The Iliad
Yet mine shall sacred last; mine, undecay’d,
Burn on through death, and animate my shade.
Meanwhile, ye sons of Greece, in triumph bring
The corpse of Hector, and your pæans sing.
Be this the song, slow-moving toward the shore,
“Hector is dead, and Ilion is no more.””
Then his fell soul a thought of vengeance bred;
(Unworthy of himself, and of the dead;)
The nervous ancles bored, his feet he bound
With thongs inserted through the double wound;
These fix’d up high behind the rolling wain,
His graceful head was trail’d along the plain.
Proud on his car the insulting victor stood,
And bore aloft his arms, distilling blood.
He smites the steeds; the rapid chariot flies;
The sudden clouds of circling dust arise.
Now lost is all that formidable air;
The face divine, and long-descending hair,
Purple the ground, and streak the sable sand;
Deform’d, dishonour’d, in his native land,
Given to the rage of an insulting throng,
And, in his parents’ sight, now dragg’d along!
The mother first beheld with sad survey;
She rent her tresses, venerable grey,
And cast, far off, the regal veils away.
With piercing shrieks his bitter fate she moans,
While the sad father answers groans with groans,
Tears after tears his mournful cheeks o’erflow,
And the whole city wears one face of woe:
No less than if the rage of hostile fires,
From her foundations curling to her spires,
O’er the proud citadel at length should rise,
And the last blaze send Ilion to the skies.
The wretched monarch of the falling state,
Distracted, presses to the Dardan gate.
Scarce the whole people stop his desperate course,
While strong affliction gives the feeble force:
Grief tears his heart, and drives him to and fro,
In all the raging impotence of woe.
At length he roll’d in dust, and thus begun,
Imploring all, and naming one by one:
“Ah! let me, let me go where sorrow calls;
I, only I, will issue from your walls
(Guide or companion, friends! I ask ye none),
And bow before the murderer of my son.
My grief perhaps his pity may engage;
Perhaps at least he may respect my age.
He has a father too; a man like me;
One, not exempt from age and misery
(Vigorous no more, as when his young embrace
Begot this pest of me, and all my race).
How many valiant sons, in early bloom,
Has that cursed hand sent headlong to the tomb!
Thee, Hector! last: thy loss (divinely brave)
Sinks my sad soul with sorrow to the grave.
O had thy gentle spirit pass’d in peace,
The son expiring in the sire’s embrace,
While both thy parents wept the fatal hour,
And, bending o’er thee, mix’d the tender shower!
Some comfort that had been, some sad relief,
To melt in full satiety of grief!”
Thus wail’d the father, grovelling on the ground,
And all the eyes of Ilion stream’d around.
Amidst her matrons Hecuba appears:
(A mourning princess, and a train in tears;)
“Ah why has Heaven prolong’d this hated breath,
Patient of horrors, to behold thy death?
O Hector! late thy parents’ pride and joy,
The boast of nations! the defence of Troy!
To whom her safety and her fame she owed;
Her chief, her hero, and almost her god!
O fatal change! become in one sad day
A senseless corse! inanimated clay!”
But not as yet the fatal news had spread
To fair Andromache, of Hector dead;
As yet no messenger had told his fate,
Not e’en his stay without the Scæan gate.
Far in the close recesses of the dome,
Pensive she plied the melancholy loom;
A growing work employ’d her secret hours,
Confusedly gay with intermingled flowers.
Her fair-haired handmaids heat the brazen urn,
The bath preparing for her lord’s return
In vain; alas! her lord returns no more;
Unbathed he lies, and bleeds along the shore!
Now from the walls the clamours reach her ear,
And all her members shake with sudden fear:
Forth from her ivory hand the shuttle falls,
And thus, astonish’d, to her maids she calls:
[Illustration: ] THE BATH
“Ah follow me! (she cried) what plaintive noise
Invades my ear? ’Tis sure my mother’s voice.
My faltering knees their trembling frame desert,
A pulse unusual flutters at my heart;
Some strange disaster, some reverse of fate
(Ye gods avert it!) threats the Trojan state.
Far be the omen which my thoughts suggest!
But much I fear my Hector’s dauntless breast
Confronts Achilles; chased along the plain,
Shut from our walls! I fear, I fear him slain!
Safe in the crowd he ever scorn’d to wait,
And sought for glory in the jaws of fate:
Perhaps that noble heat has cost his breath,
Now quench’d for ever in the arms of death.”
She spoke: and furious, with distracted pace,
Fears in her heart, and anguish in her face,
Flies through the dome (the maids her steps pursue),
And mounts the walls, and sends around her view.
Too soon her eyes the killing object found,
The godlike Hector dragg’d along the ground.
A sudden darkness shades her swimming eyes:
She faints, she falls; her breath, her colour flies.
Her hair’s fair ornaments, the braids that bound,
The net that held them, and the wreath that crown’d,
The veil and diadem flew far away
(The gift of Venus on her bridal day).
Around a train of weeping sisters stands,
To raise her sinking with assistant hands.
Scarce from the verge of death recall’d, again
She faints, or but recovers to complain.
[Illustration: ] ANDROMACHE FAINTING ON THE WALL
“O wretched husband of a wretched wife!
Born with one fate, to one unhappy life!
For sure one star its baneful beam display’d
On Priam’s roof, and Hippoplacia’s shade.
From different parents, different climes we came.
At different periods, yet our fate the same!
Why was my birth to great Aëtion owed,
And why was all that tender care bestow’d?
Would I had never been!—O thou, the ghost
Of my dead husband! miserably lost!
Thou to the dismal realms for ever gone!
And I abandon’d, desolate, alone!
An only child, once comfort of my pains,
Sad product now of hapless love, remains!
No more to smile upon his sire; no friend
To help him now! no father to defend!
For should he ’scape the sword, the common doom,
What wrongs attend him, and what griefs to come!
Even from his own paternal roof expell’d,
Some stranger ploughs his patrimonial field.
The day, that to the shades the father sends,
Robs the sad orphan of his father’s friends:
He, wretched outcast of mankind! appears
For ever sad, for ever bathed in tears;
Amongst the happy, unregarded, he
Hangs on the robe, or trembles at the knee,
While those his father’s former bounty fed
Nor reach the goblet, nor divide the bread:
The kindest but his present wants allay,
To leave him wretched the succeeding day.
Frugal compassion! Heedless, they who boast
Both parents still, nor feel what he has lost,
Shall cry, ‘Begone! thy father feasts not here:’
The wretch obeys, retiring with a tear.
Thus wretched, thus retiring all in tears,
To my sad soul Astyanax appears!
Forced by repeated insults to return,
And to his widow’d mother vainly mourn:
He, who, with tender delicacy bred,
With princes sported, and on dainties fed,
And when still evening gave him up to rest,
Sunk soft in down upon the nurse’s breast,
Must—ah what must he not? Whom Ilion calls
Astyanax, from her well-guarded walls,[279]
Is now that name no more, unhappy boy!
Since now no more thy father guards his Troy.
But thou, my Hector, liest exposed in air,
Far from thy parents’ and thy consort’s care;
Whose hand in vain, directed by her love,
The martial scarf and robe of triumph wove.
Now to devouring flames be these a prey,
Useless to thee, from this accursed day!
Yet let the sacrifice at least be paid,
An honour to the living, not the dead!”
So spake the mournful dame: her matrons hear, Sigh back her sighs, and
answer tear with tear.
BOOK XXIII.
ARGUMENT.
FUNERAL GAMES IN HONOUR OF PATROCLUS.[280]
Achilles and the Myrmidons do honours to the body of Patroclus. After
the funeral feast he retires to the sea-shore, where, falling asleep,
the ghost of his friend appears to him, and demands the rites of
burial; the next morning the soldiers are sent with mules and waggons
to fetch wood for the pyre. The funeral procession, and the offering
their hair to the dead. Achilles sacrifices several animals, and lastly
twelve Trojan captives, at the pile; then sets fire to it. He pays
libations to the Winds, which (at the instance of Iris) rise, and raise
the flames. When the pile has burned all night, they gather the bones,
place them in an urn of gold, and raise the tomb. Achilles institutes
the funeral games: the chariot-race, the fight of the caestus, the
wrestling, the foot-race, the single combat, the discus, the shooting
with arrows, the darting the javelin: the various descriptions of
which, and the various success of the several antagonists, make the
greatest part of the book.
In this book ends the thirtieth day. The night following, the ghost
of Patroclus appears to Achilles: the one-and-thirtieth day is
employed in felling the timber for the pile: the two-and-thirtieth
in burning it; and the three-and-thirtieth in the games. The scene
is generally on the sea-shore.
Thus humbled in the dust, the pensive train
Through the sad city mourn’d her hero slain.
The body soil’d with dust, and black with gore,
Lies on broad Hellespont’s resounding shore.
The Grecians seek their ships, and clear the strand,
All, but the martial Myrmidonian band:
These yet assembled great Achilles holds,
And the stern purpose of his mind unfolds:
“Not yet, my brave companions of the war,
Release your smoking coursers from the car;
But, with his chariot each in order led,
Perform due honours to Patroclus dead.
Ere yet from rest or food we seek relief,
Some rites remain, to glut our rage of grief.”
The troops obey’d; and thrice in order led[281]
(Achilles first) their coursers round the dead;
And thrice their sorrows and laments renew;
Tears bathe their arms, and tears the sands bedew.
For such a warrior Thetis aids their woe,
Melts their strong hearts, and bids their eyes to flow.
But chief, Pelides: thick-succeeding sighs
Burst from his heart, and torrents from his eyes:
His slaughtering hands, yet red with blood, he laid
On his dead friend’s cold breast, and thus he said:
“All hail, Patroclus! let thy honour’d ghost
Hear, and rejoice on Pluto’s dreary coast;
Behold! Achilles’ promise is complete;
The bloody Hector stretch’d before thy feet.
Lo! to the dogs his carcase I resign;
And twelve sad victims, of the Trojan line,
Sacred to vengeance, instant shall expire;
Their lives effused around thy funeral pyre.”
Gloomy he said, and (horrible to view)
Before the bier the bleeding Hector threw,
Prone on the dust. The Myrmidons around
Unbraced their armour, and the steeds unbound.
All to Achilles’ sable ship repair,
Frequent and full, the genial feast to share.
Now from the well-fed swine black smokes aspire,
The bristly victims hissing o’er the fire:
The huge ox bellowing falls; with feebler cries
Expires the goat; the sheep in silence dies.
Around the hero’s prostrate body flow’d,
In one promiscuous stream, the reeking blood.
And now a band of Argive monarchs brings
The glorious victor to the king of kings.
From his dead friend the pensive warrior went,
With steps unwilling, to the regal tent.
The attending heralds, as by office bound,
With kindled flames the tripod-vase surround:
To cleanse his conquering hands from hostile gore,
They urged in vain; the chief refused, and swore:[282]
“No drop shall touch me, by almighty Jove!
The first and greatest of the gods above!
Till on the pyre I place thee; till I rear
The grassy mound, and clip thy sacred hair.
Some ease at least those pious rites may give,
And soothe my sorrows, while I bear to live.
Howe’er, reluctant as I am, I stay