The Bishop of Cottontown: A Story of the Southern Cotton Mills
Jack drew her down and kissed her.
And as his eyes grew dim, a figure, tall and in military clothes,
stood before him, shaken with grief and saying, "Jack--Jack, my poor
friend--"
Jack's mind was wandering, but a great smile lit up his face as he
said: "_Bishop--Bishop--is--is--it Cap'n Tom, or--or--Jesus Christ?_"
And so he passed out.
And up above them all in the belfry, lying prone, but still gripping
his rifle's stock which, sweeping the jail with its deadly protruding
barrel, had held back hundreds of men, they found Richard Travis, a
softened smile on his lips as if he had just entered into the glory
of the great Sweet Silence of Things. And by him sat the old
preacher, where he had sat since Richard Travis's last shot had saved
the jail and the defenders; sat and bound up his wound and gave him
the last of his old whiskey out of the little flask, and stopped the
flow of blood and saved the life which had nearly bubbled out.
And as they brought the desperately wounded man down to the surgeon
and to life, the old governor raised his hat and said: "The Travis
blood--the Irish Gray--when it's wrong it is hell--when it's right it
is heaven."
But the old preacher smiled as he helped carry him tenderly down and
said: "He is right, forever right, now, Gov'nor. God has made him so.
See that smile on his lips! He has laughed before--that was from the
body. He is smiling now--that is from the soul. His soul is born
again."
The old governor smiled and turned. Edward Conway, wounded, was
sitting up. The governor grasped his hand: "Ned, my boy, I've
appointed you sheriff of this county in place of that scallawag who
deserted his post. Stand pat, for you're a Conway--no doubt about
that. Stand pat."
Under the rock wall, they found a man, dead on his knees, leaning
against the wall; his gun, still cocked and deadly, was resting
against his shoulder and needing only the movement of a finger to
sweep with deadly hail the cotton-bales. His scraggy hair topped the
rock fence and his staring eyes peeped over, each its own way. And
one of them looked forward into a future which was Silence, and the
other looked backward into a past which was Sin.
CHAPTER XXV
THE SHADOWS AND THE CLOUDS
When Richard Travis came to himself after that terrible night, they
told him that for weeks he had lain with only a breath between him
and death.
"It was not my skill that has saved you," said the old surgeon who
had been through two wars and who knew wounds as he did maps of
battlefields he had fought on. "No," he said, shaking his head, "no,
it was not I--it was something beyond me. That you miraculously live
is proof of it."
He was in his room at The Gaffs, and everything looked so natural. It
was sweet to live again, for he was yet young and life now meant so
much more than it ever had. Then his eyes fell on the rug, wearily,
and he remembered the old setter.
"The dog--and that other one?"
He sat up nervously in bed, trembling with the thought. The old
surgeon guessed and bade him be quiet.
"You need not fear that," he said, touching his arm. "The time has
passed for fear. You were saved by the shadow of death and--the blood
letting you had--and, well, a woman's lips, as many a man has been
saved before you. You'd better sleep again now...."
He slept, but there were visions as there had been all along. And two
persons came in now and then. One was Tom Travis, serious and quiet
and very much in earnest that the patient might get well.
Another was Tom's wife, Alice, who arranged the wounded man's pillows
with a gentleness and deftness as only she could, and who gave quiet
orders to the old cook in a way that made Richard Travis feel that
things were all right, though he could not speak, nor even open his
eyes long enough to see distinctly.
A month afterward Richard Travis was sitting up. His strength came
very fast. For a week he had sat by the fire and thought--thought.
But no man knew what was in his mind until one day, after he had been
able to walk over the place, he said:
"Tom, you and Alice have been kinder to me--far kinder--than I have
deserved. I am going away forever, next week--to the Northwest--and
begin life over. But there is something I wish to say to you first."
"Dick," said his cousin, and he arose, tall and splendid, before the
firelight--"there is something I wish to say to you first. Our lives
have been far apart and very different, but blood is blood and you
have proved it, else I had not been here to-night to tell it."
He came over and put his hand affectionately on the other's shoulder.
At its touch Richard Travis softened almost to tears.
"Dick, we two are the only grandsons that bear his name, and we
divide this between us. Alice and I have planned it. You are to
retain the house and half the land. We have our own and more than
enough. You will do it, Dick?"
Richard Travis arose, strangely moved. He grasped his cousin's hand.
"No, no, Tom, it is not fair. No Travis was ever a welcher. It is all
yours--you do not understand--I saw the will--I do not want it. I am
going away forever. My life must lead now in other paths. But--"
The other turned quickly and looked deep into Richard Travis's eyes.
"I can see there is no use of my trying to change your mind, Dick,
though I had hoped--"
The other shook his head. It meant a Travis decision, and his cousin
knew it.
"But as I started to say, Tom, and there is no need of my mincing
words, if you'll raise that boy of mine--" he was silent awhile, then
smiling: "He is mine and more of a Travis to-day than his father ever
was. If you can help him and his aunt--"
"He shall have the half of it, Dick, and an education, under our
care. We will make a man of him, Alice and I."
Richard Travis said no more.
The week before he left, one beautiful afternoon, he walked over to
Millwood for the last time. For Edward Conway was now sheriff of the
county, and with the assistance of the old bishop, whose fortune now
was secured, he had redeemed his home and was in a fair way to pay
back every dollar of it.
A new servant ushered Travis in, for the good old nurse had passed
away, the strain of that terrible night being too much, first, for
her reason, and afterwards, her life.
Edward Conway was away, but Helen came in presently, and greeted him
with such a splendid high-born way, so simple and so unaffected that
he marveled at her self-control, feeling his own heart pulsing
strangely at sight of her. In the few months that had elapsed how
changed she was and how beautiful! This was not the romantic, yet
buffeted, beautiful girl who had come so near being the tragedy of
his old life? How womanly she now was, and how calm and at her ease!
Could independence and the change from poverty and worry, the strong,
free feeling of being one's self again and in one's sphere, make so
great a difference in so short a while? He wondered at himself for
not seeing farther ahead. He had come to bid her good-bye and offer
again--this time in all earnestness and sincerity, to take her with
him--to share his life--but the words died in his mouth.
He could no more have said them than he could have profanely touched
her.
When he left she walked with him to the parting of the ways.
The blue line of tremulous mountain was scrolled along a horizon that
flamed crimson in the setting sun. A flock of twilight clouds--flamingos
of the sky--floated toward the sunset as if going to roost. Beyond was
the great river, its bosom as wan, where it lay in the shadow of the
mountain, as Richard Travis's own cheek; but where the sunset fell on it
the reflected light turned it to pink which to him looked like Helen's.
The wind came down cool from the frost-tinctured mountain side, and the
fine sweet odor of life everlasting floated in it--frost-bitten--and
bringing a wave of youth and rabbit hunts and of a life of dreams and
the sweet unclouded far-off hope of things beautiful and immortal. And
the flow of it hurt Richard Travis--hurt him with a tenderness that
bled.
The girl stopped and drank in the beauty of it all, and he stood looking
at her, "the picture for the frame"--as he said to himself.
It had rained and the clouds were scattered, yet so full that they
caught entirely the sunset rays and held them as he would that moment
have loved to hold her. Something in her--something about her thrilled
him strangely, as he had often been thrilled when looking at the great
pictures in the galleries of the old world. He repeated softly to her,
as she stood looking forward--to him--into the future:
"What thou art we know not,
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody."
She turned and held out her hand.
"I must bid you good-bye now and I wish you all happiness--so much
more than you have ever had in all your life."
He took it, but he could not speak. Something shook him strangely. He
knew nothing to say. Had he spoken, he knew he had stammered and
blundered.
Never had the Richard Travis of old done such a thing.
"Helen--Helen--if--if--you know once I asked you to go with
me--once--in the old, awful life. Now, in the new--the new life which
you can make sweet--"
She came up close to him. The sun had set and the valley lay in
silence. When he saw her eyes there were tears in them--tears so full
and deep that they hurt him when she said:
"It can never--never be--now. You made me love you when you could not
love; and love born of despair is mateless ever; it would die in its
realization. Mine, for you, was that--" She pointed to the sunset.
"It breathed and burned. I saw it only because of clouds, of shadow.
But were the clouds, the shadows, gone--"
"There would be no life, no burning, no love," he said. "Ah, I think
I understand," and his heart sank with pain. What--why--he could not
say, only he knew it hurt him, and he began to wonder.
"You do not blame me," she said as she still held his hand and looked
up into his eyes in the old way he had seen, that terrible night at
Millwood.
For reply he held her hand in both of his and then laid it over his
heart. She felt his tears fall on it, tears, which even death could
not bring, had come to Richard Travis at last, and he wondered. In
the old life he never wondered--he always knew; but in this--this new
life--it was all so strange, so new that he feared even himself. Like
a sailor lost, he could only look up, by day, helplessly at the sun,
and, by night, helplessly at the stars.
"Helen--Helen," he said at last, strangely shaken in it all,--"if I
could tell you now that I do--that I could love--"
She put her hand over his mouth in the old playful way and shook her
head, smiling through her tears: "Do not try to mate my love with a
thing that balks."
It was simply said, and forceful. It was enough. Richard Travis
blushed for very shame.
"Do you not see," she said, "how hopeless it is? Do you not know that
I was terribly tempted--weak--maddened--deserted that night? That now
I know what Clay's love has been? Oh, why do we not learn early in
life that fire will burn, that death will kill, that we are the deed
of all we think and feel--the wish of all we will to be?"
Travis turned quickly: "Is that true? Then let me wish--as I do,
Helen; let me wish that I might love you as you deserve."
She saddened: "Oh, but you have wished--you have willed--too
often--too differently. It can never be now."
"I understand you," he said. "It is natural--I should say it is
nature--nature, the never-lying. I but reap my own folly, and now
good-bye forever, Helen, and may God bless you and bring you that
happiness you have deserved."