The Confidence-Man: His Masquerade

to say, a certain loss. Now then, sir, what use your mere writing and saying you will insure me, unless beforehand you place in my hands a money-pledge, sufficient to that end?" "I see; the material pledge." "Yes, and I will put it low; say fifty dollars." "Now what sort of a beginning is this? You, barber, for a given time engage to trust man, to put confidence in men, and, for your first step, make a demand implying no confidence in the very man you engage with. But fifty dollars is nothing, and I would let you have it cheerfully, only I unfortunately happen to have but little change with me just now." "But you have money in your trunk, though?" "To be sure. But you see--in fact, barber, you must be consistent. No, I won't let you have the money now; I won't let you violate the inmost spirit of our contract, that way. So good-night, and I will see you again." "Stay, sir"--humming and hawing--"you have forgotten something." "Handkerchief?--gloves? No, forgotten nothing. Good-night." "Stay, sir--the--the shaving." "Ah, I _did_ forget that. But now that it strikes me, I shan't pay you at present. Look at your agreement; you must trust. Tut! against loss you hold the guarantee. Good-night, my dear barber." With which words he sauntered off, leaving the barber in a maze, staring after. But it holding true in fascination as in natural philosophy, that nothing can act where it is not, so the barber was not long now in being restored to his self-possession and senses; the first evidence of which perhaps was, that, drawing forth his notification from the drawer, he put it back where it belonged; while, as for the agreement, that he tore up; which he felt the more free to do from the impression that in all human probability he would never again see the person who had drawn it. Whether that impression proved well-founded or not, does not appear. But in after days, telling the night's adventure to his friends, the worthy barber always spoke of his queer customer as the man-charmer--as certain East Indians are called snake-charmers--and all his friends united in thinking him QUITE AN ORIGINAL. CHAPTER XLIV. IN WHICH THE LAST THREE WORDS OF THE LAST CHAPTER ARE MADE THE TEXT OF DISCOURSE, WHICH WILL BE SURE OF RECEIVING MORE OR LESS ATTENTION FROM THOSE READERS WHO DO NOT SKIP IT. "Quite an original:" A phrase, we fancy, rather oftener used by the young, or the unlearned, or the untraveled, than by the old, or the well-read, or the man who has made the grand tour. Certainly, the sense of originality exists at its highest in an infant, and probably at its lowest in him who has completed the circle of the sciences. As for original characters in fiction, a grateful reader will, on meeting with one, keep the anniversary of that day. True, we sometimes hear of an author who, at one creation, produces some two or three score such characters; it may be possible. But they can hardly be original in the sense that Hamlet is, or Don Quixote, or Milton's Satan. That is to say, they are not, in a thorough sense, original at all. They are novel, or singular, or striking, or captivating, or all four at once. More likely, they are what are called odd characters; but for that, are no more original, than what is called an odd genius, in his way, is. But, if original, whence came they? Or where did the novelist pick them up? Where does any novelist pick up any character? For the most part, in town, to be sure. Every great town is a kind of man-show, where the novelist goes for his stock, just as the agriculturist goes to the cattle-show for his. But in the one fair, new species of quadrupeds are hardly more rare, than in the other are new species of characters--that is, original ones. Their rarity may still the more appear from this, that, while characters, merely singular, imply but singular forms so to speak, original ones, truly so, imply original instincts. In short, a due conception of what is to be held for this sort of personage in fiction would make him almost as much of a prodigy there, as in real history is a new law-giver, a revolutionizing philosopher, or the founder of a new religion. In nearly all the original characters, loosely accounted such in works of invention, there is discernible something prevailingly local, or of the age; which circumstance, of itself, would seem to invalidate the claim, judged by the principles here suggested. Furthermore, if we consider, what is popularly held to entitle characters in fiction to being deemed original, is but something personal--confined to itself. The character sheds not its characteristic on its surroundings, whereas, the original character, essentially such, is like a revolving Drummond light, raying away from itself all round it--everything is lit by it, everything starts up to it (mark how it is with Hamlet), so that, in certain minds, there follows upon the adequate conception of such a character, an effect, in its way, akin to that which in Genesis attends upon the beginning of things. For much the same reason that there is but one planet to one orbit, so can there be but one such original character to one work of invention. Two would conflict to chaos. In this view, to say that there are more than one to a book, is good presumption there is none at all. But for new, singular, striking, odd, eccentric, and all sorts of entertaining and instructive characters, a good fiction may be full of them. To produce such characters, an author, beside other things, must have seen much, and seen through much: to produce but one original character, he must have had much luck. There would seem but one point in common between this sort of phenomenon in fiction and all other sorts: it cannot be born in the author's imagination--it being as true in literature as in zoology, that all life is from the egg. In the endeavor to show, if possible, the impropriety of the phrase, _Quite an Original_, as applied by the barber's friends, we have, at unawares, been led into a dissertation bordering upon the prosy, perhaps upon the smoky. If so, the best use the smoke can be turned to, will be, by retiring under cover of it, in good trim as may be, to the story. CHAPTER XLV. THE COSMOPOLITAN INCREASES IN SERIOUSNESS. In the middle of the gentleman's cabin burned a solar lamp, swung from the ceiling, and whose shade of ground glass was all round fancifully variegated, in transparency, with the image of a horned altar, from which flames rose, alternate with the figure of a robed man, his head encircled by a halo. The light of this lamp, after dazzlingly striking on marble, snow-white and round--the slab of a centre-table beneath--on all sides went rippling off with ever-diminishing distinctness, till, like circles from a stone dropped in water, the rays died dimly away in the furthest nook of the place. Here and there, true to their place, but not to their function, swung other lamps, barren planets, which had either gone out from exhaustion, or been extinguished by such occupants of berths as the light annoyed, or who wanted to sleep, not see. By a perverse man, in a berth not remote, the remaining lamp would have been extinguished as well, had not a steward forbade, saying that the commands of the captain required it to be kept burning till the natural light of day should come to relieve it. This steward, who, like many in his vocation, was apt to be a little free-spoken at times, had been provoked by the man's pertinacity to remind him, not only of the sad consequences which might, upon occasion, ensue from the cabin being left in darkness, but, also, of the circumstance that, in a place full of strangers, to show one's self anxious to produce darkness there, such an anxiety was, to say the least, not becoming. So the lamp--last survivor of many--burned on, inwardly blessed by those in some berths, and inwardly execrated by those in others. Keeping his lone vigils beneath his lone lamp, which lighted his book on the table, sat a clean, comely, old man, his head snowy as the marble, and a countenance like that which imagination ascribes to good Simeon, when, having at last beheld the Master of Faith, he blessed him and departed in peace. From his hale look of greenness in winter, and his hands ingrained with the tan, less, apparently, of the present summer, than of accumulated ones past, the old man seemed a well-to-do farmer, happily dismissed, after a thrifty life of activity, from the fields to the fireside--one of those who, at three-score-and-ten, are fresh-hearted as at fifteen; to whom seclusion gives a boon more blessed than knowledge, and at last sends them to heaven untainted by the world, because ignorant of it; just as a countryman putting up at a London inn, and never stirring out of it as a sight-seer, will leave London at last without once being lost in its fog, or soiled by its mud. Redolent from the barber's shop, as any bridegroom tripping to the bridal chamber might come, and by his look of cheeriness seeming to dispense a sort of morning through the night, in came the cosmopolitan; but marking the old man, and how he was occupied, he toned himself down, and trod softly, and took a seat on the other side of the table, and said nothing. Still, there was a kind of waiting expression about him. "Sir," said the old man, after looking up puzzled at him a moment, "sir," said he, "one would think this was a coffee-house, and it was war-time, and I had a newspaper here with great news, and the only copy to be had, you sit there looking at me so eager." "And so you _have_ good news there, sir--the very best of good news." "Too good to be true," here came from one of the curtained berths. "Hark!" said the cosmopolitan. "Some one talks in his sleep." "Yes," said the old man, "and you--_you_ seem to be talking in a dream. Why speak you, sir, of news, and all that, when you must see this is a book I have here--the Bible, not a newspaper?" "I know that; and when you are through with it--but not a moment sooner--I will thank you for it. It belongs to the boat, I believe--a present from a society." "Oh, take it, take it!" "Nay, sir, I did not mean to touch you at all. I simply stated the fact in explanation of my waiting here--nothing more. Read on, sir, or you will distress me." This courtesy was not without effect. Removing his spectacles, and saying he had about finished his chapter, the old man kindly presented the volume, which was received with thanks equally kind. After reading for some minutes, until his expression merged from attentiveness into seriousness, and from that into a kind of pain, the cosmopolitan slowly laid down the book, and turning to the old man, who thus far had been watching him with benign curiosity, said: "Can you, my aged friend, resolve me a doubt--a disturbing doubt?" "There are doubts, sir," replied the old man, with a changed countenance, "there are doubts, sir, which, if man have them, it is not man that can solve them." "True; but look, now, what my doubt is. I am one who thinks well of man. I love man. I have confidence in man. But what was told me not a half-hour since? I was told that I would find it written--'Believe not his many words--an enemy speaketh sweetly with his lips'--and also I was told that I would find a good deal more to the same effect, and all in this book. I could not think it; and, coming here to look for myself, what do I read? Not only just what was quoted, but also, as was engaged, more to the same purpose, such as this: 'With much communication he will tempt thee; he will smile upon thee, and speak thee fair, and say What wantest thou? If thou be for his profit he will use thee; he will make