byron says that these lines were written under the influence of spleen. A belief in the existence of a superior Being was a necessity for the fiery and tender nature of Tasso. He was, besides, far too Platonic to try to reconcile such contrary opinions. When he wrote those lines, he probably was in want of a piece of bread and a mistress." Lord Byron reached Venice, and there his most agreeable hours and days were spent with Padre Pasquale, in the convent of the Armenian priests. He also wrote, at this time, the sublimely moral poem entitled "Manfred," in which he renders justice to the existence of God, to the free will of man, the abuse of which has resulted in the loss of "Manfred," and retraces, in splendid lines, all the duties incumbent upon man, together with the limits which he is not allowed to pass. The apparition of his lovely and young victim, the uncertainty of her happiness, which causes Manfred's greatest grief, and finally his supplication to her that he may know whether she is enjoying eternal bliss, ... "That I do bear This punishment for both--that thou wilt be One of the blessed--...." the whole bears the impress of a truly religious spirit. He shortly afterward visited Rome, and finding himself in presence of St. Peter's, he again gave expression to his religious sentiments, in the admirable fourth canto of "Childe Harold," which Englishmen do not hesitate to acknowledge as the finest poem which ever came from mortal hands. TO ST. PETER. _Stanza_ 153. * * * * * * * "Christ's mighty shrine above his martyr's tomb!" _Stanza_ 154. "But thou, of temples old, or altars new, Standest alone, with nothing like to thee. * * * * * * * Power, glory, strength, and beauty all are aisled In this eternal ark of worship undefiled." From Venice he went on to Ravenna. The persecution to which he was subjected, on the ground of religion and morality, on account of the publication of the two first cantos of "Don Juan," was then at its height, and he was tormented in every possible way. It was useless for him to protest, in verse, in prose, by letter, or by words, against the accusation of his being an atheist and a skeptic. It was asserted that "Manfred" was the expression of his doubts upon the dispensation of Providence, and that his other poems, all more or less imbued with passion, had tendencies of an irreverent nature in respect to the Divinity. His two famous stanzas in "Childe Harold" were always held up to him by the innumerable army of hypocrites and wicked people who assailed him. All were not hypocrites, however; some were his enemies in good faith, but were blinded by sectarian prejudices. Among these was an Irishman of the name of Mulock, author of a work entitled "Atheism Answered." Lord Byron one day at Ravenna received a paper from the editor of the "Bologna Telegraph," with extracts from this work, in which "there is a long eulogium of" his "poetry, and a great _compatimento_ for" his "misery" on account of his being a skeptic and an unbeliever in Christ; "although," says Mr. Mulock, "his bold skepticism is far preferable to the pharisaical parodists of the religion of the Gospel, who preach and persecute with an equally intolerant spirit." Lord Byron, writing that day to Murray, says:-- "I never could understand what they mean by accusing me of irreligion. They may, however, have it their own way. This gentleman seems to be my great admirer, so I take what he says in good part, as he evidently intends kindness, to which I can't accuse myself of being insensible." In the evening he talked to and laughed a good deal with the Countess Guiccioli about this great _compatimento_,[17] treating it as a great oddity. A few months later, Moore having written to him about this same Mr. Mulock, and told him that that gentleman was giving lectures upon religion, Lord Byron, while riding with the young Count G---- in the forest of Ravenna, made his profession of faith, and finding his youthful companion not quite orthodox, said to him: "The nature of classical and philosophical studies generally paralyzes all logical minds, and that is why many young heads leave college unbelievers: you are even still more so, because you mix up your religious views with your political antipathies. As for me, in my early youth, when I left college, where I had to bow to very superior and stronger minds who themselves were under various evil influences of college and of youth, I