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The language of flowers The floral offering ; a token of affection and esteem ; comprising the language and poetry of flowers

Henrietta Dumont

As fast as they are made, forgotten as soon As done. _Shakspeare._ * * * * * As through a valley remote I strayed, Methought, beside a mouldering temple’s stone, The tale of whose dark structure was unknown, I saw the form of Time: his scythe’s huge blade Lay swathed in the grass, whose gleam was seen Fearful, as oft the wind, the tussocks green Moved stirring to and fro: the beam of morn Cast a dim lustre on his look forlorn; When touching a responsive instrument, Stern o’er the chords his furrowed brow he bent: Meantime a naked boy, with aspect sweet, Played smiling with the hour-glass at his feet! Apart from these, and in a verdant glade, A sleeping infant on the moss was laid, O’er which a female form her vigils kept, And watched it, softly-breathing as it slept. Then I drew nigh, and to my listening ear Came, stealing soft and slow, this ditty clear: “Lullaby, sing lullaby,-- Sweetest babe, in safety lie; I thy mother sit and sing, Nor hear of Time the hurrying wing. Here, where innocence reposes, Fairy sylphs, your sports delay; Then the breath of morning roses From its bed of bliss convey. Lullaby, sing lullaby,-- Sweetest babe, in safety lie; I thy mother sit and sing, Nor hear of Time the hurrying wing.” _Bowles._ * * * * * Relentless Time! that steals with silent tread, Shall tear away the trophies of the dead. Fame, on the pyramid’s aspiring top, With sighs shall her recording trumpet drop; The feeble characters of Glory’s hand Shall perish, like the tracks upon the sand; But not with these expire the sacred flame Of virtue, or the good man’s awful name. _Bowles._ * * * * * O Time! who know’st a lenient hand to lay Softest on sorrow’s wound, and slowly thence (Lulling to sad repose the weary sense) The faint pang stealest unperceived away; On thee I rest my only hope at last, And think, when thou hast dried the bitter tear That flows in vain o’er all my soul held dear, I may look back on every sorrow past, And meet life’s peaceful evening with a smile-- As some lone bird, at day’s departing hour, Sings in the sunbeam, of the transient shower Forgetful, though its wings are wet the while:-- Yet ah! how much must that poor heart endure, Which hopes from thee, and thee alone, a cure! _Bowles._ COMMON THISTLE.... _Misanthropy_. Who would seek or prize Delights that end in aching? Who would trust to ties That every hour are breaking? Better far to be In utter darkness lying, Than be blest with light, and see That light for ever flying. All that’s bright must fade,-- The brightest still the fleetest, All that’s sweet was made But to be lost when sweetest! _Moore._ * * * * * I had much rather see A crested dragon or a basilisk, Both are less poison to my eyes and nature. _Dryden._ * * * * * Hate all, curse all: show charity to none; But let the famished flesh slide from the bone, Ere thou relieve the beggar: give to dogs What thou deniest to men; let prisons swallow them, Debts wither them to nothing: be men like blasted woods, And may diseases lick up their false bloods. _Shakspeare._ * * * * * I am Misanthropos, and hate mankind: For thy part, I do wish thou wert a dog, That I might love thee something. _Shakspeare._ * * * * * I’ll keep my way alone, and burn away-- Evil or good I care not, so I spread Tremendous desolation on my road: I’ll be remembered as huge meteors are; From the dismay they scatter. _Proctor._ * * * * * I see thou art implacable, more deaf To prayers than winds and seas; yet winds and seas Are reconciled at length, and sea to shore: Thy anger, unappeasable, still rages Eternal tempest never to be calm. _Milton._ * * * * * Warped by the world in disappointment’s school. In words too wise, in conduct there a fool; Too firm to yield, and far too proud to stoop, Doomed by his very virtues for a dupe, He cursed those virtues as the cause of ill, And not the traitors who betrayed him still; Nor deemed that gifts bestowed on better men, Had left him joy, and means to give again. Feared, shunned, belied, ere youth had lost her force, He hated men too much to feel remorse, And thought the voice of wrath a sacred call, To pay the injuries of some on all. _Byron._ * * * * * He has outsoared the shadow of our night; Envy and calumny, and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again; From the contagion of the world’s slow stain He is secure, and now can never mourn A heart grown cold, a head grown gray in vain; Nor, when the spirit’s self has ceased to burn, With sparkless ashes load an unlamented urn. _Shelley._ * * * * * They too, who mid the scornful thoughts that dwell In his rich fancy, tinging all its streams, As if the Star of Bitterness which fell On earth of old, and touched them with its beams, Can track a spirit, which, though driven to hate, From Nature’s hands came kind, affectionate; And which, even now, struck as it is with blight, Comes out, at times, in love’s own native light-- How gladly all, who’ve watched these struggling rays Of a bright, ruined spirit through his lays, Would here inquire, as from his own frank lips, What desolating grief, what wrongs had driven That noble nature into cold eclipse-- Like some fair orb, that, once a sun in heaven, And born, not only to surprise, but cheer With warmth and lustre all within its sphere, Is now so quenched, that, of its grandeur, lasts Naught but the wide cold shadow which it casts! _Moore._ DEW PLANT.... _Serenade_. Inesilla! I am here: Thy own cavalier Is now beneath thy lattice playing: Why art thou delaying? He hath ridden many a mile But to see thy smile: The young light on the flowers is shining, Yet he is repining. What to him is a summer star, If his love’s afar? What to him the flowers perfuming, When his heart’s consuming? Sweetest girl! why dost thou hide? Beauty may abide Even before the eye of morning, And want no adorning. Now, upon their paths of light, Starry spirits bright To catch thy brighter glance are staying: Why art thou delaying? _Barry Cornwall._ * * * * * Listen! from the forest boughs The voice-like angel of the spring Utters his soft vows To the proud rose blossoming. And now beneath thy lattice dear! I am like the bird complaining: Thou above (I fear) Like the rose disdaining. From her chamber in the skies Shouts the lark at break of morning, And when day-light flies Comes the raven’s warning. This of gloom and that of mirth In their mystic numbers tell; But thoughts of sweeter birth Teacheth the nightingale. _Barry Cornwall._ PINE.... _Pity_. Naught is there under Heaven’s wide hollowness That moves more dear compassion of the mind Than beauty brought to unworthy wretchedness Through envy’s snares, or fortune’s freaks unkind: I, whether lately through her brightness blind, Or through allegiance and vast fealty, Which I do owe unto all womankind, Feel my heart pierced with so great agony, When such I see, that all for pity I could die. _Spenser._ * * * * * Like Ariadne, when in pale despair The Athenian left her,--so sad Eva pined, And so she went complaining to the air, And gave her tresses to the careless wind:-- The colour of her fate was on her mind, Dark, death-like, and despairing;--and her eye Shone lustrous, like the light of prophecy. Over the grassy meads,--beside lone streams, To perilous heights which no weak step could reach, She wandered, feeding her unearthly dreams With musing, and would move the tremulous beech And shuddering aspen with imploring speech; For nothing that did live, save they (who sighed) Pitied the downfall of her amorous pride. _Barry Cornwall._
Illustration note[Illustration: NARCISSUS, SCARLET, GERANIUM, MARIGOLD. _Your self-love and stupidity excite my pity._]
* * * * * Has Hope, like the bird in the story, That flitted from tree to tree With the talisman’s glittering glory-- Has Hope been that bird to thee? On branch after branch alighting, The gem did she still display, And, when nearest and most inviting, Then waft the fair gem away! If thus the sweet hours have fleeted, When Sorrow herself looked bright; If thus the fond hope has cheated, That led thee along so light; If thus, too, the cold world wither Each feeling that once was dear;-- Come, child of misfortune! come hither, I’ll weep with thee, tear for tear. _Moore._ * * * * * The blind man groping cautiously his way Along the crowded pavement of a city, Has natural claims upon our tender pity. Whether ’twere night, or whether it were day, Would seem to make small difference to him Whose days and nights alike are ever dim; Yet still the tramp of human feet, and hum Of human voices, sweetly fill his ear; The surgings of the tides of life appear Like the deep sounds that from the ocean come At midnight to the listener. Pity’s glance Upon his form instinctively we throw; And while some sadness clouds our countenance, To GOD we pray to save us from such wo. _MacKellar._ * * * * * Come, chase that starting tear away, Ere mine to meet it springs; To-night, at least, to-night be gay, Whatever to-morrow brings! Like sunset gleams, that linger late When all is darkening fast, Are hours like these we snatch from Fate-- The brightest and the last. _Moore._ * * * * * ’Tis the last rose of summer, Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rose-bud is nigh, To reflect back her blushes, Or give sigh for sigh! I’ll not leave thee, thou lone one, To pine on the stem; Since the lovely are sleeping, Go, sleep thou with them. Thus kindly I scatter Thy leaves o’er the bed, Where thy mates of the garden Lie scentless and dead. _Moore._ SAGE.... _Domestic Virtues_. At length his lonely cot appears in view, Beneath the shelter of an aged tree; Th’ expectant wee things, todlin stacher through